| Photos (see all 28 | slideshow) | Videos (see all 3) |
| Paul Giamatti | ... | Miles | |
| Thomas Haden Church | ... | Jack | |
| Virginia Madsen | ... | Maya | |
| Sandra Oh | ... | Stephanie | |
| Marylouise Burke | ... | Miles's Mother | |
| Jessica Hecht | ... | Victoria | |
| Missy Doty | ... | Cammi | |
| M.C. Gainey | ... | Cammi's Husband | |
| Alysia Reiner | ... | Christine Erganian | |
| Shake Tukhmanyan | ... | Mrs. Erganian (as Shaké Toukhmanian) | |
| Shaun Duke | ... | Mike Erganian (as Duke Moosekian) | |
| Robert Covarrubias | ... | Miles's Building Manager | |
| Patrick Gallagher | ... | Gary the Bartender | |
| Stephanie Faracy | ... | Stephanie's Mother | |
| Joe Marinelli | ... | Frass Canyon Pourer | |
| Chris Burroughs | ... | Chris at Stanford | |
| Toni Howard | ... | Evelyn Berman-Silverman (voice) | |
| Rev. Fr. Khoren Babouchian | ... | Armenian Priest | |
| Lee Brooks | ... | Ken Cortland | |
| Peter Dennis | ... | Leslie Brough | |
| Alison Herson | ... | Foxen Winery Pourer | |
| Phil Reeves | ... | Vacationing Dr. Walt Hendricks | |
| Rob Trow | ... | Obnoxious Golfer | |
| Lacey Rae | ... | Los Olivos Waitress | |
| Cesar Ramos | ... | Barista (as Cesar 'Cheeser' Ramos) | |
| Daniel Rogers | ... | Reciting Eighth Grader | |
| Natalie Carter | ... | Siena | |
| Simon Kassis | ... | Mini-Mart Owner | |
| Sevag Kendirjian | ... | Armenian Deacon | |
| Jaren Coler | ... | Acoustic Guitarist | |
| rest of cast listed alphabetically: | |||
| Chris Astoyan | ... | Mrs. Erganian's Son (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| Alex Kalognomos | ... | Alex (uncredited) | |
| Logan Mulvey | ... | Waiter (uncredited) | |
| Parker Quinn | ... | Customer in Shoe Store (uncredited) | |
| Mikayel Sharafyan | ... | Armenian wedding guest (uncredited) | |
Directed by | |||
| Alexander Payne | |||
Writing credits(WGA) | ||
| Rex Pickett | (novel) | |
| Alexander Payne | (screenplay) & | |
| Jim Taylor | (screenplay) | |
Produced by | |||
| Michael London | .... | producer | |
| George Parra | .... | co-producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Phedon Papamichael | |||
Film Editing by | |||
| Kevin Tent | |||
Casting by | |||
| John Jackson | |||
Production Design by | |||
| Jane Ann Stewart | |||
Art Direction by | |||
| T.K. Kirkpatrick | |||
Set Decoration by | |||
| Lisa Fischer | |||
| Barbara Haberecht | |||
Costume Design by | |||
| Wendy Chuck | |||
Makeup Department | |||
| Bridget Cook | .... | key hair stylist (as Bridget M. Cook) | |
| Nicole Frank | .... | assistant hair stylist | |
| Pam Phillips | .... | assistant makeup artist (as Pamela Phillips) | |
| Jeanne Van Phue | .... | makeup department head | |
Production Management | |||
| Steve Barnett | .... | post-production supervisor | |
| Ginger Sledge | .... | unit production manager | |
| Yvonne Yaconelli | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| George Parra | .... | first assistant director | |
| Nick Satriano | .... | second assistant director | |
| Susan E. Walter | .... | second second assistant director | |
Art Department | |||
| Jeff Brown | .... | greens coordinator | |
| Jeff Brown | .... | greens foreman | |
| Gerasimos Christoforatos | .... | art department assistant | |
| Denise Ciarcia | .... | second assistant property master (as Denise M. Ciarcia) | |
| Kevin Diersing | .... | propmaker | |
| Michael Diersing | .... | construction coordinator | |
| Richard Eckols | .... | foreman | |
| Leah Ferrarini | .... | set dresser | |
| Lilly Frank | .... | graphic artist | |
| Anthony Gaudio | .... | stand-by painter | |
| Marc Gillson | .... | painter (as Marco Gilson) | |
| Karen Greene | .... | painter | |
| Jennifer Hamilton | .... | property production assistant | |
| Scott E. Handt | .... | construction foreman | |
| Coco Harrison | .... | set decoration production assistant | |
| Willie Haspel | .... | labor foreman | |
| Derrick Hinman | .... | assistant property master | |
| Anne Hyvarinen | .... | lead paint foreman | |
| Marik 'Travis' Little | .... | set dresser (as Mark 'Travis' Little) | |
| Gabriel Mann | .... | art department production assistant | |
| Masako Masuda | .... | assistant art director | |
| Kristen McCarron | .... | buyer | |
| Frank McEldowney | .... | greens coordinator | |
| Jane Meyer | .... | set dresser (as Joanie Meyer) | |
| Jeffrey M. O'Brien | .... | property master | |
| Tristan Oliver | .... | set dresser | |
| Vlad Pelinovschi | .... | toolman | |
| Cynthia C. Rebman | .... | on-set dresser | |
| Brent Regan | .... | general construction foreman (as Brent T. Regan) | |
| Jon Reynolds | .... | art department production assistant | |
| Jeff Shewbert | .... | foreman | |
| Nils Thyrring | .... | scenic | |
| Kathleen Walker | .... | art department coordinator | |
| Michael P. Walsh | .... | signwriter | |
| Mark Woods | .... | leadman | |
Special Effects by | |||
| Donald Frazee | .... | special effects assistant coordinator (as Donald L. Frazee) | |
| Terry D. Frazee | .... | special effects coordinator (as Terry Frazee) | |
| Kai Shelton | .... | special effects technician | |
Visual Effects by | |||
| Mesrop Abrahamian | .... | rotoscope artist | |
| Ryan Beadle | .... | digital I/O | |
| Steve Caldwell | .... | digital compositor | |
| John Coats | .... | digital artist | |
| Dennis Dorney | .... | digital lineup | |
| Tim Everitt | .... | digital compositor | |
| Christine Haddad | .... | visual effects intern | |
| R.J. Harbour | .... | digital compositor | |
| Shauna M. Hirdler | .... | visual effects production assistant | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| Dave Jacobs | .... | visual effects production supervisor | |
| Lincoln Kupchak | .... | visual effects editor | |
| John P. Mesa | .... | visual effects supervisor | |
| Lori C. Miller | .... | main title designer | |
| Dan Novy | .... | digital compositor | |
| Mitch Paulson | .... | digital preview colorist | |
| Laurie Powers | .... | digital compositor | |
| Jeffrey White | .... | visual effects producer | |
| Amani Williams | .... | digital compositor | |
Stunts | |||
| Tom Elliott | .... | stunt coordinator | |
| Steve Holladay | .... | stunts | |
| Gary Price | .... | stunt double (as Gary K. Price) | |
| Mark Stefanich | .... | stunts | |
Camera and Electrical Department | |||
| David Ariniello | .... | grip | |
| Lee Auerbach | .... | lamp operator | |
| Kevin Barrera | .... | rigging electrician | |
| Adam Barth | .... | video assist operator | |
| Alejandro J. Castillo | .... | lighting technician | |
| Steve Colgrove | .... | lamp operator | |
| Ray Garcia | .... | key grip | |
| Antonio V. Garrido | .... | dolly grip (as Tony Garrido) | |
| Jarek Gorczycki | .... | best boy electric | |
| Bob Hall | .... | first assistant camera: "a" camera | |
| Jeffrey M. Hall | .... | lamp operator | |
| Sean Higgins | .... | best boy rigging electric (as Sean M. Higgins) | |
| Patrick Hoeschen | .... | lamp operator (as Patrick R. Hoeschen) | |
| Jack Korbel | .... | rigging grip | |
| Jennifer Lane | .... | director of photography: second unit | |
| Alexandra Lucka | .... | additional camera loader | |
| Daniel C. McFadden | .... | camera loader (as Daniel McFadden) | |
| Maurice K. McGuire | .... | additional camera operator | |
| Roger Meilink | .... | rigging gaffer | |
| Paul Murphey | .... | 24 frame video operator | |
| Jacqueline J. Nivens | .... | additional assistant camera | |
| Morten Petersen | .... | rigging electrician | |
| Blake Pike | .... | rigging key grip | |
| Donis Rhoden | .... | best boy grip | |
| Paul Sanchez | .... | camera operator (as Paul G. Sanchez) | |
| Rafael E. Sánchez | .... | gaffer | |
| T. Daniel Scaringi | .... | grip | |
| Tari Segal | .... | camera intern | |
| Philip Shanahan | .... | second assistant camera (as Phil Shanahan) | |
| Tony Sommo | .... | best boy rigging grip | |
| Dan Squires | .... | additional second assistant camera | |
| Paul Theriault | .... | additional first assistant camera | |
| Doug Wall | .... | grip (as Douglas L. Wall) | |
| Merie Weismiller Wallace | .... | still photographer | |
| Scott Whitbread | .... | additional assistant camera (as Scott A. Whitbread) | |
| Marek Wojciechowski | .... | grip (as Mark Wojciechowski) | |
Casting Department | |||
| Will Etling | .... | extras casting intern | |
| Michael Marino | .... | casting intern | |
| Ellen Parks | .... | casting: New York | |
| Jessie Hope Salka | .... | casting assistant | |
| Tammy Smith | .... | extras casting: Los Angeles | |
Costume and Wardrobe Department | |||
| Jeannine Bourdaghs | .... | set costumer | |
| Erin Lenk | .... | set costumer | |
| Lori Stilson | .... | costume supervisor | |
| Susan Strubel | .... | set costumer | |
Editorial Department | |||
| David Berman | .... | apprentice editor | |
| Gary Burritt | .... | negative cutter | |
| Mato | .... | color timer | |
| Jami Philbrick | .... | post-production assistant | |
| Laura Rindner | .... | assistant editor | |
| Alexis Seymour | .... | first assistant editor | |
Music Department | |||
| Alex Acuna | .... | musician: percussion | |
| Justo Almario | .... | musician: flute | |
| Dondi Bastone | .... | music supervisor | |
| Tony Blondal | .... | music coordinator | |
| Tony Blondal | .... | orchestrator | |
| Roger Burn | .... | musician: vibraphone | |
| David Carpenter | .... | musician: bass | |
| Stephen Coleman | .... | conductor | |
| Stephen Coleman | .... | music programmer | |
| Luis Conte | .... | musician: percussion | |
| Pedro Eustache | .... | musician: flute | |
| Ron Feuer | .... | musician: piano | |
| Richard Ford | .... | music editor | |
| Gary Foster | .... | musician: flute and saxophone | |
| Danny Greco | .... | musician: percussion | |
| Don Higgins | .... | musician: saxophone | |
| Oliver Hug | .... | assistant music editor | |
| Will Kennedy | .... | musician: drums | |
| Rolfe Kent | .... | musician: guitar and melodica | |
| Paul Morin | .... | musician: bass | |
| Ricardo 'Tiki' Pasillas | .... | musician: percussion | |
| Tom Ranier | .... | musician: piano | |
| Jason Ruder | .... | assistant music editor | |
| Dan Savant | .... | music contractor | |
| Dan Savant | .... | musician: trumpet | |
| Brian Scanlon | .... | musician: saxophone | |
| Nick South | .... | music programmer | |
| Eric Stonerook | .... | music copyist | |
| Bob Summers | .... | musician: trumpet | |
| Gohar Toranyan | .... | musician: wedding organist | |
| Greg Townley | .... | scoring mixer | |
| Nick Vincent | .... | musician: drums | |
| Lee Wall | .... | composer: additional music | |
| Kenny Wild | .... | musician: bass | |
| Tom Hardisty | .... | music mix assistant (uncredited) | |
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| Les invasions barbares | River's Edge | The Unbearable Lightness of Being | Big Fish | American Beauty |
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SIDEWAYS (2004) **** Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh. (DIR: Alexander Payne)
A truly vintage comedy. Paul Giamatti is one of our finest character actors who seems to be neck-and-neck with William H. Macy on cornering the market of portraying losers as a cottage industry and in the latest endeavor of hapless misanthropes he may have found Oscar gold.
Giamatti stars as Miles Raymond, a miserable mope of a man who realizes he is never going to amount to anything especially given the fact that he is his own worst enemy in his highly critical outlook on life particularly on two things he holds dear: his struggling attempts to become a writer of notice and his taste in wine. The latter leads him to a certain road trip to salvation when he embarks upon a few days of r&r away from his stagnant day job as a middle school English teacher with his best friend and former college roomie Jack (Church in easily the career defining role of his life since his hey day on the TV sitcom 'Wings') whose impending nuptials is Miles' wedding gift as the best man. Jack, a long-in-the tooth second-rate soap actor whose 15 minutes are at a close 14:59 is adamant about getting laid for one last time before his commitment to a younger woman who clearly deserves better (and Jack shrewdly knows this).
As the duo drive through the sun-dappled wine country of Northern California in a road trip not unlike two virginal, horny teens looking to pop their respective cherries, they come across two unlikely conquests. One is the shapely and surprisingly-down-to-earth waitress Maya (Madsen in a career comeback of epic proportions shines through the Giamatti gloom) who strikes a fancy to the depressed Miles while Jack has his sights on the sexy wine pourer Stephanie (the sublimely, reassuringly funny Oh, and real life wife to director Payne) who also is charmed by the blithely feckless Jack. What unfolds is a sweet yet too-good-to-be true few days of bliss and unbridled emotional rescue for the foursome as they take to one another like ducks to water although Miles' hesitancy is deeply reasoned since he is still licking the open wounds of his two-year old divorce.
Payne, one of my favorite filmmakers, doesn't disappoint as he dollops evenly the tragic-comic proceedings with his frequent long-time collaborator Jim Taylor in adapting an unpublished novel by Rex Pickett that has many layers to it and doesn't betray its four intriguing and ultimately human characters with all their flaws and neuroses on full display. Each actor shines with a few moments of soliloquies and dialogue that ring true that will have you laughing til you cry and vice versa (and that my friend is no easy trick)!
The four actors give supremely wonderfully acted turns and all are Oscar worthy as well as the screenplay which mixes misery with hope and some truly funny moments including an anger management golf sequence that feels like an outtake from 'Caddyshack' and Giamatti's drunken phone call to his ex is on par with Jon Favreau's car-accident-in-slow-motion answering machine mishap in 'Swingers' one for the archives. Church makes his borderline jerk a quasi-pathetic lothario who finally sees the forest for the trees in a surprisingly moving moment of realization in a teary confessional; Oh unleashes the old chestnut of a woman's scorn with no-holds-barred and Madsen is a true welcome back from a seemingly endless string of nothing vehicles into this warm and welcome turn as comforting as a blanket on a wintry night in front of a cozy fire.
While it is so easy to resort to the wine as metaphor as the film amply does with smart, sharp and pungent dialogue the film is a full-bodied, never precocious vintage that needs to be savored in a desirable bouquet of cinematic finesse.