Ju-on (2002)

Director:

Takashi Shimizu

Writer:

Takashi Shimizu (written by)

Release Date:

25 January 2003 (Japan)

Genre:

Horror | Thriller

Plot:

A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.

Plot Keywords:

Haunted House | Murder | Bedroom | Police Officer Killed | Psychotic

Awards:

1 win & 1 nomination

Cast

Megumi Okina	...	Rika Nishina
Misaki Ito	...	Hitomi Tokunaga (as Misaki Itô)
Misa Uehara	...	Izumi Tôyama
Yui Ichikawa	...	Chiharu
Kanji Tsuda	...	Katsuya Tokunaga
Kayoko Shibata	...	Mariko
Yukako Kukuri	...	Miyuki
Shuri Matsuda	...	Kazumi Tokunaga
Yôji Tanaka	...	Yûji Tôyama
Yoshiyuki Morishita	...	Keibiin
Hideo Sakaki	...	Fukushi Sentâ Jimuin
Takashi Matsuyama	...	Takeo Saeki
Yuya Ozeki	...	Toshio
Takako Fuji	...	Kayako
Chikara Ishikura	...	Hirohashi
Chikako Isomura	...	Sachie
Chiona Ôkuni	...	Erebêtâ no Onna
Miho Fujima	...	Joshi Ana
Daisuke Honda	...	Igarashi Keiji
Hirokazu Inoue	...	Nakagawa Keiji
Mao Kobayashi	...	Shôgakusei no Izumi (as Tomomi Kobayashi)
Aki Fujî	...	Yôko Tôyama (as Aki Fujii)
Risa Odagiri	...	Saori
Kaori Nakajô	...	Chiaki
Kana Kobayashi	...	Ayano
Akira Saito	...	Sekine Sensei (as Akira Saitô)
Hiroyuki Yokoo	...	Nyûsu no Koe (voice) (as Hiroyuki Yoko'o)
Isao Yatsu	...	Saitô
Haruka Yamano	...	Fukikae
rest of cast listed alphabetically:
Wendee Lee	...	Rika (uncredited) (voice: English version)
Michelle Ruff	...	Hitomi (uncredited) (voice: English version)

Directed by
Takashi Shimizu

Writing credits (in alphabetical order)
Takashi Shimizu		written by

Produced by
Takashige Ichise	....	producer
Kunio Kawakami	....	producer
Yoshinori Kumazawa	....	producer
Hiroki Numata	....	producer

Original Music by
Shiro Sato		(as Shirô Satô)

Cinematography by
Tokusho Kikumura		(as Tokushô Kikumura)

Film Editing by
Nobuyuki Takahashi

Production Design by
Toshiharu Tokiwa

Production Management
Rintaro Hamasaki	....	location unit manager

Second Unit Director or Assistant Director
Masaki Adachi	....	assistant director

Sound Department
Walter Ledesma	....	sound re-recording mixer: English version
Komatsu Masato	....	sound

Other crew
Kiyoshi Kurosawa	....	creative consultant
Hiroshi Takahashi	....	creative consultant

Production Companies

• Pioneer LDC
• Nikkatsu
• Oz Company
• Xanadeux Company

Distributors

• Intercontinental Film Distributors (HK) (2003) (Hong Kong) (theatrical)
• Medusa Communications and Marketing (2003) (UK) (theatrical) (subtitled)
• Contender Entertainment Group (2004) (UK) (DVD)
• DeA Planeta Home Entertainment (Spain)
• Highlight Film (Germany) (DVD)
• Intercontinental Video (Hong Kong) (DVD)
• Lions Gate Films (2004) (USA) (subtitled)
• Lizard Cinema Trade (2004) (Russia)
• Madman Entertainment (2004) (Australia) (all media)
• Xanadeux Company (2003) (worldwide) (all media)

Special Effects

• Nippon Eizo Creative (visual effects)

Other Companies

• Cineo Camera  camera equipment supplied by
• Kodak Japan  film stock supplied by
• Nihon Shomei Co.  lighting equipment supplied by
• Tokyo Laboratory Co. Ltd.  film processing

Also Known As:

The Grudge (UK) (DVD title) (USA)
Ju-on (USA) (DVD box title)
Ju-on 3 (Japan) (working title)
Ju-on: Gekijô-ban (Japan) (poster title)
Ju-on: The Grudge (International: English title) (informal title)

MPAA:

Rated R for some disturbing images.

Runtime:

92 min

Country:

Japan

Language:

Japanese

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital | DTS-Stereo

Certification:

Malaysia:18SG | Sweden:15 | Hong Kong:IIB | Japan:PG-12 | Australia:M | Canada:13+ (Quebec) | Canada:14A (Ontario) | Finland:K-18 | Germany:16 | Philippines:PG-13 | Singapore:PG | South Korea:12 | UK:15 | USA:R

Filming Locations:

Nerima, Tokyo, Japan

Company:

Pioneer LDC

Goofs:

Continuity: When Rika's in the shower, she has a lot of shampoo in her hair. Yet right before Kayoko's hand appears, the shampoo vanishes.

Quotes:

[repeated line]
Hirohashi: Thanks for the effort.

Movie Connections:

Follows Ju-on (2000) (V)

Soundtrack:

Kagi ga akanai

Not bad, one of the better ones

With obvious homages to Ring, The Grudge could be accused of an element of plagiarism. That doesn't, however, detract from the fact it's a pretty decent picture, and one of the better Tartan Asia Extreme movies.

First things first - I *love* Ring, and of course, I mean the Japanese original. That film is by far and away the greatest horror flick ever devised and goes above and beyond what I ever expected a movie to do. However, it also instigated a ready conveyor belt of substandard imitators from the same shores ready to cash in on this unique success. Dire nonsense like the hollow Dark Water, the dull and over stylised Eye, the truly pitiful Phone and the slightly bizarre Audition haven't truly come close to the level of Ring.

Now, while Grudge isn't quite up there with the very best horror films, as far as these Asian efforts go, it's definitely one of the more effective selections.

Megumi Okina is Rika, a volunteer homehelper. On being assigned to a family whose regular assistant is temporarily unavailable, she encounters the mother of the family who seems unresponsive. However, after a disturbing incident at the family home, Rika finds herself seemingly haunted by some kind of entity and everyone who gets involved in the case seems to endure the same trauma.

It's a slightly convoluted story to explain, but it works pretty well on screen. As usual the Japanese acting is generally pretty bland, but a few loud screams certainly add colour.

The main 'bad guy' seems to be some type of ghostly being, and while it doesn't utterly terrify, it definitely brings a few chills. The only real problem is we see too much of it, and not enough is left to our imagination ala Ring. This takes away a certain air mystery and fear. Moreover, the fact the entity resembles the symbolic Japanese girl with long black hair we've come to expect in the likes of Ring and Dark Water slightly detracts from notions of originality.

However, this is redeemed by some pretty effective direction and camera-work, which aid to promote certain wrongness about what is going on.

Perhaps a few aspects don't altogether make complete sense, but there's enough style here to paper over such cracks.

Movies like this do go to show that when it comes to horror, the Far East have a handle over the Western world.

It's by no means the most brilliant horror I've ever seen, but it's definitely not bad and if you're up for a chill or 2, you could do far worse.