Directed by | |||
| Theodoros Angelopoulos | |||
Writing credits(in alphabetical order) | ||
| Theodoros Angelopoulos | idea | |
| Theodoros Angelopoulos | screenplay | |
| Tonino Guerra | co-writer | |
| Petros Markaris | co-writer | |
| Giorgio Silvagni | co-writer | |
Produced by | |||
| Theodoros Angelopoulos | .... | producer | |
| Phoebe Economopoulos | .... | associate producer | |
| Reinhold Elschot | .... | producer | |
| Jean Labadie | .... | co-producer | |
| Kostas Lambropoulos | .... | pre-production producer | |
| Peter Nadermann | .... | producer | |
| Amedeo Pagani | .... | co-producer | |
| Nikos Sekeris | .... | executive producer | |
| Giorgio Silvagni | .... | co-producer | |
| Meinolf Zurhorst | .... | producer | |
Original Music by | |||
| Eleni Karaindrou | |||
Cinematography by | |||
| Andreas Sinanos | |||
Film Editing by | |||
| Giorgos Triandafyllou | |||
Casting by | |||
| Harris Papadopoulos | |||
Production Design by | |||
| Kostas Lambropoulos | |||
Set Decoration by | |||
| Costas Dimitriadis | |||
| Giorgos Patsas | |||
Costume Design by | |||
| Ioulia Stavridou | |||
Makeup Department | |||
| Dimitra Dala | .... | hair stylist | |
| Paressa Ioannidou | .... | assistant makeup artist | |
| Lydia Maleviti | .... | wigs | |
| Mipas | .... | wigs | |
| Vaso Sidiropoulou | .... | assistant hair stylist | |
| Giorgos Skendros | .... | wigs | |
| Danièle Vuarin | .... | makeup artist | |
Production Management | |||
| Giannis Iakovidis | .... | production manager | |
| Marina Ypsilanti | .... | assistant production manager | |
Art Department | |||
| Alexandros Alexiou | .... | construction | |
| Dimitris Avgeros | .... | property master: Thessaloniki | |
| Harisis Fragopoulos | .... | construction: Kerkini | |
| Dimitris Giamloglou | .... | assistant property master | |
| Kostas Gougakis | .... | construction: Kerkini | |
| Giorgos Haitas | .... | construction | |
| Gerassimos Karvounis | .... | property master: Piraeus | |
| Kostas Mavroudis | .... | construction: Kerkini | |
| Ilias Pegas | .... | construction: Kerkini | |
| Pashalis Petkoudis | .... | construction | |
| Pavlos Raftopoulos | .... | construction | |
| Mihalis Samiotis | .... | set dresser | |
| Nikos Triandafilopoulos | .... | set dresser | |
| Babis Triantis | .... | property master: Piraeus | |
| Vasilis Tsogas | .... | architect | |
| Manolis Vafeiadis | .... | construction | |
Sound Department | |||
| Marinos Athanassopoulos | .... | sound recordist | |
| Bernard Leroux | .... | sound mixer | |
| Vangelis Papadopoulos | .... | assistant sound | |
| Kostas Varybopiotis | .... | sound mixer | |
Visual Effects by | |||
| Lucio Farina | .... | visual effects | |
| Nikos Outsikas | .... | illustrator | |
| David Bush | .... | digital effects consultant (uncredited) | |
| Massimo Cipollina | .... | cg artist (uncredited) | |
| Primo De Santis | .... | digital artist (uncredited) | |
| Harold Herbert | .... | inferno artist (uncredited) | |
| Giulia Infurna | .... | digital compositor: Proxima (uncredited) | |
| Gian Luca Rizzo | .... | visual effects producer (uncredited) | |
| Salvo Severino | .... | cg supervisor (uncredited) | |
| Nicola Sganga | .... | digital artist (uncredited) | |
| Giuseppe Squillaci | .... | visual effects supervisor: Proxima (uncredited) | |
Camera and Electrical Department | |||
| Ljubomir Despotovic | .... | best boy electric | |
| Dragoljub Eric | .... | electrician | |
| Milos Eric | .... | best boy electric | |
| Slobodan Gojkovic | .... | electrician | |
| Sakis Kioussis | .... | electrician | |
| Hristos Kostavasilis | .... | best boy electric | |
| Slavisa Latinicic | .... | best boy grip | |
| Stelios Lepidakis | .... | electrician | |
| Gradimir Novakovic | .... | best boy electric | |
| Vangelis Roussis | .... | best boy electric | |
| Grigoris Samiotis | .... | grip | |
| Dimitris Stabolis | .... | electrician | |
| Hrysostomos Theodoroudis | .... | best boy electric | |
| Damianos Timios | .... | best boy electric | |
| Triandafyllos Tsiorakis | .... | best boy grip | |
| Omar Zeki | .... | best boy grip | |
| Akis Zorbas | .... | assistant camera | |
| Vangelis Kolokythas | .... | steadicam assistant (uncredited) | |
| Michael Tsimperopoulos | .... | steadicam operator (uncredited) | |
Casting Department | |||
| Alexandros Labridis | .... | extras casting | |
Editorial Department | |||
| Nikos Adamopoulos | .... | negative editor | |
| Nikos Katoufas | .... | colorist | |
| Manolis Sakkadakis | .... | vision mixer | |
Music Department | |||
| Dinos Apostolou | .... | musician | |
| Akis Arhontis | .... | musician | |
| Nikos Arhontis | .... | musician | |
| Nasos Bartzoukos | .... | musician | |
| Maria Bildea | .... | musician: harp | |
| Manfred Eicher | .... | music producer | |
| Vasilis Gantzos | .... | musician | |
| Aristeidis Gimoulis | .... | musician | |
| Thodoros Hristopoulos | .... | musician | |
| Vangelis Kantouris | .... | musician | |
| Giorgos Karyotis | .... | score recordist | |
| Konstadinos Mammos | .... | musician | |
| Sergiu Nastaza | .... | musician: violin | |
| Manolis Panagiotakis | .... | musician | |
| Giorgos Penetis | .... | musician | |
| Kostas Raptis | .... | musician: accordion | |
| Angelos Repanis | .... | musician: contrabass | |
| Renato Ripo | .... | musician: violoncello | |
| Luan Rustem | .... | musician | |
| Fotis Siotas | .... | musician | |
| Vangelis Skoufas | .... | musician: corno | |
| Kostas Tsougras | .... | musician | |
Thanks | |||
| Eleni Apostolou | .... | thanks | |
| Sakis Arnaoutoglou | .... | thanks | |
| Thanos Fatouros | .... | thanks | |
| Nikos Foutzopoulos | .... | thanks | |
| Panagiotis Hatzigiannis | .... | thanks | |
| Maria Karavia | .... | thanks | |
| Thomas Katsiantonis | .... | thanks | |
| Thanasis Kortsaridis | .... | thanks | |
| Aristos Kouklis | .... | thanks | |
| Labros Liavas | .... | thanks | |
| Niki Moukouli | .... | thanks | |
| Thanos Moukoulis | .... | thanks | |
| Thodoros Naziridis | .... | thanks | |
| George Papadakis | .... | thanks | |
| Grigoris Papadopoulos | .... | thanks | |
| Marianna Papadopoulou | .... | thanks | |
| Giorgos Papastefanou | .... | thanks | |
| Stavros Petsopoulos | .... | thanks | |
| Kostas Pogonidis | .... | thanks | |
| Theoharis Raikoftsalis | .... | acknowledgment | |
| Apostolos Ravnalis | .... | thanks | |
| Dimitris Ravnalis | .... | thanks | |
| Miranda Terzopoulou | .... | thanks | |
| Sotiris Theofanis | .... | thanks | |
| Manolis Tsakiris | .... | thanks | |
| Kyriakos Tzekos | .... | thanks | |
| Leonidas Vardaros | .... | thanks | |
| Dimitris Voulgaris | .... | thanks | |
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| To meteoro vima tou pelargou | To vlemma tou Odyssea | O thiasos | Mia aioniotita kai mia mera | Europa Europa |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Greece section | Add this title to MyMovies |
I think anyone familiar with Angelopoulos knows what to expect with his films: long, drawn out, meticulously planned shots that slowly scan environments, with the image composed of not only the foreground but hundreds of yards into the background. I guess some are not impressed with the director's style, but that really astounds me. I definitely see the man as a master of his medium, and The Weeping Meadow is as good as any of his other films every one I've seen so far is a masterpiece or close to it. This film has a lot in common with the director's first big success, The Traveling Players. It follows a little girl, Eleni, from 1919 to the time of the Greek Civil War, at the end of WWII. And, as the title implies, it's a great tragedy. There is a lot of weeping. It may be long and slow, but it's always gripping. Angelopoulos' imagery is second to none in modern cinema. There are just so many jaw-dropping sequences. My favorite was the one where the camera explored its way through a maze of bed sheets drying on clotheslines, discovering various musicians hidden within. It's not a complaint, per se, but if you're going to watch the film beware of its chronological ellipses. The film can skip ahead years in just a second, when the pace usually makes each second feel like years (in a good way!). I hope New Yorker video, or some other company, digs up the Angelopoulos films that have been unavailable so far, and puts The Traveling Players on DVD, as well.