| Photos (see all 13 | slideshow) | Videos |
| Sandrine Bonnaire | ... | Anna | |
| Fabrice Luchini | ... | William | |
| Michel Duchaussoy | ... | Dr. Monnier | |
| Anne Brochet | ... | Jeanne | |
| Gilbert Melki | ... | Marc | |
| Laurent Gamelon | ... | Luc | |
| Hélène Surgère | ... | Mrs. Mulon | |
| Urbain Cancelier | ... | Chatel | |
| Isabelle Petit-Jacques | ... | Dr. Monnier's Secretary | |
| Véronique Kapoyan | ... | Female Guard (as Véronique Kapoian) | |
| Benoît Pétré | ... | Messenger | |
| Albert Simono | ... | Mr. Michel (as Alberto Simono) | |
| Claude Derepp | ... | The Customs Client (as Claude Dereppe) | |
| Aurore Auteuil | ... | The Student Nabokov | |
| Ludovic Berthillot | ... | The Mover | |
| Sabrina Brezzo | ... | The Dance Assistant |
Directed by | |||
| Patrice Leconte | |||
Writing credits | ||
| Jérôme Tonnerre | scenario and dialogue and | |
| Jérôme Tonnerre | adaptation & | |
| Patrice Leconte | adaptation | |
Produced by | |||
| Christine Gozlan | .... | executive producer | |
| Alain Sarde | .... | producer | |
Original Music by | |||
| Pascal Estève | |||
Cinematography by | |||
| Eduardo Serra | |||
Film Editing by | |||
| Joëlle Hache | |||
Production Design by | |||
| Ivan Maussion | |||
Costume Design by | |||
| Annie Périer | (as Annie Périer-Bertaux) | ||
Makeup Department | |||
| Eric Benazet | .... | additional hair stylist | |
| Michèle Constantinides | .... | key makeup artist (as Michelle Constantinides) | |
| Isabelle de Araujo | .... | key makeup artist | |
| Patrick Girault | .... | key hair stylist | |
| Claire Vivet | .... | makeup artist | |
Production Management | |||
| Yvon Crenn | .... | production manager | |
| Helene Glabeke | .... | post-production supervisor | |
| François Menny | .... | unit manager | |
| David Poirot-Gozlan | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Hubert Engammare | .... | assistant director | |
| Elizabeth Marre | .... | second assistant director | |
Art Department | |||
| Alain Bergé | .... | painter | |
| Maurice Borghese | .... | additional carpenter (as Maurice Borghesi) | |
| Xavier Buffin | .... | painter | |
| Tranquillo Cimenti | .... | carpenter | |
| Jacques Dalla-Mura | .... | painter | |
| Charles de Dainville | .... | construction grip | |
| Virginie Denis Roy | .... | first assistant decorator (as Virginie Denis) | |
| Christophe De Vos | .... | construction grip | |
| Yvan Dupont | .... | painter | |
| Philippe Durand | .... | carpenter | |
| Jacky Frankiel | .... | additional painter | |
| Madjid Hamzaoui | .... | carpenter | |
| Jacky Hardouin | .... | carpenter | |
| Jacques Kazandian | .... | plasterer (as Jacques Kazandjian) | |
| Jean Labille | .... | metal worker | |
| Jérôme Larivière | .... | carpenter | |
| Pierre Mery | .... | construction grip | |
| Victor Piazza | .... | head painter | |
| Enrico Pittiglio | .... | additional painter | |
| Nicolas Raffy | .... | property master | |
| Didier Royer | .... | carpenter | |
| Patrick Tombette | .... | construction grip | |
| Annie Vandevandele | .... | painter | |
| Patrick Veron | .... | construction manager | |
| Gerard Wehrle | .... | additional carpenter | |
Sound Department | |||
| Annabel Acquaviva | .... | sound assistant | |
| Hervé Bénard | .... | sound recordist | |
| Frédéric Cattoni | .... | sound consultant: DTS | |
| Pascal Chauvin | .... | foley artist | |
| Isabelle Filippi | .... | assistant post-synchronization | |
| Michel Filippi | .... | adr supervisor | |
| Jean Goudier | .... | sound | |
| Eric Grattepain | .... | foley artist | |
| Dominique Hennequin | .... | sound | |
| Paul Lainé | .... | sound | |
| Jean-Louis Lebras | .... | boom operator (as Jean-Louis Le Bras) | |
| Alexis Leverve | .... | sound recordist | |
| Didier Lizé | .... | sound engineer | |
| Gilles Missir | .... | foley engineer | |
| Michel Monnier | .... | stereo sound consultant: Dolby (as Michel Monier) | |
| Christophe Vingtrinier | .... | sound mixer | |
Special Effects by | |||
| Gary Pieri | .... | special effects | |
| Michel Vialla | .... | special effects | |
Visual Effects by | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | digital effects supervisor | |
| Christophe Chanvin | .... | artistic director | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Christophe Lucotte | .... | assistant color timer | |
| Mitch Paulson | .... | digital preview colorist | |
| Matthias Weber | .... | visual effects producer | |
Camera and Electrical Department | |||
| Claude Atanassian | .... | gaffer | |
| Jean Atanassian | .... | electrician | |
| Michel Atanassian | .... | electrician | |
| Rene Basso | .... | additional grip (as René Basso) | |
| Florent Bazin | .... | first assistant camera | |
| Bruno Boban | .... | additional grip | |
| Catherine Cabrol | .... | still photographer | |
| Stéphane Cry | .... | additional electrician | |
| Guillaume Dreujou | .... | assistant camera | |
| Patrice Leconte | .... | camera operator | |
| Margot Lestage | .... | second assistant camera | |
| Axel-Charles Messange | .... | video operator | |
| Martial Negre | .... | additional electrician | |
| Marc Nove | .... | additional electrician | |
| Didier Petit | .... | additional electrician | |
| Denis Scozzesi | .... | key grip | |
| Jean-Pierre Supe | .... | assistant camera | |
| Paul Triboulet | .... | grip | |
Casting Department | |||
| Catherine Deserbais | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sandrine Bernard | .... | costume supervisor | |
| Hélène Cassard | .... | additional costumer | |
| Anne-Marie Castaño-Padovan | .... | wardrober | |
| Sandrine Kerner | .... | wardrobe | |
Editorial Department | |||
| Fanchon Brûlé | .... | trailer editor | |
| Richard Deusy | .... | digital color grader: Scan Lab | |
| Christian Dutac | .... | color timer | |
| Anne-Marie Etcheverry | .... | negative cutter | |
| Emilie Monod | .... | assistant editor | |
| Nicole Souchal | .... | post-production assistant | |
| Sylvie Van der Vorm | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Pascal Estève | .... | orchestrator | |
| Valérie Lindon | .... | music supervisor | |
| Guillaume Tell | .... | score recordist | |
| Bernard Wystraete | .... | conductor | |
Other crew | |||
| Tony Arnoux | .... | press attache | |
| Tahar Boualam | .... | groupman | |
| Jean-René Coulon | .... | location manager | |
| Laure Darie | .... | production secretary | |
| Yves Derhi | .... | groupman | |
| Sarah Fouquet | .... | still graphics | |
| Patrick Lemaire | .... | groupman | |
| Maggie Perlado | .... | script supervisor | |
| Annick Reipert | .... | script supervisor trainee | |
| André-Paul Ricci | .... | press attache | |
| Gisèle Vuillaume | .... | production administrator | |
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| IMDb Drama section | IMDb France section | Add this title to MyMovies |
The gimmick in "Intimate Strangers" is that a young woman, Anna Delambre (Sandrine Bonnaire), mistakenly enters the office of a tax consultant, William Faber (Fabrice Luchini), instead of a psychoanalyst, and tells him her most intimate secrets. The question then arises: Did she make an honest mistake, or is the whole thing a setup? Which of the two is the doctor, and which is the patient? Is she telling the truth, or is she a pathological liar? And why does he maintain the illusion instead of calling her bluff?
"Intimate Strangers" works well as a psychological thriller, an elaborate cat-and-mouse game. But it is also a meditation on loneliness and the lengths to which we are willing to go to overcome it ... or not. In other words, do we allow ourselves to be intimate with each other, or do we remain strangers walled in our fortresses of solitude?
Fabrice Luchini's character epitomizes the latter type of person. He leads a solitary and uneventful life, is obsessive-compulsively neat (he uses shoe trees, for heaven's sake), is unable to keep his on-and-off girlfriend happy, and voyeuristically observes the quiet joys and turbulent passions of his neighbors across the way. (Shades of "Rear Window".) Other minor characters exhibit similar tics: his secretary admits to watching rubbish on television while gorging herself on potato chips, and the doorkeeper of the office building spends all her time watching an idiotic soap opera.
Sandrine Bonnaire is, as always, a lovely, delicate vision. She succeeds in conveying the mystery and intrigue of her character, and yet makes Anna wholly believable.
Unfortunately, Fabrice Luchini does not lend the same degree of realism and reality to William. He is too stereotypically anal-retentive and full of hangups, and we never see William as more than two-dimensional. He remains basically the same, unchanged, even by the closing credits. In short, we never get to know him intimately. He begins and ends the film as simply strange.