| Jérôme Pradon | ... | François | |
| Nicolas Larzul | ... | Nicolas | |
| Anthony Rapp | ... | L'ami américain | |
| Barbara Scaff | ... | Martine | |
| Ann'So | ... | Yvonne | |
| rest of cast listed alphabetically: | |||
| Laurent Ban | ... | Eric | |
| Gregori Baquet | ... | Jacques | |
| Laetitia Colombani | ... | La femme aux chocolats | |
| Alexandra Gonin | |||
| Alyssa Landry | ... | Brigitte | |
| Arnaud Marcon | ... | Dancer | |
| Cyrille Romoli | ... | Etienne | |
| Eric Vincent | |||
Directed by | |||
| Stéphane Ly-Cuong | |||
Writing credits(in alphabetical order) | ||
| Stéphane Ly-Cuong | writer | |
| Fabien Paul | writer | |
Produced by | |||
| Sandrine Cassidy | .... | producer | |
| Gabriel Mamruth | .... | producer | |
Original Music by | |||
| Patrick Laviosa | |||
Cinematography by | |||
| Fabien Lamotte | |||
Film Editing by | |||
| Alexandre Landreau | |||
Costume Design by | |||
| Bethsabée Dreyfus | |||
Makeup Department | |||
| Florence Batteault | .... | key makeup artist | |
| Delphine Duguet | .... | makeup artist | |
| Geraldine Kechichian | .... | makeup artist | |
| Dominic Perot | .... | key hair stylist | |
| Béatrice Valienne | .... | hair stylist | |
Production Management | |||
| Philippe Touzery | .... | production manager | |
Sound Department | |||
| Nicolas Beck | .... | sound | |
| Rym Debbarh-Mounir | .... | supervising sound editor | |
| Jean-Christophe Julé | .... | sound mixer | |
Camera and Electrical Department | |||
| François Comparot | .... | key grip | |
| Pascal Dudouet | .... | electrician | |
| Samuel Fisher | .... | grip | |
| Christophe Le Caro | .... | assistant camera | |
Editorial Department | |||
| Juliette Urbain | .... | assistant editor | |
Other crew | |||
| Karine Gozzi | .... | script supervisor | |
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| X2000 | Le garçon et l'aigle | La jeune fille et la tortue | C'est trop tard! | Jean, Paulo, Érik, Riton |
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| Full cast and crew | Company credits | IMDb Musical section |
| IMDb France section | Add this title to MyMovies |
I saw Paradisco just once, last summer at the LGBT Film Festival in San Francisco. Three quick observations: First, it awakened in me a great nostalgia for the 1970s, of which I saw (or lived through) 5 years.
Second, it reflected on death and change in a way that was neither overly morose nor sugarcoated; what is fun in Paradicso is fun and joyous, and not judged in any way as being excessive, foolish, or dangerous. From that standpoint, there was a sense of innocence on the eve of the AIDS crisis, yet it was neither retrospectively judgmental nor naive. The feeling of moving on, both explicit and implied, was explored in a way that would make this film appropriate for some who are grieving or working through some other kind of loss.
Third, no matter the official intent, I read the two main characters, in their morning-after reminiscence, to be the same man, something of a before and after the party that was 20 years of one man's life.
Only the French can make something as dear as this little musical.