at Fancast

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| Kevin Kline | ... | Cole Porter | |
| Ashley Judd | ... | Linda Porter | |
| Jonathan Pryce | ... | Gabe | |
| Kevin McNally | ... | Gerald Murphy | |
| Sandra Nelson | ... | Sara Murphy | |
| Allan Corduner | ... | Monty Woolley | |
| Peter Polycarpou | ... | L.B. Mayer | |
| Keith Allen | ... | Irving Berlin | |
| James Wilby | ... | Edward Thomas | |
| Kevin McKidd | ... | Bobby Reed | |
| Richard Dillane | ... | Bill Wrather | |
| Edward Baker-Duly | ... | Boris Kochno | |
| Angie Hill | ... | Ellin Berlin | |
| Harry Ditson | ... | Dr. Moorhead | |
| Tayler Hamilton | ... | Honoria Murphy | |
| Lexie Peel | ... | Patrick Murphy | |
| Greg Sheffield | ... | Boath Murphy | |
| Peter Jessop | ... | Diaghilev | |
| Jeff Harding | ... | Cody | |
| Susannah Fellows | ... | Mrs. L.B. Mayer | |
| Teddy Kempner | ... | Stage Manager | |
| Cole Porter | ... | Musical Performer - "You're The Top" (archive sound) | |
| Robbie Williams | ... | Musical Performer - "It's De-Lovely" | |
| Lemar Obika | ... | Musical Performer - "What Is This Thing Called Love?" (as Lemar) | |
| Elvis Costello | ... | Musical Performer (song "Let's Misbehave") | |
| Alanis Morissette | ... | Musical Performer - "Let's Do It, Let's Fall In Love" | |
| John Barrowman | ... | Jack / Musical Performer - "Night and Day" | |
| Caroline O'Connor | ... | Musical Performer - "Anything Goes" | |
| Sheryl Crow | ... | Musical Performer - "Begin the Beguine" | |
| Mick Hucknall | ... | Musical Performer - "I Love You" | |
| Diana Krall | ... | Musical Performer (song "Just One of Those Things") | |
| Vivian Green | ... | Musical Performer - "Love For Sale" | |
| Lara Fabian | ... | Musical Performer - "So In Love" | |
| Mario Frangoulis | ... | Musical Performer - "So In Love" | |
| Natalie Cole | ... | Musical Performer - "Ev'ry Time You Say Goodbye" | |
| Julian Cannonier | ... | Chorus | |
| Elizabeth Cooper Gee | ... | Chorus | |
| Jacob Chapman | ... | Chorus | |
| Cavin Cornwall | ... | Chorus | |
| Matt Dempsey | ... | Chorus | |
| Heather Douglas | ... | Chorus | |
| Jonathan D. Ellis | ... | Chorus (as Jonathan D Ellis) | |
| Jane Fowler | ... | Chorus | |
| Jason Gardiner | ... | Chorus | |
| Charlotte Gorton | ... | Chorus | |
| Nic Greenshields | ... | Chorus | |
| Akia Henry | ... | Chorus (as Akiya Henry) | |
| Steve West | ... | Chorus (as Steve Lawton) | |
| Duncan McVicar | ... | Chorus (as Duncan MacVicar) | |
| Karen McSween | ... | Chorus | |
| Michelle McSween | ... | Chorus | |
| Dale Mercer | ... | Chorus | |
| Samantha Modeste | ... | Chorus | |
| Odette Perdrisat | ... | Chorus | |
| Thern Reynolds | ... | Chorus | |
| Rachel Stanley | ... | Chorus | |
| Oliver Thornton | ... | Chorus | |
| Claire Winsper | ... | Chorus | |
| rest of cast listed alphabetically: | |||
| Gary Blair | ... | Barnaby (uncredited) | |
| Nicola Dawn | ... | Party Guest (uncredited) | |
| James Fisher | ... | Party Guest (uncredited) | |
| Christine Hewett | ... | (uncredited) | |
| Andrew Langtree | ... | Chorus (uncredited) | |
| Bernadette Jane Vanderkar | ... | Bridesmaid (uncredited) | |
Directed by | |||
| Irwin Winkler | |||
Writing credits(WGA) | ||
| Jay Cocks | (written by) | |
Produced by | |||
| Simon Channing Williams | .... | executive producer | |
| Rob Cowan | .... | producer | |
| Gail Egan | .... | executive producer | |
| Georgina Lowe | .... | line producer | |
| Charles Winkler | .... | producer | |
| Irwin Winkler | .... | producer | |
Cinematography by | |||
| Tony Pierce-Roberts | (director of photography) | ||
Film Editing by | |||
| Julie Monroe | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| John Hill | |||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Jacqueline Bhavnani | .... | makeup artist | |
| Felicity Bowring | .... | makeup artist: Ashley Judd | |
| Beth Miller | .... | hair stylist: Ashley Judd | |
| Sarah Monzani | .... | makeup designer | |
| Graham Pownall | .... | hair stylist | |
| Aaron Sherman | .... | prosthetic makeup artist | |
| Maralyn Sherman | .... | prosthetic makeup artist | |
| Simon Thompson | .... | hair designer | |
| Aurélie Elich | .... | makeup artist (uncredited) | |
| Kerry Hormbrey | .... | crowd makeup artist (uncredited) | |
| Sara Raeburn | .... | makeup artist (uncredited) | |
| Joël Seiller | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Danielle Brandon | .... | unit production manager | |
| Michael Solinger | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Josh Robertson | .... | first assistant director | |
| Joy Scott | .... | third assistant director | |
| Nick Shuttleworth | .... | crowd second assistant director | |
| Charles Winkler | .... | second unit director | |
| Phil Clarke | .... | crowd assistant director (uncredited) | |
| Nic Jeune | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Eddie Baker | .... | stand-by props | |
| Alan Briant | .... | props storeman (as Alan D Briant) | |
| Mark Collisson | .... | construction manager | |
| Gary Davies | .... | stand-by stagehand | |
| Gary Fox | .... | stand-by props | |
| Andrew Grant | .... | assistant art director | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | construction coordinator | |
| Leon McCarthy | .... | stand-by carpenter | |
| Richard Mills | .... | property master | |
| Andy Ormesher | .... | stand-by rigger | |
| Tom Read | .... | stand-by art director | |
| Michael Standish | .... | production buyer | |
| Graham Stickley | .... | props storeman | |
| Ed Walsh | .... | draughtsman | |
| Rhona Wilson | .... | assistant buyer | |
| Steve Deane | .... | construction supervisor (uncredited) | |
| Jonathan Downing | .... | dressing props (uncredited) | |
| Matthew Meadows | .... | storyboard artist (uncredited) | |
| Terry Royce | .... | props (uncredited) | |
| Don Santos | .... | prop man (uncredited) | |
| Howard Weaver | .... | scenic artist (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
Visual Effects by | |||
| Chris Brown | .... | visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Phil Attfield | .... | visual effects supervisor (uncredited) | |
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design (uncredited) | |
| Robin Beard | .... | lead digital effects artist (uncredited) | |
| Barry Berman | .... | visual effects (uncredited) | |
| Simon Carr | .... | digital compositor (uncredited) | |
| Travis Dutch | .... | scanning and recording (uncredited) | |
| Tom Hocking | .... | digital compositor (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Jason Jue | .... | digital artist (uncredited) | |
| Isaac Layish | .... | digital effects artist (uncredited) | |
| Victoria McDowell | .... | visual effects line producer (uncredited) | |
| Dan McRae | .... | scanning and recording (uncredited) | |
| Tim Mendler | .... | motion control operator (uncredited) | |
| Jeremy Nicolaides | .... | digital artist (uncredited) | |
| Paola Varvaro | .... | digital artist (uncredited) | |
Stunts | |||
| Alex Cox | .... | stunt player | |
| Gerard Naprous | .... | horse stunt coordinator | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Valérie Schiel | .... | extras casting: Luxembourg (as Valerie Scheil) | |
| Tamara Gillon | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Cravedi | .... | costumer: Ashley Judd | |
| Andrea Cripps | .... | assistant costume designer | |
| Lee Croucher | .... | stand-by costumer | |
| Andrew Hunt | .... | stand-by costumer | |
| Joe Kowalewski | .... | assistant costume supervisor (as Josef Kowalewski) | |
| Sunita Singh | .... | stand-by costumer | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | crowd dresser | |
| Sally Davis | .... | costume assistant (uncredited) | |
| Kate Newbold | .... | costume trainee (uncredited) | |
| Katja Wolf | .... | daily wardrobe assistant (uncredited) | |
| Marie Zelenka | .... | stylist (uncredited) | |
Editorial Department | |||
| Jason Barnoski | .... | post-production assistant | |
| Jennifer Hatton | .... | first assistant editor | |
| Jack Paulson | .... | assistant editor | |
| David Rees | .... | color timer | |
| Elizabeth Barnette | .... | post-production assistant (uncredited) | |
| Mark Wright | .... | negative cutter (uncredited) | |
Music Department | |||
| David Arch | .... | musician: piano | |
| Becky Bentham | .... | music coordinator: Hot House Music Ltd. | |
| Philip Bodger | .... | music mixer (as Phil Bodger) | |
| Philip Bodger | .... | music recordist (as Phil Bodger) | |
| Philip Bodger | .... | score recording engineer (as Phil Bodger) | |
| Gary Chester | .... | additional recordist | |
| Anne Collis | .... | on-set music contractor | |
| Mitchell Dalton | .... | musician: guitars (as Mitch Dalton) | |
| Alec Dankworth | .... | musician: double bass | |
| Richard Edwards | .... | musician: trombone | |
| Stephen Endelman | .... | music arranger | |
| Stephen Endelman | .... | music producer | |
| Andrew Findon | .... | musician: woodwinds (as Andy Findon) | |
| Rebecca Gatrell | .... | music coordinator: Hot House Music Ltd. (as Becca Gatrell) | |
| Gilbert Goldstein | .... | arranger: additional arrangements | |
| Isobel Griffiths | .... | music contractor | |
| Cathy Jayes | .... | musician: rehearsal pianist | |
| Christopher Kennedy | .... | music editor | |
| Sonny Kompanek | .... | additional music preparation | |
| Sonny Kompanek | .... | arranger: additional arrangements | |
| Gary Norden | .... | vocal coach: Kevin Kline | |
| Jenny O'Grady | .... | chorus mistress | |
| Cole Porter | .... | lyricist | |
| Cole Porter | .... | music by | |
| Frank Ricotti | .... | musician: percussion | |
| Ralph Salmins | .... | musician: drums | |
| Ray Swinfield | .... | musician: woodwinds | |
| Jamie Talbot | .... | musician: woodwinds | |
| Phil Todd | .... | musician: woodwinds | |
| Derek Watkins | .... | musician: trumpet | |
| Gavyn Wright | .... | musician: string leader | |
| Robert Ziegler | .... | conductor | |
| Becky Bentham | .... | music supervisor (uncredited) | |
| Simon Changer | .... | score assistant engineer (uncredited) | |
| Tim Starnes | .... | music arranger: piano (uncredited) | |
| Robert Ziegler | .... | musical director (uncredited) | |
Transportation Department | |||
| Alexandre Brown | .... | transportation captain: Luxembourg (as Alex Brown) | |
| Daniel Brown | .... | transportation captain | |
| Mark Crowley | .... | driver: Ashley Judd | |
| Mark Williams | .... | driver: Kevin Kline | |
| Rob Hempenstall | .... | unit driver (uncredited) | |
Other crew | |||
| Libbie Barr | .... | script supervisor | |
| Claire Broughton | .... | assistant: Gail Egan | |
| Peter Brown | .... | location assistant: Luxembourg | |
| Chorley Bunce | .... | caterer | |
| Ronni Chasen | .... | press representative | |
| June Czerwinski | .... | associate: Winkler Films | |
| Mandy Edwards | .... | office production assistant | |
| Jo Farrugia | .... | assistant: Irwin Winkler | |
| Gilbert Goldstein | .... | piano coach: Kevin Kline | |
| Selina Gomeau | .... | assistant: Irwin Winkler | |
| David Higgs | .... | base runner | |
| Francesca Jaynes | .... | choreographer | |
| Ian Kilsby | .... | personal security | |
| Neil Lee | .... | location manager | |
| Andrew MacLean | .... | assistant accountant | |
| Sarah McBryde | .... | production coordinator | |
| Justin Miller | .... | assistant accountant | |
| Julie Milstead | .... | associate to producers | |
| Sophie Moss | .... | assistant production coordinator | |
| Leonora Penglase | .... | assistant: Simon Channing Williams | |
| Ian Pollington | .... | on-set location manager | |
| Darren Price | .... | key set production assistant | |
| Maggie Rawlinson | .... | assistant choreographer | |
| Joanne Reichling | .... | production coordinator: Luxembourg | |
| Marco Ruffatti | .... | production assistant | |
| Will Tyler | .... | production accountant | |
| Doug Vale | .... | first aid | |
| Julia Wilson Dickson | .... | dialect coach: Ashley Judd | |
| Henry Woolley | .... | assistant location manager | |
| Danielle Craig | .... | production assistant (uncredited) | |
| Camille Gatin | .... | stand-in: Ms. Judd (uncredited) | |
| Charles Howes | .... | tutor (uncredited) | |
| Jonathan Rutter | .... | publicist (uncredited) | |
| Matthew Sanders | .... | unit publicist (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
Thanks | |||
| Peter L. Felcher | .... | the producers express special thanks to: The Cole Porter Trust | |
| Robert Kimball | .... | the producers express special thanks to (as Robert E. Kimball) | |
| Robert H. Montgomery Jr. | .... | the producers express special thanks to: The Cole Porter Trust, 1923-2000 | |
| Roberta Staats | .... | the producers express special thanks to: The Cole Porter Trust | |
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I am 50 years old, and have been a professional musician most of my life. Cole porter's heyday was long before I was around, but I was instantly attracted to his music in my youth, and that love for his compositions has never ceased.
I know many here are bad mouthing the movie "De-Lovely", and they shouldn't be. There are so many unwatchable, ridiculously bad movies being released nowadays, that De-lovely looks like Gone with the Wind compared to many of them. We have several generations of young people that do not have the benefit of the diverse media many of us older people had when we were young. Back when radio and television use to thrived on diversity. They are now totally market driven toward youth, and offer little diversity. The re-birth of the musical these past few years, is introducing youth to a quality of art that most were not even aware existed. The influence movies like De-Lovely could have on young artist should not be under-estimated. I remember many musicals in my youth that greatly influenced my future career as a musician.
I found De-Lovely to be a delightful movie. I found both Kline and Judd to be excellent in their roles. While the story has taken some lead way with the facts, they got the majority of important points across, and with a lot of style in my opinion. The makers of this movie had to do a balancing act between biography and entertainment. Between telling the story of Porter's life, and paying tribute to his incredible talent as a song writer. I left the movie theater feeling upbeat and inspired. That told me they balanced the two very well.
While I might of chosen a few different singers to sing Porter's songs in the movie, I realize that using known, modern singers helps get youth into the theater, and that's important. The artist they choose to sing Porter's music in the movie, did a wonderful job. While some renditions are a little too modernized, any influence his music has on today's youth is a good thing. Our young people need to know that real works of art take skill, training, talent, and time. Much of todays music is aimed toward an audience with a very short attention span, wanting instant gratification, and to counter that with the music of Cole Porter is a wonderful gift to an entire generation.
This movie works on so many levels. The music, the period, the love affair, and the pain. The story is about Porter looking back at his life during his last moments on earth, he sees it as a theatrical production. Because of this, the songs are not all in chronological order. A few of the songs were placed out of sequence to fit the story line. This idea works splendidly, and it is beyond me why some reviewers seemed to miss this concept completely, and thought the writers messed up. The truth is we really don't know that much about Cole porter. He was not fond of the press, and the relationship between his wife Linda and him was very private. We do know Cole was gay, but loved Linda deeply his entire life. The movie raises more questions than it answers, as it should. Cole was a complicated person, and lived a complicated life. This is movie making at it's best, folks. I recommend this movie highly. I hope Hollywood keeps the musicals coming. It's about time.