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97 out of 112 people found the following review useful: Bold and Beautiful, 15 September 2005 Author: mario-dalimonte from Canada
I just saw this wonderful film at the Toronto Film Festival and what a delightful experience it was. It's so refreshing to see a film-maker who is willing to take the huge, bold risks that John Turturo has taken in his direction. Also, what a treat it was to see James Gandofini, Susan Sarandon, Christopher Walken and Kate Winslet singing and dancing and making outrageous and exciting acting choices. A wonderful selection of music, a charming and literate script and consistently good performance....what else could you ask for in a movie. Watch for Elaine Stritch in a brief role that is should be required viewing for any acting student. Also loved the work of Aida Turturro. This film was a joy to watch!
50 out of 61 people found the following review useful: weird but strangely wonderful, 27 March 2006 Author: adamk-2 from London, England
"Romance & Cigarettes" is a flawed but endearing film. Its stylised dialogue -- often stitched together from song lyrics, lines from films and, I think, even a snatch of Beckett's Endgame -- its characters bursting into lip-synched song and dance, its strange, disjointed scenes and its total lack of romance will doubtless annoy a lot of people hoping for something somewhat more straightforward and conventional. Personally, I was hoping for something that might address the issues of love, romance and relationships which the film, instead, prodded gently before dancing and singing around them. I would also have liked to have seen more of Mary Louise Parker, who I thought was cruelly underused. And...Eddie Izzard? And yet...and yet...I really liked this film. It had an inventiveness and a quirky charm, a surreal, loopy approach to narrative and dialogue, was beautifully filmed and -- within limitations of the form -- wonderfully acted. Particular kudos to Kate Winslet, unrecognizably and thoroughly dislikeable, who nonetheless "sings" one of the more heart-stopping numbers, Ute Lemper's version of Cave & Piseks "Little Water Song", while underwater. Meanwhile, adding to his gallery of whacked-out and weird characters, Christopher Walken delivers what must be one of his weirdest performances yet as the Elvis-idolising Cousin Bo. Like a lot of things in this film, you have to see it to believe it, and even then you won't be too sure.I see cultdom beckoning for this little gem, late-night showings, repeated viewings, singalongs and favourite lines of dialogue bandied about like a secret currency. It's unlikely that it would have been made if it wasn't John Turturro writing and the Coens producing, but now it's out there, I recommend it be seen, if only for curiosity value. You either hate it or love it and -- for all its flaws -- I loved it.
42 out of 51 people found the following review useful: Tuturro Faces the Music, 27 March 2006 Author: Tom Clarke (tjcclarke@hotmail.com) from http://www.amateurscribe.webeden.co.uk
Direction duties on the latest Coen brothers release have been entrusted to an able lieutenant in John Tuturro – the scene-stealing actor from O Brother, Where Art Thou, Miller's Crossing and The Big Lebowski. In his hands, Romance and Cigarettes embraces all the staple Coen nuances but is unsettlingly gritty – less kitsch, more kitchen sink.Predictably, the film is just a fraction beyond offbeat. For starters it is a musical – original songs and irreverent covers belch incongruously through the pithy dialogue – and, while appearing slightly amateurish at times, in the main it is shot with a grimy panache.The anti-hero is Nick Murder (James Gandolfini) - an overweight, chain-smoking construction worker who is married to Kitty (Susan Sarandon), but having a torrid affair with ballsy English slapper Tula (Kate Winslet). Nick has a trio of daughters (Mandy Moore – precocious sex bomb, Mary Louise Parker – punk and Aida Tuturro – chubby mummy's girl) who pass the time knocking out grungey rock music in their back garden. Plot-wise, that's about your lot - superficially, the movie is about a family coping with adultery, but this is the Coen brothers, so there are always points of interest lurking in the mundane subject matter.If you're going to have a stab at unconventional drama, it is best to arm yourself with some quality to beef up your oddballs. So Tuturro has called in favours from Steve Buscemi who raises more than a few chortles as Nick's philosophising co-worker, and an elaborately coiffed Christopher Walken who lends the fancy footwork he cultured on that Fatboy Slim video to some of the more surreal dance sequences. Weirder still is Eddie Izzard's new age church choir organist who distributes marital advice to Mrs. Murder in between belting out gospel hits.A stellar cast then, and one cannot fault the promotional poster, which is so dominated by Winslet's mountainous, and, let's face it, almost certainly air-brushed breasts (no offence Kate) that it has been crudely censored on the London Underground.The poster hints at Winslet being some sort of femme fatale, but she actually has few scenes to demonstrate anything other than jiggling, pouting and athletic sexual gymnastics. Much of her dialogue (delivered in an ambiguously mid-Pennines northern accent) is absolutely filthy dirty and is, if you close your eyes, uncomfortably evocative of Kathy Staff in Last of the Summer Wine. No wonder I had nightmares afterwards.Winslet is following in the footsteps of Helena Bonham Carter, shrugging off the corset and the irritating "English rose" label by taking increasingly earthy roles. Serious, cerebral critics (their spectacles steaming up with every cleavage shot) will no doubt call this performance "brave", "challenging" or even "career defining". More realistically, she probably saw it as an ideal chance to prance around in hot pants and spout smut breathlessly into a telephone whilst trying desperately not to giggle. Either way, it's obviously some sort of trend among English actresses – watch out for Keira Knightley in the new remake of Faster, Pussycat! Kill! Kill! But beneath the silliness beats a mournful heart. The Coens' influence, though undeniably prominent, does not swamp Tuturro's serious side and the last third of the movie sees a significant mood change.Buscemi, Walken and the quirky choreography take a back seat as Gandolfini and Sarandon muscle their way to the fore. It is an impressively gripping finale to a curiously disjointed film, and one which, on balance, just about tips it towards triumph rather than turkey.The story is wafer thin and the musical set pieces veer dangerously between hit and miss. Frankly it's a bit of a shambles at times, but no less enjoyable for that.7/10
37 out of 44 people found the following review useful: Great movie - don't be put off by the "musical" tag, 22 March 2006 Author: goodsela from United Kingdom
John Turturro has created something very special here. Look at the cast list. The names alone make it a must-see for many cinema lovers, yet the description of musical might also put many off. Well don't worry. This film uses existing songs to enhance emotional statements at intervals throughout this gritty film. It mixes them with Brooklyn working life, some sex, lots of humour and pathos and fantastically it all works. The songs are used a la Dennis Potter and seep in and out of the narrative flow as easily as a gentle voice-over. Great performances by everyone but stunners from Kate Winslet (now that's a proper body), Elaine Stritch ("Every breath is a victory") and Christopher Walken, always riveting. James Gandolfini plays a slightly different Tony Soprano but that fits in just right. Quite simply a pleasure from first 'til last. Thank you John.
32 out of 44 people found the following review useful: 21st century cinema at it's best. Entertaining and original., 9 April 2006 Author: andiedan from United Kingdom
A film truly worthy of the Coen brothers. If you like their films, you'll love this one. It was not surprising to see that they were the producers. John Turturro's original script and direction make this a very fresh and enjoyable experience. The actors must have enjoyed making the film as this comes across very strongly.The choice of backdrop - New York suburbs and anonymous looking workers' housing - only serves only to emphasise the colourfulness of each of the characters. Like Robert Altman's films, the banal is turned into the extraordinary using popular music and quite original camera work. Personally, I don't see this film as a "musical" in the sense that the music is not used to tell the story but rather as mood pieces for various scenes.This is one of the few films that I will invest in the DVD as soon as it is out.
27 out of 36 people found the following review useful: Refreshing musical, 13 April 2006 Author: Hermes Brandt from Amsterdam, Netherlands
Good music, well-choreographed dancing, quirky sense of humor, a little dark. A bunch of good actors are giving a solid performance. They appear to have enjoyed themselves. Susan Sarandon is great, Kate Winslet deliciously foul-mouthed. The photography is mostly very aesthetic, although of course not as perfect as that of the Coen brothers, who produced the movie. The movie fits well into the universe of the Coen brothers' work while having its own special character. Good job, John Turturro, a very enjoyable movie! I wasn't aware of Turturro as a director. IMDb shows he has made two earlier movies, in 1992 and 1998 (both as a director and a writer, just as with this present movie). Those movies had low scores. After Romance & Cigarettes I will be keeping my eyes open for this new director. As the title suggests, there is a lot of smoking in this movie, but it can hardly be seen as positive advertising for the tobacco industry, fortunately. Conservative Christians had better avoid this movie, it would only upset them. An 8 out of 10.
22 out of 34 people found the following review useful: Another form of musical, 8 April 2006 Author: stensson from Stockholm, Sweden
This is funny in a way that American movies usually aren't. Gandolfini is playing a character extremely far away from all Soprano stuff. But he's a hero.He's cheating on his wife in a way which isn't glamorous, just rather cheap and rather human. Susan Sarandon as the wife is really funny through all her love-hate. This family is dysfunctional, but in a way that's impossible not to like.And it really is a musical. Sometimes. The characters burst out, miming to hit songs. That's show stoppers, but in the good sense of the word. It's all worth seeing.
9 out of 10 people found the following review useful: a weird cookie of a movie- sweet and cool, if not exactly all that good for you, 26 February 2008 Author: MisterWhiplash from United States
John Tuturro is nothing else if not original, and his second film as writer/director is nothing if not a swift kick in the nuts to the sheen of movie musical. It's fresh and original and, when at its best, extremely and surprisingly funny. Tuturro casts very well for a story that's like a half-baked fever-dream of blue collar malaise (think the Honeymooners meets French New-Wave art film): Gandolfini plays Nick Murder, a man who loves his wife Kitty (Sarandon), but can't seem to lay off the women on the side - the one she's now with, Tula (cockney-voiced Winslet) - is a fiery redhead. Right at the start there's an argument and a near fight, and the rest of the film becomes a rumination and celebration of love and lust and other crazy things involved with the human heart, leading up to redemption.There's a certain quality to Romance and Cigarettes that marks it as a pop-marked must-see, a picture with terrific songs (ranging from Joplin to James Brown to Elvis to Cindi Lauper), and some terrific numbers to go along with them. There's an exuberance that Tuturro reaches for that he achieves like few who've made musicals in the past several years; his actors, however much they do or don't seem to be singing with the songs playing on during the numbers, are into the groove, the abstract/surreal quality that at times makes it like a whacked out extended dream sequence on the Sopranos (Buscemi and Tuturro sister Aida were also on the show, the latter here as Gandolfini's daughter as opposed to his sister on the show). There is so much that does entertain that it becomes a shame when it starts to dawn on one that a) the film has a shallow center to it, as we know nothing much about Nick and Kitty's marriage aside from the spoken words of "we were in love, then, not", and then leading into b) an unnecessarily bleak ending, where the possible reigns of the high spirits are replaced by a kind of screeching-halt aesthetic, albeit with the most organically sung (i.e. out of the scene itself not as a NUMBER) song in the film.But for fans of film in general it's a scatter-shot treat that provides the kinds of joy that the usual Hollywood grind wont provide. Top of the pops belong to Christopher Walken, who has a strange accent (black guy or slight southern-touch as Cousin Bo?) pulls off his funniest in a song since the Weapon of Choice music video, and just whenever on screen has one either smiling or laughing hysterically. Winslet is also astoundingly good here in a part that requires her to be tart-tongued but not a floozy, sophisticated in a manner of speaking even if the 'girl on the side'. She gives it her all, which also goes (mostly) for the main middle-aged stars. Sometimes you do wish you could just hear the actors belt out the songs themselves without the background tuning up as if it's like a demented karaoke out of the New York/New Jersey blue collar world. But when they do connect, it's a lot of fun. Same goes for the movie itself- a very admirable first time out, if almost too ambitious for the nature of the script.
17 out of 27 people found the following review useful: Excellent movie!, 16 July 2006 Author: cillairne from United States
I saw this movie at the Toronto film festival, 2005.....The previous reviewer was absolutely correct - it was a very different type of movie from the usual.A star-studded vehicle wherein the characters burst into song spontaneously at appropriate intervals - it engages the audience immediately since all of the songs are most recognizable. In essence, you've attended a super movie and participated in the unfolding story as well.The musical aspects are a "master stroke." There is an underlying drama depicting the difficulties of relationships, family and everyday life and in no way is the story shortchanged by the use of the music.There are many laughs and alternately serious moments and yet somehow the sum of the parts work to make an enjoyable and satisfying whole. My understanding is the movie has been caught in merger "limbo" delaying the U.S. release and it's a terrible, terrible shame.John Turturro is to be commended for his original screenplay and his directorial gifts. Release this movie to the U.S. Moviegoig Public..........you won't regret it!
22 out of 37 people found the following review useful: You know you do it, too..., 22 July 2006 Author: Fedaykin_Sadako from United States
When I first heard about this film, I knew that I would love it. I knew that it would have quirky dialogue and stilted situations and yet be fantastically fantastic, not to mention the dream cast. The thing that closed the deal for me was finding out that one of Susan Sarandon's songs would be "Piece of My Heart." When I heard that, I knew that I NEEDED to see this film.I was not let down in the slightest.I love how it takes something we all do at any given time (seek solace in singing a song that portrays how we're feeling) and makes a movie around it. The cast is simply to die for. They're all amazing, though we could have used more Mary-Louise Parker and Eddie Izzard, and it's a perfect film for all of them.Love it...absolutely love it.
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