| Photos (see all 49 | slideshow) | Videos (see all 11) |
| Natasha Richardson | ... | Stella Raphael | |
| Hugh Bonneville | ... | Max Raphael | |
| Gus Lewis | ... | Charlie Raphael | |
| Ian McKellen | ... | Dr. Peter Cleave | |
| Joss Ackland | ... | Jack Straffen | |
| Wanda Ventham | ... | Bridie Straffen | |
| Sara Thurston | ... | Mrs. Rose (as Sarah Thurstan) | |
| Alwyne Taylor | ... | Monica | |
| Maria Aitken | ... | Claudia Greene | |
| Hazel Douglas | ... | Lilly | |
| Anna Keaveney | ... | Mrs. Bain | |
| Marton Csokas | ... | Edgar Stark | |
| Robert Willox | ... | John Archer | |
| Judy Parfitt | ... | Brenda Raphael | |
| Sean Harris | ... | Nick | |
| Andy de la Tour | ... | Inspector Easton | |
| Roy Boyd | ... | Trevor Wiliams | |
| Rhydian Jones | ... | Mr. Griffin | |
| Nick Chadwin | ... | Chaplain | |
| rest of cast listed alphabetically: | |||
| Jonathan Bridge | ... | Asylum Security Man (uncredited) | |
| Veronica Fairhurst | ... | Nurse (uncredited) | |
| Susie Gossling Valerio | ... | Patient (uncredited) | |
| Maurice Hayward | ... | Dr. Simon Greene (uncredited) | |
| Patrick McGrath | ... | Patient at hospital ball (uncredited) | |
| Peter Yates | ... | Peter, parole patient (uncredited) | |
Directed by | |||
| David Mackenzie | |||
Writing credits(WGA) | ||
| Patrick McGrath | (novel) | |
| Patrick Marber | (screenplay) and | |
| Chrysanthy Balis | (screenplay) | |
Produced by | |||
| David E. Allen | .... | producer | |
| Michael Barlow | .... | executive producer | |
| Laurie Borg | .... | producer (as Laurence Borg) | |
| John Buchanan | .... | executive producer | |
| David Collins | .... | co-producer | |
| Chris Curling | .... | executive producer | |
| Baron Davis | .... | executive producer | |
| Harmon Kaslow | .... | executive producer | |
| Steve Markoff | .... | executive producer (as Steven Markoff) | |
| Bruce McNall | .... | executive producer | |
| Mace Neufeld | .... | producer | |
| Robert Rehme | .... | executive producer | |
| Natasha Richardson | .... | executive producer | |
Original Music by | |||
| Mark Mancina | |||
Cinematography by | |||
| Giles Nuttgens | (director of photography) | ||
Film Editing by | |||
| Colin Monie | |||
| Steven Weisberg | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Philip Barber | |||
| Jim Furlong | (supervising art director) | ||
Set Decoration by | |||
| Philippa Hart | |||
Costume Design by | |||
| Consolata Boyle | |||
Makeup Department | |||
| Carole Dunne | .... | chief hair stylist (as Carol Dunne) | |
| Jane Walker | .... | makeup artist | |
| Aileen Seaton | .... | hair designer (uncredited) | |
| Aileen Seaton | .... | makeup designer (uncredited) | |
Second Unit Director or Assistant Director | |||
| Peter Agnew | .... | first assistant director | |
| Sandra Corbally | .... | third assistant director | |
| Anna Doorly | .... | trainee assistant director | |
| Simon Downes | .... | second assistant director | |
| Susan Drennan | .... | third assistant director | |
| Patrick Gordon | .... | trainee assistant director | |
| Julie Heskin | .... | trainee assistant director | |
| John Wallace | .... | trainee assistant director | |
Art Department | |||
| Philip Allen | .... | joiner | |
| Simon Amos | .... | carpenter | |
| Paul Arkins | .... | stagehand | |
| Pat Bailey | .... | head painter | |
| Ian Barrett | .... | carpenter | |
| Colm Bassett | .... | construction manager: Ireland | |
| Mark Bassett | .... | stand-by stagehand | |
| Victoria Bassett | .... | sculptor | |
| Neville Bayliss | .... | greensman | |
| Matthew Birkeit | .... | plasterer | |
| Daniel Brook | .... | carpenter | |
| Benjamin Brown | .... | construction coordinator | |
| Bill Buckley | .... | carpenter | |
| Tommy Burke | .... | carpenter | |
| Tom Burnage | .... | construction runner | |
| Julie Busher | .... | assistant art director | |
| Dermot Butler | .... | assistant construction manager | |
| James Butler | .... | carpenter | |
| David Byrne | .... | plasterer | |
| Larry Byrne | .... | plasterer | |
| Thomas Carey | .... | carpenter | |
| Barry Carter | .... | carpenter | |
| Helen Chapman | .... | art department runner | |
| Greg Charlesworth | .... | carpenter (as Gregory Charlesworth) | |
| Sarah Choonara | .... | assistant to painter | |
| Frances Coleman | .... | scenic painter | |
| Tony Dixon | .... | painter | |
| David Doran | .... | stand-by art director | |
| Jon Doyle | .... | prop storeman | |
| Ciaran Drew | .... | carpenter | |
| Ciaran Drew | .... | stand-by carpenter | |
| Stephen Driver | .... | carpenter | |
| Paul Duffin | .... | carpenter | |
| Rob Dunbar | .... | modeller | |
| Kate Evans | .... | art department runner | |
| Richard Farrell | .... | carpenter | |
| Neil Featherstone | .... | head painter (as Neil Featherston) | |
| Andrew Garnet-Lawson | .... | scenic painter | |
| Neville Gaynor | .... | painter | |
| Zaman Ghulam | .... | painter | |
| Richard Gunn | .... | carpenter | |
| Brian Guy | .... | stagehand | |
| Neal Hakes | .... | carpenter | |
| Naomi Hanrahan | .... | art department trainee | |
| Jules Harris | .... | prop storeman | |
| Matthew Harrison | .... | plasterer | |
| Michael Hill | .... | stand-by props | |
| Lee Hockey | .... | prop builder | |
| Timothy Horne | .... | carpenter | |
| Martin Hunter | .... | carpenter | |
| Simon Jacobs | .... | carpenter | |
| Gemma Jones | .... | assistant to painter | |
| Martin Kenny | .... | stand-by painter | |
| Dave Kinsella | .... | dressing props (as David Kinsella) | |
| David Knott | .... | carpenter | |
| Katie Lee | .... | assistant to painter | |
| Tom Lundy | .... | head painter (as Tommy Lundy Jr.) | |
| Tom Lundy | .... | painter (as Tommy Lundy Sr.) | |
| Charles Maloney | .... | painter (as Charlie Moloney) | |
| James McGetrick | .... | stand-by prop | |
| Rob Menzer | .... | plasterer | |
| Annie Millar | .... | assistant scenic painter | |
| Brian Molloy | .... | carpenter | |
| Pat Mosley | .... | prop storeman (as Paddy Andrew Mosley) | |
| Colm Murphy | .... | supervising carpenter | |
| Richard O'Brien | .... | stand-by props | |
| Charlotte O'Connor | .... | assistant prop buyer | |
| Ian Olivia | .... | carpenter | |
| Jimmy O'Meara | .... | stagehand | |
| Ian Osborne | .... | stand-by painter | |
| Thomas O'Shaughnessy | .... | painter (as Tommy O'Shaughnessy) | |
| Michael Parkin | .... | plasterer | |
| Dave Peters | .... | chargehand dressing props (as David Peters) | |
| John Prideaux | .... | joiner | |
| Brendan Rankin | .... | draughtsman | |
| David Reilly | .... | property master | |
| Oliver Roberts | .... | stand-by art director | |
| Anthony Smith | .... | art department runner | |
| Joe Swaine | .... | carpenter (as Joe Swain) | |
| Fanny Taylor | .... | prop buyer | |
| Bill Thomas | .... | construction manager: UK | |
| Fraser Thorne | .... | carpenter | |
| Becky Timon | .... | plasterer | |
| Richard Touch | .... | carpenter (as Richard 'Badger' Touch) | |
| Anke Vorwick | .... | model maker | |
| Terrence Wallace | .... | storeman | |
| Anthony Walsh | .... | stagehand | |
| Gavin Walsh | .... | carpenter | |
| Josephine Warne | .... | graphic artist | |
| Alex Wharton | .... | carpenter | |
| Simon Whitelegg | .... | carpenter | |
Sound Department | |||
| Iain Anderson | .... | assistant sound editor | |
| Jamie Ballinger | .... | second boom operator | |
| Brendan Deasy | .... | sound recordist | |
| Caoimhe Doyle | .... | foley artist | |
| John Fitzgerald | .... | foley recordist | |
| John Fitzgerald | .... | sound re-recording mixer | |
| Kahl Henderson | .... | adr editor | |
| Kahl Henderson | .... | dialogue editor | |
| Lee Herrick | .... | foley editor | |
| Tom Johnson | .... | sound re-recording mixer | |
| Lorraine Keiller | .... | adr editor | |
| Lorraine Keiller | .... | dialogue editor | |
| Giles Lamb | .... | sound designer | |
| Niamh Learmont | .... | second boom operator | |
| Douglas MacDougall | .... | supervising sound editor | |
| Micheal MacKinnon | .... | foley artist | |
| Nicky Moss | .... | foley editor | |
| Jamie Roden | .... | adr recordist | |
| Chris Sinclair | .... | sound effects editor | |
| Peter Slater | .... | boom operator | |
| Ted Swanscott | .... | adr recordist | |
| Nick Watson | .... | sound consultant: Dolby | |
| Geoff Foster | .... | sound recording engineer (uncredited) | |
| Brendan Geaney | .... | transfer recordist (uncredited) | |
Special Effects by | |||
| Mike H.G. Bates | .... | special effects makeup (uncredited) | |
| Mike Stringer | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Neil Culley | .... | digital artist | |
| Mick Harper | .... | digital artist | |
| Barrie Hemsley | .... | visual effects producer | |
| Sarah Hemsley | .... | visual effects: The Senate Visual Effects | |
| Richard Higham | .... | digital artist | |
| Duncan Kinnaird | .... | visual effects supervisor | |
| Robin Konieczny | .... | digital artist | |
| Andrew MacLeod | .... | digital artist | |
| Warren J. Mills | .... | digital and film I/O | |
| Anna Panton | .... | visual effects coordinator | |
| Dylan Penhale | .... | digital systems and network | |
| Rupert Smith | .... | visual effects: The Senate Visual Effects | |
| Tim Walton | .... | digital artist | |
| Matt Westrup | .... | digital artist | |
| Doug Luberts | .... | visual effects assistant editor (uncredited) | |
| Jason Piccioni | .... | additional visual effects supervisor (uncredited) | |
Stunts | |||
| Anthony Condren | .... | stuntman (as Tony Condren) | |
| Brendan Condren | .... | stuntman | |
| Joe Condren | .... | stunt coordinator | |
| Patrick Condren | .... | stuntman | |
| Trudy Gorlik | .... | stuntman | |
| Dylan Kelly | .... | stuntman | |
| Norman Kelly | .... | stuntman | |
| John Sheridan | .... | stuntman | |
Casting Department | |||
| Faith Allbeson | .... | assistant to casting director | |
| Orla Maxwell | .... | assistant to casting director | |
| Sooki McShane | .... | casting: children | |
| Alyson Lockwood | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Samantha Cousins | .... | wardrobe assistant | |
| Emma Fryer | .... | stand-by costumer | |
| Trudy Gorlik | .... | seamstress | |
| Pat Greenwood | .... | seamstress | |
| Holly Hughes | .... | dresser | |
| Hazel Mall | .... | wardrobe supervisor | |
| Julie Nash | .... | stand-by costumer | |
| Keelin O'Síochain | .... | assistant costume designer (as Keelin O'Siochain) | |
| Andrew Ross | .... | dresser: Ian McKellen | |
| Sue Wain | .... | costume supervisor | |
Editorial Department | |||
| Giles Burgess | .... | first assistant film editor | |
| Neil Hurford | .... | color grader | |
| Christopher Lloyd | .... | additional assistant film editor (as Chris Lloyd) | |
| Jason Wheeler | .... | negative cutter (uncredited) | |
Music Department | |||
| Alison Butters | .... | music supervisor: UK | |
| Chuck Choi | .... | score recordist: Firehouse Recording Studio | |
| David Clegg | .... | musician: tenor horn | |
| Mick Delaney | .... | musician: baritone | |
| Mick Delaney | .... | musician: second coronet | |
| Marc Fantini | .... | additional music arranger | |
| Steffan Fantini | .... | additional music arranger | |
| Jim Fieldhouse | .... | musician: trombone | |
| Mike Flicker | .... | supervising music editor | |
| Matt Friedman | .... | music editor | |
| Paul Harrison | .... | musician: third coronet | |
| Charles Hindmarsh | .... | musician: bass | |
| Dan Jazwinski | .... | musician: percussion | |
| Neil Jowett | .... | conductor | |
| Steve Kempster | .... | score mixer | |
| The Lindey Band | .... | musicians: brass band | |
| Kevin Mayfield | .... | music production assistant | |
| Dave Metzger | .... | additional music arranger | |
| Glyn Nash | .... | musician: principal coronet | |
| Bryon Rickerson | .... | assistant music editor | |
| Dick Bernstein | .... | temp music editor (uncredited) | |
| Scott Fraser | .... | music programmer (uncredited) | |
| Fionn Higgins | .... | assistant scoring mixer (uncredited) | |
| Paul Leonard-Morgan | .... | conductor (uncredited) | |
| Paul Leonard-Morgan | .... | orchestrator (uncredited) | |
| Dave Metzger | .... | orchestrator (uncredited) | |
| Nick Wollage | .... | score recordist (uncredited) | |
Transportation Department | |||
| William Andria | .... | unit driver | |
| Danny Blain | .... | driver: facility | |
| Reggie Blain Jr. | .... | driver: facility (as Reggie Blain) | |
| Victor Blain | .... | driver: facility | |
| Stephen Carroll | .... | action vehicles: Motorhouse Hire | |
| Con Cleary | .... | unit driver | |
| James Cullen | .... | unit driver | |
| Paul Cullen | .... | transportation captain | |
| Jim 'Boxcar' Farrelly | .... | unit driver | |
| Matthew Freeman | .... | unit driver | |
| Donato Edward Kay | .... | unit driver | |
| Terence Morrison | .... | driver: facility (as Terrence Morrison) | |
| Peter Rosebottom | .... | driver: minibus | |
| Clark Tracy | .... | driver: facility (as Clarke Tracy) | |
| Tony Troy | .... | driver: prop runaround | |
| Tom West | .... | unit driver | |
| Jim Whiskers | .... | driver: construction runaround (as Jim 'Whiskers' Tansey) | |
Other crew | |||
| Peter Alexander | .... | location trainee | |
| Anthony Bagley | .... | location runner | |
| Dean Baker | .... | location runner | |
| Tony Black | .... | psychology advisor | |
| Jeremy Burnage | .... | assistant production coordinator | |
| Lisa Byrne | .... | production coordinator: Samson Films | |
| Con Cremins | .... | accountant | |
| Manuela Cripps | .... | assistant: Natasha Richardson | |
| Rebecca Daly | .... | production trainee | |
| Deirdre Doorley | .... | assistant accountant | |
| Peter Eardley | .... | assistant accountant | |
| Geraldine Finn | .... | tutor | |
| David Finnigan | .... | production assistant | |
| Gillian Flood | .... | assistant production coordinator | |
| Ron Forder | .... | assistant production accountant | |
| Magali Gibert | .... | production coordinator | |
| Elaine Gill | .... | production financing: Anglo Irish Bank | |
| Jonathan Grafton | .... | production runner | |
| Brendan Gunn | .... | voice coach | |
| Kieran Hennessy | .... | location manager: Ireland | |
| James Hickey | .... | legal affairs: Samson Films, Matheson Ormsby Prentice | |
| Manus Home | .... | location manager: UK | |
| Sasfi Hope-Ross | .... | assistant location manager | |
| Ruth Hunter | .... | legal affairs: Samson Films, Matheson Ormsby Prentice | |
| Janet Kearsley | .... | stand-in | |
| Miriam Kelly | .... | accounts assistant (as Miriam C. Kelly) | |
| Sue Lefton | .... | choreographer | |
| Jeanette McGrath | .... | script supervisor | |
| Liz Miller | .... | unit publicist: McDonald Rutter | |
| Derek Mullen | .... | stand-in | |
| Clive Noakes | .... | laboratory contact | |
| Michael O'Sullivan | .... | production financing: Angle Irish Bank | |
| Daniella Pearman | .... | production runner | |
| Bernie Phillips | .... | stand-in (as Bernard Phillips) | |
| Jo Pond | .... | production accountant | |
| Jake Roberts | .... | assistant to director | |
| Kerry Robinson | .... | location runner | |
| Diana Scrivener | .... | assistant choreographer | |
| Erik William Smith | .... | production executive (uncredited) | |
| Katherine Stockall | .... | accounts assistant | |
| Jane Trower | .... | assistant accountant | |
| Lucas Verbist | .... | unit nurse | |
| Gaynor Watts | .... | tutor | |
| Monika Agorelius | .... | electronic press kit (uncredited) | |
| Francisco Cortes | .... | acquisitions & co-productions: Paramount Classics (uncredited) | |
| Miguel Costilliano | .... | production assistant (uncredited) | |
| Tara McNamee | .... | extras coordinator (uncredited) | |
| Roman Viaris-de-Lesegno | .... | production financing (uncredited) | |
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Very briefly, the story concerns Stella, the wife of a newly arrived deputy superintendent of a prison hospital for the criminally insane and the developing relationship that she forms with one of the trusted inmates. Nothing particularly original about a tale of doomed love - you inevitably suspect that the outcome will be disastrous, but the tale unfolds in a way that is unexpected and gripping. What makes Asylum stand out is the environment in which the tale is set and the quality of the production. I read the book on which the film is based some years ago. I often find that having read a book, a subsequent film can be a disappointment, possibly because the pictures you have formed in your mind vary from those that appear on screen. Asylum differed in this respect and I came away from the viewing haunted by what I had seen and greatly impressed with the absorbing nature of the production. For the benefit of any readers unfamiliar with the work of the author Patrick McGrath, his books often feature characters that are mentally ill. He knows the subject well as he grew up living in the grounds of Broadmoor, the English prison hospital for the criminally insane that features in this story. His father worked on the medical staff there. The film captures the claustrophobic and artificial environment of such a community and I refer to that which is experienced by the staff and their families rather than the patients. The rigid conformity and social constraints to which Stella is subject to are convincingly portrayed. The casting and acting I found pretty much faultless, not only from the big players such as Richardson and McKellen but the lesser known members of the cast excel also. Marton Csokas as Edgar, the subject of Stella's attention is particularly good. I was expecting a worthy but slightly dull 'quality' drama but I found the film unexpectedly absorbing, even though I was familiar with the story. The direction and photography should be praised also unobtrusive but allowing the story to unfold at a swift pace so as to hold the viewers attention. Highly recommended.