| Photos (see all 3 | slideshow) | Videos (see all 2) |
| Amira Casar | ... | The woman | |
| Rocco Siffredi | ... | The man | |
| Alexandre Belin | ... | Blow-job lover 1 | |
| Manuel Taglang | ... | Blow-job lover 2 | |
| Jacques Monge | ... | Man in bar | |
| Claudio Carvalho | ... | Boy with bird | |
| Carolina Lopes | ... | Little girl playing doctor | |
| Diego Rodrigues | ... | Little boy playing doctor | |
| João Marques | ... | Little boy playing doctor | |
| Bruno Fernandes | ... | Little boy playing doctor | |
| Maria Edite Moreira | ... | Pharmacist 1 | |
| Maria João Santos | ... | Pharmacist 2 | |
| Pauline Hunt | ... | Amira Casar's stand-in | |
| Catherine Breillat | ... | Narrator (voice) |
Directed by | |||
| Catherine Breillat | |||
Writing credits(in alphabetical order) | ||
| Catherine Breillat | novel "Pornocratie" | |
Produced by | |||
| António da Cunha Telles | .... | executive producer | |
| Natércia Fonseca | .... | assistant producer | |
| Jean-François Lepetit | .... | producer | |
Cinematography by | |||
| Giorgos Arvanitis | |||
| Guillaume Schiffman | |||
Film Editing by | |||
| Pascale Chavance | |||
Casting by | |||
| Valente Producoes | |||
Production Design by | |||
| Jean-Marie Milon | |||
| Pedro Sá Santos | |||
Art Direction by | |||
| Pedro Garcia | |||
| Paula Szabo | |||
Costume Design by | |||
| Valérie Guégan | |||
| Betty Martins | |||
| Catherine Meillan | |||
| Sanine Schlumberger | |||
Makeup Department | |||
| Dominique Colladant | .... | special makeup effects artist | |
| Ana Ferreira | .... | key hair stylist | |
| Ana Lorena | .... | key makeup artist | |
| Fabien Tuizat | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Rita Benis | .... | second assistant director | |
| Michaël Weill | .... | first assistant director | |
Art Department | |||
| Fabienne Couvreur | .... | head painter | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Christophe Bourreau | .... | sound effects editor | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Steven Ghouti | .... | adr mixer | |
| Filipe Gonçalves | .... | assistant sound | |
| Sylvain Lasseur | .... | sound editor | |
| Bertrand Lenclos | .... | assistant sound editor | |
| Jean-Max Morise | .... | foley artist | |
Casting Department | |||
| David Santini | .... | extras casting | |
Editorial Department | |||
| Frédéric Barbe | .... | assistant editor | |
Other crew | |||
| Fátima Ribeiro | .... | script supervisor | |
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| Romance | 9 Songs | Le sexe qui parle | The Holy Mountain | Babel |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adult section | IMDb France section | Add this title to MyMovies |
I am a great fan of Catherine Breillat. I have seen many of her films now and have enjoyed each and every one. She is an interesting film maker, always provocative, always prepared to push the boundaries of cinema. 'Anatomy of Hell' tho left me somewhat bored. It seems to me that with each new film, Breillat is becoming ever more compartmentalized. Here, her mission is to specifically explore the female sex organ and the affect this may (or may not have) on the male sexual and emotional psyche. The problem is, since she's chosen such a narrow subject (no pun intended) to examine, there really isn't enough material here to sustain an entire film ... even one with a brief running time as this (approx 80 mins).
Another downside also is that the film is totally reliant on the 2 leads, and frankly, Siffredi is just not up to the task. On the other hand, as always, Breillat casts an interesting female lead. Amira Casar, with her porcelain white skin, her voluptuous curves and her pitch black hair certainly holds ones interest. I get the feeling Breillat, when making the female casting choice, looks for younger and more glamorous versions of herself -- you'll rarely see a blonde.
There are the trademark 'pluses' of Breillat in this film tho. Her thoughtfully conceived set design for example ... her minimal editing .. sparse use of lighting. These all add up to good story telling techniques in my book. But alas, there is just not enough substance to the narrative to make this a good film.
I really do wonder where she is going to go from here ... ?