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1 October 2004 (UK) more
A love that would never die and music that would live forever.
Inspecting a magical biographical stage musical, composer Cole Porter reviews his life and career with his wife, Linda. full summary | add synopsis
Nominated for 2 Golden Globes. Another 1 win & 8 nominations more
Judd Moved To Help By Human Trafficking Problems
(From WENN. 4 June 2008, 3:10 PM, PDT)
Bourne Again or Ninth Life?
(From Studio Briefing - Film News. 23 July 2004)
It's De-Dreadful more (213 total)
| Kevin Kline | ... | Cole Porter | |
| Ashley Judd | ... | Linda Porter | |
| Jonathan Pryce | ... | Gabe | |
| Kevin McNally | ... | Gerald Murphy | |
| Sandra Nelson | ... | Sara Murphy | |
| Allan Corduner | ... | Monty Woolley | |
| Peter Polycarpou | ... | L.B. Mayer | |
| Keith Allen | ... | Irving Berlin | |
| James Wilby | ... | Edward Thomas | |
| Kevin McKidd | ... | Bobby Reed | |
| Richard Dillane | ... | Bill Wrather | |
| Edward Baker-Duly | ... | Boris Kochno | |
| Angie Hill | ... | Ellin Berlin | |
| Harry Ditson | ... | Dr. Moorhead | |
| Tayler Hamilton | ... | Honoria Murphy | |
| Lexie Peel | ... | Patrick Murphy | |
| Greg Sheffield | ... | Boath Murphy | |
| Peter Jessop | ... | Diaghilev | |
| Jeff Harding | ... | Cody | |
| Susannah Fellows | ... | Mrs. L.B. Mayer | |
| Teddy Kempner | ... | Stage Manager | |
| Cole Porter | ... | Musical Performer - "You're The Top" (archive sound) | |
| Robbie Williams | ... | Musical Performer - "It's De-Lovely" | |
| Lemar Obika | ... | Musical Performer - "What Is This Thing Called Love?" (as Lemar) | |
| Elvis Costello | ... | Musical Performer (song "Let's Misbehave") | |
| Alanis Morissette | ... | Musical Performer - "Let's Do It, Let's Fall In Love" | |
| John Barrowman | ... | Jack / Musical Performer - "Night and Day" | |
| Caroline O'Connor | ... | Musical Performer - "Anything Goes" | |
| Sheryl Crow | ... | Musical Performer - "Begin the Beguine" | |
| Mick Hucknall | ... | Musical Performer - "I Love You" | |
| Diana Krall | ... | Musical Performer (song "Just One of Those Things") | |
| Vivian Green | ... | Musical Performer - "Love For Sale" | |
| Lara Fabian | ... | Musical Performer - "So In Love" | |
| Mario Frangoulis | ... | Musical Performer - "So In Love" | |
| Natalie Cole | ... | Musical Performer - "Ev'ry Time You Say Goodbye" | |
| Julian Cannonier | ... | Chorus | |
| Elizabeth Cooper Gee | ... | Chorus | |
| Jacob Chapman | ... | Chorus | |
| Cavin Cornwall | ... | Chorus | |
| Matt Dempsey | ... | Chorus | |
| Heather Douglas | ... | Chorus | |
| Jonathan D. Ellis | ... | Chorus (as Jonathan D Ellis) | |
| Jane Fowler | ... | Chorus | |
| Jason Gardiner | ... | Chorus | |
| Charlotte Gorton | ... | Chorus | |
| Nic Greenshields | ... | Chorus | |
| Akia Henry | ... | Chorus (as Akiya Henry) | |
| Steve West | ... | Chorus (as Steve Lawton) | |
| Duncan McVicar | ... | Chorus (as Duncan MacVicar) | |
| Karen McSween | ... | Chorus | |
| Michelle McSween | ... | Chorus | |
| Dale Mercer | ... | Chorus | |
| Samantha Modeste | ... | Chorus | |
| Odette Perdrisat | ... | Chorus | |
| Thern Reynolds | ... | Chorus | |
| Rachel Stanley | ... | Chorus | |
| Oliver Thornton | ... | Chorus | |
| Claire Winsper | ... | Chorus | |
| rest of cast listed alphabetically: | |||
| Gary Blair | ... | Barnaby (uncredited) | |
| Nicola Dawn | ... | Party Guest (uncredited) | |
| James Fisher | ... | Party Guest (uncredited) | |
| Christine Hewett | ... | (uncredited) | |
| Andrew Langtree | ... | Chorus (uncredited) | |
| Bernadette Jane Vanderkar | ... | Bridesmaid (uncredited) | |
Directed by | |||
| Irwin Winkler | |||
Writing credits(WGA) | ||
| Jay Cocks | (written by) | |
Produced by | |||
| Simon Channing Williams | .... | executive producer | |
| Rob Cowan | .... | producer | |
| Gail Egan | .... | executive producer | |
| Georgina Lowe | .... | line producer | |
| Charles Winkler | .... | producer | |
| Irwin Winkler | .... | producer | |
Cinematography by | |||
| Tony Pierce-Roberts | (director of photography) | ||
Film Editing by | |||
| Julie Monroe | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| John Hill | |||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Jacqueline Bhavnani | .... | makeup artist | |
| Felicity Bowring | .... | makeup artist: Ashley Judd | |
| Beth Miller | .... | hair stylist: Ashley Judd | |
| Sarah Monzani | .... | makeup designer | |
| Graham Pownall | .... | hair stylist | |
| Aaron Sherman | .... | prosthetic makeup artist | |
| Maralyn Sherman | .... | prosthetic makeup artist | |
| Simon Thompson | .... | hair designer | |
| Aurélie Elich | .... | makeup artist (uncredited) | |
| Kerry Hormbrey | .... | crowd makeup artist (uncredited) | |
| Sara Raeburn | .... | makeup artist (uncredited) | |
| Joël Seiller | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Danielle Brandon | .... | unit production manager | |
| Michael Solinger | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Josh Robertson | .... | first assistant director | |
| Joy Scott | .... | third assistant director | |
| Nick Shuttleworth | .... | crowd second assistant director | |
| Charles Winkler | .... | second unit director | |
| Phil Clarke | .... | crowd assistant director (uncredited) | |
| Nic Jeune | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Eddie Baker | .... | stand-by props | |
| Alan Briant | .... | props storeman (as Alan D Briant) | |
| Mark Collisson | .... | construction manager | |
| Gary Davies | .... | stand-by stagehand | |
| Gary Fox | .... | stand-by props | |
| Andrew Grant | .... | assistant art director | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | construction coordinator | |
| Leon McCarthy | .... | stand-by carpenter | |
| Richard Mills | .... | property master | |
| Andy Ormesher | .... | stand-by rigger | |
| Tom Read | .... | stand-by art director | |
| Michael Standish | .... | production buyer | |
| Graham Stickley | .... | props storeman | |
| Ed Walsh | .... | draughtsman | |
| Rhona Wilson | .... | assistant buyer | |
| Steve Deane | .... | construction supervisor (uncredited) | |
| Jonathan Downing | .... | dressing props (uncredited) | |
| Matthew Meadows | .... | storyboard artist (uncredited) | |
| Terry Royce | .... | props (uncredited) | |
| Don Santos | .... | prop man (uncredited) | |
| Howard Weaver | .... | scenic artist (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Brown | .... | visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Phil Attfield | .... | visual effects supervisor (uncredited) | |
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design (uncredited) | |
| Robin Beard | .... | lead digital effects artist (uncredited) | |
| Barry Berman | .... | visual effects (uncredited) | |
| Simon Carr | .... | digital compositor (uncredited) | |
| Travis Dutch | .... | scanning and recording (uncredited) | |
| Tom Hocking | .... | digital compositor (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Jason Jue | .... | digital artist (uncredited) | |
| Isaac Layish | .... | digital effects artist (uncredited) | |
| Victoria McDowell | .... | visual effects line producer (uncredited) | |
| Dan McRae | .... | scanning and recording (uncredited) | |
| Tim Mendler | .... | motion control operator (uncredited) | |
| Jeremy Nicolaides | .... | digital artist (uncredited) | |
| Paola Varvaro | .... | digital artist (uncredited) | |
Stunts | |||
| Alex Cox | .... | stunt player | |
| Gerard Naprous | .... | horse stunt coordinator | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Valérie Schiel | .... | extras casting: Luxembourg (as Valerie Scheil) | |
| Tamara Gillon | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Cravedi | .... | costumer: Ashley Judd | |
| Andrea Cripps | .... | assistant costume designer | |
| Lee Croucher | .... | stand-by costumer | |
| Andrew Hunt | .... | stand-by costumer | |
| Joe Kowalewski | .... | assistant costume supervisor (as Josef Kowalewski) | |
| Sunita Singh | .... | stand-by costumer | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | crowd dresser | |
| Sally Davis | .... | costume assistant (uncredited) | |
| Kate Newbold | .... | costume trainee (uncredited) | |
| Katja Wolf | .... | daily wardrobe assistant (uncredited) | |
| Marie Zelenka | .... | stylist (uncredited) | |
Editorial Department | |||
| Jason Barnoski | .... | post-production assistant | |
| Jennifer Hatton | .... | first assistant editor | |
| Jack Paulson | .... | assistant editor | |
| David Rees | .... | color timer | |
| Elizabeth Barnette | .... | post-production assistant (uncredited) | |
| Mark Wright | .... | negative cutter (uncredited) | |
Music Department | |||
| David Arch | .... | musician: piano | |
| Becky Bentham | .... | music coordinator: Hot House Music Ltd. | |
| Philip Bodger | .... | music mixer (as Phil Bodger) | |
| Philip Bodger | .... | music recordist (as Phil Bodger) | |
| Philip Bodger | .... | score recording engineer (as Phil Bodger) | |
| Gary Chester | .... | additional recordist | |
| Anne Collis | .... | on-set music contractor | |
| Mitchell Dalton | .... | musician: guitars (as Mitch Dalton) | |
| Alec Dankworth | .... | musician: double bass | |
| Richard Edwards | .... | musician: trombone | |
| Stephen Endelman | .... | music arranger | |
| Stephen Endelman | .... | music producer | |
| Andrew Findon | .... | musician: woodwinds (as Andy Findon) | |
| Rebecca Gatrell | .... | music coordinator: Hot House Music Ltd. (as Becca Gatrell) | |
| Gilbert Goldstein | .... | arranger: additional arrangements | |
| Isobel Griffiths | .... | music contractor | |
| Cathy Jayes | .... | musician: rehearsal pianist | |
| Christopher Kennedy | .... | music editor | |
| Sonny Kompanek | .... | additional music preparation | |
| Sonny Kompanek | .... | arranger: additional arrangements | |
| Gary Norden | .... | vocal coach: Kevin Kline | |
| Jenny O'Grady | .... | chorus mistress | |
| Cole Porter | .... | lyricist | |
| Cole Porter | .... | music by | |
| Frank Ricotti | .... | musician: percussion | |
| Ralph Salmins | .... | musician: drums | |
| Ray Swinfield | .... | musician: woodwinds | |
| Jamie Talbot | .... | musician: woodwinds | |
| Phil Todd | .... | musician: woodwinds | |
| Derek Watkins | .... | musician: trumpet | |
| Gavyn Wright | .... | musician: string leader | |
| Robert Ziegler | .... | conductor | |
| Becky Bentham | .... | music supervisor (uncredited) | |
| Simon Changer | .... | score assistant engineer (uncredited) | |
| Tim Starnes | .... | music arranger: piano (uncredited) | |
| Robert Ziegler | .... | musical director (uncredited) | |
Transportation Department | |||
| Alexandre Brown | .... | transportation captain: Luxembourg (as Alex Brown) | |
| Daniel Brown | .... | transportation captain | |
| Mark Crowley | .... | driver: Ashley Judd | |
| Mark Williams | .... | driver: Kevin Kline | |
| Rob Hempenstall | .... | unit driver (uncredited) | |
Other crew | |||
| Libbie Barr | .... | script supervisor | |
| Claire Broughton | .... | assistant: Gail Egan | |
| Peter Brown | .... | location assistant: Luxembourg | |
| Chorley Bunce | .... | caterer | |
| Ronni Chasen | .... | press representative | |
| June Czerwinski | .... | associate: Winkler Films | |
| Mandy Edwards | .... | office production assistant | |
| Jo Farrugia | .... | assistant: Irwin Winkler | |
| Gilbert Goldstein | .... | piano coach: Kevin Kline | |
| Selina Gomeau | .... | assistant: Irwin Winkler | |
| David Higgs | .... | base runner | |
| Francesca Jaynes | .... | choreographer | |
| Ian Kilsby | .... | personal security | |
| Neil Lee | .... | location manager | |
| Andrew MacLean | .... | assistant accountant | |
| Sarah McBryde | .... | production coordinator | |
| Justin Miller | .... | assistant accountant | |
| Julie Milstead | .... | associate to producers | |
| Sophie Moss | .... | assistant production coordinator | |
| Leonora Penglase | .... | assistant: Simon Channing Williams | |
| Ian Pollington | .... | on-set location manager | |
| Darren Price | .... | key set production assistant | |
| Maggie Rawlinson | .... | assistant choreographer | |
| Joanne Reichling | .... | production coordinator: Luxembourg | |
| Marco Ruffatti | .... | production assistant | |
| Will Tyler | .... | production accountant | |
| Doug Vale | .... | first aid | |
| Julia Wilson Dickson | .... | dialect coach: Ashley Judd | |
| Henry Woolley | .... | assistant location manager | |
| Danielle Craig | .... | production assistant (uncredited) | |
| Camille Gatin | .... | stand-in: Ms. Judd (uncredited) | |
| Charles Howes | .... | tutor (uncredited) | |
| Jonathan Rutter | .... | publicist (uncredited) | |
| Matthew Sanders | .... | unit publicist (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
Thanks | |||
| Peter L. Felcher | .... | the producers express special thanks to: The Cole Porter Trust | |
| Robert Kimball | .... | the producers express special thanks to (as Robert E. Kimball) | |
| Robert H. Montgomery Jr. | .... | the producers express special thanks to: The Cole Porter Trust, 1923-2000 | |
| Roberta Staats | .... | the producers express special thanks to: The Cole Porter Trust | |
Just One of Those Things (USA) (working title)
She's De Lovely (USA) (working title)
more
Rated PG-13 for sexual content.
125 min
2.35 : 1 more
DTS | Dolby Digital | SDDS
Iceland:L | Ireland:12A | Spain:13 | Malaysia:18SX (uncut version) | Malaysia:U (cut version) | South Korea:12 | South Korea:15 (DVD rating) | Argentina:13 | Australia:PG | Finland:K-7 | Germany:o.Al. | Netherlands:MG6 | Singapore:M18 (re-rating) | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:PG | USA:PG-13 (certificate #40304) | Canada:PG (Ontario) (Canadian Home Video rating)
Chiswick House, Burlington Lane, Chiswick, London, England, UK more
'Kevin Kline (I)' played the piano himself in the scenes where his character plays. more
Anachronisms: Scenes showing Cole Porter musicals being produced on Broadway in the 1930s show African-American and white women dancing together in the chorus lines. Broadway chorus lines weren't racially integrated until the 1970s. more
Linda Porter: I had no idea how hot the climate would be, everything grows wild here and the pickings are far too easy. more
References Casablanca (1942) more
It's All Right with Me more
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The device of using a mystical figure showing Cole Porter a retrospect of his life is just too stagey for a movie. Plus it's been done so many times before that it's trite.
The story line omits the struggle that Porter endured when he began composing professionally, when his melodies and lyrics were too original and too sophisticated for the public at the time.
For anyone who knows Porter's biography, you'll see how highly fictionalized this film is. In today's world, when the unvarnished truth about a person's life can be told, why must this film hold back? Why must dates, events, people and places be altered? Porter didn't "swing both ways". He was a ravenous homosexual. The story line of the Porters devotion to each other was pure hogwash. She was his willing beard at a time when a man needed a female escort for appearances. Obviously the, filmmakers felt that Porter's life had to be sanitized for the public.
It irks me to see songs taken out of chronological order and out of the context of the shows for which they were written. Two examples: at the beginning of the film, Porter is singing "Well Did You Evah?" as though the song were written in the 1920s, when it was composed much later; and singing "You'd Be So Easy To Love" to Linda in a Paris park, when that song was written for the film "Born To Dance" (1935), many years later.
The casting is wrong. As much as I like Kevin Kline, a 57-year-old actor (at the time) playing a 25 or 35-year-old Porter is just unbelievable. There is no amount of make-up that could make Kline look 25 or 35, or hide his sagging 50-ish jowls and neck. Furthermore, Porter was a small man and Kline is reputedly 6'2". This is like having Tom Selleck portray Danny DeVito.
Maybe someday someone will make a true biographical film about Cole Porter.