| Photos (see all 127 | slideshow) | Videos (see all 13) |
Directed by | |||
| Paul Haggis | |||
Writing credits(WGA) | ||
| Paul Haggis | (story) | |
| Paul Haggis | (screenplay) & | |
| Robert Moresco | (screenplay) (as Bobby Moresco) | |
Produced by | |||
| Don Cheadle | .... | producer | |
| Betsy Danbury | .... | co-producer | |
| Sarah Finn | .... | co-producer (as Sarah Halley Finn) | |
| Marina Grasic | .... | executive producer | |
| Paul Haggis | .... | producer | |
| Mark R. Harris | .... | producer | |
| Randi Hiller | .... | co-producer | |
| Jan Korbelin | .... | executive producer | |
| Dana Maksimovich | .... | associate producer | |
| Robert Moresco | .... | producer (as Bobby Moresco) | |
| Tom Nunan | .... | executive producer | |
| Andrew Reimer | .... | executive producer | |
| Cathy Schulman | .... | producer | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| J. Michael Muro | (director of photography) | ||
Film Editing by | |||
| Hughes Winborne | |||
Casting by | |||
| Sarah Finn | (as Sarah Halley Finn) | ||
| Randi Hiller | |||
Production Design by | |||
| Laurence Bennett | |||
Art Direction by | |||
| Brandee Dell'Aringa | |||
Set Decoration by | |||
| Linda Lee Sutton | (as Linda Sutton-Doll) | ||
Costume Design by | |||
| Linda M. Bass | (as Linda Bass) | ||
Makeup Department | |||
| RaMona Fleetwood | .... | hair stylist (as Ramona Fleetwood) | |
| Kerry Mendenhall | .... | department head hair stylist | |
| Ben Nye Jr. | .... | department head makeup | |
| Bunny Parker | .... | department head hair stylist | |
| Theraesa Rivers | .... | key hair stylist | |
| Kimberley Spiteri | .... | department head hair stylist | |
| Michelle Vittone | .... | key makeup artist (as Michelle Vittone-McNeil) | |
Second Unit Director or Assistant Director | |||
| Scott Cameron | .... | first assistant director | |
| Ime Etuk | .... | second second assistant director (as Ime N. Etuk) | |
| Simone Farber | .... | second assistant director | |
| Casey Mako | .... | additional second second assistant director | |
| Christian Pichler | .... | third assistant director (uncredited) | |
Art Department | |||
| Scott Ambrose | .... | property master | |
| Brian Barr | .... | art department intern | |
| James R. Barrows | .... | set dresser (as James Barrows) | |
| Daniel Brodo | .... | leadman | |
| Nicki Cohen | .... | buyer | |
| Cary Conway | .... | lead paint foreman (as Cary 'NW' Conway) | |
| Steve Dennis | .... | painter | |
| Stacy Doran | .... | set dresser | |
| Marcus Epps | .... | set dresser | |
| Joseph W. Grafmuller | .... | leadman (as Joseph Grafmuller) | |
| Maya S. Grafmuller | .... | set dresser (as Maya Grafmuller) | |
| Jay Jergensen | .... | construction coordinator (as John W. Jergensen) | |
| Paul 'Butch' Kitchen Jr. | .... | assistant prop master (as Paul Butch Kitchen) | |
| David Maturana | .... | on-set dresser (as David Saenz De Maturana) | |
| Bruce Purcell | .... | set dresser | |
| Cynthia C. Rebman | .... | on-set dresser (as Cynthia Rebman) | |
| Oswaldo Rojas | .... | propmaker | |
| Philip Ryan | .... | painter | |
| Homberto Saenz | .... | laborer (as Humberto Saenz) | |
| Bradford W. Shoemaker | .... | construction foreman | |
| Jonathan Woods | .... | storyboard artist (as Jonathan B. Woods) | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Derek Lee Bell | .... | additional audio | |
| Zack Davis | .... | dialog editor (as Zach Davis) | |
| Keren Falkenstein | .... | additional audio | |
| Tim Farrell | .... | additional audio | |
| Carl Fischer | .... | boom operator | |
| Marc Fishman | .... | sound re-recording mixer (as Marc David Fishman) | |
| Sandy Gendler | .... | supervising sound editor | |
| Chato Hill | .... | digital sound assistant | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Eric Lamb | .... | digital sound assistant | |
| Carrie Lisonbee | .... | digital sound assistant | |
| Darrin Mann | .... | foley mixer | |
| Ryan Murphy | .... | sound re-recordist | |
| Andy Potvin | .... | consultant: Dolby | |
| Rocky Quiroz | .... | utility sound technician | |
| Joan Rowe | .... | foley artist | |
| Sean Rowe | .... | foley artist | |
| Joel Shryack | .... | boom operator | |
| Unsun Song | .... | sound re-recordist | |
| Greg Steele | .... | adr mixer (as Greg Steel) | |
| Richard Van Dyke | .... | sound mixer | |
| Karen Vassar | .... | dialog editor | |
| Jason Wade | .... | additional audio | |
| Julie Altus | .... | adr recordist (uncredited) | |
| Steve Bartkowicz | .... | re-recording engineer (uncredited) | |
| Courtney Bishop | .... | adr recordist (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| Jason Wade | .... | adr assistant (uncredited) | |
Special Effects by | |||
| Scott M. Austin | .... | special effects foreman | |
| Dan Edwards | .... | special effects technician (as Danny Edwards) | |
| Jeffrey Machit | .... | special effects technician (as Jeffrey C. Machit) | |
| Doyle Smiley | .... | special effects technician | |
| Ron Trost | .... | special effects coordinator | |
| Bryan Wohlers | .... | special effects | |
Visual Effects by | |||
| Chih-Jen Chang Andy | .... | digital compositor: Luma Pictures (as Andy Chih-Jen Chang) | |
| Sean Applegate | .... | effects animator: Luma Pictures | |
| Artaya Boonsoong | .... | lead technical supervisor: Luma Pictures | |
| Dean Chamberlain | .... | producer: iO Film | |
| Chad Dombrova | .... | digital effects technician: Luma Pictures | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO Film (as Christopher Dusendschön) | |
| Evan Edelist | .... | production executive: iO Film | |
| Saeed Faridzadeh | .... | digital compositor: Luma Pictures | |
| H Haden Hammond | .... | compositor: Luma Pictures | |
| H Haden Hammond | .... | effects animator: Luma Pictures | |
| Justin Johnson | .... | lead digital compositor: Luma Pictures | |
| Wendy Klein | .... | digital compositor: Luma Pictures | |
| Tim Krubsack | .... | production executive: iO Film | |
| Julie Landholt | .... | end title graphics: iO Film (as J. Kathryn Landholt) | |
| Artin Matousian | .... | digital effects technician: Luma Pictures | |
| Glenn Morris | .... | visual effects coordinator: Luma Pictures | |
| Kevin Mullican | .... | color science/imaging r&d: iO Film | |
| Ian Noe | .... | visual effects producer: Luma Pictures | |
| David Schoneveld | .... | effects animator: Luma Pictures | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Thanapoom Siripopungul | .... | digital compositor: Luma Pictures | |
| Daniel E. Zobrist | .... | lead matchmover: Luma Pictures (as Daniel Zobrist) | |
| Unjoo Lee Byars | .... | producer: main title (uncredited) | |
| Kyle Cassidy | .... | digital compositor: Luma Pictures (uncredited) | |
| Russ Honican | .... | main title design (uncredited) | |
Stunts | |||
| Hank Amos | .... | stunt performer | |
| Erik Betts | .... | stunt performer | |
| Dartenea Bryant | .... | stunt performer | |
| Keith Campbell | .... | stunt performer | |
| Chris Carnel | .... | stunt performer (as Christopher Carnel) | |
| Jack Carpenter | .... | stunt performer | |
| Kofi Elam | .... | stunt performer | |
| Randolph LeRoi | .... | stunt performer (as Randolph Leroi) | |
| Delma Miranda | .... | stunt performer | |
| Robair Sims | .... | stunt performer | |
| Monica Staggs | .... | stunt performer | |
| Dean Wayton | .... | stunt performer | |
| Gary J. Wayton | .... | stunt coordinator (as Gary Wayton) | |
| April Weeden-Washington | .... | stunt performer (as April Washington) | |
| Paul E. Short | .... | stunts (uncredited) | |
Casting Department | |||
| Jimmy Jue | .... | extras casting | |
| Erika Sellin | .... | casting associate | |
| Amy Greene Vines | .... | casting assistant (as Amy Greene) | |
| Kathryn Lyn Long | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Mary Cheung | .... | set costumer | |
| Bridgitte Ferry | .... | set costumer (as Brigitte Ferry) | |
| Leyla Jabbar | .... | wardrobe intern | |
| Gail Just | .... | wardrobe supervisor | |
| Eve-Gerri Pagliarulo | .... | wardrobe intern | |
| Romeo Pompa | .... | set costumer | |
| Isabela Braga | .... | costumer (uncredited) | |
| Alana Caudillo | .... | costumer (uncredited) | |
Editorial Department | |||
| Adam Hawkey | .... | digital colorist: iO Film (as Adam S. Hawkey) | |
| Sean Hubbert | .... | first assistant film editor | |
| Michael John Koetter | .... | assistant digital colorist: iO Film (as Michael Koetter) | |
| Joel T. Pashby | .... | post-production coordinator (as Joel Pashby) | |
| Bob Wenokur | .... | studio post-production representative (uncredited) | |
Music Department | |||
| James Burt | .... | music editor (as Jim Burt) | |
| Richard Glasser | .... | music supervisor | |
| Mark Isham | .... | music arranger | |
| Mark Isham | .... | music producer | |
| Mark Isham | .... | musician | |
| Stephen Krause | .... | music recordist-mixer | |
| Jason La Rocca | .... | music assistant | |
| Cindy O'Connor | .... | additional music arranger | |
| Mark Reveley | .... | music assistant | |
| Curtis Roush | .... | music editor | |
| Joel C. High | .... | music executive (uncredited) | |
Transportation Department | |||
| Tony Barattini | .... | driver | |
| Tracey V. Black | .... | driver (as Tracy Black) | |
| David R. Blakely | .... | driver | |
| Daren Bojarski | .... | driver | |
| Roger Bojarski | .... | transportation captain (as Roger S. Bojarski) | |
| Brad Campbell | .... | driver | |
| John Campbell | .... | driver | |
| Corey Dail | .... | driver | |
| Derew Frutos | .... | driver | |
| Jay Galloway | .... | driver | |
| Curt Michael Grooms | .... | driver | |
| Virgie Haltman | .... | driver (as Virgie Halteman) | |
| Kevin Loding | .... | driver (as Kevin P. Loding) | |
| Eric Moon | .... | driver | |
| Michael Perrotti | .... | transportation coordinator | |
| Juan Ramirez | .... | transportation co-captain (as Juan J. Ramirez) | |
| Dom Rodriguez | .... | driver | |
| George A. Sack | .... | driver (as George Sack) | |
| Clinton J. Taylor | .... | driver (as Clinton Taylor) | |
| Sal Velásquez | .... | driver (as Sal Velasquez) | |
| Gina August | .... | driver (uncredited) | |
| William P. Lafon | .... | driver (uncredited) | |
Other crew | |||
| Thomas Becker | .... | business and legal affairs: ApolloProScreen | |
| Tony Black | .... | assistant to cast | |
| Andrew Blau | .... | production coordinator | |
| David Bojarski | .... | assistant to cast | |
| Paul Borbon | .... | stand-in | |
| Erik Bright | .... | unit publicist | |
| Luis Brito | .... | catering chef: Hanna Brothers | |
| James Cameron | .... | production assistant | |
| Jackie Chiquete | .... | stand-in | |
| Hugo Cortez | .... | catering assistant: Hanna Brothers | |
| Heather I. Denton | .... | production assistant | |
| David Diamond | .... | assistant location manager | |
| Jennifer Dunne | .... | location manager (as Jennifer W. Dunne) | |
| John Federico | .... | production assistant | |
| Thorsten Felscher | .... | financial affairs: ApolloProScreen | |
| Jordan Brendan Finnegan | .... | key set production assistant (as Jordan Finnegan) | |
| Felicia Flick | .... | assistant: Ms. Schulman | |
| Kelli Gillam | .... | post-production accountant | |
| Paul Giorgi | .... | payroll accountant | |
| Rob Hamer | .... | production assistant | |
| Janet Harold | .... | assistant location manager | |
| Ethan Higbee | .... | assistant to cast | |
| Barbara J. Keys | .... | set medic (as Barbara Keys) | |
| Howard Keys | .... | set medic (as Howard M. Keys) | |
| Richard D. Lewis | .... | finance | |
| Richard D. Lewis | .... | production executive | |
| Michael J. Linowes | .... | production legal services: Linowes & Burkin (as Michael J. Linowes Esq.) | |
| Jay Mason | .... | script supervisor | |
| Richard McDonough | .... | assistant to producers | |
| Peter McKernan | .... | pilot (as Peter J. McKernan) | |
| Leslie A. Morrow | .... | key assistant location manager | |
| Scott Mosher | .... | assistant location manager (as Scott D. Mosher) | |
| Dale Ottley | .... | production secretary | |
| Richie Parker | .... | stand-in (as Richard Parker) | |
| Tanoa Parks | .... | production accountant | |
| Daniel Rosenthal | .... | production assistant | |
| Jimmy Rudon | .... | production assistant (as Jimmy 'Bling' Rudin) | |
| Gian Sardar | .... | assistant: Mr. Haggis | |
| Kai Schürmann | .... | production supervisor: ApolloProScreen (as Kai Schuermann) | |
| Jack Stern | .... | studio teacher | |
| Shelly Strong | .... | production executive | |
| Daniel Stutz | .... | business and legal affairs executive | |
| Mark Thomason | .... | stand-in | |
| Tiffany Thomas | .... | first assistant accountant | |
| Angel Villatoro | .... | catering assistant: Hanna Brothers | |
| Ian Watermeier | .... | staff coordinator | |
| Jörg Westerkamp | .... | production executive: ApolloProScreen (as Joerg Westerkamp) | |
| Dana Wilkey | .... | product placement | |
| Nicole Wirtz | .... | stand-in | |
| Charlotte Young | .... | assistant legal affairs | |
| Unjoo Lee Byars | .... | main title producer (uncredited) | |
| Nadine Deckensattl | .... | assistant business affairs (uncredited) | |
| Thomas Fischer | .... | legal affairs (uncredited) | |
| Suraj Gohill | .... | production lender (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Jonathan Heine | .... | production financing (uncredited) | |
| Algerita Wynn Lewis | .... | photo double (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Michael McIntyre | .... | creative director: main titles (uncredited) | |
| Mikki Pallas | .... | unspecified assistant (uncredited) | |
| Julie Polkes | .... | publicist (uncredited) | |
| Lina Shanklin | .... | script supervisor (uncredited) | |
| Brad Shoemaker | .... | general foreman (uncredited) | |
Thanks | |||
| Anita W. Addison | .... | dedicatee: (1952-2004 a great friend) (as Anita Addison) | |
| Aliya Allyn | .... | the producers gratefully acknowledge the help of | |
| Tim Allyn | .... | the producers gratefully acknowledge the help of | |
| Laurence Becsey | .... | the producers gratefully acknowledge the help of (as Larry Becsey) | |
| Donna Buchanan | .... | the producers gratefully acknowledge the help of | |
| Unjoo Lee Byars | .... | the producers gratefully acknowledge the help of | |
| Michael Chaiken | .... | the producers gratefully acknowledge the help of (as Dr. Michael Chaiken) | |
| Tony Danza | .... | the producers gratefully acknowledge the help of | |
| Rick Gold | .... | the producers gratefully acknowledge the help of | |
| Meredith Grindlinger | .... | the producers gratefully acknowledge the help of | |
| Ted Haggis | .... | the producers gratefully acknowledge the help of | |
| Floy Hawkins | .... | the producers gratefully acknowledge the help of | |
| Marshall Herskovitz | .... | the producers gratefully acknowledge the help of | |
| Jason Isaacs | .... | the producers gratefully acknowledge the help of | |
| Carl Lumbly | .... | the producers gratefully acknowledge the help of | |
| Rosie McCann | .... | the producers gratefully acknowledge the help of | |
| Buckley Norris | .... | the producers gratefully acknowledge the help of | |
| Chuck Parker | .... | the producers gratefully acknowledge the help of | |
| Pam Perry | .... | the producers gratefully acknowledge the help of | |
| Mike Pietrzak | .... | the producers gratefully acknowledge the help of | |
| Rebecca Pollack | .... | the producers gratefully acknowledge the help of | |
| Deborah Rennard | .... | the producers gratefully acknowledge the help of | |
| Salli Richardson-Whitfield | .... | the producers gratefully acknowledge the help of (as Salli Richardson) | |
| Robyn Roth | .... | the producers gratefully acknowledge the help of | |
| Neil Sacker | .... | the producers gratefully acknowledge the help of | |
| Janet Salas | .... | the producers gratefully acknowledge the help of | |
| Anthony Santa Croce | .... | the producers gratefully acknowledge the help of | |
| John Segota | .... | the producers gratefully acknowledge the help of | |
| Todd Sharp | .... | the producers gratefully acknowledge the help of | |
| Mary Jo Slater | .... | the producers gratefully acknowledge the help of | |
| Allan Steele | .... | the producers gratefully acknowledge the help of | |
| Ryk St. Vincent | .... | the producers gratefully acknowledge the help of | |
| Dr. Ronald Sue | .... | the producers gratefully acknowledge the help of | |
| Glenn Taranto | .... | the producers gratefully acknowledge the help of | |
| Jeff Wachtel | .... | the producers gratefully acknowledge the help of | |
| Deborah Wettstein | .... | the producers gratefully acknowledge the help of | |
| Randy Wiggins | .... | the producers gratefully acknowledge the help of | |
| Chuck Worthen | .... | the producers gratefully acknowledge the help of | |
| Catherine Zappa | .... | the producers gratefully acknowledge the help of | |
| Randall Zisk | .... | the producers gratefully acknowledge the help of (as Randy Zisk) | |
|
|
|
|
|
| The Salton Sea | Babel | The Blue Hour | Training Day | The Fugitive |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
Like Altman's classic Short Cuts, and Anderson's Magnolia, Crash, by writer/director Paul Haggis weaves a tale of multiple characters through the web of streets we have come to know as Los Angeles. Unlike those other two films this one has a very specific theme to explore. From the opening line uttered by Don Cheadle we know this is to be a film about how people relate, and from the interchange that follows between Jennifer Esposito and Alexis Rhee (pretty sure she plays the Korean female driver who rear-ended her) how people relate tends to be ruled by first impressions or prejudice.
Race is paramount in this film, and all our preconceptions of who people are get twisted and turned through the intricate plot. With each new additional character we find another assumption, another stereotype, and then watch as that preconception is obliterated as the character develops. It is a credit to the deftly written script, tight direction and exceptional acting talent that every one of these many characters is fully realized on screen without ever feeling one-dimensional.
I would love to discuss some of the details of what happens to explain how well it is done, but part of the magic of this film is allowing yourself to be taken on this ride. Mind you, this isn't a ride of pleasure. The first half of this film is unrelentingly in its ferociousness. I could literally feel my rage at some of the characters forming to a fever pitch. The fear and hatred I was confronting wasn't just on the screen, but in the pit of my stomach. And in one absolutely brilliant moment I was literally sobbing at the expectation of horror unfolding, only to be cathartically released in a most unexpected way.
Mr. Haggis was in attendance at the screening I saw and explained that the idea for this film came to him one night sometime after 9/11 at about 2a.m. when his own memories of a car- jacking experience from 10 years before wouldn't leave him alone. Clearly this film was his way of relieving those demons of memory, using the catharsis of his art to unleash them and in doing so has given to all viewers of cinema an opportunity to examine our own preconceptions about race relations and how we treat each other and think of ourselves. He mentioned in the discussion after-wards that he likes to make films that force people to confront difficult issues. Films that ask people to think after the film has ended and not just leave saying: "that was a nice film".
This isn't a "nice" film, and I would expect that it will provoke many a discussion in the ensuing weeks when it opens nation-wide. It's a discussion long overdue for this country, and it took a Canadian to bring the issue to the fore in this brilliant, thought provoking film.