| Photos (see all 81 | slideshow) | Videos (see all 19 NEW) |
| Kayvan Novak | ... | Arash | |
| George Clooney | ... | Bob Barnes | |
| Amr Waked | ... | Mohammed Sheik Agiza | |
| Christopher Plummer | ... | Dean Whiting | |
| Jeffrey Wright | ... | Bennett Holiday | |
| Chris Cooper | ... | Jimmy Pope | |
| Robert Foxworth | ... | Tommy Barton | |
| Nicky Henson | ... | Sydney Hewitt | |
| Nicholas Art | ... | Riley Woodman | |
| Matt Damon | ... | Bryan Woodman | |
| Amanda Peet | ... | Julie Woodman | |
| Steven Hinkle | ... | Max Woodman | |
| Daisy Tormé | ... | Rebecca | |
| Peter Gerety | ... | Leland "Lee" Janus | |
| Richard Lintern | ... | Bryan's Boss | |
| Jocelyn Quivrin | ... | Vincent | |
| Mazhar Munir | ... | Wasim Khan | |
| Shahid Ahmed | ... | Saleem Ahmed Khan | |
| Bikram Singh Bhamra | ... | Pakistani Translator | |
| Roger Yuan | ... | Chinese Engineer | |
| Jayne Atkinson | ... | Division Chief | |
| Thomas McCarthy | ... | Fred Franks (as Tom McCarthy) | |
| Jamey Sheridan | ... | Terry | |
| Randall Boffman | ... | Distinguished Gentleman #1 | |
| Tony French | ... | Distinguished Gentleman #2 | |
| Max Minghella | ... | Robby Barnes | |
| Katie Foster | ... | Nervous Daughter | |
| Nadim Sawalha | ... | Emir Hamed Al-Subaai | |
| Alexander Siddig | ... | Prince Nasir Al-Subaai | |
| Ozzie Yue | ... | Chinese Oil Executive | |
| Akbar Kurtha | ... | Prince Meshal Al-Subaai | |
| Sonnell Dadral | ... | Farooq (as Sonell Dadral) | |
| Jon Lee Anderson | ... | Himself | |
| Othman Bin Hendi | ... | Arab Businessman | |
| Bashar Atiyat | ... | Nasir's Aide (as Bashar H. Atiyat) | |
| Ali Al Amine | ... | Older Kid at Pool | |
| William Charles Mitchell | ... | Bennett Holiday Sr. (as William C. Mitchell) | |
| Tim Blake Nelson | ... | Danny Dalton | |
| Ahmed Aa Mohammed | ... | Abu Khalifa | |
| Ahmed Ayoub | ... | Pakistani Teenager #1 | |
| Mohammed Asad Khan | ... | Pakistani Teenager #2 | |
| Atta Mohammed Saleh | ... | Old Man | |
| Aziz Zacca | ... | Policeman | |
| David Clennon | ... | Donald | |
| Omar Mostafa | ... | The Cleric | |
| Saïd Amadis | ... | Reza Reyhani | |
| David J. Manners | ... | Egypt Bureau Chief | |
| Jamil Jabbar | ... | Supplicant | |
| Badria Timimi | ... | Nasir's Wife | |
| William Hurt | ... | Stan | |
| Mohamed Majd | ... | Said Hossein Hashimi (as Mohammed Majd) | |
| Mark Strong | ... | Mussawi | |
| Driss Roukhe | ... | Guard | |
| Katherine Hoskins Mackey | ... | Paralegal | |
| Linda E. Williams | ... | Paralegal | |
| Susan Allenback | ... | Paralegal #1 (as Susan Allenbach) | |
| William L. Thomas | ... | Paralegal #2 | |
| El Mahjoub Raji | ... | Hashimi's Man | |
| Michael Stone Forrest | ... | CIA Security Officer #1 | |
| Robert Baer | ... | CIA Security Officer #2 (as Bob Baer) | |
| Fritz Michel | ... | Hotel Security Guard | |
| Bob Fajkowski | ... | Secretary of Defense | |
| Jeff Baker | ... | Tommy's Lawyer | |
| Tarik Tamzali | ... | Nasir's Secretary | |
| Mitesh Soni | ... | Martyr | |
| Susan Duvall | ... | Assistant at CIA (as Tootsie Duvall) | |
| Nabeel Noman | ... | Bedouin Leader | |
| Ryan Murphy | ... | Drone Tech | |
| Will McCormack | ... | Willy | |
| Donna Mitchell | ... | Pat Janus | |
| James Plannette | ... | Connex Functionary | |
| Michael Allinson | ... | Sir David | |
| rest of cast listed alphabetically: | |||
| Tom Cutler | ... | Lawyer (uncredited) | |
| Viola Davis | ... | CIA Chairwoman (uncredited) | |
| Bruce Allen Dawson | ... | Oil Executive (uncredited) | |
| Paul Fahrenkopf | ... | Oil Baron (uncredited) | |
| Anna George | ... | Reza's Sister (uncredited) | |
| William Gerad Jones | ... | Kid in Diner Scene (uncredited) | |
| Wendy Kush | ... | Witness (uncredited) | |
| Kirk Lambert | ... | CIA Bureau Chief (uncredited) | |
| Charles McClelland | ... | Oil Executive (uncredited) | |
| Kerry Meushaw | ... | CIA Agent (uncredited) | |
| David Michie | ... | Home Seal Security Guard (voice) (uncredited) | |
| J. Matthew Miller | ... | Student (uncredited) | |
| Lauren Minite | ... | Restaurant Girl (uncredited) | |
| Johnny Pitrelli | ... | U.S. Marshal (uncredited) | |
| Bahar Soomekh | ... | Yassi (uncredited) | |
| Alexander von Roon | ... | Bloomberg Reporter (uncredited) | |
| Don Whatley | ... | Bystander (uncredited) | |
Directed by | |||
| Stephen Gaghan | |||
Writing credits(WGA) | ||
| Robert Baer | (book "See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism") (suggestion) | |
| Stephen Gaghan | (written by) | |
Produced by | |||
| Sarah Bradshaw | .... | associate producer | |
| George Clooney | .... | executive producer | |
| Ben Cosgrove | .... | executive producer | |
| Jennifer Fox | .... | producer | |
| Georgia Kacandes | .... | producer | |
| Elizabeth Kirkscey | .... | associate producer | |
| Shannon Lail | .... | associate producer | |
| Michael Nozik | .... | producer | |
| Jeff Skoll | .... | executive producer | |
| Tim Smythe | .... | facilitating producer: Dubai | |
| Steven Soderbergh | .... | executive producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| Tim Squyres | |||
Casting by | |||
| Avy Kaufman | |||
| Lora Kennedy | |||
| Lucinda Syson | |||
Production Design by | |||
| Dan Weil | |||
Art Direction by | |||
| Alan Hook | |||
| Laurent Ott | |||
Set Decoration by | |||
| Olivia Bloch-Lainé | |||
| Jan Pascale | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Candice Banks | .... | makeup artist | |
| Christine Beveridge | .... | makeup department head | |
| Christine Beveridge | .... | special makeup effects artist (as Chrissie Beveridge) | |
| Dan Crawley | .... | special makeup effects artist | |
| Kay Georgiou | .... | hair department head | |
| Charmaine Henninger | .... | hair stylist | |
| Mary Kim | .... | makeup effects production supervisor | |
| Mary Kim | .... | prosthetics creator | |
| Jim Knell | .... | production photographer: Captive Audience Productions | |
| Marilyn MacDonald | .... | makeup artist | |
| Mark Nieman | .... | silicone prosthetic technician | |
| Waldo Sanchez | .... | hair department head | |
| Petra Schaumann | .... | hair stylist | |
| Brian Sipe | .... | special makeup supervisor | |
| Janice Tunnell | .... | additional makeup artist | |
| Keith VanderLaan | .... | prosthetics creator | |
| Keith VanderLaan | .... | special makeup effects creator: Captive Audience Productions | |
| Sherri Bramlett | .... | additional hair stylist (uncredited) | |
| James Parr | .... | special makeup effects technician (uncredited) | |
Production Management | |||
| Zakaria Alaoui | .... | production supervisor | |
| Sarah Bradshaw | .... | unit production manager | |
| Omar Chraibi | .... | unit manager | |
| Simon Crook | .... | location unit manager | |
| Frédéric Delaloye | .... | assistant unit manager | |
| Christopher Granier-Deferre | .... | production manager: Geneva | |
| Kevin Jenkins | .... | unit manager | |
| Georgia Kacandes | .... | unit production manager | |
| Francine Lusser | .... | unit manager (segment) | |
| Karyn McCarthy | .... | unit production manager: U.S. | |
| Gérard Monier | .... | location production manager | |
| Mark Mostyn | .... | production manager | |
| Serge Musy | .... | assistant set manager | |
| Mark Scoon | .... | executive in charge of production | |
| Will Weiske | .... | production supervisor | |
Sound Department | |||
| Larry Blake | .... | sound re-recording mixer | |
| Larry Blake | .... | supervising sound editor | |
| Derek Casari | .... | foley engineer | |
| Julie Feiner | .... | sound editor | |
| Dawn Fintor | .... | foley artist | |
| Carl Fischer | .... | boom operator | |
| Mick Gormaley | .... | assistant sound editor | |
| Ben Greaves | .... | second boom operator | |
| Petur Hliddal | .... | sound mixer | |
| Vanessa Lapato | .... | dialogue editor | |
| Vanessa Lapato | .... | sound editor | |
| Derek Marcil | .... | sound re-recording mixer | |
| Jeena M. Phelps | .... | sound editor (as Jeena Phelps) | |
| Eric Raber | .... | digital sound transfer engineer | |
| Michael Rayle | .... | cable puller | |
| Jeff Sawyer | .... | sound editor | |
| Joe Schiff | .... | assistant sound editor | |
| Greg Steele | .... | adr mixer | |
| Alicia Stevenson | .... | foley artist | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Hank Atterbury | .... | special effects coordinator: US | |
| Everett Byrom III | .... | special effects coordinator: Texas | |
| William Catania | .... | special effects | |
| Chris Hampton | .... | special effects technician | |
| Trevor Neighbour | .... | special effects foreman: overseas | |
| Stefano Pepin | .... | special effects tecnician | |
| Thomas Turnbull | .... | special effects foreman | |
| Matt Veale | .... | assistant special effects technician: overseas | |
| Trevor Wood | .... | special effects coordinator: overseas | |
Visual Effects by | |||
| Oliver Arnold | .... | lighting technical director | |
| Timur 'Taron' Baysal | .... | visual effects | |
| Christian Bloch | .... | digital artist: Eden FX | |
| Andrea D'Amico | .... | visual effects executive producer: Eden FX | |
| Eric Durst | .... | visual effects supervisor | |
| Andrew Edwards | .... | Inferno artist | |
| Derry Frost | .... | director of production: Amalgamated Pixels | |
| Spence Fuller | .... | digital effects artist | |
| John F. Gross | .... | visual effects supervisor: Eden FX | |
| Timothy Heys-Cerchio | .... | motion control operator | |
| Erik Liles | .... | compositing supervisor | |
| Michael Meagher | .... | visual effects producer (as Tony Meagher) | |
| Rob Meyers | .... | visual effects | |
| Scott Michelson | .... | visual effects executive producer | |
| Roger Mocenigo | .... | digital compositor: Amalgamated Pixels | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels Inc. | |
| David R. Morton | .... | digital artist | |
| Jeremy Oddo | .... | visual effects | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels Inc. | |
| Chris Payne | .... | compositor | |
| Eddie Robison | .... | digital effects artist | |
| Gregory S. Scribner | .... | digital artist | |
| Martha Soehendra | .... | digital compositor | |
| Katie Spinelli | .... | visual effects coordinator (as Katie Eyster) | |
| Colin Strause | .... | visual effects supervisor | |
| Greg Strause | .... | visual effects supervisor | |
| Wilson Tang | .... | digital restoration | |
| Chris Wells | .... | CG supervisor: Hydraulx | |
| Yoshiya Yamada | .... | modeling supervisor | |
| Chris B. Schnitzer | .... | visual effects production supervisor: Warner Bros. (uncredited) | |
Stunts | |||
| Bruce Cain | .... | stunts | |
| Steve Dent | .... | stunt coordinator | |
| David Garrick | .... | stunts | |
| Michael Luckeroth | .... | precision driver | |
| Ron Oakley | .... | stunt coordinator | |
| Ron Oakley | .... | stunts: Dubai | |
| Domonkos Pardanyi | .... | stunts | |
| Matthew Sampson | .... | stunts | |
| Andy Smart | .... | stunt double | |
| Andy Smart | .... | stunts | |
| C.C. Smiff | .... | stunts (as Neil Smith) | |
| Peter White | .... | stunts | |
| Len Woodcock | .... | stunts (as Lenny Woodcock) | |
| Rick Kain | .... | precision driver (uncredited) | |
Casting Department | |||
| Todd Feldman | .... | extras casting associate | |
| Deanna Gallucio | .... | extras casting assistant: New York | |
| Luis Garcia | .... | casting assistant | |
| Barbara Harris | .... | voice casting | |
| Juliette Ménager | .... | casting: France | |
| Laura Neal | .... | extras casting assistant | |
| Sonia Rossier | .... | extras casting assistant: Geneva | |
| Mandy Sprinkel | .... | extras casting | |
| Amie Stephenson | .... | casting assistant | |
| John Strawbridge | .... | casting associate | |
| Kelly Hunt | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | crowd wardrobe supervisor | |
| Johnetta Boone | .... | costumer | |
| John Casey | .... | costume supervisor | |
| Gabriel DellaVecchia | .... | wardrobe production assistant | |
| Michele Forsythe | .... | set costumer | |
| Otmane Khammari | .... | costume assistant | |
| Deborah Latham | .... | costumer | |
| Mara Majorowicz | .... | set costumer: Baltimore/Washington D.C. | |
| Marina Marit | .... | key set costumer | |
| Nina Padovano | .... | costumer | |
| Garet Reilly | .... | costumer | |
| Richard Schoen | .... | key costumer | |
| Dana Schondelmeyer | .... | assistant costume designer | |
| Senna Shanti | .... | costumer | |
| Barnaby Smith | .... | set costumer | |
Editorial Department | |||
| Ron Barr | .... | digital intermediate editor | |
| Steve Calalang | .... | dailies colorist | |
| Michael T. Forrest | .... | on-line editor | |
| Mo Henry | .... | negative cutter | |
| Sorin Ariel Iarovici | .... | assistant editor | |
| Abazar Khayami | .... | post-production assistant | |
| Ryan Murphy | .... | first assistant editor | |
| Stephen Nakamura | .... | digital film colorist | |
| Jessica Kumai Scott | .... | editorial production assistant | |
| Yoram Tal | .... | on-line editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
Music Department | |||
| Jean-Pascal Beintus | .... | orchestrator | |
| Bryan Clements | .... | scoring crew | |
| Mark Eshelman | .... | scoring crew | |
| Jivan Gasparyan | .... | musician: duduk player | |
| Mark Graham | .... | music librarian | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Liza Richardson | .... | music consultant | |
| Peter Rotter | .... | music contractor | |
| Dennis S. Sands | .... | music scoring mixer | |
| Andrew Shulman | .... | musician: cello soloist | |
| Steven L. Smith | .... | music preparation | |
| Nick Vidar | .... | music editor | |
| Nick Vidar | .... | music programmer | |
Transportation Department | |||
| Khalid Ameskane | .... | transportation captain | |
| Ali Bakkioui | .... | transportation coordinator | |
| Roy Clarke | .... | transportation captain | |
| Redouane Fihi | .... | transportation | |
| Louise Hills | .... | assistant transportation coordinator: Dubai | |
| Graham Kelly | .... | action vehicle supervisor: boats, aircraft and cars | |
| Michael Luckeroth | .... | transportation coordinator | |
| Boris Olomi | .... | picture vehicle technician | |
| Chris J. Smith | .... | picture vehicle technician | |
|
|
|
|
|
| Babel | A Mighty Heart | Body of Lies | Swiri | The Kingdom |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
"Syriana" is a blistering, powerful film about the degree to which governments and corporate conglomerates place the ambition to control the world's oil supply above the well being of their citizens and employees. In this game, there are only bad guys, and what separates the villains from the protagonists is not a question of who's good and who's bad, but rather how bad each is willing to be.
So maybe "Syriana" doesn't tell us anything new. But that doesn't mean its points aren't worth making again and again. And though it is complicated, and I'm not going to pretend I followed every detail of its intricate plot, it's not *that* hard to follow. Stephen Gaghan is a good writer, and he provides a nice summary of the film's action in its final moments.
What emerges from this tangled puzzle is a web of corruption and self-interest, all fueled by the need for oil. In one plot thread, the men behind two soon-to-merge oil companies will stop at nothing to make the merger go through, since the new company will be one of the most powerful in the world. In another thread, the law firm representing the company proves that it's eager to cash in on the company's new economic success. Meanwhile, a power struggle between the two sons of an aging king in an unspecified Middle Eastern country (though Saudi Arabia is obviously suggested) has attracted the attention of the American government, operating through the CIA. America (read American business) has a vested interest in which of the king's sons succeeds him to the throne: It doesn't want the reform-minded eldest son, whose priorities will be building a country to benefit his own people; it wants instead the younger son, who will continue to relegate his country to a cosy spot in America's hip pocket and take its orders directly from the president of the USA. And in the film's most chilling plot strand, we see how the struggle for oil feeds the radical Islam movement in the Middle East, providing young men with a feeling of brotherhood and righteousness in the face of a region they feel has turned its back on them in favor of big business and Western corruption.
"Syriana" is tense, fast and furious. Following it can admittedly be somewhat exhausting, but if you pay very close attention to the first hour or so, as each story is introduced and the relationships between characters become clear, the second half of the movie is easier to digest.
I disagree with other comments here that the characters aren't developed or that the acting is unimpressive. On the contrary, I think all of the actors create extremely nuanced, compelling characters, a challenging task given the fact that none of them are allowed more than a minute or so at a time to feed us information about themselves. A movie like this could easily fall prey to filling itself with a bunch of stock villains, all cocked eyebrows and facial mannerisms rather than full-bodied characterizations, and the fact that it avoids this is a tribute to both Gaghan and the cast. And hats off to the editor on this movie, who had perhaps the most daunting task of the year.
2005 has been full of terse, important films, fresh in their immediacy. There have been a small number of sensational, tough, thought-provoking films instead of a larger batch of more mediocre ones, as has been the case recently. "Syriana" is one of the best movies of the year: it's angry, yet it's not hopeless. I hope Americans see this movie. At this time of year, when people are trampling each other in malls in order to be first in line for Christmas sales, I hope they remember that the vast wealth of America frequently comes at the sake of people all over the world who will never have a fraction of the comfort those in our country take for granted.
Grade: A