Dawn of the Dead (2004)

User Rating:

7.4/10   

Director:

Zack Snyder

Writers (WGA):

George A. Romero (1978 screenplay)
James Gunn (screenplay)

Release Date:

19 March 2004 (USA)

Genre:

Drama | Horror | Sci-Fi | Thriller

Tagline:

When the undead rise, civilization will fall.

Plot:

A nurse, a policeman, a young married couple, a salesman, and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies, take refuge in a mega Midwestern shopping mall.

Plot Keywords:

Mall | Nurse | Shopping Mall | Boat | Island

Awards:

1 win & 6 nominations

Cast

Sarah Polley	...	Ana
Ving Rhames	...	Kenneth
Jake Weber	...	Michael
Mekhi Phifer	...	Andre
Ty Burrell	...	Steve
Michael Kelly	...	CJ
Kevin Zegers	...	Terry
Michael Barry	...	Bart
Lindy Booth	...	Nicole
Jayne Eastwood	...	Norma
Boyd Banks	...	Tucker
Inna Korobkina	...	Luda
R.D. Reid	...	Glen
Kim Poirier	...	Monica
Matt Frewer	...	Frank

Also Known As:

L'armée des morts (France)
L'aube des morts (Canada: French title)
Zack Snyder's Dawn of the Dead (USA) (long title)

MPAA:

Rated R for pervasive strong horror violence and gore, language and sexuality.

Runtime:

101 min | 110 min (unrated director's cut)

Country:

USA | Canada | Japan | France

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:16 | Switzerland:16 (canton of Zurich) | Malaysia:18SG | Sweden:15 | Germany:18 (also director's cut) | South Korea:18 | Argentina:16 | Australia:MA | Brazil:18 | Canada:13+ (Québec) | Canada:18A (Ontario) | Chile:14 | Czech Republic:18 | Finland:K-18 | France:-16 | Hong Kong:III (director's cut) | Ireland:18 | Israel:16 | Italy:VM14 | Japan:R-15 | Netherlands:16 | New Zealand:R16 | Norway:18 | Philippines:R-13 | Portugal:M/18 | Singapore:R21 | Spain:18 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R | USA:Unrated (director's cut)

Filming Locations:

Ashbridge's Bay, Toronto, Ontario, Canada

Company:

Strike Entertainment

Trivia:

The production had a blood cart on set all day due to the excessive amounts of fake blood being used.

Goofs:

Continuity: When Ana tells Terry that the bathroom in Metropolis is fake, the position of her arms on the gate changes between shots. When she first calls him her hands are separated by a row, but when the camera comes in for a close up her hands are next to each other.

Quotes:

Kenneth: You know how to use that?
Michael: [pointing to the gun barrel] This is the dangerous end, right?
Kenneth: [Taking the safety off] Now it is.

Movie Connections:

Spoofed in "Robot Chicken: The Deep End (#1.8)" (2005)

Soundtrack:

What The World Needs Now Is Love

Why I gave Dawn a 10 (well, maybe it should have been a9).

I've been to thousands of movies in my lifetime and own hundreds of videos and DVDs, so I am a fan but not a bona fide film critic. This is my first online review.

My wife and I saw the original Dawn of the Dead 25 years ago at a midnight show and left wired enough to talk each other down till the morning. Perhaps a quarter of a century has inured us to the violence a bit since we just watched it again (rental video) last week prior to yesterday's venture to the local multiplex to see the remake/"reimagining" and were mostly unperturbed by the revisit.

For some reason, I was hooked on the new Dawn months ago from the teaser and, subsequently, the actual trailer. The Sparklehorse song in the former fit perfectly and the suburban shot followed by killer Vivian and closing with the burned projector film of the latter was intriguing in its own way. So I was primed to see the movie, usually a recipe for disaster since preview expectations are rarely fulfilled by the finished product. This time, however, they were.

The cast was uniformly believable and, more important, empathizable (at least with the good guys who got sorted out along the way). Even the playboy jerk had several relevant lines. Polley was a good, strong female lead (with another great rebuttal -- "No, I'm a * nurse" to a query about her medical skills) and Rhames a cheerable, if reluctant, hero. The camaraderie, such as it was, worked, and visceral me-first survival gave way more often to self-sacrifice.

So, what's not to like? The fundamental premise that a classic got remade? Doesn't wash. These are two different movies with the same name and similar premises but very different attitudes. (Better special effects didn't hurt, either, although this new version was oddly less disturbing sans zombies munching on dismembered body parts.) Speedy zombies (except for the "twitchers")? No problem; hey, they're hungry and, as always, persistent. My attention was held for the better part of two hours; the story was interesting; the outcome ambivalent; the characters arisen to the task at hand, becoming coldly rational to the divisions between life and death and zombiedom; the music weirdly appropriate; the black humor welcome respite. No, Dawn of the Dead isn't Citizen Kane nor is it a sacrilegious assault on the horror genre. It's solid filmmaking that's entertaining and thought-provoking. Otherwise, I suspect Romero would never have put his imprimatur on the remake.