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Overview
User Rating:
Director:
Writers (WGA):
Paul Haggis (story)
Paul Haggis (screenplay) ...
more
Release Date:
6 May 2005 (USA) more
Tagline:
You think you know who you are. You have no idea. more
Plot:
Several stories interweave during two days in Los Angeles involving a collection of inter-related characters... more | full synopsis
Awards:
Won 3 Oscars. Another 41 wins & 66 nominations more
NewsDesk:
(263 articles)
Thandie Newton suppresses sexuality
(From Monsters and Critics. 8 November 2009, 10:01 PM, PST)
Thandie Newton Doesn't Flirt
(From iCelebz. 8 November 2009, 9:46 PM, PST)
User Comments:
Such A Fine Line Between Oscar and Lifetime Channel Movie... more (1481 total)
Cast
(Cast overview, first billed only)| Karina Arroyave | ... | Elizabeth | |
| Dato Bakhtadze | ... | Lucien | |
| Sandra Bullock | ... | Jean Cabot | |
| Don Cheadle | ... | Det. Graham Waters | |
| Art Chudabala | ... | Ken Ho | |
| Sean Cory Cooper | ... | Motorcycle Cop (as Sean Cory) | |
| Tony Danza | ... | Fred | |
| Keith David | ... | Lt. Dixon | |
| Loretta Devine | ... | Shaniqua Johnson | |
| Matt Dillon | ... | Officer John Ryan | |
| Jennifer Esposito | ... | Ria | |
| Ime Etuk | ... | Georgie (as Ime N. Etuk) | |
| Eddie J. Fernandez | ... | Officer Gomez (as Eddie Fernandez) | |
| William Fichtner | ... | Flanagan | |
| Howard Fong | ... | Store Owner |
Additional Details
Also Known As:
L.A. Crash (Germany)
more
MPAA:
Rated R for language, sexual content and some violence.
Parents Guide:
Runtime:
112 min | 115 min (director's cut)
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Netherlands:12 | New Zealand:R16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | USA:R (certificate #40991) | Sweden:7 | Taiwan:R-12 | Argentina:16 | France:U | Iceland:16 | Brazil:14 | Belgium:KT | Chile:TE | India:A | USA:Unrated (director's cut) | South Korea:15 | Ireland:15 (DVD rating) | Hong Kong:IIB | Malaysia:(Banned) (theatrical) | Malaysia:U (DVD) | Japan:PG-12 | Australia:MA | Canada:13+ (Quebec) | Canada:14A (British Columbia) | Canada:14A (Ontario) | UK:15 | Finland:K-11 | Ireland:15A | Singapore:M18 | Germany:12 | Portugal:M/12 | Norway:15 | Philippines:R-13
Filming Locations:
Company:
Fun Stuff
Trivia:
William Fichtner's scenes were shot in just one day. more
Goofs:
Factual errors: Even a blank round is potentially lethal at close range. Consider that the sound a bullet makes is from a small explosion within the jacket. In a normal bullet, this small explosion has enough force to propel the slug towards the target. In a blank round, compressed gasses and bits of metal are used to produce the same noise and flash of a gun. These are still propelled with a considerable amount of force. more
Quotes:
[first lines]
Graham:
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
more
Movie Connections:
Referenced in "The Rotten Tomatoes Show: Echelon Conspiracy/Street Fighter: The Legend of Chun Li/Crossing Over (#1.1)" (2009) more
Soundtrack:
Maybe Tomorrow more
FAQ
Is there a name for the style of this movie? What other films are made in this style of cross-connected, interwoven storylines?I heard there's some controversy involving lawsuits surrounding the producers. What's the story?
How much sex, violence, and profanity are in this movie?
more
more (1481 total)
Message Boards
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While this film was well done, I am stunned at both the average voter rating on IMDb and it earning the Best Film for 2005. This is a 'tidy' account of racial conditions in the USA, but no more cutting edge than the content found in any 'All In The Family' sitcom from the 70s. There is little character development, with each being one-dimensional regarding their personal discriminations. If this film is supposed to deliver a message, it was lost in my viewing. It appeared that every character's racial subjectivity was influenced and primarily based on the most recent event with that race. In my opinion, racial conditions have improved and evolved in our country further than this film suggests. Personal discriminations in the film are not subtle and are stereotypical to a fault. It was void of subtleties and wit that truly represent an individual's approach and reaction in real life. Comparing this to the other nominees this year, I wonder what criteria the voters based their vote upon to select Crash as the winner. This would be a 'surf-through' movie if you passed over it on the Lifetime Channel (only A-list cameo appearances save it from this deserved placement). This is a 'one-watch' movie and will likely date itself quickly. I am sure the idea for the film came out of a graduate student's thesis and would work well in stage form with an ethnic cross-section of serious undergraduate drama majors.