| Photos (see all 39 | slideshow) | Videos (see all 3) |
| Fri. July 24 | 8:00 AM | FX |
| Blanchard Ryan | ... | Susan | |
| Daniel Travis | ... | Daniel | |
| Saul Stein | ... | Seth | |
| Michael E. Williamson | ... | Davis (as Michael Williamson) | |
| Cristina Zenarro | ... | Linda (as Cristina Zenaro) | |
| John Charles | ... | Junior (as Jon Charles) | |
| rest of cast listed alphabetically: | |||
| Estelle Lau | ... | Estelle (uncredited) | |
| Steve Lemme | ... | Scuba Diver (uncredited) | |
Directed by | |||
| Chris Kentis | |||
Writing credits | ||
| Chris Kentis | (written by) | |
Produced by | |||
| Estelle Lau | .... | associate producer | |
| Laura Lau | .... | producer | |
| Gary Lorenzo | .... | executive producer (uncredited) | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Chris Kentis | (shot by) | ||
| Laura Lau | (shot by) | ||
Film Editing by | |||
| Chris Kentis | |||
Sound Department | |||
| Mark DeSimone | .... | adr mixer: New York | |
| Marc Fishman | .... | sound re-recording mixer | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Jon Mete | .... | sound effects editor | |
| Glenn T. Morgan | .... | supervising sound editor | |
| Todd Orr | .... | sound re-recording mixer | |
| Tom Ozanich | .... | sound designer | |
| Ben Wilkins | .... | sound editor | |
| David Barbee | .... | sound editor (uncredited) | |
| John Bires | .... | audio engineer (uncredited) | |
| Matt Colleran | .... | sound re-recordist (uncredited) | |
| Victor Ray Ennis | .... | first assistant sound editor (uncredited) | |
| Paul Flinchbaugh | .... | digital assistant (uncredited) | |
| Nerses Gezalyan | .... | foley mixer (uncredited) | |
| Jeff Glueck | .... | audio engineer (uncredited) | |
| Kenneth L. Johnson | .... | foley editor (uncredited) | |
| Diane Marshall | .... | foley artist (uncredited) | |
| Stefanie Melchor | .... | additional sound (uncredited) | |
| James Moriana | .... | foley artist (uncredited) | |
| Lucy Sustar | .... | foley artist (uncredited) | |
| Jeffrey Wilhoit | .... | foley artist (uncredited) | |
| David Young | .... | audio engineer (uncredited) | |
Visual Effects by | |||
| Haven Cousins | .... | compositor | |
Editorial Department | |||
| Haven Cousins | .... | lead colorist | |
| Thomas Edmon | .... | digital intermediate supervisor (as Tom Edmon) | |
| Jim Finn | .... | negative cutter | |
| Matt Woo | .... | digital intermediate technician | |
| Richard Haylock | .... | on-line editor (uncredited) | |
| Corey Lincoln | .... | post-production assistant (uncredited) | |
Music Department | |||
| Nathan Barr | .... | composer: additional music | |
| Mark Curry | .... | score mixer | |
| Joel C. High | .... | music executive | |
| Ashley Revell | .... | music editor | |
Other crew | |||
| Stuart Cove | .... | shark wrangler | |
| Robert Luttrell | .... | digital film timer | |
| Pascual Romero | .... | publicity and promotions | |
| David E. Russo | .... | programmer | |
Thanks | |||
| Oreet Rees | .... | special thanks | |
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| Open Water 2: Adrift | Titanic | Into the Wild | The Basketball Diaries | Pacific Heights |
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I found this film terrifying to watch. I've been in a similar situation, except for the sharks. You can't imagine the feeling of being alone in the ocean, far from land, not knowing if you'll make it back to shore. I had drifted out a ways trying to reach a floating log in the Pacific. My friends were hung over and passed out on the beach. It was early morning. I finally reached the log not realizing the tide was going out and I was being pulled further out to sea. Once I discovered what was happening I jumped back in and started for shore, quite a ways to go. It took calming down, floating a lot, and continued paddling to get ashore. When I finally touched bottom, I crawled up to the beach and collapsed. With the tension, fear of drowning and exertion of strokes, it totally exhausted me. Also wondering what was underneath the surface, not seeing it.
I thought this film brought that terror out. It was filmed as though you were right next to the couple. The use of the water level being right where your eyes would be, made it so real. I wondered where the camera was and how did they get that level of eyesight? Chris Kentis wrote and directed this with a keen eye and a good sense of tension mounting. He also brought out excellent performances from two newcomers, Blanchard Ryan and Daniel Travis. I thought the were very convincing in their performances. I found at times that I was no longer watching a movie - that they were really in the danger that existed. I also think it was possibly beyond the call of duty to put the actors through the paces of being in the water so long. Not your usual demands of actors, unless it were a fish tank and fake waves. But this was real and they were in the middle of the ocean.
Hats off to all three involved - Kentis, Ryan and Travis. Chris Kentis also did the camera work as well as editing the film. Good work, Chris. You got me with this.