| Photos (see all 2 | slideshow) |
| Marcus Thomas | ... | Peter Rooker / Cyrano | |
| John Corbett | ... | Michael Degan / Christian | |
| Amy Smart | ... | Grace Hargrove / Roxanne | |
| Sean Astin | ... | Ken Zorbell | |
| Clare Higgins | ... | Edwina Walters | |
| Patty Duke | ... | Mrs. Keene / Earlene | |
| Allan Corduner | ... | Kippy Newberg | |
| J.W. Crawford | ... | Kirk | |
| Victor Morris | ... | Steve | |
| Brian Urspringer | ... | Scott | |
| Kenneth Jones | ... | Ted | |
| Orianna Herrman | ... | Susan | |
| Pam Mahon | ... | Julie | |
| Ernie Garrett | ... | Paul Fisher | |
| Matt Salinger | ... | Mal Gunn | |
| Nurmi Husa | ... | David Nicolette | |
| Greg Germann | ... | Roger | |
| Shea Curry | ... | Mary Anne | |
| Nick Forbes | ... | Andrew | |
| Michael Teufel | ... | Male Sewer | |
| Michael Mendelson | ... | Actor | |
| Al Corley | ... | Guy in Line | |
| rest of cast listed alphabetically: | |||
| Marsha Carlton | ... | Actor | |
| Francisco Diego Garcia | ... | Actor | |
| Stephanie Greig | ... | Hot Girl at Bar | |
| David Jackson | ... | Extra | |
| Mad Martian | ... | Guy At Bar | |
| Susan Moen | ... | Actor | |
| Barry Seltzer | ... | The Sign Man | |
| Brandon Carmody | ... | Rival Theater Actor (uncredited) | |
| Eddie Eagle | ... | The Stranger (uncredited) | |
| Galen Flinn | ... | Jim - Set Designer (uncredited) | |
| Tommy Peters | ... | Guy at funeral (uncredited) | |
Directed by | |||
| Al Corley | |||
Writing credits(WGA) | ||
| Rodney Patrick Vaccaro | (written by) (as Rodney Vaccaro) | |
Produced by | |||
| Craig Borden | .... | producer | |
| Mark Burton | .... | producer | |
| Jonathan Dana | .... | executive producer | |
| Kim Olsen | .... | associate producer | |
| Bart Rosenblatt | .... | producer | |
Original Music by | |||
| Rob Cairns | |||
Cinematography by | |||
| Carl Nilsson | |||
Film Editing by | |||
| Axel Hubert | |||
Production Design by | |||
| Stephen J. Lineweaver | |||
Art Direction by | |||
| Mark Haack | |||
Set Decoration by | |||
| Teresa Tamiyasu | |||
Costume Design by | |||
| Julia Caston | |||
| Christina Mongini | |||
Makeup Department | |||
| Terri Ewton | .... | press junket: key hair stylist | |
| Terri Ewton | .... | press junket: key makeup artist | |
| Eva Lohse | .... | hair assistant | |
| Eva Lohse | .... | makeup assistant | |
| Kelley Mitchell | .... | key hair stylist | |
| Kelley Mitchell | .... | key makeup artist | |
| Christine Steele-Smith | .... | makeup artist | |
| Jennifer Wills | .... | makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Michael D. Jones | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Craig Borden | .... | first assistant director | |
| Jason Halley | .... | second assistant director: second unit | |
| Jason Halley | .... | second second assistant director | |
| Jill Hoppy | .... | additional second assistant director | |
| Aaron Walters | .... | second assistant director | |
Art Department | |||
| Ken Erck | .... | lead scenic artist | |
| Betsy Goslin | .... | property master | |
| Ellen Lipinski | .... | scenic artist | |
| Don Lundell | .... | construction coordinator | |
| Nicholas Mariani | .... | set dresser | |
| Dan Schaefer | .... | storyboard artist | |
| Amanda Steen | .... | on-set dresser | |
| Amanda Steen | .... | set dresser | |
| Tim Swope | .... | graphics | |
| Teresa Tamiyasu | .... | buyer | |
| Harold 'Willy' Wilson | .... | construction coordinator | |
| Chris Pfeifer | .... | props: graphics (uncredited) | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Matthew T. Duncan | .... | sound recordist | |
| Paul Hackner | .... | sound editor | |
| Eddie Kim | .... | sound editor | |
| Matthew Nicolay | .... | sound mixer | |
| Jesse Nordhausen | .... | boom operator | |
| Vic Radulich | .... | dialogue editor | |
| Terry Rodman | .... | sound re-recording mixer | |
| Richard E. Yawn | .... | supervising sound editor | |
Special Effects by | |||
| Jerry L. Buxbaum | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Ervin | .... | digital effects artist | |
| Lanmana Parys | .... | digital effects producer | |
| Mike Uguccioni | .... | digital compositor | |
Stunts | |||
| Jerry L. Buxbaum | .... | stunt coordinator | |
| Michael Marx | .... | fencing master | |
Camera and Electrical Department | |||
| Michael Best | .... | generator operator | |
| Jonathon Bradley | .... | gaffer | |
| Ronald K. De torres | .... | lighting console programmer | |
| Jim Dunn | .... | best boy grip | |
| Jeff Ettlin | .... | grip | |
| Nate Goodman | .... | camera loader | |
| Matt Hall | .... | electrician | |
| Wes Houle | .... | rigging gaffer | |
| Brent Kellerman | .... | electrician | |
| Jason Keyes | .... | electrician | |
| Rick Lord | .... | best boy electric | |
| Dave Muskeni | .... | electrician | |
| John Nichols | .... | grip | |
| Daniel Pasley | .... | grip | |
| Rainy Rau | .... | second assistant camera | |
| Michael Shocklee | .... | first assistant camera | |
| Scott Spiker | .... | still photographer | |
| Joel Stirnkorb | .... | key grip | |
| Shawn Sundby | .... | camera operator | |
| Mark Tomlinson | .... | grip | |
| Joe Vitellaro | .... | grip | |
| James WilderHancock | .... | dolly grip | |
| James WilderHancock | .... | still photographer | |
Casting Department | |||
| Megann Ratzow | .... | casting: Portland | |
| Megann Ratzow | .... | extras casting | |
| Laverne Springer | .... | co-extras casting | |
| Laverne Springer | .... | key extras casting assistant | |
Costume and Wardrobe Department | |||
| Layli Conway | .... | wardrobe intern | |
| Kami Gray | .... | set costumer | |
Editorial Department | |||
| Mato | .... | color timer | |
| Frank Pass | .... | colorist | |
Music Department | |||
| Barklie K. Griggs | .... | music supervisor | |
| Dana Niu | .... | orchestrator | |
| Joe Privitelli | .... | music editor | |
Transportation Department | |||
| Lisa Espinoza | .... | car driver | |
| Steve Evans | .... | driver | |
| Bart Heimburger | .... | transportation coordinator | |
| Tommy Laughlin | .... | driver | |
| Brendan McKeon | .... | driver: honeywagon | |
| Greg McVey | .... | driver | |
| Robert Platt | .... | driver | |
| Tom Platt | .... | driver | |
| Joe Soleberg | .... | driver | |
| Bernard Szymanski | .... | driver | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Forget King Kong and Crash. This movie is last year's real treasure.
I bought the DVD because I've become a big John Corbett fan after watching Sex in the City reruns. He raises the level of everything he's in and I've never seen him in anything really bad. Okay, I did see him in "Elvis Has Left the Building," but his performance and Kim Bassinger's almost saved that movie.
I watched "Bigger than the Sky" and was totally moved to tears and laughter. I watched it again the next night with my wife and 11 year old daughter and we were all moved. It is a really beautiful film that works on the level of the heart.
John Corbett, as I expected was absolutely charming as a talented and outrageous actor. I didn't expect everyone else in the cast to be as good, but everyone was. Marcus Thomas had a difficult lead role to play as a clueless guy who finds himself over his head in community theater. He was absolutely convincing, an academy award caliber performance. I don't remember ever seeing Amy Smart, but she gave as good a performance as Claire Danes did in "Shakespeare in Love." I have to check out everything she's done and will do from now on. Sean Astin was delightful as always. The actor and actress who played Edwina and Kippie were also terrific.
For those who remember the Patty Duke Show, this movie was like a super-episode of that show. Seeing Patty Duke playing twins again in this movie brought me back to my youth of 40 years ago. Truth be told I had a terrific crush on her and watching that show was one of the highlights of my week when I was 12 years old. The show had this incredibly positive liberal and liberating message. It was totally rock and rock and culturally subversive. Only the Dobie Gillis show (which also starred the wonderful William Shallert) was similar. It gave me hope for a positive world of peace, kindness, fair play, love and understanding. This movie brought back those feelings of hope for the future of the human race, something we can all use in these neo-fascist times.
I think anybody who has a good heart will love this movie, as well as anybody who has been connected with the theater in any way. Like "Stage Beauty" and "Being Julia" it is a hymn to the world of the theater.