| Photos (see all 2 | slideshow) | Videos (see all 5 NEW) |
| Billy Bob Thornton | ... | Joe | |
| Lisa Blount | ... | Chrystal | |
| Ray McKinnon | ... | Snake | |
| Harry Lennix | ... | Kalid | |
| Walton Goggins | ... | Larry (as Walt Goggins) | |
| Grace Zabriskie | ... | Gladys | |
| Johnny Galecki | ... | Barry | |
| Colin Fickes | ... | Hog | |
| Max Kasch | ... | Shorty | |
| James Intveld | ... | Charlie Cato | |
| Kathryn Howell | ... | Miss Mabel | |
| Harry Dean Stanton | ... | Pa Da | |
| rest of cast listed alphabetically: | |||
| Ed Corbin | ... | Ned | |
| Eddie King | ... | Roamer | |
| Janet Arvia | ... | Extra (uncredited) | |
| Cheri Leffew | ... | Extra (uncredited) | |
Directed by | |||
| Ray McKinnon | |||
Writing credits(in alphabetical order) | ||
| Ray McKinnon | written by | |
Produced by | |||
| Lisa Blount | .... | producer | |
| Walton Goggins | .... | producer (as Walt Goggins) | |
| Bruce Heller | .... | producer | |
| Anthony Katagas | .... | co-producer | |
| Anthony Katagas | .... | line producer | |
| David Koplan | .... | producer | |
| Ray McKinnon | .... | producer | |
| Peter E. Strauss | .... | executive producer | |
Original Music by | |||
| Stephen Trask | |||
Cinematography by | |||
| Adam Kimmel | (director of photography) | ||
Film Editing by | |||
| Myron I. Kerstein | |||
| Ann Trulove | |||
Casting by | |||
| Emily Schweber | |||
| Sarah Tackett | |||
Production Design by | |||
| Chris Jones | |||
Art Direction by | |||
| David Hedge | |||
Set Decoration by | |||
| Elizabeth Keenan | |||
Costume Design by | |||
| Kelli Jones | |||
Makeup Department | |||
| Patricia Androff | .... | key makeup artist | |
| Philip Ivey | .... | key hair stylist | |
Production Management | |||
| Jonathan Manzo | .... | production manager | |
| Jonathan Manzo | .... | unit production manager | |
| Jamey Pryde | .... | post-production supervisor | |
| Jonathan Strauss | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Mariela Comitini | .... | second assistant director | |
| Carrie Fix | .... | assistant director | |
Art Department | |||
| Richard Moran | .... | assistant property master | |
| Ian Savage | .... | swing | |
Sound Department | |||
| Lance Brown | .... | sound re-recording mixer | |
| Dane A. Davis | .... | supervising sound editor | |
| Scott Edelson | .... | boom operator | |
| Stephanie Flack | .... | supervising dialogue adr editor | |
| Paul Hackner | .... | sound editor | |
| Jim Hawkins | .... | sound mixer | |
| Matt Hedges | .... | sound editorial coordinator | |
| Eric Lindemann | .... | supervising sound editor | |
| Dana Merwin | .... | sound production assistant | |
| Eryne Prine | .... | foley supervisor | |
| Nathan Whitehead | .... | first assistant sound editor | |
Special Effects by | |||
| Drew Jiritano | .... | special effects supervisor | |
| Neil Ruddy | .... | special effects | |
Visual Effects by | |||
| Scott Dougherty | .... | visual effects executive producer: Furious FX | |
| Bill Gilman | .... | digital compositor: Furious FX | |
| David Lingenfelser | .... | visual effects supervisor: Furious FX | |
Stunts | |||
| Roy Farfel | .... | stunt driver | |
Casting Department | |||
| Brad Gilmore | .... | casting assistant | |
| Ben Hynum | .... | location casting associate | |
Costume and Wardrobe Department | |||
| Eileen Doss | .... | wardrobe assistant | |
| Stacey Hughes | .... | assistant costume designer | |
Editorial Department | |||
| Gilbert Carreras | .... | color timer | |
| Rachel Goodlett | .... | assistant editor | |
| Matt Maddox | .... | editorial production assistant | |
| Dana Merwin | .... | post-production coordinator | |
Music Department | |||
| Don Fleming | .... | music supervisor | |
| Damon Intrabartolo | .... | conductor | |
| Damon Intrabartolo | .... | orchestrator | |
| Shie Rozow | .... | music editor | |
Transportation Department | |||
| Rick Damazio | .... | transportation captain | |
Other crew | |||
| John 'Biff' Atkinson | .... | production assistant | |
| Ashley Bearden | .... | assistant production office coordinator | |
| Daniel Coss | .... | location manager (as Danny Coss) | |
| Chad R. Davis | .... | stand-in | |
| Charlie Dicus | .... | production assistant | |
| Guin Dill | .... | animal trainer | |
| Charlotte Franklin | .... | accounting production assistant | |
| E.J. Friedman | .... | production assistant | |
| Chris Gibson | .... | assistant location manager | |
| Tony Grat | .... | production assistant | |
| Mike Hill | .... | production assistant | |
| Peter Hutchison | .... | production accountant | |
| Clark McCutchen | .... | production attorney | |
| Ryan Melnechuk | .... | key set production assistant | |
| P. Claire Pertalion | .... | production office coordinator | |
| Kerry Leigh Pittenger | .... | production secretary | |
| Stephanie A. Purdy | .... | animal trainer | |
| Michael Taylor | .... | script supervisor | |
| Ashley Rebecca Welch | .... | production assistant | |
| Carl 'Rocky' Lee Wright III | .... | stand-in: Johnny Gallecki, Kingston | |
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| The Three Burials of Melquiades Estrada | A Map of the World | The King | Keane | The Sweet Hereafter |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
This remarkable and completely unique film had me on the edge of my seat from the moment I heard the haunting music playing on a cello in the opening scene. I knew from the choice of this instrument when most would use a banjo or other traditional instruments common to mountain culture, that I was in for many surprises. The entire score was brilliant.
Ray McKinnon's script and direction is so original and painfully real and passionate. Just when the reality is too much to bear he makes you laugh so hard your belly aches. The acting by the entire cast, including that wonderful dog as broken as the family, is perfection. The fight scene is a ballet and nobody since Peter O'Toole moves as well as Ray McKinnon with such self-abandonment.
His performance as Snake is at once very funny and terrifying. Lisa Blount gives a performance of a lifetime. It is a difficult role which could easily have been one dimensional or overdone but she brings subtlety, nuances and richness to this character that is so fragile that you just want to reach into the screen and comfort her.
Billy Bob Thornton breaks your heart with his strong portrayal of the husband so consumed with guilt that he sets up a situation to allow himself to be beaten into a pulp to be punished for his sin.
The location and production design captures the Ozarker's uncommon and palpable sense of place and the junk sculpture in the yard is such a touching metaphor for a broken family welded together, with hope to heal and create a future. The last moment will take your breath away. I hope this film gets a chance to be seen by everyone. I feel grateful to have discovered it.