| Photos (see all 22 | slideshow) | Videos (see all 2 NEW) |
| Jack Plotnick | ... | Evie | |
| Clinton Leupp | ... | Coco (as Coco Peru) | |
| Jeffery Roberson | ... | Varla / Marla | |
| Ron Mathews | ... | Stevie | |
| Eric Stonestreet | ... | Dr. Benson | |
| Hamilton von Watts | ... | Laurent | |
| Dana Gould | ... | Jeff | |
| Chad Lindsey | ... | Dr. Perfect | |
| Greg Whitney | ... | Asteroid Actor | |
| Dennis Hensley | ... | Speci-mercial Director | |
| Sam Pancake | ... | Brad | |
| Jamie Malone | ... | Young Stevie | |
| Lurie Poston | ... | Young Varla | |
| Michael Stoyanov | ... | Michael (as Mike Stoyanov) | |
| Jesus Fuentes | ... | Nurse (as Jay Fuentes) | |
| Richard Ahren | ... | Burn Victim (as Rich Ahren) | |
| Mark Cirillo | ... | Diner Waiter | |
| Kris Andersson | ... | Receptionist | |
| Edward Tunney | ... | Guy on Street | |
| Cliff Curry | ... | Student | |
| Nathan LePage | ... | Priest | |
| Michael Warwick | ... | Clown | |
| Christopher Isaacson | ... | Waitress (as Chris Isaacson) | |
| Just Jan | ... | Whore at Restaurant | |
| Richard Day | ... | John at Restaurant | |
| Sir Tony | ... | John in Alley | |
| Mort Kessler | ... | Mort | |
| Aaron Emmett | ... | Mover | |
| Pat Towne | ... | Announcer Voices (voice) | |
| Ginger Snaps | ... | Magazine Cover Cher | |
| Raphael Louis Marino | ... | Magazine Cover Madonna |
Directed by | |||
| Richard Day | |||
Writing credits(WGA) | ||
| Richard Day | (written by) | |
Produced by | |||
| Richard Ahren | .... | producer | |
| Jack Plotnick | .... | executive producer | |
| Michael Warwick | .... | producer | |
Original Music by | |||
| Stephen Edwards | |||
Cinematography by | |||
| Nicholas Hutak | |||
Film Editing by | |||
| Chris Conlee | |||
Casting by | |||
| Collin Daniel | |||
Production Design by | |||
| Shannon Schwiebert | |||
Art Direction by | |||
| Brandi Hugo | |||
| Gabrielle Nieto | |||
Costume Design by | |||
| Brandt Huseby | |||
Makeup Department | |||
| Adam Christopher | .... | key makeup artist | |
| Kari Nicole | .... | assistant makeup artist | |
| Ken Niederbaumer | .... | special makeup effects artist | |
| Sergio Picasso | .... | special makeup effects artist | |
| Sir Tony | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Jennifer Lai | .... | first assistant director | |
| Matthew Osburn | .... | second assistant director | |
Art Department | |||
| Cliff Curry | .... | graphic artist | |
| David Kolodny-Nagy | .... | assistant art director | |
| Stephanie Robinson | .... | property master | |
Special Effects by | |||
| Jeff Colbert | .... | prosthetics (as Jeffrey Colbert) | |
Visual Effects by | |||
| Thomas R. Dickens | .... | visual effects | |
| Christopher Dusendschon | .... | digital imaging: iO FILM | |
| Rennie Johnson | .... | visual effects | |
| Harry Walton | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Bob Good | .... | grip | |
| Jody Hutchins | .... | grip | |
| David L. Marks | .... | camera assistant (as David Marks) | |
| Buck Rogers | .... | key grip | |
| John Rutter | .... | best boy | |
| Ted T.E. Tunney | .... | gaffer (as Edward Tunney) | |
Costume and Wardrobe Department | |||
| Stacy Stagnaro | .... | wardrobe supervisor | |
Editorial Department | |||
| Guillermo Beltrán | .... | on-line editor | |
| Beau J. Genot | .... | post-production consultant | |
| Rachel Hensley | .... | assistant editor | |
| Mato | .... | color timer | |
| Amber McKenzie | .... | assistant editor | |
| Zac Stanford | .... | colorist | |
Other crew | |||
| Chris Bunker | .... | production assistant | |
| Jennifer Burkley | .... | production assistant | |
| Katie Burns | .... | titles | |
| Andrew Colon | .... | production consultant | |
| Judy Dixon | .... | press publicist | |
| Sharre Jacoby | .... | producer: main and end titles | |
| Anthony Ross | .... | adr loop group | |
| Tracy Scott | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Like the love child of "Absolutely Fabulous" and every novel Jacqueline Susann's ever written, "Girls Will Be Girls" is an 80-minute festival of campy trash, hilarious one-liners, and bitchy, catty women. The only catch this time is that the women are all played by men.
Evie (Jack Plotnick) is a washed-up B-movie actress who is decidedly not aging gracefully. She lives with Coco (Clinton Leupp), her more grounded friend who functions mainly as Evie's maid and abuse magnet. Into their lives walks their new roommate Varla (Jeffery Roberson), an aspiring starlet whose late mother Marla (also Roberson in flashbacks) was also Evie's most hated acting rival. All of them have dreams, of course. Evie's dreams involve drinking as many martinis as she can and then having plenty of sex with anyone available. Coco still pines for the hunky abortion doctor that operated on her many years ago. Varla hopes to become the actress that her mother couldn't while dealing with the advances of Evie's gorgeous but microscopically-endowed son Stevie (Ron Mathews). Of course, there are hidden motives galore, and more than one mean-spirited one-liner.
The gimmick of this film, that all the women are played by men, is never as overstated as you may think. After all, the characters are all female, and they are treated in the story as if they are female. It's only slightly different than young boys performing the female roles in Shakespeare's plays. The camp value of the movie focuses not on the drag spectacle, but on the unrelenting melodrama and silliness of the plot, taking the elements of ridiculous films like "Valley Of The Dolls" and upping them to a level so ludicrous, they can only be considered comedy. That the framework of the film makes all of these developments seem perfectly natural and realistic is a credit to director and writer Richard Day.
The actors are all quite game and in on the absurdity of their surroundings. Plotnick is quite humorous, dropping the most mean-spirited one-liners you'll ever laugh at, and the clips of Evie performing in the 60's stinker "Asteroid" resemble nothing less than Morgan Fairchild on quaaludes. Leupp reprises the role of Coco from his scene-stealing moments in the movie "Trick", and he imbues the character both with a humorous sense of bad luck and an immediately sympathetic personality. Roberson is not quite as spectacular as his co-stars, but he gives the naive, trusting Varla a great heart and a hilarious scene involving opera and cheese in a can. Even Mathews is great, all melodramatic soap hunk and hair product.
While the movie receives high marks for style, including efficient and effective set design and a very nice score, it's a very loud movie in the sense that every scene is turned up to 11. While this works most of the time, even at the film's short running time, it tends to strain. The ending veers sharply away from comedy into deep melodramatic territory, and even though it is diffused quite handily, the film almost drowns in TV-movie-of-the-week sap before the mood lightens again. Also, some may find the hostile attitudes of some of the characters, mainly Evie and to a degree Coco, to be too off-putting for comfort. Evie, especially, is one of the most unsympathetic characters you'll meet in a film this year.
Regardless, the film is hilarious and immensely entertaining. A high recommendation for anyone who likes divas, camp, or catty fun. And don't forget to bring the cheese. 8 out of 10.