Directed by | |||
| John Kent Harrison | |||
Writing credits | ||
| Ronni Kern | (written by) | |
| Homer | (poem) uncredited | |
Produced by | |||
| Ronni Kern | .... | co-producer | |
| Ted Kurdyla | .... | producer | |
| Judith Craig Marlin | .... | associate producer | |
| Sam Nicholson | .... | co-producer | |
| Dianna Oliva-Day | .... | co-producer | |
| Gianfranco Pierantoni | .... | consulting producer | |
| Adam Shapiro | .... | executive producer | |
Original Music by | |||
| Joel Goldsmith | |||
Cinematography by | |||
| Edward J. Pei | |||
Film Editing by | |||
| Michael D. Ornstein | |||
Casting by | |||
| Janet Hirshenson | |||
| Daniel Hubbard | |||
| Jane Jenkins | |||
Production Design by | |||
| James Allen | |||
Art Direction by | |||
| Ino Bonello | |||
| Bill Brownell | |||
| Masako Masuda | |||
| Adam O'Neill | |||
Costume Design by | |||
| Van Broughton Ramsey | |||
Makeup Department | |||
| Carlo Barucci | .... | key hair stylist | |
| Giancarlo Del Brocco | .... | key makeup artist | |
| Marcelle Genovese | .... | hair stylist | |
| Jackie Grima | .... | assistant makeup artist | |
| Federica Jacoponi | .... | makeup artist | |
| Cesare Paciotti | .... | makeup artist | |
| Alfredo Tiberi | .... | makeup artist | |
| Gino Zamprioli | .... | makeup artist | |
Production Management | |||
| Dennis T. Benatar | .... | production manager: US, Malta | |
| Michele Greco | .... | production manager | |
| Brano Kollar | .... | unit manager | |
| Patrick Thomas McManus | .... | unit manager: Malta | |
| Judy Richter | .... | production supervisor | |
| Wendy Wallace | .... | post-production supervisor (as Wendy Belt) | |
| Mikey Pavia | .... | assistant unit manager (uncredited) | |
Art Department | |||
| Jim Allen | .... | set designer | |
| Andrew Barnden | .... | storyboard artist | |
| Kenneth Cassar | .... | construction coordinator | |
| Mark Anthony Ellul | .... | stand-by prop | |
| Matthew C. Kime | .... | props: second unit, Malta | |
| Aleksandar Sasha Matic | .... | set designer | |
| Michael Panevics | .... | property master | |
| Robert A. Sturtevant | .... | associate construction manager | |
| Ben Zeller | .... | construction coordinator | |
Sound Department | |||
| Peter Austin | .... | supervising sound editor | |
| Alfonso Calvo | .... | sound re-recording mixer | |
| Edmond J. Coblentz Jr. | .... | sound editor | |
| Colin Cooper | .... | adr recordist | |
| Matt Dubin | .... | mixing recordist | |
| Nerses Gezalyan | .... | foley mixer | |
| Tim Kimmel | .... | sound editor | |
| Carrie Lisonbee | .... | assistant sound editor (as Carrie Tippets) | |
| Paul Longstaffe | .... | dialog & adr editor | |
| Hugh Murphy | .... | assistant sound editor | |
| Kelly Oxford | .... | supervising sound editor | |
Special Effects by | |||
| Isabella Cassar | .... | special effects crew | |
| Kenneth Cassar | .... | special effects assistant | |
| Mario Cassar | .... | special effects foreman | |
| Michael Clifford | .... | special effects coordinator | |
Visual Effects by | |||
| Sean Afshar | .... | visual effects editor | |
| Zeth DuBois | .... | 3D artist | |
| Karl Formander | .... | digital artist | |
| Spence Fuller | .... | digital compositor | |
| Jack Fulmer | .... | CG artist | |
| Eric Grenaudier | .... | lead compositor | |
| Martin Halle | .... | visual effects | |
| Josh Hatton | .... | CG supervisor | |
| Sid Jayakar | .... | digital compositor | |
| Kent Johnson | .... | visual effects coordinator | |
| Frank Lawas | .... | visual effects I/O supervisor | |
| Dan Lazarow | .... | CGI supervisor | |
| Sam Nicholson | .... | visual effects supervisor | |
| Anthony Ocampo | .... | 3D artist | |
| Gordon Oscar | .... | visual effects | |
| Matthew Pullicino | .... | visual effects coordinator | |
| Victor Scalise | .... | digital compositor | |
| Charles Schwartz | .... | matchmove and visual effects artist | |
| Brendan Taylor | .... | visual effects coordinator | |
| Cedric Tomacruz | .... | matte painter | |
| Peter V. Ware | .... | visual effects producer | |
Stunts | |||
| Stanislav Adamickij | .... | stunts | |
| José Ignacio Álvarez | .... | stunts | |
| Andre Degabriele | .... | stunts | |
| Yannick Derrien | .... | stunt coordinator | |
| Vladimir 'Furdo' Furdik | .... | stunts | |
| Vladislavas Jacukevicius | .... | stunts | |
| Roman Jankovic | .... | utility stunts | |
| Branislav Martinak | .... | stunts | |
| Lubomir Misak | .... | stunts | |
| Slava Samuchov | .... | stunts | |
| Philippe Zone | .... | stunts | |
Casting Department | |||
| Michelle Lewitt | .... | casting associate | |
| Jocelyn E. Thomas | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Jeannie Flynn | .... | costume supervisor | |
| Sonny Merritt | .... | key costumer | |
| Irene M.S. Ortiz | .... | key on-set costumer: second unit | |
Editorial Department | |||
| Joe Finley | .... | digital colorist | |
Music Department | |||
| Neal Acree | .... | composer: additional score | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Tim Joy | .... | music engineer | |
Transportation Department | |||
| Marco Francescon | .... | driver | |
| Carlo Nevola | .... | driver | |
Other crew | |||
| Winston Azzopardi | .... | location scout | |
| Tod Scott Brody | .... | creative consultant | |
| Maurizio Corridori | .... | key weapons | |
| Giampaolo Grassi | .... | leather master | |
| Ivana Kastratovic | .... | production coordinator | |
| Michael Kurdyla | .... | assistant production coordinator | |
| Lubomir Misak | .... | horse master | |
| Susan Morris-Bean | .... | production coordinator: Malta | |
| Charmaine Spiteri | .... | accounting assistant | |
| Brendan Taylor | .... | assistant to director | |
| Marketa Tom | .... | assistant to director: second unit | |
| Karen Xuereb | .... | picture double: Sienna Guillory | |
| Galea Yolanda | .... | assistant accountant | |
| Tracy Young | .... | script supervisor | |
|
|
|
|
|
| Helen of Troy | Troy | Merlin | Alexander | The Odyssey |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
There are many different stories and interpretations of Homer's Iliad, or better known as the 'Trojan War.' 'Helen of Troy' is one movie that showed a different perspective of the events in the leading lady's point of view.
The Iliad written by Homer, from which this film was based on, talks about the 'greatest war story ever told': the infamous 'Trojan War.' This legendary epic began with the elopement of Helen, the fairest woman in the land, and Troy's cursed Prince Paris. Menelaus, her husband, mad with jealousy and broken pride, allied with his brother, Agamemnon, to wage a war against Troy. They put together a great army consisting of the greatest and bravest warriors of their land, Greece. When they arrived at Troy, a dispute rose between Agamemnon and Achilles because of their women prizes, Chryseis and Briseis. This resulted to Achilles' refusal to participate in the war for nine years. During that time, victory for each country wavered as the gods and goddesses in Olympus helped their favorite side. When Achilles decides to fight at last, it is in revenge for his best companion, Patroclus who was killed by Hector. He slew Hector and dragged his body to his camp. Despite Zeus' disagreement, Hector died because he was fated to do so. Odysseus came up with the idea of the Wooden Horse. He planned to get inside the gates of Troy so they could finally attack. The Trojans brought in the horse and when night fell, the Greeks attacked the Trojans, burnt their houses, killed their children and took their women as prizes.
The characters portrayed in the movie were fashioned in such a way that they appeared to be real and complex human beings. They gave in to their desires and to their human weaknesses such as pride, jealousy and anger but they also fought for justice, honor and love. Therefore you can easily sympathize and understand their actions and decisions since we all have the same human flaws and experiences. Most of the characters in 'Helen of Troy' were very much true to the original text in the Iliad. However, some key roles were fabricated to make the audience sympathize and admire characters like Paris, Helen and Menelaus as opposed to their selfish and arrogant personalities in the Iliad. They acted very well and very convincing such that they become distinct from the other characters in the story. Each person was unique to the other.
The script of the movie was true to the text to some extent. The beginning of 'Helen of Troy' started with the judgment of Paris in Mount Ida, which first introduced the prince to Helen. He was banished from Troy to the mountain as an infant because of Cassandra's prophecy that he will cause the end of their country. He finds out that he is a prince of Troy when he defeats Hector in a game and is finally accepted into the family despite his sister's constant protests. During her sister's wedding, Helen was abducted by Theseus and was brought to his country. They stayed together for a few years and Helen started falling in love with him until Pollux came to save her and was killed in the process. Theseus also died and Helen was brought back to Sparta where her father, Tyndareus, gave her away to the soldiers. The soldiers couldn't deny her beauty but decided to choose the husband by tossing rings. The one closest to the jar was Menelaus' and therefore, they married. Once, Paris went to Sparta to make peace with the city but when he sees Helen, they fall in love. They elope and when Menelaus found out about this, he associated with his brother, Agamemnon. Upon Reaching Troy, Menelaus first decides to talk to Priam, the country's king. Priam refuses to give Helen back and that's where the war began.
Overall, the movie, 'Helen of Troy', has been loyal to the original text in the Iliad except in some aspects. They both portray roughly the same roles and personalities of the characters. Although love was not a plausible theme in Homer's text as shown in the movie and the gods' influencing the waves of war weren't concretely depicted in the film, other themes like pride and honor coincided in both. The changes in the script didn't ruin the outcome of the movie. They just served as a form of exaggeration to further establish the uniqueness of the characters. The Iliad is classic, and it should be remembered this way.