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Directed by | |||
| Lars von Trier | (as Lars Von Trier) | ||
Writing credits | ||
| Lars von Trier | (written by) (as Lars Von Trier) | |
Original Music by | |||
| Joachim Holbek | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Molly Marlene Stensgård | (as Molly Malene Stensgaard) | ||
Casting by | |||
| Job Gosschalk | |||
| Nicolas Lublin | |||
| Saida van der Reijd | |||
Art Direction by | |||
| Peter Grant | |||
Set Decoration by | |||
| Simone Grau | |||
Costume Design by | |||
| Manon Rasmussen | |||
Makeup Department | |||
| Pascale Bouquière | .... | makeup artist (as Pascale Bouquiere) | |
| Evelyne Byot | .... | key hair stylist | |
| Evelyne Byot | .... | key makeup artist | |
| Anja Dahl | .... | makeup consultant | |
| Morten Jacobsen | .... | special makeup effects: hanged man dummy | |
| Alexis Kinebanyan | .... | special makeup effects assistant (as Alexis Kinebankan) | |
| Dennis Knudsen | .... | makeup artist | |
| Benoît Lestang | .... | special makeup effects artist | |
| Sara Meerman | .... | makeup artist | |
| Nora Nona | .... | makeup artist | |
| Geoffroy Selley | .... | special makeup effects assistant | |
| Mari Vaalasranta | .... | makeup artist | |
| Sue Wyburgh | .... | makeup artist | |
Production Management | |||
| Daniel Ahlqvist | .... | production manager: SE | |
| Lene Nielsen | .... | production manager: DK | |
| Pia Nielsen | .... | post-production supervisor | |
Art Department | |||
| Anders Folke Andersen | .... | carpenter | |
| Mikael Back | .... | carpenter | |
| Christine Bechameil | .... | painter | |
| Jean Roch Bechameil | .... | plasterer | |
| Katja Bjergby | .... | blacksmith assistant | |
| Jehan De Breda | .... | plasterer | |
| Francoise Delaire | .... | assistant art director | |
| Martina Eriksdotter | .... | props assistant | |
| Tony Grob | .... | historical design and research | |
| Rickard Grönvall | .... | painter (as Rikard Grönvall) | |
| Lars Hansen | .... | blacksmith | |
| Yvan Hart | .... | plasterer | |
| Søren Jochumsen | .... | construction coordinator | |
| Palle Larsen | .... | construction coordinator | |
| Jesper Lorents | .... | property master | |
| Charlotte Öberg | .... | art department runner | |
| Kaare Pihl | .... | floor: Pihl Coating A/S | |
| Ursula Riismøller Nielsen | .... | painter | |
| Torben Skalleræk | .... | carpenter (as Torben Skallebæk) | |
| Per Uffelmann | .... | blacksmith | |
| Peter Vålming | .... | set carpenter | |
| Frank Zandhoff | .... | carpenter | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | sound designer | |
| Pétur Einarsson | .... | foley editor | |
| Anne Jensen | .... | dialogue editor | |
| Per Dybdal Jensen | .... | sound assistant (as Per Dybdal) | |
| Mark Kenna | .... | consultant: Dolby film sound | |
| Julien Naudin | .... | foley artist | |
| Marten Negenman | .... | sound designer | |
| Jan Nieuwenhuijs | .... | sound assistant | |
| Thomas Puget | .... | foley artist | |
| Jamie Roden | .... | adr mixer | |
| Ad Stoop | .... | sound recordist | |
| Per Streit | .... | sound designer | |
Visual Effects by | |||
| Henric Andersson | .... | visual effects: multicam technician | |
| Ian Bach | .... | compositor | |
| Søren Buus | .... | 3D artist | |
| Niels Valentin Dal | .... | matte painter | |
| Sune Elskær | .... | storyboard artist | |
| Marie Gjessing | .... | assistant compositor | |
| Ocki Hansson | .... | visual effects: techno crane | |
| Peter Hartwig | .... | 3D artist | |
| Peter Hjorth | .... | visual effects supervisor | |
| Anders Jønsson | .... | modelbuilder | |
| Morten Juel Jørgensen | .... | compositor (as Morten Juel) | |
| Rasmus Lange | .... | compositor | |
| Oskar Larsson | .... | visual effects: multicam technician (as Oscar Larsson) | |
| Allan O. Lückow | .... | motion control (as Allan O Lückow) | |
| Hans Peter Ludvigsen | .... | pyrotechnics | |
| Karen Maarbjerg | .... | visual effects producer | |
| Mark Moriarty | .... | visual effects: hothead operator | |
| Peter Mygdal | .... | technical support (as Peter 'Myg' Mygdal) | |
| Lars 'Lalo' Nielsen | .... | assistant compositor | |
| Tine Nikali | .... | 3D artist | |
| Mikkel Rønne | .... | compositor | |
| Søren Tomas | .... | visual effects producer: pre-production | |
Stunts | |||
| Clive Curtis | .... | stunt double: Isaach De Bankolé | |
Camera and Electrical Department | |||
| Anette Arnholm | .... | coordinator: camera equipment (as Annette Arnholm) | |
| Christian Bonde | .... | lighting programmer | |
| Jakob Bonfils | .... | technician: Easyrig modifier | |
| Carsten Bramsen | .... | assistant: AV | |
| Anthony Dod Mantle | .... | camera operator | |
| Asa Frankenberg | .... | lighting designer (as Åsa Frankenberg) | |
| Mohamed Khaznadji | .... | grip (as Khaznadji Colin) | |
| Jens Lind | .... | gaffer | |
| Jens Lind | .... | lighting department project manager | |
| Thomas Neivelt | .... | gaffer | |
| Anton Öhrstrand | .... | lighting trainee (as Anton Finn Öhrstrand) | |
| Erik Persson | .... | clapper loader | |
| Ulrik Gad Poulsen | .... | assistant lighting designer (as Ulrik Gad) | |
| Martin Svane | .... | electrician | |
| Pim Tjujerman | .... | focus puller | |
| Lars von Trier | .... | camera operator (as Lars Von Trier) | |
| Astrid Wirth | .... | still photographer | |
Casting Department | |||
| Karolina Karlsson | .... | casting: stand-ins (as Lina Karlsson) | |
| Avy Kaufman | .... | casting: USA | |
| Joyce Nettles | .... | casting: UK | |
| Kristoffer Nyholm | .... | casting advisor | |
| Therese Rydnemalm | .... | casting assistant: children | |
| Jette Termann | .... | casting: children | |
| Maggie Widstrand | .... | casting: children | |
| Joen Windahl | .... | extras casting | |
Costume and Wardrobe Department | |||
| Åsa Broms | .... | costume assistant | |
| Bente Christensen | .... | seamstress | |
| Grith Deleuran | .... | costumes | |
| Marie Flyckt | .... | costume assistant | |
| Malou Listoft | .... | seamstress | |
| Magdalena Nilsson | .... | costume assistant | |
| Sari Suominen | .... | first costume assistant | |
Editorial Department | |||
| Anne Katrine Andersen | .... | post-production coordinator | |
| Gene Barbe | .... | film lab coordinator: LTC | |
| Carsten Bramsen | .... | assistant editor | |
| Thomas Caspersen | .... | digital preparation | |
| Stefan Ciupek | .... | color grader | |
| Lars Dela | .... | technical backup | |
| Christian Dutac | .... | grader | |
| Linse Jensen | .... | post-production booking coordinator | |
| Jonas Kiselberg | .... | logger | |
| Bodil Kjærhauge | .... | assistant editor | |
| Thomas Krag | .... | editor: end credits | |
| Rasmus Madsen | .... | editor trainee (as Rasmus Stensgaard) | |
| Emmanuelle Pencalet | .... | first assistant editor | |
| Cecilie Rui | .... | post-production assistant | |
Music Department | |||
| The English Concert | .... | performer: music score (as The English Concert Orchestra) | |
| Joachim Holbek | .... | music arranger | |
| Bo Holten | .... | music consultant: Baroque music | |
| Mike Ross-Trevor | .... | music mix engineer | |
| Mike Ross-Trevor | .... | music recordist | |
| Allan Wilson | .... | conductor | |
Transportation Department | |||
| Irina Ahlstrand | .... | driver | |
| Rashid Clytus | .... | driver | |
| Louise Drake | .... | picture car coordinator | |
| Sara Eriksson | .... | driver | |
| Fredrik Fornänger | .... | driver | |
| Björn Franzén | .... | driver (as Björn Franzen) | |
| Carl Hallbladh | .... | driver (as Carl Hallblad) | |
| Alexander Hylander | .... | driver | |
| Anders Kjäll | .... | driver | |
| Torbjörn Land | .... | driver | |
| Michael Lundin | .... | driver (as Mike Lundin) | |
| Gustav Mattsson | .... | driver | |
| Sara Osbeck | .... | driver | |
| Josefine Tengblad | .... | transportation coordinator | |
| Markandrew Terry | .... | driver | |
| Nomi Szpiro | .... | transportation assistant (uncredited) | |
Other crew | |||
| Samanou Acheche | .... | cast and travel assistant | |
| Henrik Agermann | .... | banking (as Henrik Angermann) | |
| Daniel Ahlqvist | .... | production coordinator | |
| Irina Ahlstrand | .... | runner | |
| Henrik Køier Andersen | .... | animal caretaker | |
| Kashka Banjoko | .... | personal assistant: Danny Glover | |
| Anna Bergsten | .... | children caretaker | |
| Peter Bianchi | .... | computer technician | |
| Caroline Blanco | .... | assistant: Vibeke Windeløv | |
| Susan H. Bodine | .... | production lawyer: Epstein, Levinsohn, et al (as Sue Bodine) | |
| Lene Børglum | .... | financing | |
| Andrea F. Cannistraci | .... | production lawyer: Epstein, Levinsohn, et al | |
| Stefan Ciupek | .... | chief technician | |
| Anders Claesson | .... | production assistant | |
| Rashid Clytus | .... | runner | |
| Carrie Comerford | .... | production executive: UK | |
| Linda Daae | .... | continuity | |
| Maria Dahlin | .... | production accountant | |
| Björn Dokken | .... | studio assistant | |
| Anna Duffield | .... | assistant: Gillian Berrie | |
| Michael Ehrenborg | .... | accountant: SE | |
| Füsun Eriksen | .... | public relations: international | |
| Sara Eriksson | .... | runner | |
| Peter Føhns | .... | computer technician | |
| Fredrik Fornänger | .... | runner | |
| Björn Franzén | .... | runner (as Björn Franzen) | |
| Esben Garn | .... | computer technician | |
| Buller Glem | .... | chef: studio | |
| Line Greisen | .... | public relations: Denmark | |
| Carl Hallbladh | .... | runner (as Carl Hallblad) | |
| Magnus Handberg | .... | catering assistant | |
| Charlotta Hansen | .... | continuity assistant | |
| Jeanett Hansen | .... | banking | |
| Jens Georg Hansen | .... | insurance broker (as Jens-Georg Hansen) | |
| Alexander Hylander | .... | runner | |
| Magdalena Johansson | .... | assistant continuity | |
| Anders Kildsgaard | .... | production lawyer: Bech-Bruun Dragsted | |
| Anders Kjærhauge | .... | production lawyer: Zentropa administration | |
| Anders Kjäll | .... | runner | |
| Ann Køj | .... | accountant: DK | |
| Matthias Krause | .... | assistant: Bettina Brokemper | |
| Torbjörn Land | .... | runner | |
| Dany Lebigot | .... | assistant: Humbert Balsan | |
| Anders Lexne | .... | weapons | |
| Milo Lilja | .... | catering assistant | |
| Hans Lönnerheden | .... | completion bond | |
| Michael Lundin | .... | runner (as Mike Lundin) | |
| Mikkel Maltha | .... | production lawyer: Zentropa administration | |
| Lasse Martinussen | .... | logger (as Lasse Martinusen) | |
| Gustav Mattsson | .... | runner | |
| Per Neumann | .... | completion bond | |
| Per Neumann | .... | production lawyer: Bech-Bruun Dragsted | |
| Pia Severin Nielsen | .... | cast and travel coordinator | |
| Magnus Olsson | .... | studio assistant | |
| Sara Osbeck | .... | runner | |
| Abigail Payne | .... | production lawyer: Harbottle & Lewis | |
| Nadia Saddok | .... | assistant: Humbert Balsan | |
| Katrine Sahlstrøm | .... | assistant to producer | |
| Katrine Sahlstrøm | .... | production secretary | |
| Howard Samuelsohn | .... | dialogue coach | |
| Katrina Schelin | .... | public relations: Denmark | |
| Janus Schumacher | .... | assistant: Vibeke Windeløv | |
| Reinette van de Stadt | .... | production assistant (as Reinette Van De Stadt) | |
| Dariusz Steiness | .... | background action | |
| Lennart Svensson | .... | teacher | |
| Nomi Szpiro | .... | production assistant (as Nomi Spiro) | |
| Markandrew Terry | .... | runner | |
| Isabel Tulloch | .... | accountant: UK | |
| Ann Vognsen | .... | accountant: DK | |
| Sarah Wells | .... | accountant: UK | |
| Claudia Wolfs | .... | accountant: Germany (as Claudia Coreen Wolfs) | |
| Anders Claesson | .... | assistant to production coordinator (uncredited) | |
Thanks | |||
| Humbert Balsan | .... | in memory of: 21.08.1954 - 10.02.2005 | |
| Karen Bentzon | .... | the production wishes to thank | |
| Blair Brown | .... | the production wishes to thank | |
| David Burch | .... | acknowledgment: end credit photos photographed by, Shooting Back | |
| Ian Burns | .... | the production wishes to thank | |
| Anders Ericsson | .... | the production wishes to thank | |
| Lana Garland | .... | the production wishes to thank | |
| Fred Gildersleeve | .... | acknowledgment: end credit photos photographed by, NAACP (as Gildersleeve) | |
| Daniel Hall | .... | acknowledgment: end credit photos photographed by, Shooting Back | |
| Lena Hansson | .... | acknowledgment: supported by, Danish Film Institute (as Lena Hansson-Varhegyi) | |
| Ellen Hillingsø | .... | the production wishes to thank | |
| Jacob Holdt | .... | acknowledgment: end credit photos by, American Pictures | |
| Jacob Holdt | .... | thanks: for help and inspiration | |
| Katarina Krave | .... | the production wishes to thank | |
| Per Nielsen | .... | acknowledgment: supported by, Swedish Film Institute | |
| Lynn Nottage | .... | the production wishes to thank | |
| Grey Rajaee | .... | acknowledgment: end credit photos photographed by, Shooting Back | |
| Sam Robards | .... | the production wishes to thank | |
| Petri Rossi | .... | acknowledgment: supported by, Finnish Film Foundation | |
| Michael Schmid-Ospach | .... | acknowledgment: supported by, Filmstiftung NRW | |
| Paul Schwartzman | .... | the production wishes to thank (as 'Consigliere' Paul Schwartzman) | |
| Stellan Skarsgård | .... | the production wishes to thank | |
| Ulrich Thomsen | .... | the production wishes to thank | |
| Bente Trier | .... | the production wishes to thank | |
| Marion S. Trikosko | .... | acknowledgment: end credit photos photographed by, NAACP | |
| John Vachon | .... | acknowledgment: end credit photos photographed by, NAACP | |
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| Dogville | Antichrist | Novecento | Gone with the Wind | The Liberation of L.B. Jones |
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Indeed one of this years best films. I have just returned from the cinema, and i'm still thinking about Manderlay. The story continues where Dogville ended. Grace and her father makes a short brake their travel, and discovers that a slave is getting punished near by in a plantation named Manderlay. Grace's father continues his travel and Grace stays in Manderlay to set the slaves free, as they should have been 70 years ago, when the slavery was made illegal. And of course this is not easy.
Manderlay isn't as shocking and far out as Dogville was. Not that it was a bad thing of course. But this is just a very much stronger film, because you get personally involved in the characters in a way that i don't think you did in Dogville. The only thing missing is a little bit of action. Nothing really happens. People just walk around and talk. The biggest scenes in the film has no direct influence on the following physical action and development in the story. well of course they does, but the development lies in the head of the characters. These developments are more interesting to analyze after you have seen the movie that during the movie. But instead of a lot of physical action we are given as i remember three truly terrifying and terrific scenes that are as strong as scenes in Dancer in the Dark and Breaking the Waves, and they does in my opinion make up for the lack of action.
Manderlay is also a lot stronger i it's message than Dogville was. Yes, the message is pointed against USA, but as in Dogville, it is so much more than just a criticism of that country... it's a criticism of the human kind. The reason for Lars von Trier to place the story in USA is that he likes to tease the big ones. He said that in an interview on TV not so long ago. He also said that the screenplay was written before the incidents in Iraq, so it's a coincidence that there are so many parallels between the events in Manderlay and in Iraq.
Lars von Trier is in my opinion one of the biggest directors of our time. It takes a courage, that i see in no other directors than him, to make a film like this. Manderlay is one of the bravest movies i have seen.