| Photos (see all 7 | slideshow) | Videos |
| Lior Ashkenazi | ... | Eyal | |
| Knut Berger | ... | Axel Himmelman | |
| Caroline Peters | ... | Pia Himmelman | |
| Gideon Shemer | ... | Menachem | |
| Carola Regnier | ... | Axel's Mother | |
| Hanns Zischler | ... | Axel's Father | |
| Ernest Lenart | ... | Alfred Himmelman | |
| Eyal Rozales | ... | Jello | |
| Yousef 'Joe' Sweid | ... | Rafik | |
| Imad Jabarin | ... | Rafik's uncle | |
| Sivan Sasson | ... | Weapons Instructor | |
| Natali Shilman | ... | Iris (as Nataly Szylman) | |
| Hugo Yarden | ... | Kibbuz Director | |
| Joshua Simon | ... | Kibbuz Singer | |
| Tom Rahav | ... | Kibbuz Singer | |
| Imke Barnstedt | ... | Helga | |
| Yuval Semo | ... | Guy with a Cell Phone | |
| Adi Eisenman | ... | Mossad Agent | |
| Mahir Tuocu | ... | Abu Ibraim | |
| Nesrin Cevadzade | ... | Abu Ibraim's Wife | |
| Ahmed Saydam | ... | Ibraim | |
| Shay Rokach | ... | Tel Aviv Bartender | |
| Sascha Remkuf | ... | Berlin Bartender | |
| Hubertus Regout | ... | Drag Queen #1 | |
| Biggy van Blond | ... | Drag Queen #2 (as Biggi van Blond) | |
| Paisley Dalton | ... | Drag Queen #3 | |
| Itimar Ziv | ... | Eyal and Pia's Baby |
Directed by | |||
| Eytan Fox | |||
Writing credits(in alphabetical order) | ||
| Knut Berger | collaboration (uncredited) | |
| Caroline Peters | collaboration (uncredited) | |
| Andreas Struck | collaboration: uncredited | |
| Gal Uchovsky | writer | |
Produced by | |||
| Leon Edery | .... | executive producer | |
| Moshe Edery | .... | executive producer | |
| Amir Feingold | .... | line producer: Israel | |
| Sigi Fischer | .... | line producer: Germany | |
| Eytan Fox | .... | executive producer | |
| Amir Harel | .... | producer | |
| Tatjana Jakovleski | .... | associate producer: Germany | |
| Micki Rabinovich | .... | executive producer (as Micky Rabinovitz) | |
| Gal Uchovsky | .... | producer | |
| Dudi Zilber | .... | executive producer (as David Silber) | |
Original Music by | |||
| Ivri Lider | |||
Cinematography by | |||
| Tobias Hochstein | (director of photography) | ||
Film Editing by | |||
| Yosef Grunfeld | |||
Casting by | |||
| Yael Aviv | |||
| Chun Mei Tan | |||
Art Direction by | |||
| Avi Fahima | |||
| Christoph Merg | |||
Costume Design by | |||
| Rona Doron | |||
| Peter Pohl | |||
Makeup Department | |||
| Galia Azulai | .... | makeup department head: Israel (as Galia Azoulay) | |
| Neomi Eyni | .... | hair stylist: Israel | |
| Pamela Grujic | .... | hair stylist: Germany | |
| Pamela Grujic | .... | makeup artist: Germany | |
| Shani Hirsch | .... | makeup artist: additional photography, Israel | |
| Limor Markazi | .... | makeup artist: Israel | |
| Pascale Sophia Profe-Bracht | .... | makeup assistant: Germany (as Pascale Sophia Bofe-Bracht) | |
| Sonia Salazar-Zivoder | .... | makeup assistant: Germany | |
| Byrgen Yildirim | .... | makeup artist: Turkey | |
Production Management | |||
| Sharona Berger | .... | post-production supervisor | |
| Tatjana Jakovleski | .... | production manager: Germany | |
| Huseyin Karabey | .... | production manager: Turkey (as Hüseyin Karabey) | |
| Hanan 'Dino' Yunger | .... | production manager: Israel | |
Second Unit Director or Assistant Director | |||
| Sven Fehrensen | .... | second assistant director: Germany | |
| Lee-At Heller | .... | second assistant director: Israel | |
| Tamar Ichilov | .... | first assistant director: Israel | |
| Michael G. Johnson | .... | first assistant director: Germany (as Michael Johnson) | |
| Irit Kosover | .... | additional assistant director: Israel | |
Art Department | |||
| Yaron Aglof | .... | art assistant: Israel | |
| Daniele Drobny | .... | set dresser: Germany (as Daniel Drobny) | |
| Pini Ezra | .... | painter: Israel | |
| Lahav Halevi | .... | graphic designer: Big Eyes Design | |
| Oren Khalifa | .... | props: Israel (as Oren Kalifa) | |
| Claudia Kiefer | .... | stand-by props: Germany | |
| Thomas Krause | .... | set dresser: Germany | |
| Eliezer Marko | .... | art assistant: Israel | |
| Dafi Neuman | .... | set decorator: Israel (as Dafna Noyman-Sargoty) | |
| Dafi Neuman | .... | set dresser: additional photography, Israel (as Dafi Noiyman-Sorgati) | |
| Sven Posniak | .... | set dresser: Germany | |
| Itay Shitnit | .... | art assistant: Israel | |
Sound Department | |||
| Fesyh Alpagu | .... | sound mixer: Turkey | |
| Stefan Becker | .... | sound studio manager: ElektroFilm, Berlin | |
| Israel David | .... | sound re-recording mixer | |
| Rotem Dror | .... | assistant sound editor | |
| Martin Ehlers-Falkenberg | .... | boom operator: Germany (as Martin Ehlers) | |
| Itai Elohev | .... | sound mixer: Israel (as Itay Elohav) | |
| Ilana Grushka | .... | dialogue editor (as Elana Grushka) | |
| Ronen Nagel | .... | chief sound editor | |
| Andreas Nysietka | .... | sound mixer: Germany (as Andreas Muecke-Niesytka) | |
| Moshe Oshry | .... | assistant sound editor | |
| Alon Shapira | .... | boom operator: Israel | |
| Marcus Sujata | .... | sound recording engineer: ElectroFilm, Berlin | |
| Gil Toren | .... | dubbing mixer | |
| Gil Toren | .... | sound designer | |
| Nick Watson | .... | sound consultant: Dolby | |
| Amos Zipori | .... | sound mixer: additional photography, Israel | |
| Lee Zohar | .... | sound technician | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital compositor: optical titles | |
| Thomas Faber | .... | digital compositor: optical titles | |
Stunts | |||
| Mattias Bark | .... | stunt performer: Germany (as Matthias Bark) | |
| Sascha Girndt | .... | stunt performer: Germany | |
| Tomas Jester | .... | stunt performer: Germany (as Tom Jester) | |
| Moritz Prochnow | .... | stunt performer: Germany | |
| Steve Thiede | .... | stunt performer: Germany | |
| Rainer Werner | .... | stunt coordinator: Germany | |
Costume and Wardrobe Department | |||
| Jule Brauer | .... | wardrobe assistant: Germany | |
| Hadas Cnaani | .... | wardrobe supervisor: Israel | |
| Oren Dar | .... | additional costume designer: Israel | |
| Saskia Gierke | .... | wardrobe assistant: Germany | |
Editorial Department | |||
| Yael Biron | .... | post-production assistant | |
| Manuela Buhtz | .... | negative cutter | |
| Naomi El'ani | .... | digitizer (as Naomi Elani) | |
| Yaniv Raiz | .... | assistant editor: Israel | |
| Gabi Shihor | .... | digitizer | |
| Sentje Sperling | .... | color grader | |
| Heike Thörner | .... | negative cutter (as Heike Thoerner) | |
| Katja Zaworski | .... | negative cutter | |
Music Department | |||
| Galina Glushkin | .... | concert master | |
| Udi Harpaz | .... | conductor | |
| Udi Harpaz | .... | orchestrator | |
| Yoav Shdema | .... | score recording engineer | |
| The Tel Aviv String Orchestra | .... | musician: orchestra | |
Transportation Department | |||
| Ilan Appel | .... | driver: Israel (as Ilan Apel) | |
| Ömer Mümyn Bak | .... | driver: Turkey | |
| Itzik Ben-Aroya | .... | tow company: Israel (as Itzik Ben Aroya) | |
| Aly Demyr | .... | driver: Turkey | |
| Claudia Drenda | .... | driver: Germany | |
| Moishe Gissis | .... | driver: Israel (as Moshe Gissis) | |
| Ýsmayl Karabey | .... | driver: Turkey | |
| Dudi Kaufman | .... | driver: camera car, Israel | |
| Eyal Koren | .... | driver: additional photography, Israel | |
| Guy Ne'eman | .... | tow company: Israel | |
| Arndt Stepper | .... | driver: props, Germany | |
| Eyal Zabari | .... | driver: Israel | |
Thanks | |||
| Sarah Kaminker | .... | in memory of | |
| Ohad Knoller | .... | thanks | |
| Wieland Speck | .... | thanks | |
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Conflict is the theme of this movie: the Israeli-Palestinian conflict, the acceptance of gay men by heterosexual men and young Germans with their country's history. The storyline, set in modern-day Turkey, Israel and Germany, is intriguing though I found the final scene unnecessary until the producer explained that it was added to give Israeli audiences a sense of hope for the future.
The representation of German culture was quite accurate: young Germans cannot identify with their grandparents' experiences during the second world war.
What started out as a very promising film became a bit too stereotyped in the end: while there has be a rise in neo-Naziism in Germany, attacks in the subway are rare (especially in cosmopolitan cities like Berlin); having a German grandfather who lived in exile in Argentina is also fairly atypical - more realistic would have been a grandfather who could not understand/identify with the youth or who completely agreed with the youth and struggled with his own past.
The use of language throughout the film is very realistic and the English text is direct and simplistic. The characters can be forgiven for their language abilities since English is their second language. However, the simplicity and moralistic tone are a bit patronizing for an English-speaking audience.
Walk on Water is an entertaining movie that will encourage you to consider conflicts from a variety of viewpoints.