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David Duchovny (written by)
23 September 2005 (Turkey) more
See the world a little differently. more
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends. | full synopsis
Duchovny Puts Movie Critic In Hot Seat
(From WENN. 13 January 2009, 11:10 AM, PST)
interesting independent film more (80 total)
| Anton Yelchin | ... | Tommy | |
| Robin Williams | ... | Pappass | |
| Téa Leoni | ... | Mrs. Warshaw | |
| Erykah Badu | ... | Lady / Bernadette | |
| David Duchovny | ... | Tom Warshaw | |
| Frank Langella | ... | Reverand Duncan | |
| Zelda Williams | ... | Melissa | |
| Magali Amadei | ... | Coralie Warshaw | |
| Olga Sosnovska | ... | Simone | |
| Orlando Jones | ... | Superfly | |
| Bernie Sheredy | ... | Sasha (as Bernard Sheredy) | |
| Stephen Spinella | ... | Ticket Seller | |
| Alice Drummond | ... | Mrs. Brevoort | |
| Harold Cartier | ... | Odell Warshaw | |
| Mark Margolis | ... | Mr. Pappass | |
| Claire Lautier | ... | Madam Chatquipet | |
| Willie Garson | ... | Ticket Agent | |
| Gideon Jacobs | ... | Gerard | |
| Adam LeFevre | ... | Monty | |
| Leslie Lyles | ... | Sondra | |
| Mark Richard Keith | ... | Pitcher | |
| James Ockimey | ... | Another Kid | |
| Jonah Meyerson | ... | Kid #2 | |
| Jill Shackner | ... | Lead Girl in Gym | |
| Lisby Larson | ... | Mrs. Loggia | |
| Michael Chapman | ... | Doorman | |
| Henry Strozier | ... | Civil Servant | |
| Andrée Damant | ... | French Woman in Window (as Andree Damant) | |
| Etienne Draber | ... | French Man in Window (as Etienne Drabier) | |
| Chantal Garrigues | ... | French Wife in Window (as Chantal Guarrigues) | |
| Mary Fortune | ... | Nurse #1 (as Mary A. Fortune) | |
| Lester Cohen | ... | Irate Trotskyite | |
| Roxy Toporowych | ... | Miss Johnson | |
| Francesca Buccellato | ... | Mrs. Robinson | |
| Erica N. Tazel | ... | Reader | |
| rest of cast listed alphabetically: | |||
| Aristedes Philip DuVal | ... | Brooklyn Hipster (uncredited) | |
| Amber Gristak | ... | Leon's Mistress (uncredited) | |
| Michael Eric Reid | ... | Donald (uncredited) | |
| Stacy Lynn Spierer | ... | Dog Walker (uncredited) | |
| W.A. Walters | ... | ND Background (uncredited) | |
| Dianne Zaremba | ... | Vassar Rebel / Airline Passenger (uncredited) | |
Directed by | |||
| David Duchovny | |||
Writing credits | ||
| David Duchovny | (written by) | |
Produced by | |||
| Zanne Devine | .... | executive producer | |
| David Gaines | .... | co-producer | |
| Melanie Greene | .... | co-producer | |
| Richard Barton Lewis | .... | producer (as Richard B. Lewis) | |
| Adam Merims | .... | executive producer | |
| Adam Merims | .... | line producer | |
| Jane Rosenthal | .... | producer | |
| Jeff Skoll | .... | executive producer | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Geoff Zanelli | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Suzy Elmiger | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Lester Cohen | |||
Art Direction by | |||
| Teresa Mastropierro | |||
Set Decoration by | |||
| Jennifer Greenberg | |||
Costume Design by | |||
| Ellen Lutter | |||
Makeup Department | |||
| Gary Archer | .... | dental prosthetics | |
| Chris Bingham | .... | key makeup artist | |
| Dale Brownell | .... | key hair stylist | |
| Francesca Buccellato | .... | makeup artist | |
| Chris Burgoyne | .... | prosthetic lab work | |
| Ryan McDowell | .... | prosthetic lab work | |
| Cheri Minns | .... | makeup artist: Mr. Williams | |
| Matthew W. Mungle | .... | prosthetic aging: Robin Williams | |
| Jackie Payne | .... | hair stylist | |
Production Management | |||
| Michael Bederman | .... | production supervisor | |
| Blair Breard | .... | unit production manager (as M. Blair Breard) | |
| David Gaines | .... | post-production supervisor | |
| Robert Katz | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Cheyenne Corre | .... | third assistant director: Paris | |
| Timothy Donohue | .... | second assistant director (as Tim Donohue) | |
| Deanna Leslie | .... | second second assistant director (as Deanna Leslie Kelly) | |
| Michael T. Meador | .... | second assistant director (as Michael Meador) | |
| Todd Pfeiffer | .... | first assistant director | |
| William Pruss | .... | first assistant director: Paris | |
| Hans Titze | .... | second assistant director: Paris | |
| Adam T. Weisinger | .... | additional second assistant director (as Adam Weisengel) | |
Art Department | |||
| Martha Fishkin | .... | additional shopper | |
| Kathryn Freund | .... | assistant property master | |
| Kathryn Freund | .... | buyer | |
| Richard Hebrank | .... | construction coordinator (as Richie Hebrank) | |
| Daniel Hypes | .... | art department production assistant | |
| Autumn Jones | .... | charge scenic | |
| Tom LaVecchia | .... | set dresser | |
| Cathryn Mazer | .... | assistant set decorator | |
| Marc Newman | .... | lead man | |
| Celia Parker | .... | camera scenic artist | |
| Donna Paul | .... | set dresser | |
| Brahm Revel | .... | storyboard artist | |
| Dylan Sheridan | .... | property master | |
| Christine Skubish | .... | second scenic | |
| Diane Soffian | .... | on-set dresser | |
| Alex Stapleton | .... | art department coordinator | |
| Roksolana Toporowych | .... | assistant property master | |
| R.J. Wilson | .... | set dresser (as RJ Wilson) | |
Sound Department | |||
| Jeffrey Biggers | .... | mix assistant engineer (as Jeff Biggers) | |
| David Boulton | .... | adr recording mixer: Sound One (as David Bolton) | |
| Robert Carr | .... | sound recordist | |
| Matthew T. Duncan | .... | temp. sound recordist | |
| Andy Greenberg | .... | adr recording mixer: One Union Recording | |
| Scott G.G. Haller | .... | dialogue editor (as Scott GG Haller) | |
| Rick Hart | .... | sound re-recording mixer | |
| William Jacobs | .... | sound effects editor | |
| Bill Lane | .... | assistant sound recording engineer | |
| George Leong | .... | boom operator | |
| Howard London | .... | adr recording mixer: Sony Pictures Entertainment | |
| Kimberly R. McCord | .... | adr editor (as Kimberly McCord-Wilson) | |
| Chris Miller | .... | post-production sound services: Visionbox Media | |
| Richard Murphy | .... | utility sound (as Rich Murphy) | |
| Brad North | .... | foley editor (as Bradley North) | |
| Brad North | .... | sound effects editor (as Bradley North) | |
| Brad North | .... | sound re-recording mixer (as Bradley North) | |
| Andy Potvin | .... | sound consultant: Dolby | |
| William Sarokin | .... | sound | |
| Gaël Sicot | .... | boom operator: France | |
| Gregg Silk | .... | mix assistant engineer | |
| Rich Tosi | .... | assistant sound recording engineer | |
| Chris Trent | .... | foley recordist | |
| Jerry Trent | .... | foley artist | |
| David Weisberg | .... | adr recording mixer: Sony Pictures Entertainment | |
| Byron Wilson | .... | supervising sound editor | |
Visual Effects by | |||
| Derek Bird | .... | digital compositor | |
| Andrew Midgley | .... | digital compositing supervisor: THDX | |
| Marlo Pabon | .... | visual effects supervisor: THDX | |
| Adam Stern | .... | digital compositor | |
| Robert Stromberg | .... | matte painting supervisor | |
| Alex Thiesen | .... | visual effects producer: THDX | |
| Patrick Zentis | .... | digital compositor: Digital Backlot | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Animation Department | |||
| Kent Braun | .... | animator: Spaff Animation | |
| Steven Dovas | .... | animation graphics (as Steve Dovas) | |
| Dave Spafford | .... | animator: Spaff Animation | |
| Debbie Spafford | .... | animator: Spaff Animation | |
Casting Department | |||
| Cody P. Beke | .... | casting assistant | |
| Jessica Daniels | .... | casting assistant | |
| Karen E. Etcoff | .... | extras casting | |
| Elizabeth Greenberg | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
Costume and Wardrobe Department | |||
| Derek J. Baskerville | .... | costumer: Mr. Williams (as Derek Baskerville) | |
| Laurie Buehler | .... | seamstress | |
| Pashelle Clayton-Robinson | .... | wardrobe supervisor (as Pascelle L. Clayton) | |
| Pier Dicarlo | .... | wardrobe production assistant | |
| Debbe DuPerrieu | .... | additional set costumer | |
| Marta Font | .... | set costumer | |
| Careen Fowles | .... | wardrobe supervisor | |
| Estella Marie | .... | additional seamstress | |
| Barbara Presar | .... | assistant costume designer | |
Editorial Department | |||
| Sal Baldomar | .... | post-production facilities: LA Digital Post | |
| Sally Anne Edger | .... | post-production coordinator | |
| Philip Harrison | .... | associate editor | |
| Dan Muscarella | .... | color timer | |
| Hilary Peabody | .... | first assistant editor | |
| Mike Sowa | .... | final telecine timer | |
| Ginny Turner | .... | post-production facilities: LA Digital Post | |
Music Department | |||
| Bob Becker | .... | musician: viola | |
| Denyse Buffum | .... | musician: viola | |
| James Burt | .... | music editor | |
| Darious Campo | .... | musician: violin (as Darius Campo) | |
| Larry Corbett | .... | musician: celli | |
| Buck Damon | .... | music supervisor | |
| George Doering | .... | musician: guitar | |
| Bruce Dukov | .... | musician: violin | |
| Elizabeth Finch | .... | orchestrator | |
| Michael Finnigan | .... | musician: organ | |
| Bruce Fowler | .... | supervising orchestrator | |
| Walt Fowler | .... | orchestrator (as Walter Fowler) | |
| Berj Garabedian | .... | musician: violin | |
| Suzie Katayama | .... | music contractor | |
| Suzie Katayama | .... | musician: celli | |
| Michael Lang | .... | musician: piano/organ | |
| Alan Meyerson | .... | music scoring mixer | |
| Alan Meyerson | .... | music scoring recordist | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Sid Page | .... | musician: violin | |
| Gina Polcaster | .... | score coordinator | |
| Walfredo Reyes | .... | musician: percussion | |
| Steven A. Saltzman | .... | music editor (as Steven Saltzman) | |
| Amanda Scheer-Demme | .... | music supervisor (as Amanda Scheer Demme) | |
| Lee Sklar | .... | musician: bass | |
| Dan Smith | .... | musician: celli | |
| Christina Soule | .... | musician: celli (as Tina Soule) | |
| Alan Steinberger | .... | musician: piano | |
| David Stone | .... | musician: string bass | |
| Bobby Tahouri | .... | assistant to composer | |
| Martin Tillman | .... | musician: solo cello | |
| Michael Valerio | .... | musician: string bass | |
| Brad Warnaar | .... | conductor: strings | |
| Booker White | .... | copyist | |
| Hans Zimmer | .... | executive producer: music score | |
Transportation Department | |||
| Kenny Gaskins | .... | transportation captain | |
| Bobby Marsh | .... | transportation co-captain | |
| Lenny Shiller | .... | picture vehicles provider | |
Other crew | |||
| Segolene Amice | .... | production secretary | |
| Patricia Arbelaez | .... | set production assistant | |
| Lyssa Aruda | .... | adr loop group | |
| Chris Baker | .... | assistant caterer | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances Inc. | |
| Erica Beck | .... | adr loop group | |
| Jonathan Bernier | .... | office production assistant (as Jon Bernier) | |
| Raymond Braun | .... | adr loop group | |
| April L. Brooks | .... | assistant production coordinator (as April Brooks) | |
| Adam Bryant | .... | stand-in: Robin Williams | |
| Wendy Cutler | .... | adr loop group (as Wendy E. Cutler) | |
| Ged Dickersin | .... | location scout | |
| Michelle Dingoor | .... | assistant: David Duchovny | |
| Laura Fearon | .... | accounting clerk | |
| Andrew Fiero | .... | set production assistant | |
| Kevin S. Fish | .... | assistant caterer (as Kevin Fish) | |
| Aaron D. Forste | .... | set production assistant (as Aaron David Forste) | |
| Eddie Frierson | .... | adr loop group | |
| Donald Fullilove | .... | adr loop group | |
| Elisa Gabrielli | .... | adr loop group | |
| Ariana Garfinkel | .... | assistant: Jane Rosenthal | |
| Sarah Rae Garrett | .... | set production assistant | |
| Simone George | .... | set production assistant | |
| Aaron Grady | .... | adr loop group | |
| Gabriel Greenberg | .... | location scout | |
| Jamie Gregor | .... | assistant: Richard B. Lewis | |
| Nicholas Guest | .... | adr loop group | |
| Kristy Hamer | .... | payroll accountant | |
| Jake Hart | .... | office production intern | |
| Leah Holmes | .... | post-production accountant | |
| Marshall Johnson | .... | location production assistant | |
| Ronnie Kupferwasser | .... | location scout | |
| Matthew Laborteaux | .... | adr loop group (as Matthew Labyorteaux) | |
| Martin J. Lawler | .... | immigration legal service: Lawler & Lawler | |
| Donna Lynn Leavy | .... | adr loop group | |
| Michael J. Linowes | .... | legal affairs | |
| Nicolette Little | .... | adr loop group | |
| Shane Long | .... | adr loop group | |
| Francisco Marcial | .... | parking coordinator (as Cisco Marcial) | |
| Caitlin McKenna-Wilkinson | .... | adr loop group (as Caitlin McKenna) | |
| Brian McLaughlin | .... | adr loop group | |
| Josh Michael | .... | craft service | |
| Sean Michael | .... | adr loop group | |
| Jean-Marie Modet | .... | location assistant: Paris | |
| George Nannas | .... | chef | |
| Buckley Norris | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Sheila Paige | .... | script supervisor | |
| Joan Parisi | .... | immigration legal service: Lawler & Lawler | |
| Peter Pastorelli | .... | assistant location manager | |
| Kim Pelletier | .... | insurance: AON/Albert G. Ruben Insurance Services | |
| Anissa Rose-Deida | .... | office production assistant | |
| Allison Scagliotti | .... | adr loop group (as Allison Scagliotti-Smith) | |
| Roxanne Senesman | .... | production accountant | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances Inc. | |
| Lisa Shriver | .... | choreographer | |
| Susan Silas | .... | location scout | |
| Peter J. Silbermann | .... | unit publicist | |
| Wayne Sosin | .... | delivery bike builder and provider: Worksman Trading Corporation | |
| Dave Spafford | .... | title designer: main titles | |
| Aaron Spann | .... | adr loop group | |
| Rebecca Erwin Spencer | .... | assistant: Robin Williams | |
| Mason Steinberg | .... | assistant: Richard B. Lewis | |
| Anita Sum | .... | production coordinator | |
| Wendy Taylor | .... | location assistant | |
| Ben Thompson | .... | additional craft service | |
| Gayle Vangrofsky | .... | location scout | |
| Rose Viggiano | .... | location manager | |
| Claudette Wells | .... | adr loop group | |
| Dan Zola | .... | office production assistant (as Daniel Zola) | |
| Courtney E. Hansen | .... | production assistant (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
Thanks | |||
| Garry Shandling | .... | thanks | |
Rated PG-13 for sexual and drug references, thematic elements and language.
USA:96 min (Tribeca Film Festival) | USA:97 min | Argentina:97 min
1.85 : 1 more
Finland:K-11 | Brazil:12 | USA:PG-13 (certificate #40700) | Canada:PG (Ontario) | Argentina:13 | South Korea:12 | Singapore:PG
Marks the film writing and directing debut of David Duchovny. more
Crew or equipment visible: As Tom and Pappas are in the cab crossing the bridge, a crewmember can be seen in the car immediately behind them waving to the other drivers to begin passing as the take begins. more
Tommy Warshaw:
Hey! My mom says it's crazy in there! She says you've got rats, roaches... lesbianism...
Lady:
[laughing] I guess I'm safe from that last one. I'm in solitary.
more
References "Soul Train" (1971) more
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| Persepolis | The Kite Runner | Across the Universe | The Nanny Diaries | Au revoir les enfants |
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We struggle to grow up all our lives. Many grow old without doing the work involved in truly growing up. We mistakenly think that growing up just happens to us, when in fact that very passivity is what causes us to grow old without ever actually maturing. Growing up requires conscious personal effort. House Of D is about such a man, who in middle age, with a 13 year old son, realizes he is beginning to grow old without having grown up. As his son crosses the threshold to manhood, Tom (Duchovny) makes the decision to confront & resolve the issues that caused him to retreat into himself at 13 rather than advancing into real manhood.
I enjoy Duchovny's acting, and he handled his on screen time capably in the second part of the film. However, the establishing scenes were slightly awkward & stilted. The film only begins to show its spirit when we flash back to New York City 1973.
Anton Yelchin portrays the young Tommy, and has a staggering amount of potential to grow into as an artist. Duchovny has a great feel for directing young people, a task known to be notoriously difficult. There are also some embarrassingly terrible performances, from Robin Williams & Tea Leoni. Williams falls off the horse right at the outset of his portrayal of the 'retarded' Pappass and never manages to get back on again. It seems to be partly poor definition in the writing of the character, and partly the actor's failure to connect with & breathe life into him. This despite a clear on screen rapport between himself & Yelchin. It mars what would have otherwise been a better film. Tea Leoni's performance adds nothing to her career or to the film. It isn't a portrayal, rather a thumbnail sketch. Leoni is an actress of limited ability, who needs strong direction to deliver a capable performance. It was a mistake to have her in the film, as she too succeeds in diminishing it, delivering what comes across as a deliberately bad performance. Leoni's appearance also embarrasses because she is Duchovny's wife and one or both of them should've known better than to allow this.
I was disappointed Frank Langella, undoubtedly the best actor in the movie, had so little to do. His few scenes are wonderful. A pleasure to see Orlando Jones, albeit briefly. Erykah Badu's singing is sublime, and she delivers a strong, warm performance.
Other performances ranged from adequate to forgettable.
Most of the music in the film is decent and well placed.
Duchovny has the potential to be a fine director. This was already known to those who enjoyed the episodes of X-Files he directed. Does he expand his directing skills in House of D? Yes. He shows a real flair for directing young actors, which I had never previously suspected. Duchovny scored high with inexperienced young actors, evoking clean, impressive performances, from Yelchin in particular; but low with veterans Williams & Leoni.
The writing is wildly uneven. Inventive, clever, inspired, insightful & touching in places. At other times it fails to ring true, and some of the plot devices are frankly ludicrous. It's almost as though 2 completely different people worked on the screenplay without ever meeting or actually engaging in a collaboration. I found this a little disconcerting at times. I know Duchovny is a better than average writer, so the unevenness of the script, and the bizarre disjointed quality, had me scratching my head more than once. I wonder what the screenplay originally looked like. Did some heavy-duty editing compromise the coherence of the script?
The cinematography was awesome, whether we were looking at Paris at night or a toilet bowl full of cigarette butts. No surprises there when you realize it's the work of Michael Chapman, who has worked with Scorsese, Allen, and many others. He also worked on Duchovny's film "Evolution."
We're at an interesting stage in our psychological evolution. A quiet revolution is taking place as more & more individuals are learning to embrace a new understanding of personal responsibility. People ARE learning to "see the world a little differently" to refer to the tag line. Some have made the hurtle and are seeing, and living in a new way. A larger number of people are resisting making that leap right now. Change is rarely easy. Letting go of old, outmoded ways of seeing & doing things is hard. House Of D is the story of one human being who makes that leap. Achieving personal sovereignty is a crowning experience that many have deprived themselves of. As more of us step forward to claim this privilege of genuine personal autonomy, and society begins to noticeably shift as a result, films like House Of D will be regarded with more understanding & affection.
Duchovny could've traded on his established image & popularity, played it safe, manufactured a piece of typical Hollywood junk, and have everyone pat him on the back. He didn't and I like that about his attitude.
That's part of what's admirable about him. He's willing to take chances and make an ass of himself. He has made mistakes which would finish other actors. Yet he also has courage, intelligence, daring, originality, humor, and most of all, genuine talent, which keeps bringing us back to consider his work, and finding merit in it. Duchovny has cut his directorial teeth on an unconventional, rewarding first film.
I perceive an iconoclastic, Almodovarian streak lurking in Duchovny both as writer and director. It's there, as a delicious undercurrent running through House Of D. I'd love to see him have the confidence to express that side of himself more in the future. To thine own self be true, David.