| Photos (see all 38 | slideshow) | Videos (see all 2) |
| John Livingston | ... | Rand | |
| Sabrina Lloyd | ... | Sarah McCaulley | |
| Bruno Campos | ... | Winston | |
| Rueben Grundy | ... | Johnson | |
| Kathleen Antonia | ... | Tammy | |
| Nicole Wilder | ... | Machiko | |
| rest of cast listed alphabetically: | |||
| Ian Berzon | ... | Moving man | |
| Timothy Breitbach | ... | Mike the bartender | |
| Ivan Kraljevic | ... | Sleazy Guy | |
| Wanda McCaddon | ... | Margie | |
| William Windom | ... | Rand's father | |
| Dennis Yen | ... | Toru | |
| Christa Bella | ... | Bar Patron (uncredited) | |
| Alan Draven | ... | Straggler (uncredited) | |
| Donn Andrew Simmons | ... | Guy on Date at Museum (uncredited) | |
Directed by | |||
| Mark Decena | |||
Writing credits(in alphabetical order) | ||
| Timothy Breitbach | writer | |
| Mark Decena | writer | |
Produced by | |||
| Brian Benson | .... | co-producer | |
| Timothy Breitbach | .... | co-producer | |
| Debbie Brubaker | .... | producer | |
| Liz Decena | .... | co-producer | |
| Tad Fettig | .... | producer | |
| Christopher James Hall | .... | line producer | |
| Eric Koivisto | .... | executive producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| Andrew Jon Thomson | .... | producer: behind the scenes | |
Original Music by | |||
| Eric Holland | |||
Cinematography by | |||
| Robert Humphreys | |||
Film Editing by | |||
| Jessica Congdon | |||
Casting by | |||
| Gillian O'Neill | |||
Production Design by | |||
| S. Quinn | |||
Art Direction by | |||
| Joe Schlick | |||
Set Decoration by | |||
| Lisa Clark | |||
Costume Design by | |||
| Jennifer Power | |||
| Deirdre Scully | |||
Makeup Department | |||
| Gretchen Davis | .... | key makeup artist | |
| Gretchen Davis | .... | makeup supervisor | |
| Nicole Sofios | .... | makeup assistant | |
| Lisa Zomer | .... | hair department head | |
| Lisa Zomer | .... | makeup department head | |
Production Management | |||
| Christopher James Hall | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| D. Cole Berry | .... | second assistant director | |
| Gino Caputi | .... | second assistant director | |
| Kiran Gonsalves | .... | first assistant director | |
Art Department | |||
| Tanem Davidson | .... | storyboard artist | |
| Sean House | .... | specialty props | |
| Patrick Ludden | .... | property master | |
| Annie Mueller | .... | assistant property master | |
| Alfred Leslie Pollard | .... | construction coordinator | |
Sound Department | |||
| Bob Gitzen | .... | sound | |
| Scott G.G. Haller | .... | sound editor | |
| Eric Holland | .... | sound design supervisor | |
| Etina Hom | .... | boom operator | |
| Howard London | .... | adr mixer | |
| Brad North | .... | sound effects editor | |
| Peter Persaud | .... | foley recordist | |
Visual Effects by | |||
| Christopher Batty | .... | digital artist | |
| David Brandt | .... | animator: Koy Koy | |
| Derek Fisher | .... | digital artist | |
| John Hays | .... | animation supervisor: Koy Koy sequences | |
Camera and Electrical Department | |||
| Rebecca Bauscher | .... | still photographer | |
| Mike Booth | .... | additional electrician | |
| Joe Bourguignon | .... | electrician | |
| Chris Lindsay | .... | gaffer | |
| Andrea Miraglia | .... | assistant camera | |
| Rob Muthamia | .... | first assistant camera | |
| Sean Prichard | .... | best boy grip | |
| Kerry Sweeney | .... | best boy electric | |
Casting Department | |||
| Kiki Goshay | .... | extras casting | |
| Nina Henninger | .... | location casting | |
| Sarah Kliban | .... | location casting associate | |
Costume and Wardrobe Department | |||
| Joslyn Lawrence | .... | costume supervisor | |
Editorial Department | |||
| Sam Dlugach | .... | final colorist | |
| Jonathan Miller | .... | post-production services (uncredited) | |
Music Department | |||
| Mads Heldtberg | .... | musician | |
| Eric Holland | .... | music supervisor | |
| Jonathan McHugh | .... | music supervisor | |
| Mike Morasky | .... | musician: guitar | |
Transportation Department | |||
| Bundy Chanock | .... | transportation coordinator | |
| Adam M. Dunne-De'Coligny | .... | transportation captain | |
| Stephanie Olliffe | .... | driver | |
Other crew | |||
| Bundy Chanock | .... | set medic | |
| Jeff Dowd | .... | producer's representative (as Jeff 'The Dude' Dowd) | |
| Terry L. James | .... | digital film transfer | |
| Nancy Ellen Jones | .... | location manager | |
| Heather McCann | .... | additional production coordinator | |
| Angela Mixan | .... | production coordinator | |
| Roger Udwin | .... | assistant production coordinator | |
Thanks | |||
| Curtiss Clayton | .... | special thanks | |
| Jennifer Sanderson | .... | special thanks | |
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| Electric Dreams | Buffalo '66 | Skipped Parts | Teknolust | Latter Days |
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I saw Dopamine at Sundance and I loved it. It was the first movie, to my knowlege that delved into how all humans are chemically programmed from birth, and how awareness of this can take the magic out of life and of love. The question is: Can we overcome our programming. Should we even try? The pitfall for this kind of topic, is usually the story gets bogged down with details and science, but that is not the case here. The characters are all extremely believable. You care for them and they make you laugh as well. Mark Decena did a wonderful job of creating a very good cast to deal with the script and the production value is very good. I was really blown away by the use of the High Definition video format because it looked beautiful. There are no explosions, no huge crane shots, just a tight, unique story that poses new questions about a classic topic, love. Ryan