| Photos (see all 8 | slideshow) | Videos (see all 2 videos) |
| Giovanna Mezzogiorno | ... | Giovanna | |
| Massimo Girotti | ... | Simone / Davide Veroli | |
| Raoul Bova | ... | Lorenzo | |
| Filippo Nigro | ... | Filippo | |
| Serra Yilmaz | ... | Eminè | |
| Maria Grazia Bon | ... | Sara | |
| Massimo Poggio | ... | Young Davide | |
| Ivan Bacchi | ... | Simone | |
| rest of cast listed alphabetically: | |||
| Chiara Andreis | |||
| Veronica Bruni | ... | 2ª Tintora | |
| Olimpia Carlisi | ... | Donna negozio | |
| Ohame-Brancy Chibuzo | ... | Alessio | |
| Carlo Daniele | ... | Marco | |
| Rosaria De Cicco | ... | Barista | |
| Luciana De Falco | ... | Marilena | |
| Barbara Folchitto | |||
| Francesca Gamba | |||
| Benedetta Gargari | ... | Martina | |
| Enrico Grassi | ... | Vittorio | |
| Serena Habtom Mehari | ... | Microbo | |
| Flavio Insinna | ... | Uomo forno | |
| Elisabeth Kaza | ... | Padrona negozio | |
| Patrizia Loreti | ... | 1ª Tintora | |
| Francesco Martino | |||
| Caterina Quaranta | |||
| Maurizio Romoli | ... | La spia | |
| Giorgio Sgobbi | ... | Barman | |
| Thierno Thiam | |||
| Billo Thiernothian | ... | Giambo | |
| Claudia Verdat | |||
| Giovanni Verdesca | |||
Directed by | |||
| Ferzan Ozpetek | |||
Writing credits(in alphabetical order) | ||
| Ferzan Ozpetek | writer | |
| Gianni Romoli | writer | |
Produced by | |||
| Tilde Corsi | .... | producer | |
| Gianni Romoli | .... | producer | |
Original Music by | |||
| Andrea Guerra | |||
Cinematography by | |||
| Gianfilippo Corticelli | |||
Film Editing by | |||
| Patrizio Marone | |||
Casting by | |||
| Pino Pellegrino | |||
Art Direction by | |||
| Andrea Crisanti | |||
Set Decoration by | |||
| Massimiliano Nocente | |||
Costume Design by | |||
| Katia Dottori | (as Catia Dottori) | ||
Makeup Department | |||
| Marco Catalucci | .... | hair stylist | |
| Aurora Gambelli | .... | key hair stylist | |
| Anna Maria Romoli | .... | makeup artist (as Annamaria Romoli) | |
| Ermanno Spera | .... | makeup artist | |
| Maura Turchi | .... | hair stylist | |
Production Management | |||
| Lilia Cioccarelli | .... | production manager | |
| Giordano Esposito | .... | production supervisor | |
| Maurizio Gallozzi | .... | production supervisor | |
| Giovanni Ledda | .... | production supervisor | |
| Alessandro Mattei | .... | general organizator | |
Second Unit Director or Assistant Director | |||
| Andrea De Sica | .... | second assistant director | |
| Gaia Filardo | .... | assistant director | |
| Gianluca Mazzella | .... | assistant director | |
Art Department | |||
| Massimiliano Leoni | .... | assistant props | |
| Lily Pungitore | .... | assistant production designer | |
| Oreste Quercioli | .... | scenic painter | |
| Massimo Sergianni | .... | construction manager | |
Sound Department | |||
| Paolo Amici | .... | sound effects editor | |
| Benedetto Atria | .... | sound editor | |
| Doug Cooper | .... | sound re-recording mixer | |
| Marzia Cordò | .... | dialogue editor | |
| Felicity Cottrell | .... | foley artist | |
| Robert Farr | .... | sound re-recording mixer | |
| Francesca Genevois | .... | assistant sound editor | |
| Marco Grillo | .... | sound | |
| Nigel Mills | .... | sound editor: UK | |
| Claudio Paolucci | .... | boom operator | |
| David Quadroli | .... | sound effects editor | |
| Fabrizio Quadroli | .... | sound effects editor | |
| Mike Ross-Trevor | .... | sound engineer (as Mike Ross Trevor) | |
| Ruth Sullivan | .... | foley artist | |
| Mike Wood | .... | sound editor: UK | |
| Maurizio Casula | .... | sound: UK (uncredited) | |
Special Effects by | |||
| Fernando Sabelli | .... | special effects | |
Visual Effects by | |||
| Riccardo Beroli | .... | digital effects | |
| Sergio Cremasco | .... | colourist | |
| Alberto Mantini | .... | digital effects | |
Camera and Electrical Department | |||
| Luigi Andrei | .... | camera operator | |
| Daniele Anzellotti | .... | grip | |
| Alessio Bastianelli | .... | focus puller | |
| Umberto Bramucci | .... | electrician | |
| Bruno Colanzi | .... | key grip | |
| Francesca D'Antoni | .... | assistant camera | |
| Simone De Marinis | .... | grip | |
| Romolo Eucalitto | .... | still photographer | |
| Leonardo Fanone | .... | generator operator | |
| Sergio Gabrielli | .... | grip | |
| Gian Claudio Giacomini | .... | assistant camera | |
| Patrizio Marra | .... | grip | |
| Vincenzo Morabito | .... | electrician | |
| Alessandro Rossi | .... | electrician | |
| Marco Sticchi | .... | gaffer | |
| Massimo Tanfani | .... | grip | |
Costume and Wardrobe Department | |||
| Costanza Bastanti | .... | assistant costumer | |
| Natasha Marinacci | .... | wardrobe | |
| Patrizia Martella | .... | seamstress | |
Editorial Department | |||
| Elide Camberini | .... | color technician | |
| Pasquale Cuzzupoli | .... | color supervisor | |
| Francesco Garrone | .... | assistant editor | |
| Andrea Prosperi | .... | assistant editor | |
Music Department | |||
| Sezen Aksu | .... | composer: song "Karsi Pencere" | |
| Sezen Aksu | .... | composer: song "Sarki Soylemek Lazim" | |
| Carlos Eleta Almaran | .... | composer: song "Historia de un amor" | |
| Antonio Bertocchi | .... | composer: song "Chihuahua" (as A. Bertocchi) | |
| Giorgio Calabrese | .... | composer: song "Chihuahua" | |
| Chris Cozens | .... | assistant music recording engineer | |
| Ryu Kawashima | .... | assistant music recording engineer | |
| Claudio Mattone | .... | composer: song "Ma che freddo fa" | |
| Nigel Mills | .... | music editor | |
| Luca Salvadori | .... | music supervisor | |
Other crew | |||
| Laura Curreli | .... | script supervisor | |
| Ottaviano Dell'Acqua | .... | master of arms | |
| Leandro Fabbri | .... | production secretary | |
| Vittorio Giovine | .... | production secretary | |
| Jim Hajicosta | .... | post-production accountant | |
| Germana Pierucci | .... | production coordinator | |
| Michele Protano | .... | production secretary | |
| Monica Verzolini | .... | production assistant | |
| Arzu Volkan | .... | backstage director | |
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| Earth | The Notebook | Malèna | The Prize Winner of Defiance, Ohio | Temps qui reste, Le |
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Sadly, this type of film is all too rare.
Without the relying on clichéd plot-devices, it achieves a striking level of dramatic intensity through character and relationship development. You care what happens to them as if you knew them personally and thats why it works.
As soon as the credits began to roll, I immediately wanted to watch the film all over again. It left me with so many questions and thoughts, about my own life- a cinematic version of Coelho's Alchemist?
For me, the recurring theme in the film, is choices- life choices- forks in the road- and the consequences our decisions yield.
1. Davide stalling on the cobbled stoned streets- torn between his lover and his town. 2. Giovanna and Filippo on the bridge, arguing whether they should get involved with the strange old man. 3. Giovanna and the two men in her life. 4. Giovanna at window in Lorenzos house having a crisis of conscience. 5. Lorenzo taking up the work opportunity, instead of staying in Rome. 6. Giovanna changing careers. 7. Giovanna running down the steps at the end- mirroring the opening scene of the film, she becomes Davide's character in that she makes the ultimate sacrifice for her family. Although we are never told it directly, we realize afterwards that Davide has died- In the way that Giovanna talks about him; saying she misses him now he's gone. "Does everyone that leaves you, leave something of themselves behind". Giovanna says that she hears him in HER voice, and feels him in her gestures. The symmetry of this film is what makes it so beautiful and complete.
The message? Follow your passion, follow your heart and you will have no regrets Something that really made me think was the line Davide said to Giovanna- " You have turned your passion into a hobby. You should never do that with a talent" So finally Giovanna finds her true love- her liberation from a life she no longer loves.
Another element that adds to the realism is the dialogue- From the electrifying opening argument between the two lovers, to the smart quips of the brainy daughter, every character is given a chance to shine. Such a relief from the typical Hollywood crap we are forced to endure.
Everything about this films, seems to linger long after you leave the cinema. The visual beauty, the score, Giovanna's beautiful eyes, the scenery- a true delight of a film that I love recommending to friends.