| Photos (see all 50 | slideshow) | Videos (see all 4 NEW) |
| Geoffrey Rush | ... | Peter Sellers | |
| Charlize Theron | ... | Britt Ekland | |
| Emily Watson | ... | Anne Sellers | |
| John Lithgow | ... | Blake Edwards | |
| Miriam Margolyes | ... | Peg Sellers | |
| Peter Vaughan | ... | Bill Sellers | |
| Sonia Aquino | ... | Sophia Loren | |
| Stanley Tucci | ... | Stanley Kubrick | |
| Stephen Fry | ... | Maurice Woodruff | |
| Henry Goodman | ... | Dennis Selinger | |
| Alison Steadman | ... | Casting Agent | |
| Peter Gevisser | ... | Ted Levy | |
| David Robb | ... | Dr. Lyle Wexler | |
| Edward Tudor-Pole | ... | Spike Milligan (as Edward Tudor Pole) | |
| Steve Pemberton | ... | Harry Secombe | |
| Nigel Havers | ... | David Niven | |
| Mackenzie Crook | ... | Car Salesman | |
| George Cicco | ... | Michael Sellers, 3 Yrs. | |
| James Bentley | ... | Michael Sellers, 7-10 Yrs. | |
| Eliza Darby | ... | Sarah Sellers | |
| Lance Ellington | ... | Singer / Ray Ellington | |
| Lucy Punch | ... | Lead Stewardess | |
| Heidi Klum | ... | Ursula Andress | |
| Nick Maloney | ... | Interviewer - Switzerland | |
| Jane Milligan | ... | Reporter - Pink Panther Premiere | |
| Joseph Long | ... | Carlo Ponti | |
| Bob Sherman | ... | Movie Executive | |
| Sam Dastor | ... | Hal Ashby | |
| Mona Hammond | ... | Louise the Maid | |
| Alan Williams | ... | 'Casino Royale' Director | |
| Grant Russell | ... | Plastic Surgeon | |
| Julian Littman | ... | Businessman on Plane | |
| Tope Oluwole | ... | Beautiful Black Woman | |
| Kate Burrell | ... | Sophia's stand-in | |
| Rosie Fellner | ... | Emma - Selinger's secretary | |
| In-Sook Chappell | ... | So Mi - Girl at Screening | |
| Tom Wu | ... | Burt Kwouk / Cato | |
| Kenneth Hadley | ... | Limo Driver | |
| Robert Wilfort | ... | Motorcycle Delivery Man | |
| Ty Glaser | ... | 'Millionairess' Girl with Phone | |
| Molly Hallam | ... | Hilary - 'Strangelove' Assistant | |
| Richard Ayoade | ... | Photographer at Wedding | |
| Simon Markey | ... | Reporter - Sophia Loren Arrives | |
| Bruce Mackinnon | ... | Reporter #1 - Britt at Hospital | |
| Josh Cole | ... | Reporter #2 - Britt at Hospital | |
| Richard Syms | ... | Newscaster #1 | |
| Osmund Bullock | ... | Newscaster #2 | |
| Markus Napier | ... | Maitre D' - Switzerland | |
| Kennie Andrews | ... | Maintenance Man | |
| Vera Zaal | ... | Car Showroom 60's Sci-Fi Girl | |
| Tiara Tian | ... | Car Showroom Asian Beauty | |
| Charlotte Connoley | ... | Car Showroom Blonde Bombshell | |
| Stephanie Jacob | ... | Nurse with Wheelchair | |
| Gerrard McArthur | ... | Wayne - Studio Engineer | |
| rest of cast listed alphabetically: | |||
| Ray Donn | ... | Studio Cameraman (uncredited) | |
| Andrew Houghton | ... | Pink Panther 1st Assistant Director (uncredited) | |
| Polly Kemp | ... | Doctor (uncredited) | |
| John Perkins | ... | Hospital Porter (uncredited) | |
| Mike Savva | ... | Italian Film Crewmember (uncredited) | |
| Chuen Tsou | ... | Oddjob Chauffeur (uncredited) | |
Directed by | |||
| Stephen Hopkins | |||
Writing credits(WGA) | ||
| Roger Lewis | (book) | |
| Christopher Markus | (teleplay) & | |
| Stephen McFeely | (teleplay) | |
Produced by | |||
| Ben Baker | .... | on-line video producer | |
| Simon Bosanquet | .... | producer | |
| Freddy De Mann | .... | executive producer | |
| Pilar DeMann | .... | associate producer | |
| Juanita F. Diana | .... | associate producer (as Juanita Diana Feeney) | |
| George Faber | .... | executive producer | |
| David Z. Obadiah | .... | producer: title sequence | |
| Charles Pattinson | .... | executive producer | |
| David M. Thompson | .... | executive producer | |
Original Music by | |||
| Richard Hartley | |||
Cinematography by | |||
| Peter Levy | |||
Film Editing by | |||
| John Smith | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Norman Garwood | |||
Art Direction by | |||
| Chris Lowe | (supervising art director) | ||
| John Ralph | |||
| Lucy Richardson | |||
Set Decoration by | |||
| Maggie Gray | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Enzo Angileri | .... | hair stylist: Ms. Theron | |
| Greg Cannom | .... | special makeup effects artist | |
| Ashley Johnson | .... | hair stylist | |
| Ashley Johnson | .... | makeup artist | |
| Davy Jones | .... | prosthetic makeup artist | |
| John Kim | .... | makeup effects technician | |
| Mary Kim | .... | makeup effects production supervisor: Captive Audience Productions Inc. | |
| Ameneh Mahloudji | .... | makeup artist | |
| Veronica McAleer | .... | chief hair designer (as Veronica Brebner) | |
| Veronica McAleer | .... | chief makeup designer (as Veronica Brebner) | |
| Mark Nieman | .... | silicone prosthetic department supervisor: Captive Audience Productions | |
| Tapio Salmi | .... | hair stylist | |
| Tapio Salmi | .... | makeup artist | |
| Rupert Simon | .... | additional hair stylist | |
| Rupert Simon | .... | additional makeup artist | |
| Barbara Taylor | .... | crowd hair | |
| Keith VanderLaan | .... | makeup effects creator: Captive Audience Productions | |
| Wesley Wofford | .... | special makeup effects artist | |
| Elizabeth Yianni-Georgiou | .... | make-up and hair (uncredited) | |
Production Management | |||
| Michael Harm | .... | unit manager | |
| Joseph Jayawardena | .... | unit manager | |
| Rachel Neale | .... | unit production manager | |
| Keri Putnam | .... | executive in charge of production | |
| Greg Spence | .... | post-production supervisor | |
| Janet Fries Eckholm | .... | additional post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Mike Brewster | .... | second unit director | |
| Rob Burgess | .... | third assistant director: crowd | |
| Ben Lanning | .... | third assistant director | |
| Cliff Lanning | .... | first assistant director | |
| Gary Powell | .... | second unit director | |
| Matthew Sharp | .... | second assistant director | |
| Nick Simmonds | .... | additional third assistant crowd director | |
| Kevin Westley | .... | first assistant director: second unit | |
Art Department | |||
| David Balfour | .... | property master | |
| John Bohan | .... | construction manager | |
| Graham Caulfield | .... | drapesmaster | |
| Dean Clegg | .... | stand-by art director | |
| Stephen Daly | .... | storyboard artist | |
| Robert J. Dugdale | .... | scenic artist | |
| Robert Hill | .... | chargehand stand-by | |
| Paul Kirby | .... | draughtsman | |
| Cathal MacIlwaine | .... | stand-by carpenter | |
| Thomas Martin | .... | assistant construction manager | |
| Nina Ross | .... | graphics | |
| Kate Venner | .... | prop buyer/assistant decorator | |
| Clive Ward | .... | head scenic painter | |
| John Wells | .... | assistant propmaster | |
| Jack Garwood | .... | stand-by props (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Jack Firman | .... | special effects technician: Captive Audience Productions | |
| Jonathan Edward Graham | .... | digital animation | |
| Mark Haddenham | .... | special effects senior technician | |
| David Johns | .... | snow effects technician | |
| Kristen Lobstein | .... | special effects technician | |
| Brian Van Dorn | .... | special effects technician | |
Visual Effects by | |||
| Adrian Banton | .... | digital artist | |
| Adrian Banton | .... | digital compositor | |
| Angus Bickerton | .... | visual effects designer | |
| Jim Bowers | .... | digital matte painter | |
| Camille Cellucci | .... | visual effects producer | |
| Patrick Clancey | .... | digital opticals | |
| James Clarke | .... | visual effects | |
| Mike Connolly | .... | digital compositor: Baseblack | |
| Neil Culley | .... | digital artist | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Sean Farrow | .... | digital artist | |
| Sean Farrow | .... | senior visual effects compositor | |
| Andy Fowler | .... | visual effects producer | |
| David Gibbons | .... | matte artist | |
| Jon Graham | .... | digital artist | |
| Mick Harper | .... | digital artist | |
| Tiana Harper | .... | visual effects coordinator | |
| David Haslop | .... | digital artist | |
| Barrie Hemsley | .... | visual effects producer | |
| Sarah Hemsley | .... | production and operations | |
| Tim Hey | .... | digital artist | |
| Richard Higham | .... | digital artist | |
| Robin Huffer | .... | digital artist | |
| Mark Intravartolo | .... | digital effects artist | |
| Tim Jones | .... | digital artist | |
| Ntana Key | .... | second digital colorist: EFILM | |
| Duncan Kinnaird | .... | digital artist | |
| Duncan Kinnaird | .... | senior visual effects compositor | |
| Mark Kolpack | .... | visual effects producer: The Post Group | |
| Robin Kurz | .... | digital compositor | |
| Simon Leech | .... | digital artist | |
| Kevin Lin | .... | digital cleanup artist | |
| Natalie MacDonald | .... | digital compositor | |
| Andrew MacLeod | .... | digital artist | |
| Dan McRae | .... | scanning and recording | |
| Warren J. Mills | .... | digital I/O | |
| Steve Mitchell | .... | matte artist | |
| Nick New | .... | digital artist | |
| Jeff North | .... | digital artist | |
| Roma O'Connor | .... | visual effects coordinator | |
| Chris Panton | .... | digital artist | |
| Joe Pavlo | .... | visual effects supervisor | |
| Dylan Penhale | .... | digital systems manager | |
| Paul Poetsch | .... | digital compositor: Baseblack | |
| Glen Pratt | .... | digital artist | |
| Petra Schwane | .... | digital compositor: Baseblack | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm | |
| Foad Shah | .... | digital artist | |
| Catherine M. Shaw | .... | visual effects coordinator | |
| Matina Skouteri | .... | scanning and recording: Framestore CFC | |
| Rupert Smith | .... | production and operations | |
| Maria Stroka | .... | film recording producer | |
| Marios Theodosi | .... | digital compositor | |
| Paul Tuersley | .... | digital artist | |
| Paola Varvaro | .... | digital cleanup artist | |
| Victor Wade | .... | digital artist | |
| Tim Walton | .... | digital artist | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Sharon Warmington | .... | digital artist | |
| Andrew White | .... | CGI artist | |
| Aubrey Woodiwiss | .... | film scanning recording | |
| Peter 'Beak' Cvijanovic | .... | Inferno artist: Post Group (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Nicola Berwick | .... | stunt performer (as Nicky Berwick) | |
| George Cottle | .... | stunt performer | |
| Carly Harrup | .... | stunt performer (as Carly Harrop) | |
| Gary Powell | .... | stunt coordinator | |
| David Ware | .... | stunt performer | |
| Rowley Irlam | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Simon Baker | .... | camera operator: "b" camera | |
| Mike Brewster | .... | director of photography: second unit | |
| Stuart Bunting | .... | grip camera | |
| Adam Dale | .... | aerial director of photography | |
| Barney Davis | .... | second assistant camera | |
| Mark Evans | .... | gaffer | |
| Alex Griffiths | .... | camera loader | |
| Eugene Grobler | .... | balloon light operator | |
| Rodrigo Gutierrez | .... | camera operator: "b" camera | |
| Luke Andrew Haddock | .... | video assistant trainee | |
| Rawdon Hayne | .... | first assistant camera | |
| Nikos Kalimerakis | .... | best boy | |
| Iain Mackay | .... | second assistant camera: "b" camera | |
| Nick Ray | .... | grip | |
| Peter Robertson | .... | camera operator: "a" camera | |
| Oliver Upton | .... | additional still photographer | |
| Martyn Welland | .... | electrician | |
| Charlie Woodburn | .... | first assistant camera: aerial unit | |
| Adam Dale | .... | aerial camera operator (uncredited) | |
Animation Department | |||
| Paul Donnellon | .... | animator | |
| Paul Donnellon | .... | character designer | |
| John Sunter | .... | assistant animator: title sequence | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Rosalie Clayton | .... | casting assistant | |
| Brendan Donnison | .... | adr voice casting | |
| Tamara Gillon | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sally Crees | .... | costume assistant | |
| Sally Davis | .... | costume assistant | |
| Steve O'Sullivan | .... | costume assistant | |
| Charlotte Sewell | .... | assistant costume designer | |
| Marion Weise | .... | costume supervisor | |
Editorial Department | |||
| Matthew Crocker | .... | post-production assistant | |
| Christina Kim | .... | post-production coordinator | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Andrew Morgado | .... | post-production assistant | |
| Jeff Schweikart | .... | post-production assistant | |
| Hereward Selby | .... | first assistant editor | |
| Lori Taffet | .... | post-production coordinator | |
| Paul C. Warschilka | .... | assistant editor | |
| Mark Wright | .... | negative cutter | |
| Michael Moran | .... | post-production assistant (uncredited) | |
Music Department | |||
| P.J. Bloom | .... | music consultant | |
| P.J. Bloom | .... | music supervisor | |
| James Seymour Brett | .... | music arranger | |
| James Seymour Brett | .... | orchestrator | |
| David Crofts | .... | musician: ukulele | |
| Karen Elliott | .... | music supervisor | |
| Richard Ford | .... | music editor | |
| Oliver Hug | .... | assistant music editor | |
| Evyen Klean | .... | music consultant | |
| Gerard McCann | .... | music editor: pre-view | |
| Yann McCullough | .... | assistant music engineer | |
| Emily Rogers | .... | music editor | |
| Lee Scott | .... | music editor | |
Transportation Department | |||
| Gary Birmingham | .... | unit transport manager | |
| Guy Bostock | .... | action vehicle coordinator | |
| Ian Clarke | .... | vehicle technician | |
| Lee Isgar | .... | driver: Geoffrey Rush | |
| Sean Thornton | .... | picture vehicle technician | |
Other crew | |||
| Carolyn Allen | .... | set tutor | |
| Guy Barker | .... | post-production accountant | |
| Francesca Castellano | .... | production coordinator | |
| Gavin Charlton | .... | chef | |
| Nikki Clapp | .... | script supervisor | |
| Paul Donnellon | .... | title designer: main titles | |
| Lucy Foulds | .... | location assistant | |
| Kate Garwood | .... | assistant: Stephen Hopkins | |
| Rob Grundy | .... | supervising armorer | |
| Andrew Haddock | .... | video coordinator | |
| Liam Hearne | .... | assistant post-production accountant | |
| Sarah Hunt | .... | assistant production accountant | |
| Nikki Inwood | .... | utility stand-in | |
| Lee Isgar | .... | assistant: Geoffrey Rush | |
| Carlton Jarvis | .... | set medical advisor | |
| Martin Joy | .... | assistant location manager | |
| Aghi D. Koh | .... | executive in charge of development | |
| Harvey Lowry | .... | operations manager: Captive Audience Productions | |
| Duncan Manning | .... | chef | |
| Zoe Margolis | .... | floor runner | |
| Franka Mavrides | .... | production assistant | |
| James McLaren | .... | production dailies | |
| Neil Morphew | .... | stand-in | |
| Steve Morphew | .... | stand-in: Geoffrey Rush | |
| Heather Noble | .... | assistant coordinator | |
| Joe Oppenheimer | .... | development executive | |
| Geraldine Patten | .... | production secretary | |
| Sue Quinn | .... | location manager | |
| Justine Redfern | .... | assistant to producer | |
| Emily Rice | .... | post-production accountant | |
| Deborah Ross | .... | additional title designer | |
| Richard Senior | .... | production runner | |
| Emily Ann Sonnet | .... | production runner | |
| Rebecca Thornell | .... | clearance | |
| Andrew White | .... | title designer | |
| Jack Yiokoumi | .... | chef | |
| Christopher Xavier Lozano | .... | stills photography (uncredited) | |
| Paul Sacks | .... | additional set production assistant (uncredited) | |
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| The Bad and the Beautiful | Edvard Munch | Before Sunrise | Gone with the Wind | Terms of Endearment |
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Let there be no doubt that Peter Sellers would be an enormously difficult part to play. He has to be one of the few actors in film history who is more complex than the characters he played. (unless one considers actors such as Paul Walker... let me rephrase that, one of the few TALENTED actors) And it would be hard to imagine the man who is still infamously remembered as Inspector Clouseau from the Pink Panther series being played in as flawless a manor as by Geoffrey Rush here. He wasn't the most obvious choice to play Peter Sellers, but he proved to be the wisest one. The man deserves countless praises, not only for playing Sellers himself to perfection, but also for flawlessly re-creating pretty much every film and radio role Sellers ever played, from Dr. Strangelove to Chance the gardener to Clouseau himself. (beginning in a hilarious sequence on an airplane when Sellers hassles an airline stewardess in Clouseau character) But it doesn't stop there - all throughout his life (or at least so shown here) Sellers struggled with the notion that despite the rampant personalities of his screen personas, Peter the man never really had much of a personality himself. To show this, Sellers reenacts sequences of his real life with himself playing different characters. It is in these delusional sequences that Rush shows his true mastery - he doesn't give us "Geoffrey Rush as Peter Sellers' mother", he gives us "Geoffrey Rush as Peter Sellers as Peter Sellers' mother". Words can't describe the amount of recognition Geoffrey Rush deserves, and a solitary Golden Globe simply doesn't do him justice.
Despite the fact that virtually the whole show centers around Rush and his masterful performance, he is backed up by a strong supporting cast and crew. Director Stephen Hopkins was also an odd choice for the project, given his past credentials ("Lost in Space"? "Predator 2"?)but he proves to have the cheeky sense of humour the film needed to be taken seriously, starting off with a surreal 60's style animation sequence with Sellers showing clips from his own life. And it's nice to see some higher profile actors taking the back seat here, such as Charlize Theron, delightfully ditzy and yet not quite a parody as Sellers' airheaded second wife Britt Eckland. Emily Watson brings class and understated strength to her role as Ann, Sellers' first wife, and, as we are led to believe, the only woman he ever truly loved. (despite the fact he left her and their children to pursue a relationship with Sophia Loren which never happened) Stanley Tucci plays Stanley Kubrick in a brief yet important role during the filming of Dr. Strangelove - his eyes showed what his words could not: how irresponsible and hazardous to he production he perceived Sellers to be. Miriam Margoyles, better known as Professor Sprout in the Harry Potter series is formidable as Peter's domineering, manipulative mother, portrayed as the main reason for Sellers' fractured state of reality. And John Lithgow is an excellent Blake Edwards, blending his eternal optimism and energy with a sense of self pride, which he is forced to swallow, asking Sellers to return for numerous Pink Panther sequels. Lithgow, with his obnoxious laugh, is a constant high point throughout the film.
Yet, after the viewing is finished, the watcher feels strangely empty. Sure it looked classy, and it felt classy to watch, so why shouldn't it be classified as a great movie? Perhaps it's because 'The Life and Death of Peter Sellers' feels more like a series of snapshots, and not like a proper biography. We are presented with WHAT Sellers did in his lifetime, but never really shown WHY. There's an irritating lack of depth, which the viewer fails to notice during the movie, so captivated are we with Rush's wonderful acting. But when we reflect on the film afterwards, we realize that we still don't really know who Peter Sellers is. We know what he did, but not why he did it. This may be an intentional decision on Hopkins' part, because, as we are led to believe, Sellers didn't really understand himself that well. So no one really knew who Peter Sellers was... not even himself. And we should be content with that.
-8/10