| Photos (see all 81 | slideshow) | Videos (see all 17) |
| Kayvan Novak | ... | Arash | |
| George Clooney | ... | Bob Barnes | |
| Amr Waked | ... | Mohammed Sheik Agiza | |
| Christopher Plummer | ... | Dean Whiting | |
| Jeffrey Wright | ... | Bennett Holiday | |
| Chris Cooper | ... | Jimmy Pope | |
| Robert Foxworth | ... | Tommy Barton | |
| Nicky Henson | ... | Sydney Hewitt | |
| Nicholas Art | ... | Riley Woodman | |
| Matt Damon | ... | Bryan Woodman | |
| Amanda Peet | ... | Julie Woodman | |
| Steven Hinkle | ... | Max Woodman | |
| Daisy Tormé | ... | Rebecca | |
| Peter Gerety | ... | Leland "Lee" Janus | |
| Richard Lintern | ... | Bryan's Boss | |
| Jocelyn Quivrin | ... | Vincent | |
| Mazhar Munir | ... | Wasim Khan | |
| Shahid Ahmed | ... | Saleem Ahmed Khan | |
| Bikram Singh Bhamra | ... | Pakistani Translator | |
| Roger Yuan | ... | Chinese Engineer | |
| Jayne Atkinson | ... | Division Chief | |
| Thomas McCarthy | ... | Fred Franks (as Tom McCarthy) | |
| Jamey Sheridan | ... | Terry | |
| Randall Boffman | ... | Distinguished Gentleman #1 | |
| Tony French | ... | Distinguished Gentleman #2 | |
| Max Minghella | ... | Robby Barnes | |
| Katie Foster | ... | Nervous Daughter | |
| Nadim Sawalha | ... | Emir Hamed Al-Subaai | |
| Alexander Siddig | ... | Prince Nasir Al-Subaai | |
| Ozzie Yue | ... | Chinese Oil Executive | |
| Akbar Kurtha | ... | Prince Meshal Al-Subaai | |
| Sonnell Dadral | ... | Farooq (as Sonell Dadral) | |
| Jon Lee Anderson | ... | Himself | |
| Othman Bin Hendi | ... | Arab Businessman | |
| Bashar Atiyat | ... | Nasir's Aide (as Bashar H. Atiyat) | |
| Ali Al Amine | ... | Older Kid at Pool | |
| William Charles Mitchell | ... | Bennett Holiday Sr. (as William C. Mitchell) | |
| Tim Blake Nelson | ... | Danny Dalton | |
| Ahmed Aa Mohammed | ... | Abu Khalifa | |
| Ahmed Ayoub | ... | Pakistani Teenager #1 | |
| Mohammed Asad Khan | ... | Pakistani Teenager #2 | |
| Atta Mohammed Saleh | ... | Old Man | |
| Aziz Zacca | ... | Policeman | |
| David Clennon | ... | Donald | |
| Omar Mostafa | ... | The Cleric | |
| Saïd Amadis | ... | Reza Reyhani | |
| David J. Manners | ... | Egypt Bureau Chief | |
| Jamil Jabbar | ... | Supplicant | |
| Badria Timimi | ... | Nasir's Wife | |
| William Hurt | ... | Stan | |
| Mohamed Majd | ... | Said Hossein Hashimi (as Mohammed Majd) | |
| Mark Strong | ... | Mussawi | |
| Driss Roukhe | ... | Guard | |
| Katherine Hoskins Mackey | ... | Paralegal | |
| Linda E. Williams | ... | Paralegal | |
| Susan Allenback | ... | Paralegal #1 (as Susan Allenbach) | |
| William L. Thomas | ... | Paralegal #2 | |
| El Mahjoub Raji | ... | Hashimi's Man | |
| Michael Stone Forrest | ... | CIA Security Officer #1 | |
| Robert Baer | ... | CIA Security Officer #2 (as Bob Baer) | |
| Fritz Michel | ... | Hotel Security Guard | |
| Bob Fajkowski | ... | Secretary of Defense | |
| Jeff Baker | ... | Tommy's Lawyer | |
| Tarik Tamzali | ... | Nasir's Secretary | |
| Mitesh Soni | ... | Martyr | |
| Susan Duvall | ... | Assistant at CIA (as Tootsie Duvall) | |
| Nabeel Noman | ... | Bedouin Leader | |
| Ryan Murphy | ... | Drone Tech | |
| Will McCormack | ... | Willy | |
| Donna Mitchell | ... | Pat Janus | |
| James Plannette | ... | Connex Functionary | |
| Michael Allinson | ... | Sir David | |
| rest of cast listed alphabetically: | |||
| Tom Cutler | ... | Lawyer (uncredited) | |
| Viola Davis | ... | CIA Chairwoman (uncredited) | |
| Bruce Allen Dawson | ... | Oil Executive (uncredited) | |
| Paul Fahrenkopf | ... | Oil Baron (uncredited) | |
| Anna George | ... | Reza's Sister (uncredited) | |
| William Gerad Jones | ... | Kid in Diner Scene (uncredited) | |
| Wendy Kush | ... | Witness (uncredited) | |
| Kirk Lambert | ... | CIA Bureau Chief (uncredited) | |
| Charles McClelland | ... | Oil Executive (uncredited) | |
| Kerry Meushaw | ... | CIA Agent (uncredited) | |
| David Michie | ... | Home Seal Security Guard (voice) (uncredited) | |
| J. Matthew Miller | ... | Student (uncredited) | |
| Lauren Minite | ... | Restaurant Girl (uncredited) | |
| Johnny Pitrelli | ... | U.S. Marshal (uncredited) | |
| Bahar Soomekh | ... | Yassi (uncredited) | |
| Alexander von Roon | ... | Bloomberg Reporter (uncredited) | |
| Don Whatley | ... | Bystander (uncredited) | |
Directed by | |||
| Stephen Gaghan | |||
Writing credits(WGA) | ||
| Robert Baer | (book "See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism") (suggestion) | |
| Stephen Gaghan | (written by) | |
Produced by | |||
| Sarah Bradshaw | .... | associate producer | |
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Jennifer Fox | .... | producer | |
| Georgia Kacandes | .... | producer | |
| Elizabeth Kirkscey | .... | associate producer | |
| Shannon Lail | .... | associate producer | |
| Michael Nozik | .... | producer | |
| Jeff Skoll | .... | executive producer | |
| Tim Smythe | .... | facilitating producer: Dubai | |
| Steven Soderbergh | .... | executive producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Tim Squyres | |||
Casting by | |||
| Avy Kaufman | |||
| Lora Kennedy | |||
| Lucinda Syson | |||
Production Design by | |||
| Dan Weil | |||
Art Direction by | |||
| Alan Hook | |||
| Laurent Ott | |||
Set Decoration by | |||
| Olivia Bloch-Lainé | |||
| Jan Pascale | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Candice Banks | .... | makeup artist | |
| Christine Beveridge | .... | makeup department head | |
| Christine Beveridge | .... | special makeup effects artist (as Chrissie Beveridge) | |
| Dan Crawley | .... | special makeup effects artist | |
| Kay Georgiou | .... | hair department head | |
| Charmaine Henninger | .... | hair stylist | |
| Mary Kim | .... | makeup effects production supervisor | |
| Mary Kim | .... | prosthetics creator | |
| Jim Knell | .... | production photographer: Captive Audience Productions | |
| Marilyn MacDonald | .... | makeup artist | |
| Mark Nieman | .... | silicone prosthetic technician | |
| Waldo Sanchez | .... | hair department head | |
| Petra Schaumann | .... | hair stylist | |
| Brian Sipe | .... | special makeup supervisor | |
| Janice Tunnell | .... | additional makeup artist | |
| Keith VanderLaan | .... | prosthetics creator | |
| Keith VanderLaan | .... | special makeup effects creator: Captive Audience Productions | |
| Sherri Bramlett | .... | additional hair stylist (uncredited) | |
| James Parr | .... | special makeup effects technician (uncredited) | |
Production Management | |||
| Zakaria Alaoui | .... | production supervisor | |
| Sarah Bradshaw | .... | unit production manager | |
| Omar Chraibi | .... | unit manager | |
| Simon Crook | .... | location unit manager | |
| Frédéric Delaloye | .... | assistant unit manager | |
| Christopher Granier-Deferre | .... | production manager: Geneva | |
| Kevin Jenkins | .... | unit manager | |
| Georgia Kacandes | .... | unit production manager | |
| Francine Lusser | .... | unit manager (segment) | |
| Karyn McCarthy | .... | unit production manager: U.S. | |
| Gérard Monier | .... | location production manager | |
| Mark Mostyn | .... | production manager | |
| Serge Musy | .... | assistant set manager | |
| Mark Scoon | .... | executive in charge of production | |
| Will Weiske | .... | production supervisor | |
Sound Department | |||
| Larry Blake | .... | sound re-recording mixer | |
| Larry Blake | .... | supervising sound editor | |
| Derek Casari | .... | foley engineer | |
| Julie Feiner | .... | sound editor | |
| Dawn Fintor | .... | foley artist | |
| Carl Fischer | .... | boom operator | |
| Mick Gormaley | .... | assistant sound editor | |
| Ben Greaves | .... | second boom operator | |
| Petur Hliddal | .... | sound mixer | |
| Vanessa Lapato | .... | dialogue editor | |
| Vanessa Lapato | .... | sound editor | |
| Derek Marcil | .... | sound re-recording mixer | |
| Jeena M. Phelps | .... | sound editor (as Jeena Phelps) | |
| Eric Raber | .... | digital sound transfer engineer | |
| Michael Rayle | .... | cable puller | |
| Jeff Sawyer | .... | sound editor | |
| Joe Schiff | .... | assistant sound editor | |
| Greg Steele | .... | adr mixer | |
| Alicia Stevenson | .... | foley artist | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Hank Atterbury | .... | special effects coordinator: US | |
| Everett Byrom III | .... | special effects coordinator: Texas | |
| William Catania | .... | special effects | |
| Chris Hampton | .... | special effects technician | |
| Trevor Neighbour | .... | special effects foreman: overseas | |
| Stefano Pepin | .... | special effects tecnician | |
| Thomas Turnbull | .... | special effects foreman | |
| Matt Veale | .... | assistant special effects technician: overseas | |
| Trevor Wood | .... | special effects coordinator: overseas | |
Visual Effects by | |||
| Oliver Arnold | .... | lighting technical director | |
| Timur 'Taron' Baysal | .... | visual effects | |
| Christian Bloch | .... | digital artist: Eden FX | |
| Andrea D'Amico | .... | visual effects executive producer: Eden FX | |
| Eric Durst | .... | visual effects supervisor | |
| Andrew Edwards | .... | Inferno artist | |
| Derry Frost | .... | director of production: Amalgamated Pixels | |
| Spence Fuller | .... | digital effects artist | |
| John F. Gross | .... | visual effects supervisor: Eden FX | |
| Timothy Heys-Cerchio | .... | motion control operator | |
| Erik Liles | .... | compositing supervisor | |
| Michael Meagher | .... | visual effects producer (as Tony Meagher) | |
| Rob Meyers | .... | visual effects | |
| Scott Michelson | .... | visual effects executive producer | |
| Roger Mocenigo | .... | digital compositor: Amalgamated Pixels | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels Inc. | |
| David R. Morton | .... | digital artist | |
| Jeremy Oddo | .... | visual effects | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels Inc. | |
| Chris Payne | .... | compositor | |
| Eddie Robison | .... | digital effects artist | |
| Gregory S. Scribner | .... | digital artist | |
| Martha Soehendra | .... | digital compositor | |
| Katie Spinelli | .... | visual effects coordinator (as Katie Eyster) | |
| Colin Strause | .... | visual effects supervisor | |
| Greg Strause | .... | visual effects supervisor | |
| Wilson Tang | .... | digital restoration | |
| Chris Wells | .... | CG supervisor: Hydraulx | |
| Yoshiya Yamada | .... | modeling supervisor | |
| Chris B. Schnitzer | .... | visual effects production supervisor: Warner Bros. (uncredited) | |
Stunts | |||
| Bruce Cain | .... | stunts | |
| Steve Dent | .... | stunt coordinator | |
| David Garrick | .... | stunts | |
| Michael Luckeroth | .... | precision driver | |
| Ron Oakley | .... | stunt coordinator | |
| Ron Oakley | .... | stunts: Dubai | |
| Domonkos Pardanyi | .... | stunts | |
| Matthew Sampson | .... | stunts | |
| Andy Smart | .... | stunt double | |
| Andy Smart | .... | stunts | |
| C.C. Smiff | .... | stunts (as Neil Smith) | |
| Peter White | .... | stunts | |
| Len Woodcock | .... | stunts (as Lenny Woodcock) | |
| Rick Kain | .... | precision driver (uncredited) | |
Casting Department | |||
| Todd Feldman | .... | extras casting associate | |
| Deanna Gallucio | .... | extras casting assistant: New York | |
| Luis Garcia | .... | casting assistant | |
| Barbara Harris | .... | voice casting | |
| Juliette Ménager | .... | casting: France | |
| Laura Neal | .... | extras casting assistant | |
| Sonia Rossier | .... | extras casting assistant: Geneva | |
| Mandy Sprinkel | .... | extras casting | |
| Amie Stephenson | .... | casting assistant | |
| John Strawbridge | .... | casting associate | |
| Kelly Hunt | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | crowd wardrobe supervisor | |
| Johnetta Boone | .... | costumer | |
| John Casey | .... | costume supervisor | |
| Gabriel DellaVecchia | .... | wardrobe production assistant | |
| Michele Forsythe | .... | set costumer | |
| Otmane Khammari | .... | costume assistant | |
| Deborah Latham | .... | costumer | |
| Mara Majorowicz | .... | set costumer: Baltimore/Washington D.C. | |
| Marina Marit | .... | key set costumer | |
| Nina Padovano | .... | costumer | |
| Garet Reilly | .... | costumer | |
| Richard Schoen | .... | key costumer | |
| Dana Schondelmeyer | .... | assistant costume designer | |
| Senna Shanti | .... | costumer | |
| Barnaby Smith | .... | set costumer | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Steve Calalang | .... | dailies colorist | |
| Michael T. Forrest | .... | on-line editor | |
| Mo Henry | .... | negative cutter | |
| Sorin Ariel Iarovici | .... | assistant editor | |
| Abazar Khayami | .... | post-production assistant | |
| Ryan Murphy | .... | first assistant editor | |
| Stephen Nakamura | .... | digital film colorist | |
| Jessica Kumai Scott | .... | editorial production assistant | |
| Yoram Tal | .... | on-line editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Jean-Pascal Beintus | .... | orchestrator | |
| Bryan Clements | .... | scoring crew | |
| Mark Eshelman | .... | scoring crew | |
| Jivan Gasparyan | .... | musician: duduk player | |
| Mark Graham | .... | music librarian | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Liza Richardson | .... | music consultant | |
| Peter Rotter | .... | music contractor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Andrew Shulman | .... | musician: cello soloist | |
| Steven L. Smith | .... | music preparation | |
| Nick Vidar | .... | music editor | |
| Nick Vidar | .... | music programmer | |
Transportation Department | |||
| Khalid Ameskane | .... | transportation captain | |
| Ali Bakkioui | .... | transportation coordinator | |
| Roy Clarke | .... | transportation captain | |
| Redouane Fihi | .... | transportation | |
| Louise Hills | .... | assistant transportation coordinator: Dubai | |
| Graham Kelly | .... | action vehicle supervisor: boats, aircraft and cars | |
| Michael Luckeroth | .... | transportation coordinator | |
| Boris Olomi | .... | picture vehicle technician | |
| Chris J. Smith | .... | picture vehicle technician | |
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| Babel | A Mighty Heart | Body of Lies | Swiri | The Kingdom |
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In "Syriana," writer/director Stephen Gaghan uses the busy style of "Crash" and "Amores Perros" to illustrate the complex geopolitics behind oil. Each sector--regulators, "intelligence", lobbyists, grease-the-wheel-ers and cogs-in-the-wheel-ers, in the network of greed, idealism, self-interest, sophistication and naiveté, is represented by a different character followed through the movie to bring them together, directly or indirectly, into the climax.
This technique to coordinate a huge ensemble of captivating character actors woven tightly together in a complex story is helped enormously by Robert Elswit's ever-moving camera shots as visually and sound edited by Tim Squyres, who had some experience with overlapping dialog and movement in a more literal upstairs/downstairs on Robert Altman's "Gosford Park." Alexandre Desplat's music adds to the tense mood.
The variegation that Gaghan presents is almost staggering, even more ethically complicated than a Graham Greene Cold War noir. This is the first film I've seen that illustrates the diversity of clashing Islamic cultures and interests, despite that I couldn't keep their interests or motives all quite straight. Though the English subtitles (which are commendably outlined in black for unusual legibility) wipe out some of the distinctions, we can infer that Iranians are speaking Farsi, Pakistanis' Urdu and others speaking Arabic, all with varying fluency and mutual cultural comprehension, let alone manipulators who can speak anything besides their native tongues. We've seen immigrants and guest workers in films critical of Western countries, but not the resentment-brewing conditions of badly treated non-citizens in the oil-rich Persian Gulf states, like the fictional one here which looks a lot like Dubai or Brunei, where clusters of modern skyscrapers contrast with Bedouin goat herders. It does help for background on the fascinating side plot of the radicalized young Arabs to see "Paradise Now" about Palestinian terrorists to explain particular details of their training.
While each character is specifically set within a believable home and family setting, some are painted with too easy and broad strokes. While Alexander Siddig seems to have the monopoly on naively idealistic Arabs, as his similar character in "Kingdom of Heaven" against another Crusades, history is littered with the interim, modernizing liberal tragically caught between powerful forces. (Though the proliferation of Western-educated Arab intellectuals in movies is beginning to sound like all those Japanese generals in World War II movies who went to USC or whatever; at least he went to Oxford and not Harvard.)
Matt Damon's un-Bourne-like energy analyst just sounds simplistic even when he's truth-telling, but we also see that he's already slid down the slippery slope of ethics in the crossing of his personal and professional lives. That so many of the oil and gas executives have Texas accents (superb Chris Cooper, Tim Blake Nelson, Robert Foxworth) does seem to say that the decades of business and political corruption there, as documented in Robert Caro's biography of LBJ, have simply been extended to a global scale.
The film is also unusual in focusing on the role of lawyers negotiating the deals between companies and governments. While Christopher Plummer's Ivy League senior partner type has been seen as a shadowy force in countless paranoid thrillers, Jeffrey Wright is completely unpredictable and tightly wound, though the point of his relationship with his cynical alcoholic father isn't exactly clear except maybe as his conscience. We see before our eyes he goes from, as his mentor says, "a sheep into a lion."
Most films have prosecutors like David Clennon's U.S. attorney as a hero against corruption, instead of being chillingly dismissed as "trust fund lawyers." But the script is so full of such epigrams, like "In this town, you're only innocent until you're investigated," that one character calls another on issuing them too brightly.
While from the beginning I couldn't quite follow all the machinations around George Clooney's character, he is wonderful at transforming from his usual Cary Grant suave to harried, dedicated, mid-level bureaucrat who literally won't toe the Company line in a dangerous hierarchy that's shown to be a bit more competent than in real life, that reminded me both in the gut and guts of Russell Crowe's Wigand in the tobacco wars in "The Insider." It recalls how benign corrupt spooks looked in their personal lives, as there's much conversation here about houses, cars and college tuition. Indirectly, the film implicitly shows the dangers to Valerie Plame from her outing as a CIA operative, as families and personal connections are constantly used as threats and bargaining chips.
Significantly, there is not a single mention amidst all these Mideast chicaneries, plots and plans of the Zionist entity, proving that pro or anti-Israel policies are smoke screens around the main draw -- oil.
Movie-wise, these characters seem a lot like the gangsters and their conseglieres in "The Godfather" carving up Cuba and drug rights, let alone Gordon Gekko extolling "Greed is good" as the ultimate ideology, and fits right in with this year's other geo-political thrillers "The Constant Gardener" and "Lord of War," and those weren't even about natural resources. It works better than the re-make of "The Manchurian Candidate" because even though the focal point is a fictional country the issues are real, not science fiction.
So does this make you ready to get out of your car and onto the train? Because until then, we'll still need lots of that oil from the Middle East.