Monster (2003)

User Rating:

7.4/10   

Director:

Patty Jenkins

Writer (WGA):

Patty Jenkins (written by)

Release Date:

30 January 2004 (USA)

Genre:

Biography | Crime | Drama | Romance

Tagline:

Based on a true story

Plot:

Based on the life of Aileen Wuornos, a Daytona Beach prostitute who became a serial killer.

Plot Keywords:

Murder Confession | Death Threat | Pedophile | Torture Threat | Threat

Awards:

Won Oscar. Another 16 wins & 13 nominations

Cast

Charlize Theron	...	Aileen
Christina Ricci	...	Selby
Bruce Dern	...	Thomas
Lee Tergesen	...	Vincent Corey
Annie Corley	...	Donna
Pruitt Taylor Vince	...	Gene / Stuttering "John"
Marco St. John	...	Evan / Undercover "John"
Marc Macaulay	...	Will / Daddy "John"
Scott Wilson	...	Horton / Last "John"
Rus Blackwell	...	Cop
Tim Ware	...	Chuck
Stephan Jones	...	Lawyer
Brett Rice	...	Charles
Kaitlin Riley	...	Teenage Aileen
Cree Ivey	...	7-Year-Old Aileen

MPAA:

Rated R for strong violence and sexual content, and for pervasive language.

Runtime:

109 min

Country:

USA | Germany

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Canada:14A (Ontario) | Canada:18 (Nova Scotia) | Canada:18A (Alberta/British Columbia/Manitoba) | Japan:R-15 | Netherlands:16 (DVD rating) | Iceland:16 | Canada:16+ (Quebec) | Malaysia:18PL (DVD) | Sweden:15 | Argentina:16 | Australia:MA | Brazil:18 | Czech Republic:15 | Finland:K-15 | Germany:16 | Hong Kong:III | New Zealand:R18 | Norway:15 | Peru:14 | Portugal:M/16 | Singapore:R(A) | South Korea:18 | UK:18 | USA:R

Filming Locations:

Casselberry, Florida, USA

Company:

Media 8 Entertainment

Trivia:

The skating rink is called Semoran Skateway, in Casselberry, Florida. Fun World, where Selby and Aileen ride the ferris wheel, is in Orlando, Florida on the tourist strip, International Drive.

Goofs:

Anachronisms: An early shot shows the The Daytona Beach pedestrian walkway bridge, which was completed in 2002.

Quotes:

[first lines]
Aileen: I always wanted to be in the movies...

Movie Connections:

Featured in The 2004 IFP/West Independent Spirit Awards (2004) (TV)

Soundtrack:

Space Age Love Song

Lying Down With Dogs.

An intense, depressing movie. It sticks pretty close to the facts but focuses chiefly on the relationship between Charlize Theron as Lee and Christina Ricci as Selby. The police are hardly there at all. In fact, neither is anyone else except for Bruce Dern who makes one or two short but welcome appearances.

It could easily have been a by-the-numbers TV movie. (Come to think of it, it has, hasn't it? With Jean Smart?) But the production values are good, and the time and money has been spent on this film that we usually associate with feature films.

The cinematography is outstanding. The shots of Lee near the end of her rope, hitching on a foggy blue nightime Florida highway look like a desktop theme from some arty horror/occult site. The script doesn't have many tag lines. No "Rosebuds" or "I coulda been a contendah." Nor is it folksy or catching in some other way. The dialogue follows the story in being pretty straightforward and without much in the way of noticeable touches. The director should be commended on her handling of two things. One is the explanation for Lee's crimes. None is given. There is a short scene in which Lee tells one of her johns about her miserable childhood, but the abuse excuse is vitiated by Selby's mother, an orthodox and unimaginative woman, who says simply that lots of people have hard childhoods without growing up like Lee. And the men are not all turned into sadistic hogs, which must have been a temptation for the writers. The second virtue in the direction is its management of the murders. Instead of exploding heads, there are a few squibs, and usually not even that. The themes explored here are not so much violence as love and desperation.

Ricci looks the part, with her broad forehead and tiny lips, but comes across more as a Valley Girl than the kind of outcast who would pick up and move off with someone like Lee.

Which brings us to Theron's performance as Lee. It's startling, of course, to see a glamor-puss like Theron so thoroughly deglamorized. It's the kind of performance that wins Academy Awards -- lesbians, the height-challenged, autistics, all have won awards in recent years. Theron deserves recognition for her effort too, but not just because of the makeup and wardrobe. They're all splendid. Makeup has shaved her brows to a Mona Lisa extent and turned her face just blotchy enough and given her a raggedy set of teeth.

But that's not all that has made her performance as the central character so memorable. (She's in almost every frame.) And it isn't the thirty or so pounds that she put on for the role either. What's so homeric about that? I can put on thirty pounds without blinking an eye, and enjoy doing it. Heck, I can put on forty or fifty if she wants to get into a peeing contest. No -- it's Theron herself who MAKES the character. She's great, particularly in her physical manifestation of Lee -- her body language, for instance. Instead of coasting through the role, she animates it. The way she struts around with her shoulders thrown back and her face down, emphasizing her several chins and the girth of her neck. Maybe it takes a profession ballerina to figure out these little techniques. Her voice isn't as coarse as that of a hooker who constantly puffs on cigarettes, but Theron does what she can with her own. She overcomes her native South African speech with no trouble and introduces us to a breathless bravado that she's never used on screen before -- not that I know of.

Her movements, her speech, her dreams, are filled with a desperate illusion that doesn't exactly make us feel sorry for her but does make us worry for her -- that she might, for instance, start screaming at any minute and never stop. A nerve-racking picture of a ruined soul.

Is it worth seeing? Absolutely. You won't learn too much about how Aileen Wournos turned into the person she did. Even the narrative itself is a little confusing at time, so that you can't be sure where Lee and Selby are at given moments. But it's Hollywood professionalism at one of its rare high points. It's made by a mature team for an audience of adults. Refreshing.