| Photos (see all 24 | slideshow) | Videos (see all 2 videos) |
| Arnold Friedman | ... | Himself (archive footage) | |
| Elaine Friedman | ... | Herself (also archive footage) | |
| David Friedman | ... | Himself (also archive footage) | |
| Seth Friedman | ... | Himself (archive footage) | |
| Jesse Friedman | ... | Himself (also archive footage) | |
| John McDermott | ... | Himself | |
| Frances Galasso | ... | Herself (as Det. Frances Galasso) | |
| Anthony Sgeugloi | ... | Himself | |
| Chuck Scarborough | ... | Himself (archive footage) | |
| Joseph Onorato | ... | Himself | |
| Judd Maltin | ... | Himself | |
| Howard Friedman | ... | Himself | |
| Abbey Boklan | ... | Herself (as Judge Abbey Boklan) | |
| Ron Georgalis | ... | Himself | |
| Scott Banks | ... | Himself | |
| Larry King | ... | Himself (archive footage) | |
| Debbie Nathan | ... | Herself (also archive footage) | |
| Jerry Bernstein | ... | Himself | |
| Peter Panaro | ... | Himself | |
| Lloyd Doppman | ... | Himself | |
| Jack Fallin | ... | Himself |
Directed by | |||
| Andrew Jarecki | |||
Produced by | |||
| Peter Bove | .... | line producer (as Peter D. Bové) | |
| Richard Hankin | .... | co-producer | |
| Andrew Jarecki | .... | producer | |
| Jaye Nydick | .... | line producer | |
| Jennifer Rogen | .... | associate producer | |
| Marc Smerling | .... | producer | |
Original Music by | |||
| Andrea Morricone | |||
Cinematography by | |||
| Adolfo Doring | |||
Film Editing by | |||
| Richard Hankin | |||
Art Direction by | |||
| Nava Lubelski | |||
Art Department | |||
| Liz Campbell | .... | swing | |
| Nava Lubelski | .... | props | |
Sound Department | |||
| Nathan Crooker | .... | additional sound | |
| Mariusz Glabinski | .... | assistant sound editor | |
| Piotr Glabinski | .... | apprentice sound editor | |
| Marlena Grzaslewicz | .... | sound editor | |
| John Gurrin | .... | sound mixer | |
| Dustin Hudson | .... | stereo sound consultant: Dolby | |
| Bruce Kitzmeyer | .... | sound editor | |
| Desiree Ortiz | .... | additional sound | |
| Ira Spiegel | .... | sound editor | |
| Peter Waggoner | .... | sound mixer | |
Visual Effects by | |||
| Steve Chiarello | .... | visual effects | |
| Kevin Quinlan | .... | visual effects | |
| Mark Szumski | .... | visual effects | |
| John Zawisha | .... | visual effects | |
Editorial Department | |||
| Rick Barlis | .... | color corrector | |
| John Dowdell | .... | colorist: high definition (as John Dowdell III) | |
| Peter Heady | .... | on-line editor: HDTV | |
| Danny Hogan | .... | assistant on-line editor | |
| Aaron Johnson | .... | assistant editor | |
| Patricia Sztaba | .... | negative cutter | |
| Stan Sztaba | .... | negative cutter | |
Music Department | |||
| Enrico DeMelis | .... | music coordinator (as Enrico De Melis) | |
| Bill Harrington | .... | composer: songs "You're the One" and "Jazzbo Mambo" | |
| Andrea Morricone | .... | music editor | |
| Gianni Oddi | .... | musician: saxophone soloist | |
| Luciano Torani | .... | music mixer | |
| Fabio Venturi | .... | music recording engineer | |
| Rocco Zifarelli | .... | musician: guitar solos | |
Transportation Department | |||
| Christopher Pollard | .... | genny driver | |
Thanks | |||
| J.J. Abrams | .... | special thanks | |
| Katie Abrams | .... | special thanks | |
| André Balazs | .... | special thanks | |
| Paul Barnes | .... | special thanks | |
| Jeff Bushkin | .... | special thanks | |
| Dado Carillo | .... | special thanks | |
| Michael Chandler | .... | special thanks | |
| Gavin De Becker | .... | special thanks (as Gavin DeBecker) | |
| Griffin Dunne | .... | special thanks | |
| Alexa L. Fogel | .... | special thanks (as Alexa Fogel) | |
| Katie Ford | .... | special thanks | |
| Liz Garbus | .... | special thanks | |
| Robin Gattegno | .... | special thanks | |
| Mark Golin | .... | special thanks | |
| Mark Green | .... | special thanks | |
| Rob Gukeisen | .... | special thanks | |
| Robin Hafitz | .... | special thanks | |
| Jim Hart | .... | special thanks | |
| Lisa Heller | .... | special thanks | |
| Dawn Hershman | .... | special thanks | |
| Ellen Hovde | .... | special thanks | |
| Gloria Jarecki | .... | special thanks | |
| Nancy Jarecki | .... | very special thanks | |
| Jeong Ho Kim | .... | special thanks | |
| Greg Kinnear | .... | special thanks | |
| Barbara Kopple | .... | special thanks | |
| Helen Labdon | .... | special thanks (as Helen Kinnear) | |
| Ken Lanning | .... | special thanks | |
| Tom Lassally | .... | special thanks | |
| Ted Leonsis | .... | special thanks | |
| Bryan Lourd | .... | special thanks | |
| Michael Lynton | .... | special thanks | |
| Gary Mennitt | .... | special thanks | |
| Paul Mones | .... | special thanks | |
| Julie Moran | .... | special thanks | |
| Rob Moran | .... | special thanks | |
| Giovanni Morricone | .... | special thanks | |
| David O'Connor | .... | special thanks | |
| Sanford Panitch | .... | special thanks | |
| Hutch Parker | .... | special thanks | |
| Bob Pittman | .... | special thanks | |
| Veronique Pittman | .... | special thanks | |
| Mikal Reich | .... | special thanks | |
| Howard Rosenman | .... | special thanks | |
| Stefanie Scheer | .... | special thanks | |
| Alex Silveira | .... | special thanks | |
| Carly Simon | .... | special thanks | |
| David Spinozza | .... | special thanks | |
| Kipp Stroden | .... | special thanks | |
| James Taylor | .... | special thanks | |
| Michael Wimer | .... | special thanks | |
| Jacy Young | .... | special thanks | |
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In the 80's, in the upper-middle-class district of Great Neck, the awarded Professor Arnold Friedman is arrested for possession of some magazines of child pornography. A further investigation of the police discloses that apparently Arnold and his eighteen years old son Jesse molested his young students during their private computer class. Their Jewish family tears apart with the situation and the sentences of Arnold and Jesse.
"Capturing the Friedmans" deals with two very unpleasant themes, pedophilia and destruction of a family, and is a great documentary. The director Andrew Jarecki presents both sides of the contradictory story with a total exemption and neutrality. Arnold had filmed or photographed the major events of his family since he had been dating Elaine. In the 80's, camcorders were very popular and the Friedman's sons followed the costume of their father, recording their meetings and discussions. Andrew Jarecki discloses the privacy of the Friedmans and shows many ambiguous situations through the footages of their homemade videos and interviews. The viewers can witness the process of an apparently normal family being completely shattered. In the end, we see manipulation, ambiguity, contradiction in the case, but never the truth. Therefore it is impossible to judge and have opinion if Arnold and Jesse Friedman were guilty or not. My vote is seven.
Title (Brazil): "Na Captura dos Friedmans" ("Capturing the Friedmans")