| Photos (see all 8 | slideshow) | Videos |
| Billy Brown | ... | Pvt. Ottis Brick | |
| Richard Burgi | ... | Capt. V.J. Dax | |
| Kelly Carlson | ... | Pvt. Charlie Soda | |
| Cy Carter | ... | Pvt. Billie Otter | |
| Sandrine Holt | ... | Pvt. Jill Sandee | |
| Ed Lauter | ... | Gen. Jack Gordon Shepherd | |
| J.P. Manoux | ... | TSgt. Ari Peck | |
| Lawrence Monoson | ... | Lt. Pavlov Dill | |
| Colleen Porch | ... | Pvt. Lei Sahara | |
| Drew Powell | ... | Pvt. Kipper Tor | |
| Ed Quinn | ... | Pvt. Joe Griff | |
| Jason-Shane Scott | ... | Pvt. Duff Horton | |
| Brenda Strong | ... | Sgt. Dede Rake | |
| Brian Tee | ... | Cpl. Thom Kobe | |
| David Wells | ... | Recruiting Sergeant | |
| Tim Conlon | ... | Fleet Pilot (as Tim Conlin) | |
| Bobby C. King | ... | Smiling Lieutenant (as Robby C. King) | |
| Stephen Stanton | ... | FedNet (voice) | |
| rest of cast listed alphabetically: | |||
| Jon Davison | ... | Outpost (voice) (uncredited) | |
| Sean Delon | ... | Trooper (uncredited) | |
| Jesse Grce | ... | Handsome Trooper (in photograph) (uncredited) | |
| Elizabeth Keller | ... | Trooper (uncredited) | |
| Oliver Keller | ... | Trooper (uncredited) | |
| Jonathan Passow | ... | Lt. Spears, General's Guard (uncredited) | |
| Ty Williams | ... | Trooper (uncredited) | |
Directed by | |||
| Phil Tippett | |||
Writing credits(WGA) | ||
| Edward Neumeier | (written by) (as Ed Neumeier) | |
Produced by | |||
| Jon Davison | .... | producer | |
| Glenn S. Gainor | .... | executive producer | |
| Edward Neumeier | .... | co-producer | |
| Phil Tippett | .... | co-producer | |
Original Music by | |||
| John W. Morgan | (as John Morgan) | ||
| William T. Stromberg | (as William Stromberg) | ||
Cinematography by | |||
| Christian Sebaldt | (director of photography) | ||
Film Editing by | |||
| Louise Rubacky | |||
Casting by | |||
| Penny Ellers | |||
Production Design by | |||
| Franco-Giacomo Carbone | (as Franco Carbone) | ||
Art Direction by | |||
| John Zachary | (as John R. Zachary) | ||
Set Decoration by | |||
| Michelle Ashley | |||
| Timothy Stepeck | (as Tim Stepeck) | ||
Costume Design by | |||
| Jennifer L. Parsons | (as Jennifer Parsons) | ||
Makeup Department | |||
| Deborah Patino | .... | makeup department head | |
| Don Rutherford | .... | makeup artist | |
| Randy Sayer | .... | hair department head | |
| Martie Schribner | .... | makeup artist (as Martie Scribner) | |
| Steven R. Soussanna | .... | hair stylist (as Steve Soussana) | |
Production Management | |||
| Glenn S. Gainor | .... | unit production manager | |
Art Department | |||
| Damon Bard | .... | sculptor | |
| Eric Dennis | .... | assistant props | |
| Dupree Dial | .... | set dresser | |
| James L. Eddy | .... | assistant props (as James Eddy) | |
| Alberto Gonzalez-Reyna | .... | assistant art director | |
| John Hansen | .... | set illustrator | |
| Ron Holthuysen | .... | special property maker | |
| Wayne Lindholm | .... | construction coordinator | |
| Kristie Moore | .... | set painter | |
| David Napoli | .... | lead man | |
| Megan Oliver | .... | painter | |
| Richard Reynolds | .... | set designer | |
| Ronald Russom | .... | set dresser | |
| Mark Sakamoto | .... | swing gang | |
| Chris Schultz | .... | assistant props | |
| Brook Shafer | .... | swing gang | |
| Ashley Sibille | .... | art department coordinator | |
| Michelle Spears | .... | property master | |
| Bart Trickel | .... | special property maker | |
| Bob Warner | .... | stand-by painter | |
| Peter Flynn | .... | propmaker (uncredited) | |
Special Effects by | |||
| Donald Elliott | .... | special effects technician | |
| Peter Konig | .... | animation supervisor | |
| Michael Lantieri | .... | special effects supervisor | |
| Dan Ossello | .... | special effects technician | |
| Frank Petzold | .... | miniature cinematography | |
| Tracey Roberts | .... | model painter | |
| Bart Trickel | .... | miniatures | |
Visual Effects by | |||
| Damon Bard | .... | sculptor | |
| Renee Binkowski | .... | texture painter: Tippett Studio | |
| Jeremy Bolan | .... | character animator | |
| Kane Brassington | .... | roto artist | |
| Daniel Bryant | .... | digital compositor | |
| Howard R. Campbell | .... | lighting technical director | |
| Michael Clemens | .... | visual effects producer | |
| Russell Darling | .... | programming: Tippett Studio | |
| Colin Epstein | .... | digital compositor | |
| Aaron Florez | .... | lead painter | |
| Jesse Grce | .... | bug wrangler | |
| Scott Hale | .... | digital compositor: Tippett Studio | |
| Joseph Hamdorf | .... | effects animator: Tippett Studio | |
| Tyler Ham | .... | matchmove artist: Tippett Studio | |
| Craig Hayes | .... | designer: bugs | |
| Mariah Howard | .... | visual effects production assistant | |
| Jennifer Hutcheon | .... | visual effects editor | |
| Michael Kirylo | .... | digital effects artist | |
| Jonathan Knight | .... | digital compositor | |
| Ken Kokka | .... | visual effects plate producer | |
| Peter Konig | .... | concept artist | |
| Peter Kuran | .... | visual effects | |
| Kirk Larkins | .... | survey crew/match move artist: Tippett Studio | |
| Michael Leonard | .... | character animator: Tippett Studio | |
| Eric Leven | .... | visual effects supervisor | |
| David A. Link | .... | film I/O technician: Tippett Studio | |
| Dan McNamara | .... | head of operations: Tippett Studio | |
| Jim McVay | .... | digital compositor | |
| Chris Morley | .... | lead digital compositor: Tippett Studio | |
| Guido Muzzarelli | .... | match move artist | |
| Zoe Peck-Eyler | .... | digital compositor: Tippett Studio | |
| John Rader | .... | visual effects | |
| Daniel Riha | .... | rotoscoper | |
| Tracey Roberts | .... | character set up | |
| Ari Rubenstein | .... | digital compositor: Tippett Studio | |
| Alonzo Ruvalcaba | .... | head of production: Tippett Studio | |
| David Schnee | .... | digital compositor: Tippett Studio | |
| Ariel Tal | .... | visual effects rotoscope artist | |
| Jon Terada | .... | digital compositor | |
| Deborah Thomas | .... | rotoscoper | |
| Matthew Tomlinson | .... | digital imaging supervisor: Tippett Studio | |
| Jess Vickery | .... | character animator | |
| Robert Vignone | .... | model maker: Tippett Studio | |
| Vicki Wong | .... | digital film I/O manager: Tippett Studio | |
| Salvatore Catanzaro | .... | assistant effects editor: Tippett Studio (uncredited) | |
| Matthew M. Robinson | .... | technical director (uncredited) | |
Stunts | |||
| Sita Acevedo | .... | stunts (as Sita Blasa Acevedo) | |
| Talia Botone | .... | stunts | |
| Steve Boyles | .... | stunts | |
| Eliza Coleman | .... | stunts | |
| Andy Dylan | .... | assistant stunt coordinator | |
| Michael Gaines | .... | stunts (as Michael R. Gaines) | |
| Troy Gilbert | .... | stunt performer | |
| Zac Henry | .... | stunts | |
| Lisa Hoyle | .... | stunts | |
| Elizabeth Keller | .... | stunts | |
| Oliver Keller | .... | stunts | |
| Bobby C. King | .... | stunt coordinator | |
| Lane Leavitt | .... | stunts | |
| April Littlejohn | .... | stunts | |
| Mike Massa | .... | stunts | |
| Johnny Nguyen | .... | stunts | |
| Monica Staggs | .... | stunt double: Sandrine Holt | |
| Scott Waugh | .... | stunts | |
| Cheryl Lynn Albrecht | .... | stunts (uncredited) | |
Animation Department | |||
| Peter Konig | .... | animation supervisor | |
| Brian Mendenhall | .... | animator | |
Casting Department | |||
| Jan Powell | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kathleen Brodbeck | .... | costume supervisor | |
| Florence Gan | .... | set costumer | |
| Shirley Kurata | .... | set costumer | |
| Laura E. Little | .... | set costumer (as Laura Little) | |
| Janice Zeller | .... | set costumer | |
Editorial Department | |||
| Rob Bonz | .... | assistant editor | |
| Matthew W. Johnson | .... | on-line editor | |
| Kevin Rose-Williams | .... | assistant editor (as Kevin Rose Williams) | |
Music Department | |||
| Anna Bonn | .... | orchestrator | |
| Christine H. Luethje | .... | music editor (as Christine Luethje) | |
| John W. Morgan | .... | orchestrator (as John Morgan) | |
| William T. Stromberg | .... | conductor (as William Stromberg) | |
| William T. Stromberg | .... | orchestrator (as William Stromberg) | |
Transportation Department | |||
| Jerry Drake | .... | transportation co-captain | |
| Ray Joyce | .... | driver | |
| Jody Kreinbrink | .... | driver | |
| Dennis Milliken | .... | transportation captain | |
| Brenda Ryan | .... | driver | |
| Marshall Taylor | .... | transportation co-captain | |
Other crew | |||
| Chris Baugh | .... | location manager | |
| David C. Bernat | .... | assistant production office coordinator | |
| Monica Brinn | .... | production assistant | |
| Damon E. Burke | .... | key set production assistant | |
| Faith Conroy | .... | script supervisor | |
| Mykel Denis | .... | production coordinator | |
| Eileen M. Dennis | .... | first assistant accountant | |
| Kelvin Garvanne | .... | stand-in | |
| Arkadiusz Grzegorzak | .... | creator: starshiptroopers2.net | |
| Stephanie James | .... | production assistant (as Stephanie Fike) | |
| David Kessler | .... | set medic | |
| Patrice King | .... | set medic | |
| Shawn Marchetti | .... | production office assistant | |
| Rob McCabe | .... | stand-in: key utility | |
| Ryan Sheridan | .... | HDTV technician | |
| Darius Siwek | .... | production assistant | |
| Lora Umphress | .... | payroll accountant | |
| Kenny Vasquez | .... | production assistant | |
| Sophia N. von Bülow | .... | production accountant | |
Thanks | |||
| Phil Benson | .... | special thanks | |
| Alec Gillis | .... | special thanks | |
| Alan Marshall | .... | special thanks | |
| Cheryl Nardi | .... | special thanks | |
| Gary Rydstrom | .... | special thanks | |
| Paul Verhoeven | .... | special thanks | |
| Tom Woodruff Jr. | .... | special thanks (as Tom Woodruff) | |
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| Starship Troopers | Saving Private Ryan | Batoru rowaiaru | Serenity | Watchmen |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Series note: Although this film is something of a train wreck, it would be even worse if one didn't watch the original Starship Troopers (1997) first. The first film is excellent, and will help you figure out what is supposed to be going on in this film.
A group of Starship Troopers becomes stranded while engaged in warfare on a "bug planet". They make it to a mostly abandoned makeshift fort and succeed in holding the enemy at bay outside, only to discover that they may have enemies just as lethal amongst themselves.
Phil Tippet may be a genius with visual effects in other films, but in his first turn as a director, he's made a mess of Starship Troopers 2. Admittedly, it's not a complete loss. I actually ended up giving the film a 5 out of 10, even though that is a rating I usually reserve only for "so bad they're good" films. No, Starship Troopers isn't really good, but at times it threatened to get a 3 out of 10, while the closer it got to the finish line, the more it started seeming like a 7 out of 10 to me. I decided to average it. Keep in mind that in my rating system, a 6 is equivalent to the grade of D.
Oddly, I thought that the script was almost worth a C (or a 7) throughout the film. The biggest problem script-wise, aside from the fact that the tone of this film is completely different than the first (a fact that will turn off many viewers, but for which I wouldn't subtract any points in itself), was that the dialogue is overburdened with pseudo-militaristic gobbledy-gook and there are far too many characters to keep track of and care about. Towards the end, when the film turned more into a horror film than its previous contentment with being a war flick (this one is never really sci-fi), I thought the ideas were actually very good. I'm a huge horror fan, and the horror material worked for me. There was a nice amount of gore and decent suspense.
But those are the positives. Let's get to what the film does wrong. The biggest problems are the cinematography, lighting, and production design. For some reason, the opening scene of the film, which we could say goes on for maybe 40 minutes (far too long), is almost exclusively close-ups. We routinely have a screenful of someone's nose, mouth, or some other body part. Close-ups aren't bad in general, but when that's all a viewer sees for 40 minutes, and in the midst of what's supposed to be a grand-scale war with hundreds or thousands of combatants, it's awful. Everything is also too dark, and when it isn't dark, it's usually too bright, in that Tippet has a light or two pointing directly at the camera. And during fight scenes, we only get to see troopers face-on. We hardly ever see what they're shooting at.
Now, being generous, we might say that the point of all the above is to convey the claustrophobia and chaos of war. But that's being far too generous. The original Starship Troopers conveyed the chaos of war very nicely. In Starship Troopers 2, Tippet is really trying to cover up the fact that they had no budget to build sets, acquire props, hire many cast members, pay for cgi-rendered environments or even matte paintings. There are some cgi-rendered bug aliens (and maybe a couple small things done with mechanicals) and there is one set, but that's about it. Most of the film is poorly lit and backlit so that we can't see that the actors are on a mostly empty soundstage. The close-ups are an attempt to distract our attention from the small, low-budget scale of things. All of these aspects fail miserably. At least until halfway through the film, when we begin to see some cinematography and lighting on the single set that we could call "almost competent".
Even though I wouldn't subtract points for the difference in tone, it is quite a shock if you start watching Starship Troopers 2 expecting anything even remotely resembling the first film. The first film is a clever satire on society and militaristic thinking via its depiction of a future, war-hungry culture. We see clever commentaries on behavioral norms in our culture via different norms depicted in the film. We see funny things that are very similar to our present culture, but that are underscored by their temporal alienation. The first film is an ingenious, fast paced, epic scaled sci-fi/war/horror extravaganza.
This film on the other hand is just about as pedestrian as you can get. Even though the horror material is good once it finally arrives, it isn't exactly groundbreaking. There is no satire here, no cleverness, it's not fast paced, and it's the complete opposite of epic scaled. Even the tongue-in-cheek military/war advertisements shown on a computer-like screen from the first film fall flat here because they're presented more like television commercials with no window dressing or explanation for context.
Starship Troopers 2 isn't a complete failure, but I can't recommend it beyond its curiosity value, or for die-hard horror fans who are slightly masochistic and don't mind sitting through the war material to get to something more interesting. If a Starship Troopers 3 is ever made, more than likely you'll be able to skip this entry. As things stand now, 2 is not at all necessary to the story. This is more like an obscure footnote to the first film, about some long lost troop that no one really cares about. Only the new kind of "monster" may be of any interest.