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IMDb > Ce jour-là (2003)

Ce jour-là (2003) More at IMDbPro »

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Overview

User Rating:
6.9/10   323 votes
MOVIEmeter: ?
Down 8% in popularity this week. See rank & trends on IMDbPro.
Director:
Raoul Ruiz
Writer:
Raoul Ruiz (written by)
Contact:
View company contact information for That Day on IMDbPro.
Release Date:
4 June 2003 (France) more
Genre:
Comedy | Crime | Drama | Mystery more
Awards:
1 win & 2 nominations more
NewsDesk:
Cannes Contestants
 (From Studio Briefing - Film News. 23 April 2003)

User Comments:
A few good murder gags more

Cast

  (Cast overview, first billed only)
Bernard Giraudeau ... Pointpoirot
Elsa Zylberstein ... Livia
Jean-Luc Bideau ... Raufer
Jean-François Balmer ... Treffle
Christian Vadim ... Ritter
Laurent Malet ... Roland
Rufus ... Hubus

Féodor Atkine ... Warff
Jacques Denis ... Patron café
Edith Scob ... Leone
Hélène Surgère ... Bernadette
Laurence Février ... Edmonde
Jean-Michel Portal ... Vogel
Jean-Baptiste Puech ... Luc
Matthias Urban ... Dorival
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Additional Details

Also Known As:
That Day (International: English title)
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Runtime:
France:105 min
Language:
French
Color:
Color
Sound Mix:
Dolby Digital
Certification:
Portugal:M/16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud)
Company:
Gémini Films more

FAQ

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3 out of 4 people found the following comment useful:-
A few good murder gags, 18 April 2004
Author: bradluen (bradluen@yahoo.co.nz) from Berkeley, California

In this comedy of homicidal manners, people keep trying to kill both the sprite-like madwoman Livia (Elsa Zylberstein, gorgeously weightless) and her would-be assassin, the tottering madman Pointpoirot (Bernard Giraudeau, appropriately blank), and naturally there's a huge inheritance and a government conspiracy involved. Ruiz's staging is flawless, and the killing scenes in particular are exemplary - he knows when it's funnier to follow the characters, and when it's funnier to sit the camera dead still. I don't know if it all means any more than "Battle Royale" - Zylberstein said that Ruiz came to the conclusion in mid-shoot that it was a metaphor for Pinochet's violence, which may or may not be consistent with what we see on screen. Still, at least it takes the trouble to set up jokes properly, and it's not till the last third that they start seeming repetitive. I'm more or less neutral on this one.

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