| Photos (see all 68 | slideshow) | Videos (see all 7) |
| Pierce Brosnan | ... | Julian Noble | |
| Arlin Miller | ... | Radio DJ (voice) | |
| Azucena Medina | ... | Young Denver Fling | |
| Jonah Meyerson | ... | Ten Year Old Boy | |
| Wiveca Bonerais | ... | Ten Year Old Boy's Mother | |
| Greg Kinnear | ... | Danny Wright | |
| Hope Davis | ... | Carolyn 'Bean' Wright | |
| Adam Scott | ... | Phil Garrison | |
| Portia Dawson | ... | Genevive | |
| Roberto Sosa | ... | Skinny Mexican Man | |
| Antonio Zavala | ... | Hotel Bartender 1 | |
| Ramon Alvarez | ... | Shooting Stand Owner | |
| Luz Maria Molina | ... | School Girl | |
| Philip Baker Hall | ... | Mr. Randy | |
| Carolyn Horwitz | ... | Cantina Turista #1 | |
| Rachel Schwartz | ... | Cantina Turista #2 | |
| Jorge Robles | ... | Hotel Bartender 2 | |
| Trio Los Rivera | ... | Hotel Lobby Musicians | |
| Israel Tellez | ... | The Matador | |
| Guillermo Ruiz | ... | Fat Man | |
| Hanny Sáenz | ... | Fat Man's Girlfriend (as Hanny Saens) | |
| Gabriela Goldsmith | ... | Flirting Woman at Outdoor Café | |
| Claudia Lobo | ... | Vienna Fling | |
| Maureen Muldoon | ... | Australian Bar Waitress | |
| Berenice Alvarado | ... | Budapest Ballerina | |
| Adriana Dávila | ... | Budapest Ballerina | |
| Silvia Ehnis | ... | Budapest Ballerina | |
| Deborah Rocha | ... | Budapest Ballerina | |
| Karla Salvador | ... | Budapest Ballerina | |
| Isabel Villa | ... | Budapest Ballerina | |
| Dylan Baker | ... | Lovell | |
| Arturo Echeverria | ... | Manila Target (as Arturo Echeverría) | |
| Ramon Valverde | ... | Young Julian in Manila | |
| William Raymond | ... | Mr. Stick | |
| Alejandro Amaya | ... | Additional Matador | |
| Jose Luis Angelino | ... | Additional Matador | |
| Guillermo Capetillo | ... | Additional Matador | |
| Humberto Flores | ... | Additional Matador | |
| Jose Mauricio Morett | ... | Additional Matador | |
| Federico Pizarro | ... | Additional Matador | |
| rest of cast listed alphabetically: | |||
| Penelope Kaufer | ... | Lady Flirting in a Bar (uncredited) | |
| Vivianne Nacif | ... | Voice on Answering Machine (voice) (uncredited) | |
| Benjamin Ocaranza | ... | Fisherman (uncredited) | |
Directed by | |||
| Richard Shepard | |||
Writing credits(WGA) | ||
| Richard Shepard | (written by) | |
Produced by | |||
| Susanne Bohnet | .... | co-producer | |
| Stephen Break | .... | co-producer | |
| Pierce Brosnan | .... | producer | |
| Ricardo Del Río | .... | co-producer | |
| Bryan Furst | .... | producer | |
| Sean Furst | .... | producer | |
| Mark Gordon | .... | executive producer | |
| Manfred D. Heid | .... | co-producer (as Manfred Heid) | |
| Bradley Jenkel | .... | co-producer (as Brad Jenkel) | |
| Gerd Koechlin | .... | co-producer | |
| Josef Lautenschlager | .... | executive producer | |
| Adam Merims | .... | executive producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| Andrew Reimer | .... | executive producer (as Andy Reimer) | |
| Amanda Scarano | .... | associate producer (as Amanda J. Scarano) | |
| Beau St. Clair | .... | producer | |
| Andreas Thiesmeyer | .... | executive producer | |
| Bob Yari | .... | executive producer | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| David Tattersall | (director of photography) | ||
Film Editing by | |||
| Carole Kravetz | (as Carole Kravetz-Aykanian) | ||
Casting by | |||
| Sig De Miguel | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
| Wendy Weidman | |||
Production Design by | |||
| Robert Pearson | (as Rob Pearson) | ||
Art Direction by | |||
| Marcelo Del Rio | |||
Set Decoration by | |||
| Carlos Gutiérrez | |||
| Patrice Laure | |||
Costume Design by | |||
| Catherine Marie Thomas | (as Catherine Thomas) | ||
Makeup Department | |||
| Lourdes Delgado | .... | hair stylist | |
| Esther Lomeli | .... | hair stylist | |
| Sandra Miguell | .... | makeup artist (as Sandra Migueli) | |
| Rick Provenzano | .... | key hair stylist | |
| Bron Roylance | .... | key makeup artist | |
| Raquel Russey | .... | makeup assistant (as Raquel Bussey) | |
Production Management | |||
| Pablo Buelna | .... | unit manager | |
| Emmanuel Cabare | .... | assistant unit manager (as Emmanuel Cabaré) | |
| Arturo Del Rio | .... | unit production manager: Mexico | |
| Susann Jones | .... | post-production supervisor: Visionbox Media Group | |
| Robert Katz | .... | executive in charge of production | |
| Adam Merims | .... | unit production manager (as Adam J. Merims) | |
| John Portnoy | .... | post-production executive: Yari Film Group | |
| Louise Runge | .... | post-production manager: Yari Film Group | |
| Amanda Scarano | .... | production supervisor (as Amanda J. Scarano) | |
Second Unit Director or Assistant Director | |||
| Renan Bendersky | .... | key second assistant director (as Renan M. Bendersky) | |
| Marco Polo Constandse | .... | second assistant director | |
| Richard L. Fox | .... | first assistant director | |
| Frederic Henocque | .... | first assistant director: Mexico | |
| Jorge Riggen | .... | assistant director: second unit | |
Art Department | |||
| Fernando Acevedo | .... | property assistant | |
| Esteban Cárdenas | .... | art swing gang | |
| Juan Carlos Chavez | .... | art swing gang | |
| José Mtz. Cruz | .... | art swing gang | |
| José Luis Cuevas | .... | set dresser | |
| Alisarine Ducolomb | .... | art department supervisor | |
| Augusto Echeverría | .... | set dresser | |
| Enrique Echeverría | .... | assistant art director | |
| Jesús Flores | .... | painter: S.T.I.C. Union | |
| Isidoro Garcia | .... | art swing gang (as Isidoro García) | |
| Martha E. García | .... | art assistant | |
| Felix Manuel Perez Gonzalez | .... | key carpenter: S.T.y M. Union (as Félix Pérez) | |
| Jonás González | .... | mural painter | |
| Laura González | .... | art department coordinator (as Laura Mónica González) | |
| Otniel Gonzalez | .... | property master (as Niel Gonzalez) | |
| José A. Herrera | .... | art swing gang | |
| Michael Humpfrey | .... | art swing gang | |
| Víctor Hugo Jácome | .... | mural painter | |
| José Luis Jiménez | .... | property assistant | |
| Terry Lalos | .... | on-set dresser | |
| Enrique Lechuga | .... | camera painter | |
| Luis Fernándo López | .... | set dressing assistant | |
| Margarito López | .... | foreman: S.T.y M. Union | |
| Juan Carlos Manjarrez | .... | storyboard artist | |
| Rodolfo Martínez Mijarez | .... | freelance construction foreman (as Rodolfo Mtz Mijarez) | |
| Antonio Mata | .... | on-set property master | |
| Alejandro Medina | .... | art assistant | |
| José Moreno | .... | on-set dresser | |
| Julián Navarro | .... | art swing gang | |
| Ligia Ornelas | .... | art assistant | |
| Celso Peña | .... | property master | |
| Gabriela Preciado | .... | art assistant | |
| Gabriela Preciado | .... | graphic designer | |
| Hugo Preciado | .... | set dresser | |
| Jorge Rodríguez | .... | property man (as Jorge Rodriguez) | |
| Joel Romo | .... | art swing gang | |
| Saúl Rosales | .... | key painter: S.T.y M. Union | |
| Joseph Strachan | .... | storyboard artist | |
| Elias Tagle | .... | head carpenter: S.T.I.C. Union | |
| Bueno Alina Téllez | .... | draftsman (as Alina Tellez) | |
| Marco A. Tello | .... | art swing gang | |
| Alberto Villaseñor | .... | construction coordinator | |
| Talía G. Yañez | .... | mural painter | |
Sound Department | |||
| Jessica Bellfort | .... | assistant adr editor (as Jessica Bellfort Rankin) | |
| Ellen Heuer | .... | foley artist | |
| David C. Hughes | .... | sound designer | |
| Richard Hymns | .... | supervising sound editor | |
| Howard London | .... | adr mixer | |
| Brian Magerkurth | .... | sound recordist (as Brian D. Magerkurth) | |
| Stuart McCowan | .... | sound effects editor | |
| Ernesto Muñoz | .... | boom man | |
| Chris Navarro | .... | adr recordist | |
| Jonathan Null | .... | foley editor | |
| Santiago Núñez | .... | sound mixer | |
| George Peterson Jr. | .... | foley recordist | |
| Brandon Proctor | .... | sound re-recording mixer | |
| Joel De La Rosa Ramírez | .... | cable man | |
| Frank Rinella | .... | foley mixer | |
| Gary Rizzo | .... | sound re-recording mixer (as Gary A. Rizzo) | |
| Ronald G. Roumas | .... | sound recordist | |
| Ewa Sztompke | .... | dialogue editor (as Ewa Sztompke-Oatfield) | |
| Addison Teague | .... | sound effects editor | |
| Eric Thompson | .... | adr mixer | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Gwendolyn Yates Whittle | .... | adr supervisor | |
| Sean England | .... | digital archivist (uncredited) | |
Special Effects by | |||
| Jorge Farfan | .... | special effects coordinator (as Jorge Farfán) | |
| Russell Hajek | .... | snow effects assistant | |
| William Pape | .... | coordinator: snow effects | |
| Ricardo Romero | .... | snow effects assistant | |
Visual Effects by | |||
| Greg Astles | .... | digital fusion artist: Intelligent Creatures | |
| Pauline Burns | .... | visual effects project manager: Intelligent Creatures | |
| Mike Castillo | .... | digital intermediate compositor: Laser Pacific Media | |
| Patrick Coffey | .... | digital fusion artist: Intelligent Creatures | |
| Peter Dydo | .... | 3d artist: Intelligent Creatures | |
| Mohammad Ghorbankarimi | .... | digital fusion artist: Intelligent Creatures | |
| Raymond Gieringer | .... | visual effects creative advisor: Intelligent Creatures Inc. | |
| Jamie Hallett | .... | digital fusion artist: Intelligent Creatures | |
| Louis Kim | .... | digital fusion artist: Intelligent Creatures | |
| Lev Kolobov | .... | digital fusion artist: Intelligent Creatures | |
| Jason Kolodziejczak | .... | digital fusion artist: Intelligent Creatures | |
| Wendy Lanning | .... | visual effects producer: Intelligent Creatures Inc. | |
| Ethan Lee | .... | 3d technical lead: Intelligent Creatures | |
| Sam Lee | .... | digital fusion artist: Intelligent Creatures | |
| Margarida Leong | .... | 3d artist: Intelligent Creatures | |
| Kenneth Littleton | .... | digital intermediate compositor: Laser Pacific Media (as Ken Littleton) | |
| Laurence Lok | .... | digital fusion artist: Intelligent Creatures | |
| Jason Maher | .... | 3d artist: Intelligent Creatures | |
| Jim Maxwell | .... | digital matte artist: Intelligent Creatures | |
| Lon Molnar | .... | visual effects supervisor: Intelligent Creatures | |
| Wayne Traudt | .... | 3d artist: Intelligent Creatures | |
| Steve Wright | .... | digital intermediate compositor: Laser Pacific Media | |
| Lulu Zezza | .... | visual effects producer: Visionbox Media Group | |
| Ian Britton | .... | digital compositor: in association with ICVFX (uncredited) | |
| Keith Cooper | .... | visual effects (uncredited) | |
| Michael Hatton | .... | visual effects technical advisor: Intelligent Creatures (uncredited) | |
| Valerie McMahon | .... | digital artist (uncredited) | |
| Andrew Nguyen | .... | digital compositor (uncredited) | |
| Monty Phillips | .... | digital artist (uncredited) | |
| Darcy Reno | .... | systems administrator: Intelligent Creatures (uncredited) | |
| Diane Wright | .... | digital asset manager: Cinesite/Laser Pacific (uncredited) | |
Stunts | |||
| Julian Bucio | .... | stunt coordinator | |
| Juan Carlos Olalde | .... | utility stunts | |
Animation Department | |||
| Lori C. Miller | .... | animator (uncredited) | |
| Mary C. Snyder | .... | animator (uncredited) | |
Casting Department | |||
| Edna Arriola | .... | extras casting | |
| Jorge Guerrero | .... | extras casting | |
| Barbara Harris | .... | voice casting | |
| Carla Hool | .... | casting: Mexico | |
| Samantha Finkler | .... | casting associate (uncredited) | |
| Francisco Veyro | .... | key extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Mara Castañon | .... | assistant to costume designer (as Mara Imelda Castañon) | |
| María del Carmen Delvin | .... | seamstress (as Ma. Del Carmen Delfín) | |
| Fernando Hernández | .... | wardrobe assistant | |
| Katherine Huang | .... | costume consultant | |
| María Elena López | .... | key costumer (as Ma. Elena López) | |
| Edgar Neri | .... | wardrobe assistant | |
| Jaime Ortiz | .... | wardrobe supervisor | |
| Ambar Palacios | .... | wardrobe assistant | |
Editorial Department | |||
| Tamika André | .... | post-production production assistant | |
| Elizabeth Barnette | .... | editing intern: Los Angeles (as Beth Barnette) | |
| Jeff Charles | .... | digital intermediate data operations: Laser Pacific Media | |
| Blake Maniquis | .... | additional editor | |
| Blake Maniquis | .... | first assistant editor | |
| Mato | .... | color timer | |
| Bill Newcomb | .... | post-production coordinator: Visionbox Media Group | |
| Corrine Pooler | .... | digital intermediate paint supervisor: Laser Pacific Media | |
| Brad Reinke | .... | digital intermediate producer: Laser Pacific Media | |
| Jennifer Sapanski | .... | editing intern: New York | |
| Mike Sowa | .... | digital intermediate colorist: Laser Pacific Media | |
| Linda Williams | .... | digital intermediate editor: Laser Pacific Media | |
| Lulu Zezza | .... | digital intermediate producer: VIsionbox Media Group | |
| Michael Kingsbury | .... | negative conformist (uncredited) | |
| Jonathan Miller | .... | post-production services (uncredited) | |
| Steven Joseph St. John | .... | post-production assistant (uncredited) | |
Music Department | |||
| Scott Cochran | .... | score mixer | |
| Stephen Coleman | .... | synthestration | |
| Trevor Gilchrist | .... | music programmer | |
| Trevor Gilchrist | .... | score mixer | |
| Richard Glasser | .... | executive in charge of music: Yari Film Group | |
| Frankie Pine | .... | music supervisor | |
| Nick South | .... | music editor | |
| Alice Wood | .... | assistant music editor | |
| Tony Blondal | .... | orchestrator (uncredited) | |
| Trevor Gilchrist | .... | music editor (uncredited) | |
Transportation Department | |||
| Enrique Díaz | .... | transportation captain | |
| Ricardo Díaz | .... | transportation coordinator | |
| Rodolfo Díaz | .... | driver | |
| Angel Escobedo | .... | driver | |
| Mario Olivares | .... | security driver | |
| Charly Romero | .... | picture car coordinator | |
| Alfonso Paredes | .... | driver (uncredited) | |
Other crew | |||
| Ma. Dolores Acosta | .... | assistant accountant | |
| Luis Alfonso Aldrete | .... | warehouse keeper | |
| Andrea Araiz | .... | office receptionist | |
| Gerardo Arellano | .... | first assistant accountant | |
| Laura Atkins | .... | post-production accountant | |
| Roberto Ayala | .... | catering: Cletus Catering | |
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances | |
| Pedro Barroeta | .... | helicopter services: Scala | |
| Mindy Beck | .... | post-production accountant | |
| Susan Bradley | .... | title designer | |
| Erik Bright | .... | production publicist | |
| Wilebardo Bucio | .... | safety coordinator | |
| Carlos Canales | .... | set production assistant | |
| Catherine Cappa | .... | assistant: Daniel Stutz & Meredith Gringlinger | |
| Alejandra Cárdenas | .... | location supervisor (as Alexandra Cárdenas) | |
| Maury Carvajal | .... | script supervisor | |
| Larry Casanova | .... | animal handler | |
| Abel Casillas | .... | delegate: ANDA | |
| Roberto Castañeda | .... | press liaison: Mexico | |
| Cesar E. Cerón | .... | security | |
| Chris Charalambous | .... | coordinator: Irish Dreamtime | |
| Nicola Conlon | .... | assistant: Pierce Brosnan | |
| Conor Copeland | .... | assistant: Mark Gordon, Yari Film Group | |
| Karissa Corday | .... | loop group | |
| María Raquel Dioni | .... | set production assistant (as María Dioni) | |
| Judi M. Durand | .... | loop group (as Judith Durand) | |
| Erin Eggers | .... | production executive: Yari Film Group | |
| Hugo Esparza | .... | security | |
| Jenny Fitzgibbons | .... | head accountant | |
| Angélica Galicia | .... | assistant accountant | |
| Ernesto Garabito | .... | assistant production office coordinator | |
| Cesar Garcia | .... | security | |
| Enrique García | .... | expendables | |
| Irma Garcia-Sinclair | .... | loop group | |
| Andrea Gaspar | .... | loop group | |
| Enriqueta Gijón | .... | immigration lawyer | |
| Kelli Gillam | .... | post-production accountant | |
| Rick Gold | .... | assistant: Neil Sacker, Yari Film Group | |
| Omar Arias González | .... | location manager (as Omar Arias) | |
| Pete Gonzalez | .... | security | |
| Meredith Grindlinger | .... | business & legal affairs executive: Yari Film Group | |
| Juan Carlos Gruber | .... | stand-in: Pierce Brosnan | |
| Andrea Hanson | .... | assistant: Bob Yari, Yari Film Group | |
| Bruno Hernandez | .... | bodyguards coordinator (as Bruno Hernández) | |
| Danny Hernández | .... | security | |
| Patrick Heyerdahl | .... | key set production assistant | |
| Angelique Higgins | .... | production executive: Irish Dreamtime | |
| Endre Hules | .... | loop group | |
| Robert Jesuele | .... | legal advisor: Equity Pictures, Coudert Brothers (as Robert R. Jesuele) | |
| Daamen J. Krall | .... | loop group | |
| Lindsey Liberatore | .... | assistant: Mark Gordon, Yari Film Group | |
| Michael J. Linowes | .... | legal counsel: Linowes & Burkin (as Michael J. Linowes Esq.) | |
| Armando López | .... | set security coordinator | |
| Federico G. Madrazo | .... | translator | |
| Tonyo Meléndez | .... | loop group (as Tonyo Melendez) | |
| Juan Salvador Melgoza | .... | assistant accountant (as Salvador Melgoza) | |
| Clemente Mesinas | .... | catering: Cletus Catering | |
| Arlin Miller | .... | loop group | |
| Bernardo Mora | .... | assistant: Richard Shepard and Adam Merims | |
| Daniel Mora | .... | loop group | |
| Carlos D. Morales | .... | security | |
| María Concepción Morales | .... | physician: S.T.I.C. Union (as Ma. Concepción Morales) | |
| Carlos Moreno Jr. | .... | loop group | |
| Gustavo Morillas | .... | customs broker: Mexico | |
| Columbia Moya | .... | choreographer (as Colombia Moya) | |
| David Myers | .... | aircraft technician (as David Meyers) | |
| Vivianne Nacif | .... | loop group | |
| Erick Nava | .... | security | |
| Norberto Nava | .... | set security supervisor: Safe Filming | |
| Buckley Norris | .... | insurance broker: US, AOL/Albert G. Rubin | |
| Levi Nuncz | .... | loop group | |
| Fernando Ocampo | .... | set medic | |
| Rocío Ortega | .... | horse wrangler: Rancho Los Pirules | |
| J. Ignacio Perez | .... | dialogue coach: Spanish | |
| Shauna Phelan | .... | production associate: Furst Films | |
| Dadis Quintos Dimítrova | .... | set production assistant | |
| Anna Quirino-Miranda | .... | loop group | |
| Cristian Quiroz Bobadilla | .... | catering: Cletus Catering (as Cristian Quiroz) | |
| Raul Reformina | .... | loop group | |
| Roberto Reyna | .... | physician: S.T.y M. Union (as Roberto J. Reyna) | |
| Arturo Romero | .... | production accountant: Mexico | |
| Claudia Rosete | .... | office production assistant | |
| Arturo Saldivar | .... | key office production assistant (as Arturo Saldívar) | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances | |
| Julie Shapiro | .... | travel services: Travelcorps | |
| Rolando Solis | .... | cast security: Vance International | |
| Víctor Solorio | .... | unit chief (as Victor Solorio) | |
| Paula Sosa | .... | assistant: Ricardo & Arturo Del Rio | |
| Victor M. Soto | .... | security | |
| Shelly Strong | .... | production executive: Yari Film Group | |
| Daniel Stutz | .... | business & legal affairs executive: Yari Film Group | |
| Zsu Szkurka | .... | stand-in: Hope Davis | |
| Nicoletta Tartarotti | .... | legal advisor: Equity Pictures | |
| Michael Taylor | .... | security | |
| Claudia Valdez | .... | travel coordinator | |
| Tanya Vidal | .... | loop group | |
| Sue-Allen Villalva | .... | production coordinator | |
| Florence Vitse | .... | stand-in: Greg Kinnear | |
| Luca Ward | .... | voice dubbing: Pierce Brosnan | |
| Ian Watermeier | .... | staff coordinator: Yari Film Group | |
| Deborah Wettstein | .... | finance executive: Yari Film Group | |
| José Yenque | .... | loop group (as Jose Yenque) | |
| Catherine Zappa | .... | assistant: Daniel Stutz and Meredith Grindlinger, Yari Film Group | |
| Antonio Zavala | .... | electronic press kit: Mexico | |
| Antonio Zavala | .... | making-of: Mexico | |
| Patricia Zavala Kugler | .... | public relations: Mexico (as Patricia Zavala) | |
| Víctor Zavala Kugler | .... | electronic press kit: Mexico (as Victor Zavala) | |
| Karl Braun | .... | scout (uncredited) | |
| Ray Felipe | .... | script researcher (uncredited) | |
| Suraj Gohill | .... | production lender (uncredited) | |
| Ladron de Guevara Manuel | .... | crane assist (uncredited) | |
| Horacio Sandoval | .... | assistant location manager (uncredited) | |
| Emily Sopp | .... | production assistant (uncredited) | |
Thanks | |||
| Perry Armor | .... | acknowledgement: shark footage © 2004 with oceanfootage.com courtesy of | |
| Stuart Baird | .... | the producers would like to thank | |
| John Bowe | .... | the producers would like to acknowledge contributions by | |
| Mr. Juan Castañeda | .... | the producers would like to acknowledge contributions by: Monumental Plaza de Turos | |
| Adolfo Cedeño | .... | the producers would like to acknowledge contributions by: Hotel Camino Real | |
| Craig Furst | .... | the producers would like to acknowledge contributions by | |
| Howard Furst | .... | the producers would like to acknowledge contributions by | |
| Lisa Furst | .... | the producers would like to acknowledge contributions by | |
| Portia Furst | .... | the producers would like to acknowledge contributions by | |
| Suzanne Furst | .... | the producers would like to acknowledge contributions by | |
| Jose Gomez Gonzalez | .... | the producers would like to acknowledge contributions by | |
| Rosalinda Gonzalez | .... | the producers would like to acknowledge contributions by: Hotel Camino Real | |
| Billy Gottlieb | .... | the producers would like to acknowledge contributions by | |
| Mr. Rafael Herrerias | .... | the producers would like to acknowledge contributions by: Monumental Plaza de Turos | |
| Carolyn Horwitz | .... | the producers would like to acknowledge contributions by | |
| Thomas Lind | .... | the producers would like to acknowledge contributions by | |
| Allen Lulu | .... | the producers would like to acknowledge contributions by | |
| Dr. Miguel A. Mancera | .... | the producers would like to acknowledge contributions by | |
| Sally Menke | .... | the producers would like to thank | |
| Billy Morrissette | .... | the producers would like to acknowledge contributions by | |
| Lynn Osborne | .... | the producers would like to acknowledge contributions by | |
| Lloyd Phillips | .... | the producers would like to acknowledge contributions by | |
| Veronica Quiroz | .... | the producers would like to acknowledge contributions by: Hotel Camino Real | |
| Elana Rosenblatt | .... | the producers would like to acknowledge contributions by | |
| Elliot Lewis Rosenblatt | .... | the producers would like to acknowledge contributions by (as Elliot Rosenblatt) | |
| Anna Roth | .... | the producers would like to thank | |
| Neil Sacker | .... | the producers would like to acknowledge contributions by | |
| Pietro Scalia | .... | the producers would like to thank | |
| Russell Soloway | .... | the producers would like to acknowledge contributions by | |
| Jonathan Stern | .... | the producers would like to acknowledge contributions by | |
| Maura Tierney | .... | the producers would like to thank | |
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| My Own Private Idaho | La hija del caníbal | The Kite Runner | McCabe & Mrs. Miller | Babel |
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THE MATADOR (2005) *** _ Pierce Brosnan, Greg Kinnear, Hope Davis, Philip Baker Hall, Dylan Baker. Brosnan gives one of his best non-Bondian roles as a middle-aged assassin facing a mid-life crisis while on assignment in Mexico where he befriends a square yet likable American businessman (Kinnear at his most affable) and discovers there is more to life than death. Newbie filmmaker Richard Shepard makes a solid big screen debut with a pointedly wicked black comedy with a sharp eye for visual detail and nuanced dialogue and character development that makes him a talent to watch in this breath-of-fresh-air into the 'buddy comedy' formula skewering what is anticipated of his leads and allowing Brosnan to get his ya-yas out with devilish glee. A sleeper gem indie hit.