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Gerald Di Pego (written by)
24 September 2004 (USA) more
You'll Never Forget The Ones You Love more
Told that their children never existed, a man and woman soon discover that there's a much bigger enemy at work. full summary | full synopsis
6 nominations more
‘The Fourth Kind’ Abduction Featurette and Genre Picks
(From The Flickcast. 2 November 2009, 10:15 AM, PST)
Julianne Moore to be honored at 2009 Hollywood Film Festival
(From pretty-scary. 13 October 2009, 2:11 PM, PDT)
Finally, a thriller in 2004 that delivers more (421 total)
| Julianne Moore | ... | Telly Paretta | |
| Christopher Kovaleski | ... | Sam | |
| Matthew Pleszewicz | ... | Sam at 5 | |
| Anthony Edwards | ... | Jim Paretta | |
| Jessica Hecht | ... | Eliot | |
| Linus Roache | ... | A Friendly Man | |
| Gary Sinise | ... | Dr. Jack Munce | |
| Dominic West | ... | Ash Correll | |
| Katie Cooper | ... | Library Clerk | |
| Scott Nicholson | ... | Cop | |
| P.J. Morrison | ... | Cop | |
| Robert Wisdom | ... | Carl Dayton | |
| Tim Kang | ... | Agent Alec Wong | |
| Kathryn Faughnan | ... | Lauren Correll | |
| Alfre Woodard | ... | Det. Anne Pope | |
| Felix Solis | ... | Brasher | |
| Susan Misner | ... | Agent Lisa Franks | |
| Lee Tergesen | ... | Al Petalis | |
| Ken Abraham | ... | Gas Station Attendant | |
| J. Tucker Smith | ... | Sheriff Howell | |
| Ann Dowd | ... | Eileen the Accountant | |
| rest of cast listed alphabetically: | |||
| Zoë Raye | ... | Additional Voices (voice) (unconfirmed) | |
| Brielle Barbusca | ... | Child Walking with Mother (uncredited) | |
| Ismael Peter Casillas III | ... | Little boy in park (uncredited) | |
| Frank Stellato | ... | NSA Agent (uncredited) | |
Directed by | |||
| Joseph Ruben | |||
Writing credits(WGA) | ||
| Gerald Di Pego | (written by) | |
Produced by | |||
| Bruce Cohen | .... | producer | |
| Todd Garner | .... | executive producer | |
| Dan Jinks | .... | producer | |
| Steve Nicolaides | .... | executive producer | |
| Joe Roth | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Anastas N. Michos | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Margery Simkin | |||
Production Design by | |||
| Bill Groom | |||
Art Direction by | |||
| Paul D. Kelly | |||
Set Decoration by | |||
| Susan Bode | (as Susan Tyson) | ||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Carrie Angland | .... | makeup artist: Ms. Woodard | |
| Margot Boccia | .... | key makeup artist | |
| Nathan J. Busch II | .... | assistant hair stylist (as Nathan Busch) | |
| Joseph A. Campayno | .... | assistant makeup artist | |
| Alan D'Angerio | .... | hair stylist: Ms. Moore | |
| Elaine L. Offers | .... | makeup artist: Ms. Moore (as Elaine Offers) | |
| Jerry Popolis | .... | assistant hair stylist | |
| Lyndell Quiyou | .... | key hair stylist | |
| Benjamin Robin | .... | makeup artist: Mr. Sinise | |
Production Management | |||
| Joseph E. Iberti | .... | unit production manager | |
| Carey Len Smith | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Karen Kane | .... | second second assistant director (as Karen M. Kane) | |
| Takahide Kawakami | .... | second assistant director | |
| Terry Leonard | .... | second unit director (as Terry J. Leonard) | |
| Steve Nicolaides | .... | first assistant director: second unit | |
| Michael E. Steele | .... | first assistant director (as Michael Steele) | |
| Eric Yellin | .... | second assistant director: second unit | |
Art Department | |||
| Pamela Bertini | .... | art department assistant | |
| David Boyd | .... | scenic artist | |
| Steve Brennan | .... | props | |
| Lauren Buckley | .... | art department coordinator | |
| Richard Bryan Douglas | .... | shop foreman | |
| Gerard J. Furey | .... | set construction foreman | |
| Emily Gaunt | .... | camera scenic artist | |
| Brent Godek | .... | props | |
| David Gulick | .... | property master | |
| Leo Holder | .... | lead graphic artist | |
| Patrick Johnson | .... | construction grip | |
| Heather Danielle Kane | .... | assistant property master | |
| Derrick Kardos | .... | graphic designer: props | |
| Miguel López-Castillo | .... | set designer | |
| Paul Mica | .... | texture painter | |
| Amy Safhay | .... | key greensperson | |
| Raymond M. Samitz | .... | construction coordinator | |
| Karl Shefelman | .... | storyboard artist | |
| Dick Tice | .... | lead man | |
| Fante Zamora | .... | set dresser: additional photography Los Angeles | |
| Sarah Dennis | .... | assistant set decorator (uncredited) | |
| Daniel Geary | .... | carpenter (uncredited) | |
| Eugene Paul Lynch | .... | shop electric (uncredited) | |
| Rosalie Russino | .... | scenic artist (uncredited) | |
| Ginny Walsh | .... | greens foreman (uncredited) | |
Sound Department | |||
| Nancy Barker | .... | first assistant sound editor | |
| Michael Barosky | .... | sound mixer | |
| Eddie Bydalek | .... | sound recordist | |
| Vincent Cirilli | .... | ProTools engineer | |
| Valerie Davidson | .... | supervising foley editor | |
| Dane A. Davis | .... | sound designer | |
| Dane A. Davis | .... | supervising sound editor | |
| William R. Dean | .... | assistant sound designer (as Bill R. Dean) | |
| Julia Evershade | .... | supervising sound editor | |
| Arnold Finkelstein | .... | sound effects recordist | |
| Stephanie Flack | .... | supervising dialogue editor | |
| Eric Lindemann | .... | sound effects editor (as Eric Warren Lindemann) | |
| Craig Mann | .... | sound recordist | |
| Matthew McKenzie | .... | adr recordist | |
| Michael Minkler | .... | sound re-recording mixer | |
| Alyson Dee Moore | .... | foley artist | |
| Linda Murphy | .... | boom operator | |
| Myron Nettinga | .... | sound re-recording mixer | |
| John Roesch | .... | foley artist | |
| Nathan Whitehead | .... | assistant sound editor | |
| Gina Nuccio | .... | adr editor (uncredited) | |
Special Effects by | |||
| Kevin Gillen | .... | special effects | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Fred Kraemer | .... | special effects coordinator | |
| John Stifanich | .... | special effects coordinator (as John R. Stifanich) | |
Visual Effects by | |||
| Darryl Anka | .... | miniatures maker | |
| Chris Antonini | .... | visual effects production assistant | |
| Evan Appleby | .... | software engineer | |
| Scott Beverly | .... | mechanical effects supervisor: New Deal Studios | |
| Rob Blue | .... | digital artist: SPI | |
| Christian Boudman | .... | digital compositor | |
| Catherine Burns | .... | painter | |
| John Butiu | .... | senior modeler: SPI | |
| Danielle Conroy | .... | production infrastructure | |
| Spencer Cook | .... | previsualization artist | |
| Lisa Deaner | .... | digital effects artist | |
| Tony Diep | .... | digital artist | |
| David S. Dranitzke | .... | visual effects producer | |
| Kevin Field | .... | visual effects production coordinator | |
| Layne Friedman | .... | computer graphics supervisor: SPI | |
| Shannon Blake Gans | .... | visual effects executive producer: New Deal Studios Inc. | |
| Sergio Garcia Abad | .... | senior modeler: SPI | |
| Matthew Gratzner | .... | visual effects supervisor: New Deal Studios, Inc. | |
| David 'Rudy' Grossman | .... | creature supervisor: The Orphanage | |
| Steven Hansen | .... | matchmove artist: SPI | |
| Max Harris | .... | digital compositor: SPI | |
| Matthew Hendershot | .... | CG supervisor: The Orphanage (as Matt Hendershot) | |
| Leigh-Alexandra Jacob | .... | lead painter: New Deal Studios | |
| Yun Geuk Kang | .... | senior modeler | |
| Taryn P. Kelly | .... | model/minature production coordinator: New Deal Studios | |
| Yoon Bae Kim | .... | model maker | |
| Paul McGhee | .... | digital color timer | |
| Jessica Noll | .... | senior production services technician | |
| Robert Davis Oh | .... | film recording technician | |
| Ken Ralston | .... | visual effects consultant | |
| Jonathan Rothbart | .... | visual effects supervisor: The Orphanage | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage | |
| David Sanger | .... | producer: New Deal Studios | |
| Scott Schneider | .... | model designer | |
| Kevin Andrew Smith | .... | senior technical director | |
| Jordan Soles | .... | senior production services technician | |
| Robert Stromberg | .... | matte artist | |
| David Taritero | .... | visual effects producer | |
| Alex Tysowsky | .... | animator | |
| Dana Vanhove | .... | digital production management | |
| Carey Villegas | .... | visual effects supervisor | |
| Barry Weiss | .... | senior staff: SPI | |
| Guy Wiedmann | .... | visual effects editor | |
| Lauralee Wiseman | .... | lead production services technician: SPI | |
| Kathleen Woolery | .... | digital color timing coordinator | |
| Mary Beth Worzella | .... | visual effects producer | |
| Mitch Zeitlin | .... | video editorial coordinator: SPI | |
| Enrico Altmann | .... | model maker (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Luke O'Byrne | .... | visual effects executive producer: The Orphanage (uncredited) | |
| Donny Rausch | .... | digital compositor: SPI (uncredited) | |
| Rick Shick | .... | digital artist (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunts | |
| Bill Anagnos | .... | stunts | |
| Paul Bucossi | .... | stunts | |
| Chris Cenatiempo | .... | stunts | |
| John Cenatiempo | .... | stunts | |
| Al Cerullo | .... | stunts | |
| Victor Chan | .... | stunts | |
| John Copeman | .... | stunts | |
| Andrew Dupin | .... | stunts | |
| Peter Epstein | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Frank Ferrara Jr. | .... | stunts | |
| Ralph Ferrara | .... | stunts | |
| Andy Gill | .... | stunts | |
| Tony Guida | .... | stunts | |
| Cinda-Lin James | .... | stunts (as Cinda James) | |
| Terry Leonard | .... | stunt coordinator (as Terry J. Leonard) | |
| Gino Lucci | .... | stunts | |
| Tina Mckissick | .... | stunts | |
| Angela Meryl | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Jodi Michelle Pynn | .... | stunts | |
| Pat Romano | .... | stunts | |
| David Shumbris | .... | stunts | |
| Doug Snively | .... | stunts (as Douglas Snively) | |
| Aaron Walters | .... | stunts | |
| Kym Washington | .... | stunt double | |
| Kym Washington | .... | stunts | |
| Chuck Zito | .... | stunts | |
| Blaise Corrigan | .... | stunts (uncredited) | |
| Jeffrey Lee Gibson | .... | stunts (uncredited) | |
Animation Department | |||
| Kevin Freeman | .... | animator | |
Casting Department | |||
| Susan Paley Abramson | .... | casting assistant | |
| Karen E. Etcoff | .... | extras casting | |
Costume and Wardrobe Department | |||
| Natalie Arango | .... | wardrobe assistant | |
| Susan Bakula | .... | costume shop supervisor | |
| Joanna Brett | .... | assistant costume designer | |
| Leah Deveau | .... | costume production assistant | |
| Marta Font | .... | set costumer | |
| Barbara Hause | .... | wardrobe supervisor | |
| John Kouromihelakis | .... | wardrobe assistant | |
| Debbie Lucas | .... | seamstress | |
| Sukari McGill | .... | set costumer | |
| Susan J. Wright | .... | costumer: Julianne Moore | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Steve Calalang | .... | dailies colorist | |
| James Cohen | .... | assistant film editor | |
| Michael Eaves | .... | digital color timer | |
| David L. Feinberg | .... | editorial assistant | |
| Nathan R. Fitzgerald | .... | digital intermediate editor | |
| Toby Francis-Bruce | .... | assistant editor | |
| Jennifer Mangan | .... | first assistant editor (as Jennifer Spenelli) | |
| Chris Regan | .... | color timer | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Jim Henrikson | .... | supervising music editor | |
| James Horner | .... | orchestrator | |
| Randy Kerber | .... | orchestrator | |
| Joe E. Rand | .... | music editor | |
| Justin Reeve | .... | music coordinator | |
| Simon Rhodes | .... | music scoring mixer | |
| Lee Scott | .... | music editor: temp | |
| Sylvia Wells | .... | music scoring supervisor | |
| John Finklea | .... | music editor: temp music (uncredited) | |
Transportation Department | |||
| Bobby Marsh | .... | driver | |
Stranger (Philippines: English title) (review title)
more
Rated PG-13 for intense thematic material, some violence and brief language.
91 min | USA:94 min (extended version)
1.85 : 1 more
DTS | Dolby Digital | SDDS
Canada:PG (Ontario) | Iceland:12 | USA:PG-13 (certificate #38908) | Malaysia:U | Germany:12 | South Korea:15 | Argentina:13 | Australia:M | Brazil:12 | Chile:TE | Czech Republic:12 | Finland:K-15 | Ireland:12 | Netherlands:16 | Norway:15 | Peru:PT | Philippines:PG-13 | Portugal:M/12 | Singapore:PG | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Switzerland:16 (canton of Zurich) | UK:12A
Brooklyn Heights, Brooklyn, New York City, New York, USA more
After Julianne Moore runs through a grocery store and an alley, she stops in front of white graffiti on a wall. It's the logo of Revolution Studios, which produced the movie. more
Continuity: When Ash and Telly enter the Long Island house it is daylight, but as they go through the house it is night (Ash is in the dining room with a lantern and there is complete blackness in the windows). more
[first lines]
Dr. Jack Munce:
How much time did you spend at the dresser compared to last week?
Telly Paretta:
Less.
Dr. Jack Munce:
How much less?
Telly Paretta:
I don't know exactly.
Dr. Jack Munce:
You wanna make a guess, roughly, for the week?
Telly Paretta:
Oh, not even an hour a day.
more
Featured in Remembering 'The Forgotten' (2005) (V) more
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| News articles | IMDb Horror section | IMDb USA section |
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Now THIS is what I want from a thriller. I had high hopes for this movie, and for the most part it delivers. The story grabs you from the start, and what I like is that nothing is revealed too soon. The movie pulls you along and keeps things nice and subtle until BAM it hits you with an uppercut. The pace smooths out and then WHAM, a right hook to the jaw. Pretty much the same method my mom used to employ to keep me on my toes.
The big mystery surrounds Telly's son. She clearly remembers him, and she has a difficult time dealing with his apparent death. About a year ago, he boarded a plane that was bound for camp, but the plane was never heard from again. Soon, all evidence of her son's existence begins to disappear. His image has vanished from a picture, photo albums are now empty, and a home video shows nothing but static.
Is somebody trying to mess with Telly's memory? Is her husband (Edwards) in on it? What is her shrink's involvement? Is she crazy, or is it everybody else around her who's lost it? Has Anthony Edwards started to regret leaving ER yet? Or am I confusing him with Julianna Margulies?
When Telly meets up with Ash Correll (West), she realizes that he's forgotten about his daughter, who was also on the plane with her son. It's at this point she's convinced that she isn't crazy, so she seeks to find out exactly what is going on. I love how the characters don't know who they can trust, and neither does the audience. Even characters who are attempting to help must be looked at with suspicion. You are to question everybody at all times!
The acting is very solid. You won't find my name in any Julianne Moore fan clubs (although I was once a member of the Bon Jovi Secret Society), but I have to admit she does a very good job here. And I'd never seen Dominic West before (because I typically avoid snoozers such as Mona Lisa Smile like Richard Simmons avoids women), but I thought he was great. Both characters react in situations exactly like you want them to. They're two distraught parents trying to find out what happened to their children, and they're willing to do what it takes. I don't want to spoil anything, so I'll leave it at that.
I definitely recommend you see this at the theater because there are two jump scenes that quite simply have to be seen on the big screen and heard with the best sound system possible. I'm talking two of the better jump scenes I've seen in a while. Stephanie doesn't jump much (even at times when I'm hoppin' like a giddy school girl), but she was even jolted out of her seat. Well, she didn't literally go flying out of her seat like a circus freak, but you know what I mean. One of the scenes caused her to jump and clench my arm. Poor thing hurt her hand on my bicep though.
Comparisons to The X-Files and The Twilight Zone are accurate, but don't listen to the movie snobs claiming it feels like a "mediocre" episode of one of the two. Keep in mind, this isn't the kind of thriller that will have you trying to figure out the plot for days afterward. It's not gonna make you think like Memento, and it's not gonna shock you or disturb you like The Butterfly Effect. It's simply gonna keep you guessing and entertained.
THE GIST
The Forgotten is a solid thriller that delivers a good mystery and some of the best jump scenes I've seen in a while. If you wanna cause yourself heartache and nitpick over some minor plot holes, then go ahead and be a little curmudgeon. But what's the point? Allow yourself to be entertained for an hour and a half. It won't hurt. This is a very good date movie, but guys, do a few reps beforehand because your gal might be grabbing your arm quite a bit, and it's best if that's not an embarrassing situation for you.