| Eleanor Frazetta | ... | Herself | |
| Frank Frazetta | ... | Himself | |
| Heidi Frazetta | ... | Herself | |
| Forrest J Ackerman | ... | Himself | |
| Simon Bisley | ... | Himself | |
| John Buscema | ... | Himself | |
| Glenn Danzig | ... | Himself | |
| Bo Derek | ... | Herself | |
| Kevin Eastman | ... | Himself | |
| Joe Jusko | ... | Himself | |
| Dave Stevens | ... | Himself | |
| Ângelo Torres | ... | Himself | |
| Al Williamson | ... | Himself | |
| David Winiewicz | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Neal Adams | ... | Himself | |
| Ralph Bakshi | ... | Himself | |
| Mike Kaluta | ... | Himself | |
| John Milius | ... | Himself | |
| William Stout | ... | Himself | |
| Bernie Wrightson | ... | Himself | |
| Mark Schultz | ... | Himself (uncredited) | |
Directed by | |||
| Lance Laspina | |||
Produced by | |||
| Jeremy J. DiFiore | .... | producer | |
| Lance Laspina | .... | executive producer | |
Original Music by | |||
| Michael Goodis | |||
Cinematography by | |||
| Devin Rice | |||
Film Editing by | |||
| Lance Laspina | |||
Sound Department | |||
| Tom Landis | .... | boom operator | |
Visual Effects by | |||
| John Baker | .... | visual effects | |
| Kirk Cadrette | .... | visual effects | |
| James H. Dargie | .... | CG artist: Cinemachine | |
| Lance Laspina | .... | visual effects | |
Camera and Electrical Department | |||
| Shane White | .... | camera operator | |
Other crew | |||
| Shane White | .... | creative consultant | |
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| Chris & Don. A Love Story | Beautiful Losers | Georges Méliès: Cinema Magician | Amazing Journey: The Story of The Who | Zivoti Koste Hakmana |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
Frank Frazetta is a very fortunate person. He had some great friends who helped him out when he was starting out, and later on when his art was not very popular. In the 1970s Frank Frazetta became a major pop culture icon, and his paperback book covers, posters, calendars, and paintings made him into a pop culture legend.
As a general fan of art, I never considered Frazetta to be on a par with such great artists as DaVinci, Michaelangelo, Van Gogh or Picasso. It is pretty obvious that during most of Frazetta's career he was a pretty humble, hard-working artist who was trying to earn a good living for his family. The story of Frazetta's life is inspiring. He has enjoyed a wonderful life working on the art he loved. He was a great father and husband. As an artist he got to spend a lot of time at home where his kids and wife benefited from his positive and warm personality.
The story of Frazetta as told by his friends is amazing, because he still has many friends that new him since childhood. With people moving around so much, it took dedication for all of these friends to keep in touch over the years. It is clear that they liked Frazetta a lot, and he was a good friend too. This documentary mixes all of the interviews and family photos with the art of Frazetta as it developed. The documentary does an excellent job of showing each era of Frazetta, and providing a glimpse into his life during those specific times. The documentary is excellent until the very last fifteen minutes or so.
Frank Frazetta had a few strokes which seriously handicapped him after he was seventy years old. In spite of that, he learned to paint with his left hand. That deserves a lot of merit. Unfortunately, some of his post-illness art is shown, and Frazetta defends it as being as good as it ever was. No one can blame Frazetta for his wishful thinking. He is certainly a very gifted person who not only had a great career, but also great friends and a family that loves him.
The last segment or two focus on the opening of the Frazetta Museum. That segment should have concentrated more on just showing Frazetta's art with perhaps some comments from well-known experts. Instead, the Museum Curator does most of the talking, and he really lays it on thick about Frazetta being one of the greatest artists in the history of the universe. The same Museum Curator then shows some of Frazetta's post-illness work and claims it is as good as Frazetta's best art! The director would have been wise to have deleted most of the scenes that have the Museum Curator talking about art. His insincere style detracts from the rest of this documentary. Otherwise this is a great movie to watch for anyone who is a fan of the Pop Art of the 1970s, Frazetta, Conan, comic-books, or art in general.