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| Samuel L. Jackson | ... | Langston Whitfield | |
| Juliette Binoche | ... | Anna Malan | |
| Brendan Gleeson | ... | De Jager | |
| Menzi Ngubane | ... | Dumi Mkhalipi (as Menzi 'Ngubs' Ngubane) | |
| Sam Ngakane | ... | Anderson | |
| Aletta Bezuidenhout | ... | Elsa | |
| Lionel Newton | ... | Edward Morgan | |
| Langley Kirkwood | ... | Boetie | |
| Owen Sejake | ... | Reverend Mzondo | |
| Harriet Lenabe | ... | Albertina Sobandia (as Harriet Manamela) | |
| Louis Van Niekerk | ... | Willem Malan | |
| Jeremiah Ndlovu | ... | Old Man in Wheelbarrow | |
| Fiona Ramsey | ... | Felicia Rheinhardt (as Fiona Ramsay) | |
| Dan Robbertse | ... | De Smidt (as Daniel Robbertse) | |
| Robert Hobbs | ... | Van Deventer | |
| Lwando Nondzaba | ... | Peter Makeba | |
| Trix Pienaar | ... | B&B Lady | |
| Greg Latter | ... | Sgt. Dreyer | |
| Albert Maritz | ... | Farmer | |
| Sizwe Msutu | ... | Gilbert | |
| Dumisani Mbebe | ... | Kenneth | |
| Sunu Gonera | ... | Lionel | |
| Nick Boraine | ... | Jack Marlon | |
| Charley Boorman | ... | Adam Hartley | |
| Connie Chiume | ... | Mrs. Tabata | |
| Seumus Keir | ... | Simon | |
| Nicholas Andrews | ... | Chris | |
| Justin Creasy | ... | Chris | |
| Junior Singo | ... | Troy (scenes deleted) | |
| Yolanda Methvin | ... | Deborah (scenes deleted) | |
| Grant Swanby | ... | Johan | |
| Paul Eilers | ... | Police General | |
| Anthony Fridjohn | ... | Tony Brown (scenes deleted) | |
| Bheki Vilakazi | ... | Perpetrator 1 | |
| Louw Venter | ... | Alec | |
| Wayne Harrison | ... | Brian | |
| Terry Norton | ... | Lilly | |
| Andre Jacobs | ... | Judge | |
| Alyce Chavunduka | ... | Newsreader | |
| Lillian Dube | ... | Woman | |
| Namhla Ndlovu | ... | Woman | |
| Lee Duru | ... | Woman | |
| Nambitha Mpumlwana | ... | Woman | |
| Garrick Hagon | ... | Pilot | |
| Johan Marais | ... | De Jager's Security | |
| Morgan O'Callaghan | ... | De Jager's Security | |
| Frederrick Dannhauser | ... | De Jager's Security | |
| Andrew Johnson | ... | Taxi Driver | |
| Lilian Khumalo | ... | Commissioner | |
| Genesis Canda | ... | Commissioner | |
| Tony Finley | ... | Commissioner | |
| Biah Mokgobu | ... | Commissioner | |
| Anthony Karriem | ... | Commissioner | |
| Milton Daka | ... | Commissioner | |
| Hiportia Hlatana | ... | Commissioner | |
| Jefferine October | ... | Commissioner | |
| Noliyanda Pike | ... | Commissioner | |
| Beverley Bownes | ... | Commissioner | |
| Justice Khontyo | ... | 2nd Judge | |
| Denzil Campbel | ... | 3rd Judge | |
| Christina Ntsomi | ... | Woman Phone Booth / Corn Field | |
| Xhantyi Nqayi | ... | Herd Boy | |
| Lulama J. Nombiba | ... | Langston's Father (scenes deleted) (as Lulama Nombiba) | |
| Jean Abrahams | ... | Langston's Mother in Law (scenes deleted) | |
| Thami Ngubeni | ... | Deborah's Aunt (scenes deleted) | |
| Cindi Sampson | ... | Deborah's Aunt (scenes deleted) | |
| Michelle Zaaiman | ... | Inge | |
| Natasha Kotze | ... | Inge (voice) | |
| Natalie Dippenaar | ... | Johan's Wife | |
| Zoliswa Mabawa | ... | Malan Farmhouse Maid | |
| Elizabeth Mokoatsana | ... | Crying Woman | |
| John Coom | ... | Farmer's Father-in-law | |
| Noel Coom | ... | Farmer's Mother-in-law | |
| Shannen Mackay | ... | Farmer's Daughter | |
| Xola Luse | ... | Perpetrator 2 | |
| Sacky Veto | ... | Old Man's Grandson | |
| Mohogany Singiswa | ... | Old Man's Comforter | |
| Moho Seabela | ... | Albertina's Friend | |
| Zingisa Kobo | ... | Albertina's Friend | |
| Landiwe Hans | ... | Albertina's Friend | |
| John Zacharis | ... | Langston's Driver | |
| Jamo Jahjah | ... | Soccer Ref (scenes deleted) | |
| Brian Niewoudt | ... | Boere Orkes Band | |
| Endrie Nel | ... | Boere Orkes Band | |
| Nic Du Toit | ... | Boere Orkes Band | |
| Stompie Heyns | ... | Boere Orkes Band | |
| Susanna Vermeulen | ... | Boere Orkes Band | |
| Paul Dirkson | ... | One Man Band | |
| Russell Johnson | ... | Schempers | |
| Morris Uberstein | ... | Bottle Shop Owner | |
| Thembi Mtshali | ... | Lizzie | |
| Lara Bye | ... | Alec's Wife | |
| Marisa Sarfatti | ... | PR Person | |
| Phumla Stamper | ... | Translator | |
| Warona Seane | ... | Translator | |
| John Langemann | ... | Afrikaner Next to Anna at Hearing | |
| Nkuli Kgositsile | ... | Woman with Applications | |
| Suzanne Bassett | ... | Anna Look-a-like | |
| Amber Stodel | ... | Lily's Daughter | |
| Yavor Radkov | ... | Taxi Driver | |
| rest of cast listed alphabetically: | |||
| Fana Mokoena | ... | Mandla (uncredited) | |
Directed by | |||
| John Boorman | |||
Writing credits(WGA) | ||
| Antjie Krog | (book "Country of My Skull") | |
| Ann Peacock | (screenplay) | |
Original Music by | |||
| Murray Anderson | |||
Cinematography by | |||
| Seamus Deasy | |||
Film Editing by | |||
| Ron Davis | |||
Casting by | |||
| Moonyeenn Lee | |||
| Janet Meintjies | |||
Production Design by | |||
| Emilia Roux | |||
| Derek Wallace | |||
Art Direction by | |||
| Emilia Roux | (as Emilia Roux-Weavind) | ||
Set Decoration by | |||
| Graeme Blem | |||
| Fred Du Preez | |||
Costume Design by | |||
| Jo Katsaras | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist: Samuel L. Jackson | |
| Annette Keet | .... | key hair stylist | |
| Annette Keet | .... | key makeup artist | |
| Robert L. Stevenson | .... | hair stylist: Samuel L. Jackson | |
| Simone Stubbs | .... | assistant hair stylist | |
| Simone Stubbs | .... | assistant makeup artist | |
| Mieke Tait | .... | assistant hair stylist | |
| Mieke Tait | .... | assistant makeup artist | |
| Megan Tanner | .... | key hair stylist | |
| Megan Tanner | .... | key makeup artist | |
| Leon von Solms | .... | makeup artist: Juliette Binoche | |
Production Management | |||
| Sandra Campbell | .... | post-production supervisor | |
| Genevieve Le Cordeur | .... | unit production manager | |
| Morgan Pather | .... | unit manager | |
Art Department | |||
| William Boyes | .... | stand-by props | |
| Merinda Geyer | .... | art department coordinator | |
| Andrew Orlando | .... | property master | |
| Tracy Perkins | .... | set dresser | |
| Brendan Smithers | .... | construction manager | |
Sound Department | |||
| Brendan Deasy | .... | production sound mixer | |
| Caoimhe Doyle | .... | additional foley artist | |
| Martin Evans | .... | supervising sound editor | |
| John Fitzgerald | .... | sound re-recording mixer | |
| Joe Gilmore | .... | dialogue editor | |
| Roland Hoek | .... | trainee dialogue editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Fiadhnait McCann | .... | assistant sound editor | |
| Jim Petrak | .... | adr recordist | |
| Eddie Quinn | .... | boom operator | |
| Nick Watson | .... | sound consultant: Dolby | |
| Cathi Weldon | .... | foley editor | |
| Brendan Geaney | .... | transfer recordist (uncredited) | |
Special Effects by | |||
| Roly Jansen | .... | special effects coordinator | |
| Cordell McQueen | .... | special effects coordinator | |
| Anton Voster | .... | special effects crew | |
Visual Effects by | |||
| Tim Caplan | .... | digital intermediate producer | |
| Dimitri Delacovias | .... | matte painting supervisor | |
| William Foxwell | .... | digital lab operator: Lip Sync Post | |
| Scott Goulding | .... | digital lab operator | |
| Gavin Graham | .... | effects animator: Double Negative | |
| Jan Hogevold | .... | production executive: Framestore CFC | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Alex Hope | .... | visual effects executive producer | |
| Max Horton | .... | colourist | |
| Graham Jack | .... | computer graphics supervisor | |
| Katy Lemon | .... | digital lab operator: Lip Sync Post | |
| Fay McConkey | .... | visual effects producer | |
| Dan McRae | .... | digital cleanup artist | |
| Charlie Noble | .... | visual effects supervisor | |
| Paul Norris | .... | digital compositor | |
| Kevan Shorey | .... | matchmove artist: Double Negative | |
| Thomas Urbye | .... | online film editor | |
| Paola Varvaro | .... | digital artist | |
| Steve Wagendorp | .... | digital colorist | |
| Aubrey Woodiwiss | .... | digital clean-up | |
Stunts | |||
| Roly Jansen | .... | stunt coordinator | |
| Cordell McQueen | .... | stunt coordinator | |
| Janine Wyatt-Mair | .... | stunt double | |
Camera and Electrical Department | |||
| Jens Bacher | .... | key grip: South Africa | |
| Harmon Cusack | .... | aerial camera operator: Wescam Camera | |
| Richard Rolf | .... | Steadicam operator | |
| Adi Visser | .... | first assistant camera | |
| Oliver Ward | .... | camera technician: Wescam camera | |
Casting Department | |||
| Russell Boast | .... | casting coordinator | |
| J.P. van der Merwe | .... | extras casting agent | |
Costume and Wardrobe Department | |||
| Askia Won-Ling Jacob | .... | costumer: Samuel L. Jackson (as Askia Jacob) | |
| Widaad Williams | .... | costume assistant | |
Editorial Department | |||
| Tim Caplan | .... | digital intermediate producer | |
| Simon Davis | .... | assistant editor | |
| Stuart Fyvie | .... | digital colorist | |
| Max Horton | .... | digital film colourist | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Philip King | .... | music supervisor | |
| Brian Masterson | .... | music editor | |
| Tina Moran | .... | music coordinator | |
Transportation Department | |||
| Ilze Kitshoff | .... | driver: cast | |
Other crew | |||
| Chris Bohmenn | .... | helicopter pilot | |
| Emma Callinan | .... | assistant to producer | |
| Sandra Campbell | .... | assistant: John Boorman | |
| Carol A. Compton | .... | script clearance | |
| Chezlin Cross | .... | assistant: Kevan Barker | |
| Peter Doyle | .... | on-set mechanic | |
| Lori Imbler | .... | assistant: Robert Chartoff (as Lori Imbler Vernon) | |
| Natascha Leite | .... | production coordinator | |
| Aaron Merrell | .... | production coordinator: Phoenix Pictures | |
| Della Moore | .... | production accountant | |
| Spud Murray | .... | animal wrangler | |
| Louise Mycielski | .... | production coordinator | |
| Moroba Nkawe | .... | assistant: Lynn Hendee | |
| Bill Olmsted | .... | helicopter pilot (as Bill Olmstead) | |
| Morgan Pather | .... | location manager | |
| Peggy Plessas | .... | assistant: Juliette Binoche (as Peggy Hall-Plessas) | |
| John Rogers | .... | set manager | |
| Dezi Rorich | .... | publicity manager | |
| Pete Smith | .... | key armorer | |
| Leonard L. Thomas | .... | assistant: Samuel L. Jackson (as Leonard Thomas) | |
| Garin Van Munster | .... | head animal wrangler | |
| William Chartoff | .... | assistant to producers (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
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I am not a big fan of romances, but in this case I gave it a try because of director John Boorman ["Excalibur," "The Emerald Forest," "Hope & Glory, "Deliverance"] and actors Samuel L. Jackson ["Coach Carter," "Star Wars: Episodes 2 & 3," "The Red Violin"] and Juliette Binoche ["Chocolat," "The English Patient," and the 1992 remake of "Wuthering Heights"].
This film was in the better half of Boorman's, while Jackson and Binoche gave top-notch performances. The supporting role of Dumi, played by Menzi Ngubane was excellent, as he acted both as foil and antagonist between the couple.
I think the weakest elements of this film are in screenwriter Ann Peacock's dialogue and in the construction of the Anna Malan and brother Boetie characters. The first for taking on just a little too much burden of responsibility, especially in one somewhat uncharacteristic scene at one of the hearings with a particularly gory testimony, and the latter for being incomplete when a key development occurs that should have played more into the storyline and into Anna's reactions.
From what I've heard about the book by Antje Krog, I can understand why anyone who had read it before seeing this movie might be disappointed, but it was certainly clear to me by the marketing that this was a romance and not a cinematic litany of the horrors of Apartheid.
Given the turbulent background of Apartheid and the South African Truth & Reconciliation Commission proceedings, along with other clues, I was also expecting this to be an adversaries-fall-in-love story, which is the type of romance that I like the most. The collective incidents which drive Anna and Langston together are neither contrived or turgid, and fall comfortably in between, especially because they are juxtaposed with events based in reality. There is one most significant turn at one of the hearings, which, given it is true, would bring any two adversaries together, in peace if not in love.
I don't want to give away anything about the extent of their romance, except to say that how it ended up was a pleasant surprise and quite satisfactory. I wish I could recommend two other good romances that end so similarly and satisfactorily, but I would give away the surprise.
This film is certainly worth a rental or two, worth showing to friends, but I suppose the disturbing nature of the background events might keep some people from buying it for their home library, but if you bought a copy of "American History X," I think you might want to buy this one.