| Photos (see all 3 | slideshow) | Videos (see all 2) |
| Takeshi Kaneshiro | ... | Miyamoto | |
| Anne Suzuki | ... | Milly | |
| Kirin Kiki | ... | Xie | |
| Gorô Kishitani | ... | Mizoguchi | |
| Yukiko Okamoto | ... | Dr. Yagi | |
| Mitsuru Murata | ... | Mizoguchi's Henchman | |
| Kisuke Iida | ... | Karasawa, Mizoguchi's Henchman | |
| Kazuya Shimizu | ... | Murakami, Mizoguchi's Henchman | |
| Chiharu Kawai | ... | Liu's Interpreter | |
| Dean Harrington | ... | Dr. Brown | |
| Xiaoqun Zhao | ... | Slave Merchant | |
| Masaya Takahashi | ... | Liu Laoban, Chinese Godfather | |
| rest of cast listed alphabetically: | |||
| Ahmad Ali | ... | Future Soldier | |
| Ari Andres | ... | Future Technician | |
| Byron Baron | ... | Future Soldier | |
| Bernard Beardsley | ... | Future Soldier | |
| Buruna | ... | Future Soldier | |
| Francisco Gala | ... | Future Soldier | |
| Ryan Hill | ... | Future Technician | |
| Kanata Hongô | ... | Young Miyamoto | |
| Hoshi Ishida | |||
| Semenov Ivan | ... | Future Technician | |
| Kenji Motomiya | ... | Mizoguchi's Henchman | |
| Misako Nagashima | |||
| Shûgo Oshinari | ... | Shooter | |
| Kristie Protacio | ... | Future Technician | |
| Eric Robinson | ... | Future Technician | |
| Sean Ryan | ... | Future Soldier | |
| Steve Ryan | ... | Future Soldier | |
| Soltane M. Salah | ... | Future Soldier | |
| Nejat Shanino | ... | Future Soldier | |
| Laura Windrath | ... | Future Technician (as Laura Windrash) | |
Directed by | |||
| Takashi Yamazaki | |||
Writing credits(in alphabetical order) | ||
| Kenya Hirata | writer | |
| Takashi Yamazaki | writer | |
Produced by | |||
| Chikahiro Ando | .... | producer | |
| Toru Horibe | .... | producer | |
| Akifumi Takuma | .... | producer | |
Original Music by | |||
| Akihiko Matsumoto | |||
Cinematography by | |||
| Akira Sako | |||
| Kôzô Shibasaki | |||
Film Editing by | |||
| Takuya Taguchi | |||
Production Design by | |||
| Anri Johjo | |||
Sound Department | |||
| Keiichi Momose | .... | sound designer | |
| Yasushi Tanaka | .... | sound | |
Special Effects by | |||
| Kikuo Notomi | .... | armourer | |
| Kikuo Notomi | .... | pyrotechnician | |
Visual Effects by | |||
| Semin Tho | .... | CG artist | |
| Takashi Yamazaki | .... | visual effects | |
Stunts | |||
| Misako Nagashima | .... | stunts | |
| Yûji Shimomura | .... | stunts | |
| Hiroyuki Yoshida | .... | utility stunts | |
Camera and Electrical Department | |||
| Nariyuki Ueda | .... | lighting technician | |
|
|
|
|
|
| The Dark Knight | Bad Boys II | The Matrix | Live Free or Die Hard | Terminator 3: Rise of the Machines |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
| Add this title to MyMovies |
The day was set to end, I had two videos in my hands I had just rented an hour before, one of them was "Lost in Translation" and the other one was "The Returner".
To make a long story short, my attitude turned pretty sour after viewing the more anticipated "Lost in Translation" and turned on "The Returner" thinking it would be pretty cheesy....turns out, I was completely wrong.
The Returner, even though it obviously borrows a lot of ideas from other films, is incredibly entertaining. The main characters Miyamoto and Milly were incredibly engaging, the bad guy (with his "Vash the Stampede" look and gun) was pretty cool, the storyline (filled with some comedy, drama, action, and a science fiction twist of course) was not that bad (some parts were a lot more enjoyable than others), the execution of the directing was what caught my attention, and the overall impression I got from it was completely passable and whole-fully entertaining.
Even the ending and the soundtrack was superb. It made me drop my jaw in awe during the credits, it really had that much of an impact with me throughout the entire thing. I long for the special double disk edition (if it exists that is, not entirely sure yet).
For those who love action/SCI-FI flicks, this is a definite must. And this is also recommended for those who love Japanese Cinematography in general.