| Photos (see all 33 | slideshow) | Videos |
| Michael Gambon | ... | Jimmie Langton | |
| Annette Bening | ... | Julia Lambert | |
| Leigh Lawson | ... | Archie Dexter | |
| Shaun Evans | ... | Tom Fennel | |
| Mari Kiss | ... | Mr. Gosselyn's Secretary | |
| Jeremy Irons | ... | Michael Gosselyn | |
| Ronald Markham | ... | Butler | |
| Terry Sach | ... | Chauffeur | |
| Catherine Charlton | ... | Miss Philips | |
| Juliet Stevenson | ... | Evie | |
| Miriam Margolyes | ... | Dolly de Vries | |
| Max Irons | ... | Curtain Call Boy | |
| Andrew Paton Story Busher | ... | Male Singer | |
| George Lang | ... | Antoine the Maitre D | |
| Michael Culkin | ... | Rupert | |
| Marsha Fitzalan | ... | Florence | |
| Bruce Greenwood | ... | Lord Charles | |
| Denzel Sinclaire | ... | Singer / Pianist (as Denzal Sinclaire) | |
| Julian Richings | ... | Mr. Turnbull | |
| Tom Sturridge | ... | Roger Gosselyn | |
| Sheila McCarthy | ... | Grace Dexter | |
| Lucy Punch | ... | Avice Crichton | |
| Teresa Churcher | ... | Cynthia | |
| Rosemary Harris | ... | Julia's Mother | |
| Rita Tushingham | ... | Aunt Carrie | |
| Maury Chaykin | ... | Walter Gibbs | |
| István Komlós | ... | Prompter | |
| Bruce Anderson | ... | Jewellery Shop Assistant | |
| Bryan Burdon | ... | Busker 'Chamberlain' | |
| Alison Jiear | ... | Female Singer | |
| rest of cast listed alphabetically: | |||
| Barnabás Réti | ... | Lord Charles' friend (uncredited) | |
Directed by | |||
| István Szabó | |||
Writing credits(in alphabetical order) | ||
| Ronald Harwood | writer | |
| W. Somerset Maugham | novel "Theatre" | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Susan Shipton | |||
Casting by | |||
| John Buchan | |||
| Celestia Fox | |||
Production Design by | |||
| Luciana Arrighi | |||
Art Direction by | |||
| Paul Ghirardani | |||
| Lóránt Jávor | |||
Set Decoration by | |||
| Zoltán Horváth | |||
| Attila Köves | |||
| Ian Whittaker | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| Elle Elliott | .... | hair stylist: Annette Bening | |
| Judit Endrényiné | .... | makeup artist (as Judit Endrényi) | |
| Erzsébet Forgács | .... | makeup supervisor | |
| Kajtar 'Bogyo' Janosne | .... | hair stylist supervisor (as Bogyó Kajtár) | |
| Kat Kairo | .... | makeup assistant: London & Jersey | |
| Lesley Lamont-Fisher | .... | makeup artist: London/Jersey | |
| Chris Redman | .... | hairdresser: London/Jersey | |
| Stephen Rose | .... | personal hair stylist: Ms. Benning | |
| Jordan Samuel | .... | personal makeup artist: Ms. Bening | |
| Eric Scruby | .... | hairdresser: London/Jersey | |
| Sarah-Jane Sheehy | .... | makeup artist: London/Jersey | |
| Anna Tesner | .... | makeup artist: extras | |
Production Management | |||
| Neil Chordia | .... | co-production manager | |
| Kate Dain | .... | production manager | |
| Kinga Kovacs | .... | assistant unit manager | |
| Philip Morris | .... | line production manager | |
| Lajos Óvári | .... | unit production manager | |
| Gábor Téni | .... | unit manager | |
| Lori A. Waters | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Adam Barrington | .... | third assistant director: London/Jersey | |
| William Dutton | .... | second assistant director: London/Jersey | |
| Gergely Fülöp | .... | assistant director | |
| László Janicsek | .... | first assistant director | |
| Lídia Jung | .... | trainee assistant director | |
| Dávid Spáh | .... | third assistant director | |
| Guy Travers | .... | first assistant director | |
| Matthew Wehrle | .... | crowd assistant director | |
Art Department | |||
| Alan Bailey | .... | property master | |
| Kinga Baranyai | .... | set decoration production assistant | |
| Péter Brill | .... | construction manager | |
| Roy Chapman | .... | set dresser: UK | |
| Aaron Chetwynd | .... | stand-by art director: UK | |
| Judit Csák | .... | draughtsperson | |
| Mike Cuddy | .... | props storeman: UK | |
| János Czakó | .... | property master | |
| Billy Edwards | .... | property buyer | |
| Colin Ellis | .... | set dresser: UK | |
| Kimberley Fahey | .... | art department trainee | |
| Dave Fisher | .... | stand-by props | |
| Dean Fisher | .... | stand-by prop | |
| Steve Furneaux | .... | stand-by carpenter: UK | |
| Éva Gerö | .... | assistant set decorator | |
| John Gibson | .... | key carpenter: UK | |
| Jason Hopperton | .... | set dresser: UK | |
| Péter Kovács | .... | construction manager | |
| Tony Lenman | .... | key painter | |
| Warren Lever | .... | carpenter | |
| Mihály Marton | .... | stand-by props | |
| József Ócsai | .... | stand-by construction manager | |
| Gábor Parányi | .... | assistant set dresser | |
| Pippa Roberts | .... | graphic coordinator | |
| Robert Sansom | .... | construction manager: UK | |
| Miklós Schmelcz | .... | construction manager (as Miklós Schmelz) | |
| Pater Sparrow | .... | art department runner | |
| Pater Sparrow | .... | assistant art director | |
| Lajos E. Szabó | .... | stand-by construction manager | |
| Zoltán Szabó | .... | assistant set decorator | |
| Krisztina Szilágyi | .... | draughtsperson | |
| Zoltán Verebes | .... | art department runner | |
Sound Department | |||
| Fred Brennan | .... | dialogue and adr editor | |
| Kathy Choi | .... | first assistant sound editor | |
| Janie Dahn | .... | adr facility coordinator: UK | |
| Roderick Deogrades | .... | sound effects editor | |
| Nick Foley | .... | assistant adr recordist: UK | |
| Stefan Fraticelli | .... | foley artist | |
| Jamie Gould | .... | re-recording assistant | |
| Matthew Hussey | .... | first assistant sound editor | |
| Simon Kaye | .... | production sound mixer | |
| Garrett Kerr | .... | dialogue editor | |
| Thomas Kodros | .... | stereo sound consultant: Dolby | |
| János Köporosy | .... | playback operator | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Ron Malligers | .... | foley recording mixer | |
| Margot Massie | .... | sound | |
| David McCallum | .... | sound effects editor | |
| Chris Navarro | .... | adr recordist | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Szabolcs Stella | .... | utility sound | |
| David Sutton | .... | boom operator | |
| Ted Swanscott | .... | adr mixer: UK | |
| Jane Tattersall | .... | supervising sound editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
| Don White | .... | foley recording mixer | |
| Rebecca Wright | .... | foley recording assistant | |
| David Yonson | .... | adr mixer: Toronto | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Gábor Balogh | .... | standby special effects technician | |
| János Berki | .... | standby special effects technician | |
| David Harris | .... | special effects: London/Jersey (as Dave Harris) | |
| Gabor Kiszelly | .... | special effects assistant | |
| Gyula Krasnyánszky | .... | pyrotechnic supervisor | |
| Ferenc Ormos | .... | special effects supervisor | |
Visual Effects by | |||
| Genevieve Forte | .... | digital artist | |
| John Furniotis | .... | digital artist | |
| Chris Wallace | .... | HD colourist | |
| Motassem Younes | .... | digital opticals | |
Camera and Electrical Department | |||
| Gyula Balogh | .... | electrician | |
| Csaba Bankhardt | .... | electrician | |
| Balázs Bélafalvy | .... | camera operator (as Balázs Bélafalvi) | |
| Andrew Curling | .... | best boy: UK | |
| Dániel Decsi | .... | camera loader | |
| István Decsi | .... | focus puller | |
| Alex Dukay | .... | still photographer | |
| Paul Facer | .... | electrician: UK | |
| Károly Gál | .... | best boy (as Gaál Károly) | |
| Ákos Gulyás | .... | second assistant camera | |
| Stuart Howell | .... | Steadicam operator: UK | |
| Adam Korneth | .... | video assistant | |
| Tamás Krausz | .... | electrician | |
| Sabrina Lantos | .... | assistant still photographer | |
| Joe McGee | .... | practical electrician | |
| Zsigmond Molcsan | .... | electrician (as Zsigmond Malcsán) | |
| Tamas Nyerges | .... | Steadicam operator | |
| Luis Santos | .... | lighting technician | |
| István Szaladják | .... | camera operator | |
| Rudolf Takacs | .... | gaffer (as Takács 'Golyó' Rudolf) | |
| Mary Thompson | .... | video assistant: UK | |
| András Tóth | .... | dolly grip | |
| József Trombitás | .... | grip | |
Casting Department | |||
| Jay Benedict | .... | adr voice casting | |
| Alex Johnson | .... | casting assistant: UK | |
| Tamás Kertész | .... | extras casting | |
| Mari Makó | .... | casting: Hungary | |
| Jonathan Payne | .... | casting assistant: Canada | |
| Phoebe Scholfield | .... | adr voice casting | |
| Gail Stevens | .... | additional casting | |
Costume and Wardrobe Department | |||
| Imre Béres | .... | costume assistant | |
| Charlotte Bird | .... | costume assistant: UK | |
| Sándor Csajbók | .... | costume assistant (as Sandor Csajbok) | |
| Anikó Fazekas | .... | costume assistant | |
| Mónika Frankl | .... | costume assistant | |
| Gabriella Hógye | .... | costume assistant | |
| Attila Jánosi | .... | costume assistant | |
| David Murphy | .... | wardrobe supervisor: UK | |
| Miklós Nemes | .... | costume assistant | |
| Steven Paige | .... | costume assistant: UK | |
| Magdalen Rubalcava | .... | assistant costume designer | |
| Gábor Simkó | .... | costume assistant | |
| Móni Simkó | .... | costume assistant (as Mónika Simkó) | |
| Zsuzsa Stenger | .... | wardrobe supervisor | |
| Gabor Szabo | .... | costumer | |
| Gyula Zámbó | .... | costumer | |
Editorial Department | |||
| Chad Glastonbury | .... | negative cutter | |
| Chris Hinton | .... | color timer | |
| Brigitte Rabazo | .... | first assistant editor | |
| Catherine Rankin | .... | negative cutter | |
| Emma Sanders | .... | post-production coordinator | |
| Chris Wallace | .... | colorist: high definition | |
Music Department | |||
| Lesley Barber | .... | song producer | |
| Mychael Danna | .... | orchestrator | |
| Mychael Danna | .... | score producer | |
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | orchestrator | |
| Liz Gallacher | .... | music supervisor | |
| Paul Intson | .... | music editor | |
| Ron Korb | .... | musician: flute | |
| Dan Parr | .... | music preparation | |
| Michael Perlmutter | .... | music clearances (as Michael A. Perlmutter) | |
| Ron Searles | .... | music score recording engineer | |
| Ron Searles | .... | score mixer | |
| Ron Searles | .... | score recordist | |
| Rob Simonsen | .... | assistant to composer | |
| Lenny Solomon | .... | orchestra contractor | |
| Youki Yamamoto | .... | music preparation | |
Transportation Department | |||
| Péter Balogh | .... | transportation captain | |
| Simon Barker | .... | unit transportation captain: UK | |
| Zoltán Fohn | .... | driver | |
| Zsolt Spitzer | .... | driver | |
| Zsolt Zászló | .... | production driver | |
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Being Julia is a very entertaining picture aimed at the over 40 demographics, which is nice for a change since most of the films these days are aimed at the 25 and younger crowd. The story is great. I haven't read the book, so I don't know if the credit goes to the screenwriter or the author. Annette Bening's performance carries the film.
The bad news is, it could have been better. My first complaint is the photography has a yellow/green cast to it, which makes the film visually dull. This is a shame since Annette Bening is so radiant. My second complaint is the directing is competent but not much more. It's pretty much what you would expect from a made for TV film but not an art house film. A visionary director could have made this film great rather than merely good. My third complaint is that it is similar to All About Eve, Sunset Boulevard, and 20th Century; but it is not at the same level of those classics, due to the reasons given above.
This is a film about the theater and in my favorite scene her son tells her that she is always acting. Some people might be turned off by the style of the dialog, but it fits the context of the film. One of the devices of the film is that the ghost of her acting mentor is always watching over her like a guardian angel. The ending of the film couldn't have been better, but I don't want to spoil it for anyone.
Overall, this is currently one of the top 3 films in the theater and if you are lucky enough to have it playing in your area, you should see it. 8/10