| Photos (see all 7 | slideshow) | Videos (see all 2 NEW) |
| James Woods | ... | Pops | |
| Juliette Marquis | ... | Moon | |
| Kip Pardue | ... | Kip | |
| Tomas Arana | ... | Aronson | |
| Michael Rapaport | ... | Terry | |
| Rosario Dawson | ... | Martine | |
| Isaiah Washington | ... | Shane | |
| Ioan Gruffudd | ... | Daniel | |
| Cheyenne Silver | ... | Cheyenne | |
| Kam Heskin | ... | Jessie | |
| Alexi Yulish | ... | Nick Hudson | |
| Sean Douglas | ... | Marco | |
| Sherrie Rose | ... | Nurse | |
| Sung Hi Lee | ... | Kobi | |
| rest of cast listed alphabetically: | |||
| Chase Bramlage | ... | Jason | |
| Maria Cina | ... | Reporter | |
| Ken Davitian | |||
| Peter Dobson | |||
| David Alan Graf | ... | Cab Driver | |
| Jimmy Jean-Louis | ... | Action Jackson | |
| Alexander Keith | |||
| Kelli King | ... | Young Moon | |
| Sangini Majmudar | ... | Indian wife | |
| Isley Nicole Melton | ... | Friend | |
| Joel Michaely | ... | Jetson | |
| Mac Miller | |||
| Jay Montalvo | ... | Latino man | |
| Kimberly Rowe | |||
| Bob Sattler | ... | Police Officer | |
| Graham Shiels | ... | Skinhead | |
| Katherine Taub | ... | Receptionist | |
| Natalie Taylor | ... | Mal | |
| Wendy Thompson | ... | Skinny Girl | |
Directed by | |||
| Ash Baron-Cohen | (as Ash) | ||
Writing credits(in alphabetical order) | ||
| Ash Baron-Cohen | writer (as Ash) | |
Produced by | |||
| Ash Baron-Cohen | .... | producer (as Ash) | |
| Daniel M. Berger | .... | co-producer | |
| Ann Friday | .... | associate producer | |
| Chris Hanley | .... | producer | |
| David Hillary | .... | producer | |
| Clark McCutchen | .... | co-producer | |
| Richard Middleton | .... | line producer | |
| Timothy Wayne Peternel | .... | co-executive producer | |
| Daniela Roth | .... | associate producer | |
| Douglas Salkin | .... | co-producer | |
| Allyson Tang | .... | co-producer | |
| Boro Vukadinovic | .... | executive producer | |
| Boro Vukadinovic | .... | producer | |
| David Alan Graf | .... | co-executive producer (uncredited) | |
Original Music by | |||
| Bob Durham | |||
Cinematography by | |||
| Alessandro Zezza | |||
Film Editing by | |||
| Jim Kelly | |||
| Troy Takaki | |||
Casting by | |||
| Shannon Makhanian | |||
Production Design by | |||
| Daniel M. Berger | |||
Set Decoration by | |||
| Kathleen Noonan | |||
Costume Design by | |||
| Marcelo Pequeño | |||
Makeup Department | |||
| Jack Abernethy | .... | assistant hair stylist | |
| Wendy Boscon | .... | key hair stylist | |
| Kyndra Ester | .... | assistant hair stylist | |
| Jennifer Greenberg | .... | assistant makeup artist | |
| Eva Lohse | .... | assistant makeup artist | |
| Aoife O'Daliagh | .... | assistant makeup artist | |
| Kirsten Simitzi | .... | assistant makeup artist | |
| Sherri Simmons | .... | assistant makeup artist | |
| Tatiana Thorpe | .... | key makeup artist | |
| Anh Co Tran | .... | assistant hair stylist | |
Production Management | |||
| Anthony B. Palmer | .... | unit production manager | |
| Douglas Salkin | .... | post-production supervisor | |
Art Department | |||
| Brian Kline | .... | lead man | |
| Eric LaBonte | .... | swing | |
| Tim Mallory | .... | property master | |
| John Robertson | .... | lead man | |
| Brian Russo | .... | assistant property master | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Gary Alexander | .... | supervising re-recording mixer | |
| Chase Bramlage | .... | boom operator | |
| Christopher Eakins | .... | sound effects editor | |
| Christopher Eakins | .... | supervising sound editor | |
| Margaret Gillespie | .... | sound utility | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Mark Andre Kneer | .... | sound editor | |
| Donald Lyles | .... | sound recordist | |
| John Marquis | .... | sound designer | |
| Ted Phillips | .... | sound mixer | |
| Shannon Potter | .... | sound recordist | |
| Monica Ruiz | .... | sound assistant | |
| Christopher Sheldon | .... | supervising sound editor | |
| Pablo Solorzano | .... | sound recordist | |
Special Effects by | |||
| Wayne Beauchamp | .... | special effects coordinator | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM (as Christopher Dusendschön) | |
Stunts | |||
| Monica Staggs | .... | stunt double: Juliette Marquis | |
| Gary J. Wayton | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Randall James Bol | .... | electrician | |
| Jennifer Chieppa | .... | camera intern | |
| Greg Code | .... | Steadicam operator | |
| Henry Dhuy | .... | still photographer | |
| Deanna Esmaeel | .... | camera operator: second unit | |
| Jesse Feldman | .... | first assistant camera | |
| Edward Green | .... | assistant camera | |
| Keely Grigel | .... | electrician | |
| Trevor Houghton | .... | electrician | |
| Gaylan Andrew Hussain | .... | key grip | |
| Scott Johnston | .... | first assistant camera | |
| Kurt Jones | .... | Steadicam operator | |
| Alexandra Lucka | .... | second assistant camera (as Alex Luca) | |
| Euripides Núñez | .... | gaffer | |
| Jason Perr | .... | videographer | |
| Sean Piper | .... | electrician | |
| Michael Skor | .... | first assistant camera | |
| Brad Wallace | .... | first assistant camera | |
Casting Department | |||
| Jennifer Goldstein | .... | casting associate | |
Costume and Wardrobe Department | |||
| Chay Santini | .... | set costumer | |
| Andrea Sweet | .... | costume supervisor | |
| Sara Walbridge | .... | set costumer | |
Editorial Department | |||
| Angela M. Catanzaro | .... | assistant editor | |
| Nneka Goforth | .... | assistant editor | |
| Spencer Hecox | .... | on-line editor | |
| John Paul Horstmann | .... | first assistant editor | |
| Mato | .... | color timer | |
Music Department | |||
| Aaron Jacoves | .... | music supervisor | |
| Lee Scheinbaum | .... | music supervisor | |
Other crew | |||
| Randall James Bol | .... | additional best boy | |
| Sean Callahan | .... | key set production assistant | |
| Jonathan Dana | .... | producer's representative | |
| Al DaRodda | .... | production assistant | |
| Deanna Esmaeel | .... | HDTV technician | |
| Angela Harp | .... | production assistant | |
| Mike Hoy | .... | production assistant | |
| Forest James | .... | production assistant | |
| Darla Lansu | .... | assistant production coordinator | |
| Christina K.Y. Lee | .... | production coordinator | |
| Clark McCutchen | .... | production attorney | |
| Beth Multer | .... | script supervisor | |
| Sasha Popovic | .... | location manager | |
| Matt Robertson | .... | location manager | |
| Claire Varney | .... | unit publicist | |
| Lisa Villaire | .... | craft service | |
| Rob Weston | .... | producer's representative | |
Thanks | |||
| A.J. Robbins | .... | special thanks | |
|
|
|
|
|
| Basic Instinct | La coda dello scorpione | La tarantola dal ventre nero | Chik loh go yeung | La noche del terror ciego |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
After the success of the inexpensively made trade movie "Boogie Nights," one might expect a series of even cheaper and less skillful ripoffs. The usual trajectory for ripoffs would be more sex and less character.
I suppose in some ways, we wouldn't have "This Girl's Life" if we hadn't had "Boogie Nights," but this film is actually pretty good. If the earlier film was mostly an ensemble effort, this one depends on Juliette Marquis. We see things almost exclusively from her point of view. She's a porn star with a heart of gold and some brains. It sounds like a cliché, but she pulls it off okay. She's not exactly beautiful but she is sexy and exotic and has a nasal voice that sometimes drops into the lower register.
But Marquis gets surprisingly good support from such mainstream players as Rosario Dawson, and adequate support from Cheyenne Silver, a genuine star of sex films who has a fresh-faced attractiveness that suggests she grew up on a farm and fed on nothing but cream and ripe strawberries. Anyone who wants to see what she looks like all over can easily have his curiosity satisfied with a bit of effort.
James Woods is super as Pops, Marquis' father who is stricken with Parksinson's disease. He's a courageous actor, wandering around in public with what seems to be an enormous head and a shrunken flabby body. The only investment of ego on display is his talent.
If "Boogie Nights" showed us that the sex movie industry of the 1970s was like a family, "This Girl's Life" demonstrates that the family is not entirely functional these days. The head of the studio keeps carrying on paternally about how we are all one big -- incestuous -- family, but when he wants one of his girls to do something that she does not want to do, he prompts her to do a line of coke and shoves her roughly against a wall. Spare the rod and spoil the child, you know.
The director has Marquis talk directly to the camera on several occasions, as if this were a reality TV show. She shows us how a microvideocamera works, a "spy camera" like that used in police and FBI stings. And there are times when scenes appear as if shot with one of those tiny cameras, all fuzzy and with horizontal lines. Not sure what the point of that was. And I'm not sure what happens to Pop either. His case seems to be hanging in the air at the end when, after a violent encounter with a man whose life Marquis has just professionally put an end to, she takes off with her naive young monogamous lover.
I assume -- I HOPE -- that she finally got back to taking care of Pops, because his disorder is rather advanced and it would take him an hour to peel a banana.
In any case, the very amateurishness of some of the performances contributes to the documentary feel of the film, but it's a documentary that is emotionally charged.
A surprise, well worth watching.