| Photos (see all 11 | slideshow) | Videos (see all 7) |
| Andrew Chalmers | ... | Bobby Morrow (1967) | |
| Ryan Donowho | ... | Carlton Morrow | |
| Asia Vieira | ... | Emily | |
| Quancetia Hamilton | ... | Dancing Party Guest | |
| Jeff J.J. Authors | ... | Frank (as Jeffrey Authors) | |
| Lisa Merchant | ... | Frank's Date | |
| Ron Lea | ... | Burt Morrow | |
| Erik Smith | ... | Bobby Morrow (1974) | |
| Harris Allan | ... | Jonathan Glover (1974) | |
| Matt Frewer | ... | Ned Glover | |
| Sissy Spacek | ... | Alice Glover | |
| Colin Farrell | ... | Bobby Morrow (1982) | |
| Dallas Roberts | ... | Jonathan Glover (1982) | |
| Robin Wright Penn | ... | Clare | |
| Shawn Roberts | ... | Club Boy | |
| Michael Mayer | ... | Jonathan's Co-Worker | |
| Barna Moricz | ... | Wes | |
| Virginia Reh | ... | Woman at Home Cafe | |
| rest of cast listed alphabetically: | |||
| Joshua Close | ... | Reiner (uncredited) | |
| Wendy Crewson | ... | Isabel Morrow (uncredited) | |
Directed by | |||
| Michael Mayer | |||
Writing credits(WGA) | ||
| Michael Cunningham | (novel) | |
| Michael Cunningham | (screenplay) | |
Produced by | |||
| John Hart | .... | producer (as John N. Hart Jr.) | |
| Jocelyn Hayes | .... | co-producer | |
| Michael Hogan | .... | executive producer | |
| Tom Hulce | .... | producer | |
| Robert Kessel | .... | co-producer | |
| Pamela Koffler | .... | producer | |
| Jim Powers | .... | line producer (as James Powers) | |
| Julia Rask | .... | co-producer | |
| Katie Roumel | .... | producer | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
| Bradford Simpson | .... | co-producer | |
| John Sloss | .... | executive producer | |
| Christine Vachon | .... | producer | |
| John Wells | .... | producer | |
Original Music by | |||
| Duncan Sheik | |||
Cinematography by | |||
| Enrique Chediak | (director of photography) | ||
Film Editing by | |||
| Andrew Marcus | |||
| Lee Percy | |||
Casting by | |||
| Jim Carnahan | |||
| Mele Nagler | |||
| Claire Simon | |||
Production Design by | |||
| Michael Shaw | |||
Art Direction by | |||
| Edward Bonutto | (as Edward S. Bonutto) | ||
Set Decoration by | |||
| Mark Steel | |||
| Malcolm Byard | (uncredited) | ||
Costume Design by | |||
| Beth Pasternak | |||
Makeup Department | |||
| Sally J. Harper | .... | hair stylist: Ms. Spacek | |
| Debra Johnson | .... | hair stylist | |
| Patricia Keighran | .... | assistant makeup artist | |
| Jordan Samuel | .... | makeup artist | |
| Nancy E. Warren | .... | assistant hair stylist (as Nancy Warren) | |
Production Management | |||
| Nicole Arons | .... | production supervisor: New York | |
| Collingwood Brown | .... | production supervisor | |
| Christopher Kenneally | .... | post-production supervisor (as Chris Kenneally) | |
| Jim Powers | .... | unit production manager (as James Powers) | |
Second Unit Director or Assistant Director | |||
| Jeff J.J. Authors | .... | first assistant director (as Jeffrey Steven Authors) | |
| Paul F. Bernard | .... | second assistant director: New York (as Paul Bernard) | |
| Darrin Brown | .... | third assistant director | |
| Penny Charter | .... | second assistant director | |
| Neil Lewis | .... | second assistant director: Phoenix | |
| Eric Yellin | .... | second second assistant director: New York | |
| Janet Zdyb | .... | third assistant director | |
| Adam Bocknek | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Fiona Bower | .... | art department coordinator | |
| Malcolm Byard | .... | lead person | |
| Guido DeCurtis | .... | lead person: New York | |
| Darrell Gasparini | .... | property master buyer | |
| Jacqui Hemingway | .... | scenic artist | |
| Marc Kuitenbrouwer | .... | construction coordinator | |
| Alan MacMinn | .... | property master | |
| Tony Mainelli | .... | assistant head carpenter (as Anthony Mainelli) | |
| Raman Majlath | .... | set dresser | |
| Vinny Mazzarella | .... | property master: New York | |
| Charles McGlynn | .... | on-set dresser | |
| John Moran | .... | first assistant art director | |
| Melissa Morgan | .... | key scenic artist | |
| Melissa Olson | .... | assistant decorator | |
| Brian Patrick | .... | assistant property master | |
| John Rankin | .... | set dresser | |
| Christian W. Russhon | .... | lead person: Phoenix | |
| Linette Forbes Shorr | .... | set decorator: Phoenix (as Linette Shorr) | |
| Gregg Singer | .... | property master: Phoenix | |
| Katherine M. Szilagyi | .... | set decorator: New York (as Katherine Szilagyi) | |
| Eric Taylor | .... | head carpenter | |
| Peter Allburn | .... | charge scenic artist: New York (uncredited) | |
| J. Ryan Halpenny | .... | art apprentice (uncredited) | |
Special Effects by | |||
| Rob Sanderson | .... | special effects coordinator | |
| Ray McMillan | .... | front projection (uncredited) | |
Visual Effects by | |||
| Brian Scott Benson | .... | Inferno artist (as Brian Benson) | |
| Benjamin Murray | .... | digital studio artist (as Ben Murray) | |
Stunts | |||
| Steve Lucescu | .... | stunt coordinator | |
Casting Department | |||
| Robin D. Cook | .... | casting: Canada | |
| Donna Dupere | .... | extras casting | |
| Karen E. Etcoff | .... | extras casting: New York | |
| Nicole Hilliard-Forde | .... | casting associate: Canada | |
| Sunny Seibel | .... | extras casting: Phoenix | |
| Aric Dupere | .... | extras casting assistant (uncredited) | |
| Brad Gerstl | .... | extras casting representative (uncredited) | |
| Sara Kay | .... | casting assistant: Canada (uncredited) | |
| Aaron Unrau | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Charles C. Crutchfield | .... | costumer: New York | |
| Patricia Hanley Cumming | .... | on-set costume supervisor (as Pat Hanley-Cumming) | |
| Jay Du Boisson | .... | costume supervisor | |
| Blanca Garcia | .... | costume truck supervisor: Phoenix (as Blanca R. Garcia) | |
| Gail Gore | .... | key costumer: New York | |
| Maggie McFarland | .... | on-set costume supervisor: Phoenix | |
| Anita Simard | .... | wardrobe truck supervisor | |
| Melissa Stanton | .... | chief costumer: New York (as Melissa Adzima-Stanton) | |
| Mia Sturup | .... | assistant costume designer | |
| Trelawnie Mead | .... | costume dyer/breakdown (uncredited) | |
Editorial Department | |||
| Julie Carr | .... | associate editor | |
| Lance Edmands | .... | editing intern | |
| Mo Henry | .... | negative cutter | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| Catherine Rankin | .... | negative cutter | |
| Mila Patriki | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Michele Aristy | .... | assistant music editor | |
| Linda Cohen | .... | music supervisor | |
| Duncan Sheik | .... | musician: guitar, piano, voice, bass, dulcimer, ukuelele, harmonium | |
| Duncan Sheik | .... | score producer | |
| Michael Tudor | .... | score engineer | |
| E. Gedney Webb | .... | music editor (as Gedney Webb) | |
| Doug Yowell | .... | musician: drums, percussion | |
| Annette Kudrak | .... | music editor (uncredited) | |
Transportation Department | |||
| Ken Barbet | .... | driver captain | |
| John Brown | .... | driver (as John R. Brown) | |
| Jim Buckman | .... | teamster captain: New York (as Jim Buchman) | |
| Martin Drover | .... | driver | |
| Hal Gibson | .... | transportation coordinator: Phoenix (as Hal W. Gibson) | |
| Gordon Ionson | .... | driver (as Gordon A. Ionson) | |
| Bill Jackson | .... | driver | |
| Stuart Mitchell | .... | transportation captain | |
| Dave Staples | .... | transportation coordinator | |
| Ron Annabelle | .... | picture car captain (uncredited) | |
Other crew | |||
| Samantha Armstrong | .... | script supervisor | |
| Linda P. Bee | .... | first assistant accountant: Phoenix | |
| Peter Bird | .... | location production assistant | |
| Shelly Boucher | .... | key set production assistant: Phoenix | |
| Paul Brennan | .... | legal services: Sloss Law Office | |
| Laurel Bresnahan | .... | tutoring liaison | |
| Michael Buster | .... | dialect coach | |
| Carmen Carpenter | .... | production financing: Coamerica Entertainment Group | |
| Brent Cox | .... | legal services: Sloss Law Office | |
| Konrad Dowling | .... | insurance: Marsh Entertainment & Media | |
| Zaida Fakih-Kuss | .... | production assistant: New York | |
| Claudine Farrell | .... | assistant: C. Farrell | |
| Daniel Feiner | .... | business affairs: Hart Sharp Entertainment | |
| Wendy Gaboury | .... | accountant | |
| Julie Garneau | .... | production assistant (as Julie Anne Garneau) | |
| Jennifer Gaylord | .... | legal services: Sloss Law Office (as Jennifer Gaylord Rohrer) | |
| Marie-Claude Harnois | .... | production coordinator | |
| Ned Haspel | .... | executive vice president: John Wells Productions | |
| Jeff Hill | .... | publicist | |
| Will Hoddinott | .... | location manager | |
| Laura Holstein | .... | executive vice president: John Wells Productions | |
| David Laurentin | .... | location assistant: new york | |
| Todd Lundquist | .... | assistant: M. Mayer | |
| Mark McFadden | .... | assistant location manager | |
| Lauren McSorley | .... | production assistant: New York | |
| Paula Merril-Belak | .... | location manager: Phoenix (as Paula Belak) | |
| Michael Monteleone | .... | office production assistant: Phoenix | |
| Frank Morrison | .... | on-set tutor | |
| Danielle Motti | .... | key set production assistant: Phoenix (as Danielle S. Motti) | |
| Naohide Nasu | .... | production assistant | |
| Erik Leif Nelson | .... | production assistant: New York | |
| Karen O'Toole | .... | production coordinator: Phoenix | |
| Basil Person | .... | assistant production coordinator | |
| Lauri Pitkus | .... | location manager: New York (as Laurie Pitkus) | |
| Charles Pugliese | .... | assistant: C. Vachon, Killer Films | |
| Suzanna Rees | .... | assistant: K. Roumel | |
| Jesse Rupert | .... | first assistant accountant | |
| Bruce Schluter | .... | title designer | |
| Peter Shiroky | .... | legal services: Canada, Fraser Milner Casgrain | |
| Susan Silas | .... | location assistant: New York | |
| Daniel Steinman | .... | legal services: Sloss Law Office | |
| Vess Stoeva | .... | second assistant accountant | |
| Daniel Wagner | .... | post delivery supervisor | |
| Meghan K. Wicker | .... | assistant: K. Roumel, Killer Films | |
| Michael Wiggins | .... | business affairs: Killer Films | |
| Brett Williams | .... | production executive: Hart Sharp Entertainment | |
| Nina Wolarsky | .... | development: Hart Sharp Entertainment | |
| Amy Wright | .... | choreographer | |
| Heather Zuhlke | .... | assistant: J. Wells, John Wells Productions | |
| Jennifer Alton | .... | assistant location manager: Arizona (uncredited) | |
| Dean Anthony | .... | set production assistant (uncredited) | |
| Lou Charles | .... | production assistant (uncredited) | |
| Yannick Fauchier | .... | set production assistant (uncredited) | |
| Pamela Hackwell | .... | contact lens technician (uncredited) | |
| Steve Holt | .... | on-set medic (uncredited) | |
| Zach Keyworth | .... | production assistant (uncredited) | |
| Aileen Kiernan | .... | assistant: Hunt Lowry (uncredited) | |
| Christopher Martini | .... | production assistant (uncredited) | |
| John Wiseman | .... | production assistant (uncredited) | |
Thanks | |||
| Saul Zaentz | .... | special thanks | |
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| Broken Flowers | The Last Picture Show | Die Blechtrommel | Mr. & Mrs. Bridge | Ceux qui m'aiment prendront le train |
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Michael's Cunningham's book is so moving I was afraid to be deeply disappointed by the movie adaptation. Although 90 min is barely enough to narrate the story in its emotional complexity, the movie is very faithful to the book, probably because the screenplay is from Cunningham himself. The acting is excellent, and the soundtrack featuring Laura Nyro is beautiful, and if some of the book's interest is lost in translation, it still makes a pretty good movie. I find some detractors' arguments pretty amazing, as if all they'd watched was the trailer. To suggest that after Jules & Jim any movie containing a threesome is worthless, that any movie taking place in the 70s-80s is obsolete, that there was too much or not enough sex scenes, or that the AIDS theme is not developed enough, is plain ludicrous. This is not a movie about an era, about homosexuality, or about the AIDS epidemics. This is about (re)creating a place out of time and geography, where the world makes sense (again). A home, in other words. This is about loving another being (or two, since one is never complete, never enough) irrespective of family links, gender, and the established social codes. The characters are struggling to escape the rules to enjoy the "big noisy world around" and find a natural place in it. They are the opposite of stereotypical characters, at least once they are fully revealed to themselves. As for the end, it is not "unconclusive", it is what is called an open ending, and probably in this case the perfect ending, which means the only possible one. My advice: watch it, and read the novel too.