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Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood (2003) -- hv post

Overview

User Rating:
7.5/10   1,015 votes
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Director:
Writers:
Peter Biskind (book)
Kenneth Bowser (writer)
Contact:
View company contact information for Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood on IMDbPro.
Release Date:
9 March 2003 (USA) more
Tagline:
How the Sex Drugs and Rock 'n' Roll Generation Saved Hollywood
Plot:
A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie. full summary | add synopsis
User Reviews:
Effective look at the American New Wave more (15 total)

Cast

  (in credits order)

Martin Scorsese ... Himself

Dennis Hopper ... Himself

Peter Bogdanovich ... Himself
Sam Peckinpah ... Himself (archive footage)

Warren Beatty ... Himself

Robert Altman ... Himself

Arthur Penn ... Himself

Jack Nicholson ... Himself

Francis Ford Coppola ... Himself

Steven Spielberg ... Himself

George Lucas ... Himself
Tony Bill ... Himself
Peter Bart ... Himself

Paul Schrader ... Himself

Sharon Tate ... (archive footage)

Roman Polanski ... (archive footage)

Margot Kidder ... Herself
David Newman ... Himself
Dede Allen ... Herself

Peter Fonda ... Himself
Roger Corman ... Himself
László Kovács ... Himself
Polly Platt ... Herself
Henry Jaglom ... Himself

Richard Dreyfuss ... Himself
Jennifer Salt ... Herself
Karen Black ... Herself

Peter Tork ... Himself (archive footage)

Ellen Burstyn ... Herself

Micky Dolenz ... Himself
Jerome Hellman ... Himself
David V. Picker ... Himself
Charles Mulvehill ... Himself

Mike Medavoy ... Himself
John Milius ... Himself
Gloria Katz ... Herself
Willard Huyck ... Himself

Cybill Shepherd ... Herself
Joan Tewkesbury ... Herself
Vilmos Zsigmond ... Himself

Kris Kristofferson ... Himself
Stanley R. Jaffe ... Himself
Albert S. Ruddy ... Himself
Michael Phillips ... Himself
Julia Phillips ... Herself (archive footage)

Mardik Martin ... Himself

Jonathan T. Taplin ... Himself
Huey P. Newton ... Himself (archive footage)
Rudy Wurlitzer ... Himself
Toby Carr Rafelson ... Himself (archive footage)
Marcia Lucas ... Herself (archive footage)

Carl Gottlieb ... Himself
rest of cast listed alphabetically:

Candice Bergen ... Herself (archive footage)

Ernest Borgnine ... Himself (archive footage)

Joan Collins ... Herself (archive footage)

Robert De Niro ... (archive footage)

George Harrison ... Himself (archive footage)
Monte Hellman ... Himself

Davy Jones ... Himself (archive footage)

Harvey Keitel ... (archive footage)

John Lennon ... Himself (archive footage)

William H. Macy ... Narrator (voice)

Paul McCartney ... Himself (archive footage)
Sylvia Miles ... Herself

Michael Nesmith ... Himself (archive footage)
Andrew Sarris ... Himself

Ringo Starr ... Himself (archive footage)
Fred Weintraub ... Himself
Gordon Willis ... Himself
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Directed by
Kenneth Bowser 
 
Writing credits
(in alphabetical order)
Peter Biskind  book
Kenneth Bowser  writer

Produced by
Kenneth Bowser .... producer
Josh Braun .... executive producer
Teddy Champion .... associate producer
Joe Cilibrasi .... associate producer
Andrew Cohen .... executive producer
Roger Kass .... consulting producer
Samuel Paul .... supervising producer
Rachel Talbot .... producer
David Tecson .... executive producer
Nick Ware .... executive producer
Susan Cobey Williamson .... associate producer
 
Cinematography by
Paul Mailman (director of photography)
 
Film Editing by
Pascal Akesson 
 
Art Direction by
Rob Roth 
 
Makeup Department
Stephanie Coffey .... makeup artist
Rebecca DeHerrera .... makeup artist
Fiona Distefano .... makeup artist
Amy Marie .... makeup artist
 
Production Management
Tai Uhlmann .... post-production supervisor
 
Sound Department
Timothy Anderson .... sound editor
Peter Levin .... sound re-recording mixer
Barbara Parks .... sound editor
 
Visual Effects by
Yorgo Alexopoulos .... visual artist
Sharon Eagan .... visual artist
Nathan Meier .... visual artist
Kathleen Tobin .... visual artist
 
Camera and Electrical Department
Mia Barker .... assistant camera
Pierrot Colonna .... assistant camera
Jim Grce .... gaffer
Neil Holcomb .... gaffer
Scot Petitclerc .... assistant camera
Steve Robinson .... assistant camera
John M. Roche .... gaffer: New York
Robert Schierer .... gaffer
 
Editorial Department
Teddy Champion .... post-production coordinator
Michael LaHaie .... additional editor
Edith R. Newman .... assistant editor
Dino Sanacory Jr. .... on-line editor
Brian Sloan .... post-production assistant
Matthew Smith .... post-production assistant
 
Music Department
Jim Black .... music supervisor
 
Other crew
Parul Agrawal .... production assistant
Kate Coe .... archival researcher
Eugene Corey .... transcriber
John Kaylin .... dubbing producer
Susan Magee .... production assistant
Nina Tsai .... production assistant
 

Production CompaniesDistributors
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Additional Details

Runtime:
USA:119 min
Country:
Language:
Aspect Ratio:
1.78 : 1 more
Sound Mix:

Fun Stuff

Trivia:
Many of the subjects profiled in author Peter Biskind's book, including directors Steven Spielberg, George Lucas, Robert Altman, and 'William Friedkin', declined interviews for the documentary. more
Movie Connections:
References MASH (1970) more

FAQ

This FAQ is empty. Add the first question.
1 out of 1 people found the following review useful.
Effective look at the American New Wave, 4 May 2008
9/10
Author: Alex P (miskatonic86) from Baltimore, Maryland

Hollywood up until 1967 was filled with epics, musicals, and overall clean-cut movies. The the violent 60s came with Vietnam, the Civil Rights Movement, and the Sexual Movement. Then several pauper filmmakers, including the likes of Scorsese, Bogdanovich, Coppola, and even Spielberg decided to capture the zeitgeist with films that contain sex, drugs, violence, and rock n' roll and blew the lid off Hollywood.

It examines the downfall of Hollywood in the mid 1960s, when epic films such as CLEOPATRA flopped causing studios to go to near bankruptcy. Then when the late 1960s came and the world became more turbulent, young filmmakers, inspired by European New Wave films, made their own films their own way, sold them to struggling studios, and made a lot of money.

It begins with BONNIE & CLYDE and ends when the summer blockbuster took over. EASY RIDER, RAGING BULLS, based on the book by Peter Biskind, effectively shows the real Hollywood in the 1970s, when directors became auteur, forever changing Hollywood. Now that spirit is lost, but this documentary can bring back nostalgic memories.

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this or Decade Under the Influence? kathryn49
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