| Photos (see all 23 | slideshow) |
| Valeria Bruni Tedeschi | ... | Marion (as Valeria Bruni-Tedeschi) | |
| Stéphane Freiss | ... | Gilles | |
| Françoise Fabian | ... | Monique | |
| Michael Lonsdale | ... | Bernard | |
| Géraldine Pailhas | ... | Valérie | |
| Antoine Chappey | ... | Christophe | |
| Marc Ruchmann | ... | Mathieu | |
| Jason Tavassoli | ... | American Man | |
| Jean-Pol Brissart | ... | Judge | |
| Eliane Kherris | ... | L'avocate | |
| Yannis Belkacem | ... | Nicolas | |
| Sylvie Debrun | ... | L'échographiste | |
| Jean Neisser | ... | Le Maire | |
| Ninon Brétécher | ... | Sophie | |
| Marie-Madeleine Fouquet | ... | La mère de Gilles | |
| Pierre Chollet | ... | Le père de Gilles | |
| Carlo-Antonio Angloni | ... | Le réceptionniste | |
| Domenico Sannino | ... | L'animateur italien | |
| Andrea Cesolari | ... | Le G.O. |
Directed by | |||
| François Ozon | |||
Writing credits | ||
| François Ozon | (scenario) | |
| Emmanuèle Bernheim | (scenario collaborator) | |
Produced by | |||
| Olivier Delbosc | .... | producer | |
| Philippe Dugay | .... | executive producer: Italy | |
| Marc Missonnier | .... | producer | |
Original Music by | |||
| Philippe Rombi | |||
Cinematography by | |||
| Yorick Le Saux | |||
Film Editing by | |||
| Monica Coleman | |||
Casting by | |||
| Antoinette Boulat | |||
Production Design by | |||
| Katia Wyszkop | |||
Set Decoration by | |||
| Sophie Martel | |||
Costume Design by | |||
| Pascaline Chavanne | |||
Makeup Department | |||
| Franck-Pascal Alquinet | .... | key hair stylist | |
| Jérôme Balp | .... | additional hair stylist | |
| Michèle Carmitrand | .... | additional makeup artist (as Michèle Carmintrand) | |
| Isis Fouquet-Abrial | .... | makeup trainee | |
| Patrick Girault | .... | key hair stylist | |
| Lydia Molyn | .... | trainee hair stylist | |
| Gill Robillard | .... | key makeup artist | |
Production Management | |||
| Stefania Antonini | .... | location unit manager | |
| Francesco Belfiore | .... | production manager: Italy | |
| Cyrille Bragnier | .... | unit manager | |
| Florent Cocátre | .... | unit manager | |
| Johanna Colboc | .... | assistant unit manager | |
| Sébastien Didelot | .... | assistant unit manager | |
| Delphine Duverger | .... | assistant unit manager | |
| Federico Floris | .... | unit production manager | |
| Benjamin Hess | .... | unit manager | |
| Julie Léger | .... | post-production manager | |
| Claire Le Saint | .... | assistant unit manager | |
| Marie-Jeanne Pascal | .... | production manager | |
| Charlotte Puiroux | .... | assistant unit manager | |
| Pascal Roussel | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Michaela Stella Bagnoli | .... | trainee assistant director | |
| Hubert Barbin | .... | first assistant director | |
| Cyril Duval | .... | assistant director | |
| Maia Etcheverry | .... | second assistant director | |
| Guillaume Huin | .... | trainee assistant director | |
| Chrystelle Robin | .... | second assistant director | |
Art Department | |||
| Raphael Martin Barroso | .... | carpenter | |
| Paul Bellau | .... | carpenter | |
| Daniele Bignami | .... | property master: Italy | |
| Jeremy Chapelet | .... | carpenter (as Jérémie Chapelet) | |
| Yves Chaudesaigues | .... | carpenter | |
| Jerome Fortier | .... | construction manager (as Jérôme Fortier) | |
| Tristan Girault | .... | property master | |
| Alexandra Lassen | .... | assistant art director | |
| Bruno Lefebvre | .... | key carpenter (as Bruno Lefevre) | |
| Loïc Le Moigne | .... | painter | |
| Franck Miniconi | .... | key painter | |
| Corinne Pouchoulin | .... | painter | |
| Marie Rossignol | .... | key painter | |
| Pierre-André Roussotte | .... | painter | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Yannick Boulot | .... | sound recordist | |
| Nicolas Bourgeois | .... | sound mixer | |
| Samuel Dequidt | .... | assistant sound editor | |
| Jean-Pierre Duret | .... | sound | |
| Julien Gigliotti | .... | assistant sound | |
| Benoît Hillebrant | .... | sound editor | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Vincent Laurence | .... | sound recordist | |
| Jean-Louis Lebras | .... | boom operator (as Jean-Louis Le Bras) | |
| Hacia Mendia | .... | assistant foley artist | |
| Yves-Marie Omnes | .... | boom operator | |
| Francis Perrard | .... | stereo sound consultant: Dolby (as Francis Perréard) | |
| Stéphane Reichart | .... | sound engineer | |
| Hervé Roux | .... | stereo sound consultant: DTS | |
| Brigitte Taillandier | .... | sound | |
| Florian Thiebaux | .... | sound mixer | |
| Vinca Vermesse | .... | boom operator | |
| Pascal Vonhatten | .... | foley recordist | |
Special Effects by | |||
| Max Garnier | .... | special effects | |
| Sara Helminger | .... | special effects | |
Visual Effects by | |||
| Thierry Delobel | .... | digital artist | |
| Daniel Trujillo | .... | digital effects artist | |
Camera and Electrical Department | |||
| Olivier Bouyssou | .... | additional grip | |
| Cédric Bureau | .... | additional grip | |
| Henri Deneubourg | .... | trainee electrician | |
| Patrick de Ranter | .... | Steadicam operator | |
| Johan Le Ruz | .... | electrician | |
| Stella Libert | .... | camera trainee | |
| Alexandre Louis | .... | additional electrician | |
| Stephen Mack | .... | second assistant camera | |
| Laurent Malek | .... | electrician | |
| Tom Mitaux | .... | electrician | |
| Jean-Claude Moireau | .... | still photographer | |
| Luis Peralta | .... | electrician | |
| Ivo Perondi | .... | electrician: Italy | |
| Mathias Raaflaub | .... | electrician | |
| Xavier Renaudot | .... | gaffer | |
| Carlos Ribeiro | .... | grip | |
| Benoît Rizzoti | .... | first assistant camera (as Benoît Rizzotti) | |
| Olivia Roudon | .... | camera trainee | |
| Hervé Rousset | .... | key grip | |
| Michel Sabourdy | .... | gaffer | |
| Christophe Sournac | .... | electrician | |
Casting Department | |||
| Audrey Gatimel | .... | extras casting | |
Costume and Wardrobe Department | |||
| Agnès Giudicelli | .... | additional costumer | |
| Chloé Lesueur | .... | costumer | |
| Louise Rapp | .... | costumer | |
| Marina Tilocca | .... | costumer: Italy | |
Editorial Department | |||
| Frédéric Barbe | .... | assistant editor | |
| Marine Benveniste | .... | assistant editor | |
| Richard Deusy | .... | digital color timer | |
| Christian Dutac | .... | color timer | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Philippe Rombi | .... | orchestrator | |
Other crew | |||
| Tony Arnoux | .... | press attache | |
| Stephane Beissy | .... | production administrator | |
| Thierry Chapat | .... | production administrator | |
| Sébastien Charles | .... | choreographer | |
| Johanna Colboc | .... | production assistant | |
| Jean-René Coulon | .... | location manager | |
| Lara dall'Antonia | .... | production coordinator: Italy | |
| Sandra Eckert | .... | production assistant | |
| Agnès Feuvre | .... | script supervisor | |
| Agathe Grau | .... | script supervisor | |
| Raphaëlle Isnard | .... | production secretary | |
| Virginie Lempereur | .... | production assistant | |
| Kamel Lyoubi | .... | groupman | |
| Aurelio Marino | .... | accountant | |
| Fanny Moriat | .... | production assistant | |
| André-Paul Ricci | .... | press attache | |
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| Two for the Road | Capriccio | Gegen die Wand | Frida | Les invasions barbares |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
5x2 comes as a slight let-down following director Francois Ozon's recent critical and commercial success with Swimming Pool.Ozon's decision to structure the film in an anti-linear fashion is nothing original and he himself admits he was influenced by Jane Campion's little-known TV film Two Friends (1985) which used the same structure. Ozon chooses 5 crucial scenes from the life of Marion and Gilles, a middle-class couple with a son, Nicholas, whose married life quickly disintegrates into divorce. Ozon begins with the austere divorce, finishing with the moment this would-be-couple met.
The reverse structure allows the viewer to consider what went wrong and decipher why the marriage ended so bitterly. It is fairly obvious the reasons why they divorced, but Ozon and his frequent collaborator, Emmanuelle Bernhein, are as interested in the psychological worlds of these two people as their mundane reality.
The film works for the most part, but some scenes are unbelievable: Gilles's boastful confession at the party with his brother; the scene in the woods with Marion and an American tourist. These scenes undermine the subtle nature Ozon employs elsewhere. He explains too much, which isn't his style. A better edit would have made this an even better film.
As for the music, the corny 1960's Italian love songs used to close each segment are plain awful. The triviality of the songs might offer an ironic counterbalance to what is happening on screen, but the effect is of a sneering, sardonic detachment on behalf of the director. It's as if Ozon wants to dismiss every aspect of romantic culture as a fallacy.The best musical segment is at the end where Ozon's longtime composer Philippe Rombi returns some panache to the film's audio sensibilities. Special mention should go to Paolo Conte's haunting Sparring Partner which is used in the dinner scene and in the final credits.
The acting is excellent,and the closing frame is a masterstroke.But it doesn't merit that many repeat viewings as his earlier Swimming Pool did.