| Photos (see all 38 | slideshow) | Videos (see all 4 NEW) |
| John Livingston | ... | Rand | |
| Sabrina Lloyd | ... | Sarah McCaulley | |
| Bruno Campos | ... | Winston | |
| Rueben Grundy | ... | Johnson | |
| Kathleen Antonia | ... | Tammy | |
| Nicole Wilder | ... | Machiko | |
| rest of cast listed alphabetically: | |||
| Ian Berzon | ... | Moving man | |
| Timothy Breitbach | ... | Mike the bartender | |
| Ivan Kraljevic | ... | Sleazy Guy | |
| Wanda McCaddon | ... | Margie | |
| William Windom | ... | Rand's father | |
| Dennis Yen | ... | Toru | |
| Christa Bella | ... | Bar Patron (uncredited) | |
| Alan Draven | ... | Straggler (uncredited) | |
| Donn Andrew Simmons | ... | Guy on Date at Museum (uncredited) | |
Directed by | |||
| Mark Decena | |||
Writing credits(in alphabetical order) | ||
| Timothy Breitbach | writer | |
| Mark Decena | writer | |
Produced by | |||
| Brian Benson | .... | co-producer | |
| Timothy Breitbach | .... | co-producer | |
| Debbie Brubaker | .... | producer | |
| Liz Decena | .... | co-producer | |
| Tad Fettig | .... | producer | |
| Christopher James Hall | .... | line producer | |
| Eric Koivisto | .... | executive producer | |
| Chris Miller | .... | post-production producer: Visionbox Media Group | |
| Andrew Jon Thomson | .... | producer: behind the scenes | |
Original Music by | |||
| Eric Holland | |||
Cinematography by | |||
| Robert Humphreys | |||
Film Editing by | |||
| Jessica Congdon | |||
Casting by | |||
| Gillian O'Neill | |||
Production Design by | |||
| S. Quinn | |||
Art Direction by | |||
| Joe Schlick | |||
Set Decoration by | |||
| Lisa Clark | |||
Costume Design by | |||
| Jennifer Power | |||
| Deirdre Scully | |||
Makeup Department | |||
| Gretchen Davis | .... | key makeup artist | |
| Gretchen Davis | .... | makeup supervisor | |
| Nicole Sofios | .... | makeup assistant | |
| Lisa Zomer | .... | hair department head | |
| Lisa Zomer | .... | makeup department head | |
Production Management | |||
| Christopher James Hall | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| D. Cole Berry | .... | second assistant director | |
| Gino Caputi | .... | second assistant director | |
| Kiran Gonsalves | .... | first assistant director | |
Art Department | |||
| Tanem Davidson | .... | storyboard artist | |
| Sean House | .... | specialty props | |
| Patrick Ludden | .... | property master | |
| Annie Mueller | .... | assistant property master | |
| Alfred Leslie Pollard | .... | construction coordinator | |
Sound Department | |||
| Bob Gitzen | .... | sound | |
| Scott G.G. Haller | .... | sound editor | |
| Eric Holland | .... | sound design supervisor | |
| Etina Hom | .... | boom operator | |
| Howard London | .... | adr mixer | |
| Brad North | .... | sound effects editor | |
| Peter Persaud | .... | foley recordist | |
Visual Effects by | |||
| Christopher Batty | .... | digital artist | |
| David Brandt | .... | animator: Koy Koy | |
| Derek Fisher | .... | digital artist | |
| John Hays | .... | animation supervisor: Koy Koy sequences | |
Camera and Electrical Department | |||
| Rebecca Bauscher | .... | still photographer | |
| Mike Booth | .... | additional electrician | |
| Joe Bourguignon | .... | electrician | |
| Chris Lindsay | .... | gaffer | |
| Andrea Miraglia | .... | assistant camera | |
| Rob Muthamia | .... | first assistant camera | |
| Sean Prichard | .... | best boy grip | |
| Kerry Sweeney | .... | best boy electric | |
Casting Department | |||
| Kiki Goshay | .... | extras casting | |
| Nina Henninger | .... | location casting | |
| Sarah Kliban | .... | location casting associate | |
Costume and Wardrobe Department | |||
| Joslyn Lawrence | .... | costume supervisor | |
Editorial Department | |||
| Sam Dlugach | .... | final colorist | |
| Jonathan Miller | .... | post-production services (uncredited) | |
Music Department | |||
| Mads Heldtberg | .... | musician | |
| Eric Holland | .... | music supervisor | |
| Jonathan McHugh | .... | music supervisor | |
| Mike Morasky | .... | musician: guitar | |
Transportation Department | |||
| Bundy Chanock | .... | transportation coordinator | |
| Adam M. Dunne-De'Coligny | .... | transportation captain | |
| Stephanie Olliffe | .... | driver | |
Other crew | |||
| Bundy Chanock | .... | set medic | |
| Jeff Dowd | .... | producer's representative (as Jeff 'The Dude' Dowd) | |
| Terry L. James | .... | digital film transfer | |
| Nancy Ellen Jones | .... | location manager | |
| Heather McCann | .... | additional production coordinator | |
| Angela Mixan | .... | production coordinator | |
| Roger Udwin | .... | assistant production coordinator | |
Thanks | |||
| Curtiss Clayton | .... | special thanks | |
| Jennifer Sanderson | .... | special thanks | |
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| Latter Days | Electric Dreams | Buffalo '66 | Smart People | The Puffy Chair |
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Product of Sundance, from ground up. Fashionably unfashionable, geeky, replete with doe-eyed cyber metaphor. At heart, boy meets girl, but with lots of trendy complications and distractions, including gratuitous pseudo-intellectual overlay of old argument between reductionistic positivism and faith. Dopamine is supposedly the neurotransmitter of love -- a little knowledge, science in the hands of non-scientists, is a dangerous thing. San Francisco narcissism, this town's never-ending parochial smelling of its own butt: postcard views of the bridges, fog, etc, unrelated to action, tossed in. Music-video moodiness betrays commercial substrate. Ironically, in this trendy, youth-culture, altie-indie romance, gender stereotypes preserved: Boy = mathematical, cerebral, software engineer. Girl = instinctive, arty, kindergarten teacher. Throw in baby given up for adoption and a mother mummified by Alzheimer's for drastic maudlin love-lost effect. Film not even ashamed to use kindergartners for cutesy-wootsiness. Decent dialogue and acting (Sabrina Lloyd) surface occasionally, only occasionally.