| Photos (see all 87 | slideshow) | Videos (see all 2) |
| Mark Ruffalo | ... | Jack Linden | |
| Laura Dern | ... | Terry Linden | |
| Peter Krause | ... | Hank Evans | |
| Naomi Watts | ... | Edith Evans | |
| Sam Charles | ... | Sean Linden | |
| Haili Page | ... | Natasha Linden | |
| Jennifer Bishop | ... | Sharon Evans | |
| Jennifer Mawhinney | ... | Audrey | |
| Amber Rothwell | ... | Lauren | |
| Meg Roe | ... | Lollipop Girl | |
| Jim Francis | ... | Joe Ritchie | |
| Marc Baur | ... | Plumber | |
| Patrick Earley | ... | Jim |
Directed by | |||
| John Curran | |||
Writing credits(WGA) | ||
| Andre Dubus | (short stories "We Don't Live Here Anymore" and "Adultery") | |
| Larry Gross | (screenplay) | |
Produced by | |||
| Michael Carlin | .... | associate producer | |
| Ruth Epstein | .... | executive producer | |
| Jonas Goodman | .... | producer | |
| Larry Gross | .... | executive producer | |
| Harvey Kahn | .... | producer | |
| Ken Lawson | .... | co-producer | |
| Robert Lee | .... | co-producer | |
| Bernadette Meyers | .... | associate producer | |
| Sanford Rosenberg | .... | co-producer | |
| Mark Ruffalo | .... | executive producer | |
| Michael Shepard | .... | associate producer | |
| Naomi Watts | .... | producer | |
Original Music by | |||
| Michael Convertino | |||
Cinematography by | |||
| Maryse Alberti | (director of photography) | ||
Film Editing by | |||
| Alexandre de Franceschi | |||
Casting by | |||
| Ellen Lewis | |||
| Audrey Skalbania | |||
Production Design by | |||
| Tony Devenyi | |||
Art Direction by | |||
| Rick Willoughby | |||
Set Decoration by | |||
| Dina Holmes | (as Dina Zecchel) | ||
Costume Design by | |||
| Katia Stano | |||
Makeup Department | |||
| Rebeccah Delchambre | .... | key makeup artist | |
| Maja Djilas | .... | hair assistant | |
| Maja Djilas | .... | makeup assistant | |
| Jullin Hadden | .... | hair assistant | |
| James Dean Patten | .... | key hair stylist | |
| Tone Rorvik | .... | hair assistant | |
| Tone Rorvik | .... | makeup assistant | |
| Bev Wright | .... | hair assistant | |
| Bev Wright | .... | makeup assistant | |
Production Management | |||
| Ken Lawson | .... | production manager | |
| Bernadette Meyers | .... | post-production supervisor: Canada | |
| Douglas Salkin | .... | post-production supervisor: US | |
Second Unit Director or Assistant Director | |||
| Jennifer Kidd | .... | second second assistant director | |
| Robert Lee | .... | first assistant director | |
| Cathie McGaw | .... | second assistant director (as Cathie McGaw-Russell) | |
Art Department | |||
| Mike Allen | .... | paint coordinator | |
| Shaun Bullied | .... | painter | |
| Nicole Chorney | .... | set decoration buyer | |
| Sally Cook | .... | property master | |
| Thomas Craib | .... | set dresser | |
| Gavin De West | .... | assistant property master | |
| Candiss Foss | .... | props truck supervisor | |
| Jilly Geer | .... | set dresser (as Jilli Geer) | |
| Mervyn Hope | .... | construction coordinator (as Merv Hope) | |
| Dmitry Kazak | .... | set dresser | |
| Brian Lewis | .... | set dresser | |
| Sarah Martin | .... | set dresser | |
| John McIntosh | .... | head greensman (as John Macintosh) | |
| Josh Plaw | .... | lead set dresser | |
| Serena Steffensen | .... | set decoration buyer | |
| Jonny Swift | .... | on-set decorator | |
| Alison Walker | .... | set dresser | |
| Leah Weinberg | .... | assistant set decorator | |
| Scott Weisenburger | .... | set dresser | |
Special Effects by | |||
| Cara E. Anderson | .... | special effects technician | |
| Rory Cutler | .... | special effects coordinator | |
| Alan Robertson | .... | special effects assistant | |
Stunts | |||
| Brett Armstrong | .... | stunt coordinator | |
| Dan Redford | .... | stunt rigger | |
Casting Department | |||
| Eliana Carrillo | .... | casting associate | |
| Audrey Skalbania | .... | extras casting | |
| Eliana Carrillo | .... | extras casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Tanya Berger | .... | costumer | |
| Summer Eves | .... | costumer | |
| Ruby Fleming | .... | costume set supervisor | |
| Tara R. Hinecker | .... | costume truck supervisor (as Tara Hinecker) | |
| Marie Hock | .... | costumer: prep | |
| K.M. Lowe | .... | costumer (as K. M. Lowe) | |
| Lara Lupish | .... | assistant costume designer | |
Editorial Department | |||
| Brian Anton | .... | additional editor | |
| Rodrigo Balart | .... | first assistant editor: Australia | |
| Ed Dobbs | .... | color timer | |
| James Ilecic | .... | additional editor | |
| Kathryn Raphall | .... | first assistant editor: Australia | |
| Brian Reilly | .... | first assistant editor: Vancouver | |
| Garry M.B. Smith | .... | additional editor | |
| Lana Gudlaugson | .... | post-production facility coordinator (uncredited) | |
Music Department | |||
| Michael Convertino | .... | musician | |
| John Eidsvoog | .... | music preparation | |
| Julie Eidsvoog | .... | copyist | |
| Julie Eidsvoog | .... | music preparation | |
| David Fisher | .... | music editor | |
| Peter Fox | .... | assistant music editor | |
| Clayton Haslop | .... | musician | |
| Will Kaplan | .... | music editor | |
| Dennis Karmazyn | .... | musician | |
| David Low | .... | musician contractor | |
| David Low | .... | musician | |
| David Marquette | .... | music recordist | |
| Shawn Murphy | .... | music recording mixer | |
| Brian Nevin | .... | music recording engineer | |
| P. Daniel Newman | .... | music editor | |
| Laurie Parker | .... | music supervisor | |
| Lee Scott | .... | assistant music editor | |
| Rich Walters | .... | music editor | |
| Ken Yerke | .... | musician | |
| Lesley Barber | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Vicki Brown | .... | driver: Laura Dern | |
| Randy Caine | .... | transportation coordinator | |
| Bob Chase | .... | driver: special equipment | |
| Stefano Chimarios | .... | driver: cast | |
| Keith R. Giesbrecht | .... | driver: Naomi Watt (as Keith Giesbrecht) | |
| J.J. Johnston | .... | driver: cast | |
| Gilles LaPlante | .... | driver: cast (as Gilles La Plante) | |
| Steve Martin | .... | transportation co-captain | |
| Richard Vanderkuip | .... | transportation captain (as Rick Vanderkuip) | |
Other crew | |||
| Juan Acosta | .... | location production assistant | |
| Don Andrews | .... | location production assistant | |
| Grant Astle | .... | assistant chef | |
| Jenz Bergren | .... | assistant: Larry Gross | |
| Angela Brown | .... | stand-in | |
| Alaina Burnett | .... | stand-in | |
| Serena Caine | .... | security | |
| Curtis Campbell | .... | location manager | |
| Stacey Campbell | .... | location production assistant | |
| Carol Chestnut | .... | legal counsel: Canada | |
| Patrick Creery | .... | stand-in | |
| Steve Curran | .... | title designer | |
| Stephanie Daniel | .... | stand-in | |
| Haven Elliot | .... | stand-in | |
| Michelle Everaert | .... | location production assistant | |
| Mike Forry | .... | assistant location manager (as Michael Forry) | |
| Jennifer Gibson | .... | stand-in | |
| Aaron Grain | .... | stand-in | |
| David Hadley | .... | production coordinator | |
| Nancy Heller | .... | assistant production accountant | |
| Marie Hock | .... | location production assistant | |
| Victor Juralowicz | .... | location production assistant | |
| John Knowlton | .... | key production assistant | |
| Christopher A. Lambert | .... | location production assistant (as Chris Lambert) | |
| Dean Lamont | .... | on-set tutor | |
| Jayme Lemons | .... | assistant: Laura Dern | |
| Linda Lichter | .... | legal counsel: US | |
| Greg Lund | .... | assistant production coordinator | |
| Dan Mackle | .... | security | |
| Adam Mars | .... | location production assistant | |
| Virginia May | .... | location production assistant | |
| Stacey Moores | .... | craft service assistant | |
| Stacey Moores | .... | first aid assistant | |
| Juan Pantera | .... | location production assistant | |
| Sandy Reynolds | .... | craft service | |
| Sandy Reynolds | .... | first aid | |
| Linda Riley | .... | stand-in | |
| Trevor Sadler | .... | chef | |
| Svatia Sakarova | .... | production accountant | |
| Stephanie Sarin | .... | stand-in | |
| Greg Scott | .... | stand-in | |
| Joe Seal | .... | security | |
| Stephen Spencer | .... | stand-in | |
| Marnie Teremuende | .... | post-production accountant (as Marnie Termuende) | |
| Samantha Thorson | .... | stand-in | |
| Annie Wilkinson | .... | on-set tutor | |
| Kris Wonitowy | .... | security | |
| Peter Wonitowy | .... | security coordinator (as Pete Wonitowy) | |
| Emmy Wu | .... | office production assistant | |
| Pia Wyatt | .... | stand-in | |
| Natasha Young | .... | script supervisor | |
| Melodee Spevack | .... | voice double: Laura Dern (uncredited) | |
Thanks | |||
| Rowena Arguelles | .... | special thanks | |
| Jane Campion | .... | special thanks | |
| Darryl Choronzey | .... | special thanks | |
| Howard Cohen | .... | special thanks | |
| Holly Collins-Kahn | .... | special thanks | |
| Bob Curran | .... | special thanks | |
| Bobby Curran | .... | special thanks (as Bobby) | |
| Mary Curran | .... | special thanks (as Mary) | |
| Theresa Curran | .... | special thanks | |
| Sarah Fabozzi | .... | special thanks | |
| Peter Fenton | .... | special thanks | |
| Gianna Giancarlo | .... | special thanks | |
| Bill Goodman | .... | special thanks (as Bill) | |
| Laurie Goodman | .... | special thanks | |
| Shelly Hancock | .... | special thanks (as Shelley Hancock) | |
| Peter Heinrich | .... | special thanks | |
| Ishil Kaner-Carson | .... | special thanks | |
| Rob Kaplan | .... | special thanks | |
| Carolyn Katz | .... | special thanks | |
| Kalen Keach | .... | special thanks | |
| Kevin W. Kennedy | .... | special thanks (as Kevin Kennedy) | |
| Nina Klingen | .... | special thanks | |
| David Leuschen | .... | special thanks | |
| Peter Levine | .... | special thanks | |
| Gene Lushtak | .... | special thanks (as Eugene Lushtak) | |
| Jun Makihara | .... | special thanks | |
| Fernando Mata | .... | special thanks | |
| Christoph Menardi | .... | special thanks | |
| Simon Millar | .... | special thanks | |
| Sam Mills | .... | special thanks | |
| Herb Norman | .... | special thanks | |
| Sara Reischman | .... | special thanks | |
| Mark Shafir | .... | special thanks | |
| Robert Stein | .... | special thanks | |
| Jason Weinberg | .... | special thanks | |
| Lindsay Williams | .... | special thanks | |
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If "We Don't Live Here Anymore" had been made in the 1960s, it might have been titled "Jack and Terry and Hank and Edith". To borrow the title of another celebrated 60s film, "We Don't Live Here Anymore" is about carnal knowledge in the 21st century.
The film has a few interesting lines in it. Some have a hollow ring to them. Take the statement that "Even adultery has morality to it." The film does not appear to bear this out. Right or wrong don't seem to come into the picture at all. It seems as if anything goes as long as it makes people "happy". As Hank (Peter Krause) says, "It's easier living with a woman who feels loved" -- even if it is by your best friend Jack (Mark Ruffalo). Far closer to the truth is Mark's comment to his children that the arguments they overhear between their parents are just "adult foolishness". They certainly seem to be compared to the savvy of the kids, who are old beyond their years.
The situation (and the situational ethics) of the film may seem a tad unreal or surreal. But the film is solidly grounded in reality, as embodied by the environment in which the two couples live -- their home lives, their children, the very houses they inhabit.
The music of the film is well chosen, alternating between the drama of operatic or chamber music, and jazz rhythms that sound like a jungle beat -- the beat of sexual heat and passion.
The best of the four lead actors is Laura Dern as Terry. To my mind, she is the only fully rounded and entirely comprehensible character. Dern's setpiece speech about her husband treating her like a dog has the ring of Oscar to it. To be frank, Dern's shaggy mane and thin frame make her look a lot like a dog -- an Afghan or a Lhasa Apso, perhaps -- but she should definitely not be written off as a bitch. On the contrary, we understand and sympathize with her drinking and her anger at being cast aside by her wayward husband Jack.
Mark Ruffalo, as Jack, is harder to understand and to sympathize with. He comes across as too self-centered and callous. Even in his treatment of Edith (Naomi Watts), he seems to think only of himself and his sexual needs. He claims to "love" her, but their relationship is essentially physical. Jack is basically a wuss and a coward who, when push comes to shove, cannot leave his wife and cannot even be honest with his kids about how things stand between their parents. And you get the definite impression that Jack cares more about the children than about Terry. (That being said, the camera absolutely loves Mark Ruffalo with his dark, liquid brown eyes and full, sensual lips.)
By comparison, Peter Krause (Hank) and Naomi Watts (Edith) are less interesting and more like plot devices than real people. Hank is a professor and author with writer's block who has the hots for one of his students, but not for his pretty wife. Hank is no slouch himself in the looks department, but Edith's interests lie across the fence. It is even harder to understand their motivations than Jack's.
Still, "We Don't Live Here Any More" is a fascinating look at modern sexual mores, and Laura Dern is a powerhouse who lights up the screen. Again, don't be surprised if her name is put forward for the coveted golden statuette. You heard it here first!