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Sin ton ni Sonia (2003)
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Overview
User Rating:
Director:
Writer:
Carlos Sama (writer)
Release Date:
13 June 2003 (Mexico) more
Tagline:
Una comedia que te robará el corazón y otros órganos vitales.
Awards:
1 win & 6 nominations more
User Comments:
Not good in any way... but there are worse. more (3 total)
Cast
(Cast overview, first billed only) | Juan Manuel Bernal | ... | Orlando |
| Cecilia Suárez | ... | Renée |
| Mariana Gajá | ... | Sonia |
 | José María Yazpik | ... | Mauricio |
| Tara Parra | ... | Mamá Rosa |
| Donal Cortés | ... | Ariel |
| Blake Gibbons | ... | Mike |
 | Byron Thames | ... | John |
| Eugenio Bartilotti | ... | Barbitas |
 | Mónica Huarte | ... | Esther |
| René García | ... | Javier |
| Úrsula Pruneda | ... | Catherine (as Ursula Pruneda) |
| Ericka Sttetner | ... | Luisa |
 | Cecilia Tijerina | ... | Clarissa |
| Eduardo Rey | ... | Juan Sebastián Vaca |
Additional Details
Also Known As:
Without Rhyme or Reason (UK) (literal English title)
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Runtime:
Brazil:112 min | Argentina:113 min
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Fun Stuff
Movie Connections:
Referenced in "Vecinos: Sin ton ni Silvia (#1.51)" (2006) more
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I didn't have much expectations about this movie, so I guess it was a good deal paying half the ticket price on a wednesday for a few laughs.
"Sin ton ni sonia" goes nowhere. It has tons of characters with very different backgrounds and situations. They try to give a lot of time to each of them, but in the end you realize they weren't needed that much. At least not in so much detail. We get dubbers, police men (mexican and american), physics, telepaths, organs-traffic dealers, hackers, and much more. I bet by now you're saying "What the...", and yes, that's just what I thought as I was watching the movie.
As I said, too many characters and for nothing. In the end things are just left the way they were in the beginning. In the end nothing happened. In the end you can't help but think "What? That's it?"
Maybe they just tried too hard. In Mexico there's more budget to film commercials than to make movies; is that simple. Mexican filmmakers, and the audience, are tied to that and must rely on good writing (which this movie totally lacks) for a movie to succeed.
If you are at the theater entrance trying to decide on what to see, you can leave this one as the last option. Don't worry, you won't miss anything.