| Photos (see all 120 | slideshow) | Videos (see all 24 NEW) |
| Sat. Nov. 14 | 6:30 PM | FX | |||
| Sun. Nov. 15 | 4:30 PM | FX |
| Vince Vaughn | ... | Peter La Fleur | |
| Christine Taylor | ... | Kate Veatch | |
| Ben Stiller | ... | White Goodman | |
| Rip Torn | ... | Patches O'Houlihan | |
| Justin Long | ... | Justin | |
| Stephen Root | ... | Gordon | |
| Joel Moore | ... | Owen (as Joel David Moore) | |
| Chris Williams | ... | Dwight | |
| Alan Tudyk | ... | Steve the Pirate | |
| Missi Pyle | ... | Fran | |
| Jamal Duff | ... | Me'Shell Jones (as Jamal E. Duff) | |
| Gary Cole | ... | Cotton McKnight | |
| Jason Bateman | ... | Pepper Brooks | |
| Hank Azaria | ... | Young Patches O'Houlihan | |
| Al Kaplon | ... | Tournament Referee | |
| Lance Armstrong | ... | Himself | |
| Chuck Norris | ... | Himself | |
| William Shatner | ... | Dodgeball Chancellor | |
| David Hasselhoff | ... | German Coach | |
| Julie Gonzalo | ... | Amber | |
| Trever O'Brien | ... | Derek | |
| Cayden Boyd | ... | Timmy | |
| Rusty Joiner | ... | Blade | |
| Kevin Porter | ... | Lazer | |
| Brandon Molale | ... | Blazer | |
| Suzy Nakamura | ... | Gordon's Wife | |
| Lori Beth Denberg | ... | Martha Johnstone (as LB Denberg) | |
| Julia Ensign | ... | Cheerleader #1 | |
| David Boyd | ... | Cheerleader #2 | |
| Bowd Beal | ... | Cheerleader #3 (as Bowd J. Beal) | |
| Curtis Armstrong | ... | Mr. Ralph | |
| Tate Chalk | ... | Waldorf Referee | |
| Jordyn Colemon | ... | Angry Troop #417 Girl | |
| Hayley C. Rosales | ... | Bernice - Crying Troop #417 Girl (as Hayley Rosales) | |
| Bix Barnaba | ... | Homeless Man | |
| Earl Schuman | ... | Elderly S&M Enthusiast | |
| Robert 'Duckie' Carpenter | ... | S&M Man | |
| Tony Daly | ... | Ronnie | |
| Amy Stiller | ... | Keno Waitress | |
| Jim Cody Williams | ... | Weird Guy with Monster Truck | |
| John Kesler | ... | Alec | |
| Doug Grimes | ... | Bartender | |
| Scarlett Chorvat | ... | Joyce | |
| Matt Levin | ... | Casino Worker #1 | |
| Rawson Marshall Thurber | ... | High School Jerk (as Rawson Thurber) | |
| Sik End | ... | Friendly Bondage Master | |
| Stephen B. Turner | ... | Frustrated Cougar | |
| Tim Soergel | ... | Frustrated Cougar #2 | |
| Andy Chanley | ... | Uber Film Narrator | |
| rest of cast listed alphabetically: | |||
| Priscilla Leona Horne | ... | Naughty Nurse (uncredited) | |
| Jeffrey Scott Kennedy | ... | Frustrated Cougar #3 (uncredited) | |
| Tobias McKinney | ... | German Blitzkrieg Player (uncredited) | |
| Brian W. Wallace | ... | Lumberjacks player (uncredited) | |
Directed by | |||
| Rawson Marshall Thurber | |||
Writing credits(WGA) | ||
| Rawson Marshall Thurber | (written by) | |
Produced by | |||
| Stuart Cornfeld | .... | producer | |
| Mary McLaglen | .... | executive producer | |
| Rhoades Rader | .... | executive producer | |
| Ben Stiller | .... | producer | |
Original Music by | |||
| Theodore Shapiro | |||
Cinematography by | |||
| Jerzy Zielinski | |||
Film Editing by | |||
| Alan Baumgarten | |||
| Peter Teschner | |||
Casting by | |||
| Juel Bestrop | |||
| Blythe Cappello | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Maher Ahmad | |||
Art Direction by | |||
| Andrew Max Cahn | |||
Set Decoration by | |||
| Gene Serdena | |||
Costume Design by | |||
| Carol Ramsey | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist: Mr. Torn | |
| Linda D. Flowers | .... | hair stylist | |
| Shana Fruman | .... | hair stylist | |
| Lisa Layman | .... | makeup artist: Mr. Stiller | |
| Lisa Layman | .... | makeup department head | |
| Douglas Noe | .... | makeup artist | |
| Deborah Ann Piper | .... | hair department head | |
| Gabriella Pollino | .... | hair stylist | |
| Amy Schmiederer | .... | makeup artist | |
| Richard Snell | .... | special makeup effects artist | |
| Cinzia Zanetti | .... | makeup artist | |
Production Management | |||
| Monica Levinson | .... | production supervisor | |
| Deborah Liebling | .... | executive in charge of production | |
| Mary McLaglen | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| George Bamber | .... | first assistant director | |
| Seth Edelstein | .... | second assistant director | |
| Deborah Greaney | .... | additional second second assistant director | |
| Monica Kenyon | .... | additional second second assistant director (as Monica M. Kenyon) | |
| Steve Lonano | .... | second second assistant director | |
| Steve Lonano | .... | second unit director | |
| Bradley Morris | .... | second second assistant director | |
| Raymond Prado | .... | second unit director | |
| Paul Schneider | .... | key second assistant director: additional photography | |
| Jeffrey Wetzel | .... | first assistant director: additional photography | |
| Darrell Woodard | .... | first assistant director: second unit | |
Art Department | |||
| Sharon E. Alshams | .... | set designer | |
| Bryan Belair | .... | construction coordinator | |
| Chris Buchinsky | .... | storyboard artist | |
| Larry Clark | .... | paint supervisor | |
| Gregory Diggins | .... | carpenter | |
| J. Michael Glynn | .... | set dresser | |
| Austin Gorg | .... | assistant art director | |
| Joe Griffith | .... | storyboard artist | |
| Laura Hopkins | .... | graphic designer: reshoots | |
| George Karnoff | .... | leadman: re-shoot | |
| Christian Kastner | .... | on-set dresser | |
| Ricky Lewis Jr. | .... | storyboard artist | |
| Sean Mannion | .... | property master | |
| Lee Ross | .... | on-set scenic | |
| Steve Salazar | .... | propmaker | |
| Grant Samson | .... | lead man | |
| Thomas Spencer | .... | set dresser | |
| Robert Stover | .... | buyer | |
Special Effects by | |||
| Gary D'Amico | .... | special effects coordinator | |
| Gary D'Amico | .... | special effects director | |
| Werner Hahnlein | .... | special effects director | |
| Werner Hahnlein | .... | special effects foreman | |
| Chris Jones | .... | special effects technician (as Chris G. Jones) | |
| Michael Roundy | .... | special effects technician | |
| Ken Tarallo | .... | special effects | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| Bill Church | .... | digital artist | |
| Brian Clawson | .... | digital artist | |
| John Coats | .... | visual effects supervisor: second unit | |
| Johannes Gamble | .... | digital artist | |
| Anne Graham | .... | digital artist | |
| David D. Johnson | .... | visual effects supervisor (as David Johnson) | |
| Nina Kawasaki | .... | visual effects editor | |
| Sean Kennedy | .... | visual effects: Pacific Vision Productions | |
| Steve Koch | .... | digital artist | |
| Craig Kuehne | .... | visual effects | |
| Lori C. Miller | .... | digital compositor | |
| Greg Paddock | .... | digital artist | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | costume supervisor | |
| Fran Allgood | .... | set costumer | |
| Lois DeArmond | .... | assistant costume designer | |
| Ellen Falguiere | .... | costumer | |
| Scott R. Hankins | .... | principal costumer | |
| Robert Mata | .... | costumer: Mr. Stiller | |
| Robin McMullan | .... | costumer | |
| Rhona Meyers | .... | costumer | |
| Lizz Wolf | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Jamie Clarke | .... | post-production assistant | |
| Vince Filippone | .... | first assistant editor | |
| Joe Finley | .... | digital colorist | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Kristine McPherson | .... | first assistant editor | |
| Nicholas 'Nikko' Tsiotsias | .... | assistant editor | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Bruce Babcock | .... | orchestrator | |
| Bryan Carrigan | .... | digital score recordist | |
| Sandy DeCrescent | .... | orchestra contracted by | |
| George Drakoulias | .... | music supervisor | |
| Chris Fogel | .... | music scoring mixer | |
| Chris Fogel | .... | score recordist | |
| Mark Graham | .... | music copyist | |
| Tom Hardisty | .... | assistant score engineer (as Tom Haristy) | |
| Tanya Noel Hill | .... | auricle operator (as Tanya Hill) | |
| Jon Kull | .... | orchestrator | |
| Jason Lloyd | .... | scoring crew | |
| Jason Lloyd | .... | scoring stage manager | |
| Stephanie Lowry | .... | music editor | |
| John Rodd | .... | score recordist | |
| Andrew Silver | .... | supervising music editor | |
| Steven L. Smith | .... | music preparation | |
| Tom Steel | .... | scoring crew | |
| Tom Steel | .... | scoring stage manager | |
| Bill Talbott | .... | score engineer | |
Transportation Department | |||
| Audrey A. Conrad | .... | transportation office coordinator | |
| Robert Garcia Jr. | .... | driver | |
| Maxwell R. Johnson II | .... | transportation captain | |
| Phil Strauss | .... | transportation | |
| Tommy Tancharoen | .... | transportation coordinator | |
| Tom Whelpey | .... | transportation co-captain | |
Thanks | |||
| Suzie Pollard | .... | thanks | |
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| The Galloping Ghost | Zoolander | Start Cheering | The Cheerleaders | Casino Royale |
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| News articles | IMDb Comedy section | IMDb USA section |
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Peter La Fleur runs a second rate gym that is populated by non-paying members who are, shall we say, on the edge of society. Peter's relaxed existence is made difficult by the fact that a large gym across the road aims to shut him down. When the Average Joe gym receives its final warning from the bank, they face a 30-day deadline to come up with $50,000 or lose the gym to competitor White Goodman. After their initial ideas fail, they discover that the national dodgeball contest has a prize of that very amount with a little help from an ex-champion, they set out to make it to the finals and save the day.
This film came to the UK on a wave of hype and praise but I was a little wary because I knew that the style of humour that it has can be very hit and miss. The film has the same plot that all these sorts of sports movies have and you pretty much know where it is going from the very start but, to be honest, how many people have come here for the engaging story? No me neither! The humour is very silly and it will not appeal to everyone but I found it pretty funny with the out-of-the-blue stuff being the funniest; if you find it funny to hear the line 'thank you Chuck Norris' said with sincerity then this will be the film for you. It isn't as consistent as I would have liked because it does have a couple of patches where there are more misses than hits but generally I had a good hatful of laughs and, when not laughing I still had a smile on my face.
Of course, like I said, this isn't for everybody and I'm sure many will see it as a juvenile and it does seem to have been aimed at the young male side of the market. The downside of this is that the majority of the laughs are pretty basic and, as we are seeing too often recently, the old audience draw of girls kissing is wheeled out yet again. The casting also helps to a certain degree and do help a bit to cover the basic humour. Vaughn is cool and relaxed and, although you wouldn't call it 'acting' he is a likable lead. Stiller has a few dry moments but generally his 70's fitness freak steals every scene he is in. Taylor is pretty but you can't help feeling that the film is only using her when, for no reason other than titillation she is revealed as bisexual (with a girlfriend). Torn is funny if basic and Azaria is also funny. The support cast is more about off the wall characters than good writing or performances, but Long, Root, Moore, Tudyk and others are all OK. Cameos from Hasselhoff, Norris, Shatner and Lance Armstrong are all briefly amusing and, just like Best in Show, commentators Gary Cole and Jason Bateman do spot on spoofs of low-grade sports commentators and have lots of great lines between them.
Overall this is not the funniest film EVER, as some critics have absurdly claimed it simply isn't consistent enough for that accolade but it is still a pretty funny film if you are in the mood for silly humour and some pretty basic jokes. The use of easy draws such as female flesh, lesbianism and physical jokes is a bit of a downer when you think about it but I doubt many will complain when it is on. The cast generally do well and the material is funny and energetic enough to do the job, producing a silly film that is hardly memorable but will be fun while you're watching it.