| Photos (see all 8 | slideshow) | Videos (see all 10 NEW) |
| Jamie Bell | ... | Dick Dandelion | |
| Bill Pullman | ... | Krugsby | |
| Michael Angarano | ... | Freddie | |
| Danso Gordon | ... | Sebastian | |
| Novella Nelson | ... | Clarabelle | |
| Chris Owen | ... | Huey | |
| Alison Pill | ... | Susan | |
| Mark Webber | ... | Stevie | |
| Trevor Cooper | ... | Dick's Dad | |
| Matthew Géczy | ... | Young Officer | |
| William Hootkins | ... | Marshall Walker | |
| Teddy Kempner | ... | Mr. Salomon | |
| Thomas Bo Larsen | ... | Customer |
Directed by | |||
| Thomas Vinterberg | |||
Writing credits | ||
| Lars von Trier | (written by) | |
Produced by | |||
| Gillian Berrie | .... | co-producer: UK | |
| Bettina Brokemper | .... | co-executive producer | |
| Bo Ehrhardt | .... | executive producer | |
| Marie Cecilie Gade | .... | co-producer | |
| Peter Garde | .... | executive producer | |
| Birgitte Hald | .... | executive producer | |
| Marianne Jul Hansen | .... | line producer | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Sisse Graum Jørgensen | .... | producer | |
| Marianne Slot | .... | co-executive producer | |
| Juliane Thevissen | .... | line producer: Germany | |
| Vibeke Windeløv | .... | associate producer | |
Original Music by | |||
| Benjamin Wallfisch | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Mikkel E.G. Nielsen | |||
Casting by | |||
| Avy Kaufman | |||
| Joyce Nettles | |||
Production Design by | |||
| Karl Júlíusson | |||
| Jette Lehmann | |||
Art Direction by | |||
| Jette Lehmann | |||
| Peter Menne | |||
Costume Design by | |||
| Annie Périer | |||
Makeup Department | |||
| Pascale Bouquière | .... | makeup designer | |
| Mai-Britt Haurholm | .... | additional makeup artist | |
| Dorte Jacobsen | .... | additional makeup artist (as Dorthe Jacobsen) | |
| Morten Jacobsen | .... | special makeup effects artist | |
| Susanne Søbye | .... | key makeup artist | |
Production Management | |||
| Pia Nielsen | .... | post-production supervisor | |
| Carsten Sparwath | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bill Kirk | .... | first assistant director | |
| William Westh-Lillesøe | .... | third assistant director (as William Vest-Lillesøe) | |
Sound Department | |||
| Kristian Eidnes Andersen | .... | sound designer | |
| Coll Anderson | .... | sound effects recordist | |
| Ray Beckett | .... | sound mixer | |
| Anne Jensen | .... | foley editor | |
| Per Dybdal Jensen | .... | sound assistant (as Per Dybdal) | |
| Vincent Maloumian | .... | foley assistant | |
| Peter Murphy | .... | boom operator | |
| Julien Naudin | .... | foley artist | |
| Eddie Simonsen | .... | sound re-recording mixer | |
| Brian Slack | .... | adr mixer | |
| Rasmus Winther | .... | additional sound effects recordist (as Rasmus Winther Jensen) | |
Visual Effects by | |||
| Stefan Ciupek | .... | digital colorist | |
| Niels Valentin Dal | .... | digital matte painting | |
| Sune Elskær | .... | storyboard artist | |
Stunts | |||
| Stig Günther | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Alsted | .... | clapper loader: second unit | |
| Torben Borup Madsen | .... | best boy | |
| Felix Buchholz | .... | additional electrician | |
| Alexander Damaschke | .... | additional electrician | |
| Thue Garde | .... | clapper loader | |
| Felix Keuck | .... | electrician | |
| Jeppe Lassen | .... | grip assistant | |
| Aslak Lytthans | .... | electrician | |
| Maike Maier | .... | grip assistant | |
| Thomas Neivelt | .... | gaffer | |
| Jens Nolte | .... | video operator | |
| Mogens Otte | .... | lighting technician | |
| John Frimann Rasmussen | .... | focus puller | |
| Claus Rosenløv Jensen | .... | focus puller: second unit | |
| Michael Rosenløv Jensen | .... | focus puller: second unit | |
| Roman Schauerte | .... | clapper loader | |
| Jens Schlosser | .... | director of photography: second unit | |
| Markus Wiebecke | .... | best boy | |
| Astrid Wirth | .... | still photographer | |
Casting Department | |||
| Cody P. Beke | .... | casting assistant | |
| Constance Demontoy | .... | casting: France | |
| Elizabeth Greenberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sandrine Bernard | .... | costumer | |
| Lotte Dandanell | .... | wardrobe assistant | |
| Grith Deleuran | .... | wardrobe: second unit | |
| Anne-Dorthe Eskildsen | .... | key costumer (as Anne Dorthe Eskildsen) | |
Editorial Department | |||
| Sune F. Andersen | .... | assistant editor | |
| Stefan Ciupek | .... | digital colorist | |
| Carsten Dyhr | .... | assistant editor: avid | |
| Peter Harry | .... | assistant editor: avid | |
| Julie Klitgaard | .... | post-production assistant: second unit | |
| Charlotte Mazzinghi | .... | intermediate color grader | |
| Nicolaj Monberg | .... | assistant editor: second unit | |
| Nanna Rosenstock | .... | post-production coordinator: second unit | |
| Cecilie Rui | .... | post-production assistant: second unit | |
| Ludivine Saes | .... | assistant editor | |
Music Department | |||
| Mikael Carlsson | .... | executive soundtrack producer | |
| Mikkel Maltha | .... | music coordinator | |
| Tony Stanton | .... | music copyist | |
| Paul Talkington | .... | musical director | |
| Anders Valbro | .... | music coordinator | |
| Benjamin Wallfisch | .... | conductor | |
| Nick Wollage | .... | score recordist | |
| Alison Wright | .... | music score coordinator | |
|
|
|
|
|
| Dogville | McCabe & Mrs. Miller | Alexander | Tokyo Cowboy | Son of Rambow |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
| Add this title to MyMovies |
I liked "Dear Wendy". It was well photographed, had good cast and the rocking soundtrack provided the light icing on a film that is both sad and happy from the inside.
It is a bit puzzling that this film has been seen as anti-American propaganda. It does criticise the American values - but so do many American films that are hardly described as anti-American. The message is even softened by placing the film in surreal, small mining town that is so detached geographically that you can almost feel the fiction. In some sense it bears resemblance to the village set on Brechtian stage in "Dogville" (compare for example the "stageness" of main street) by Lars von Trier, whose touch can be seen in "Dear Wendy", too.
It can be also seen as an anti-gun lecture - but that is just one perspective to it and in my opinion also possible to ignore.
The only turnoff is the somewhat annoying narration by the main character, that explains too much and leaves less for the viewer to ponder. I might be also giving one star too much, because the end scene, where the film picks up the pace left such a strong impression on me, and not just because of being so well shot action.