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Directed by | |||
| Abdel Kechiche | (as Abdellatif Kechiche) | ||
Writing credits | ||
| Ghalya Laroix | (adaptation and dialogue) | |
Produced by | |||
| Franck Cabot-David | .... | associate producer | |
| Jacques Ouaniche | .... | producer | |
| Charles Taris | .... | associate producer | |
Cinematography by | |||
| Lubomir Bakchev | (director of photography) | ||
Film Editing by | |||
| Ghalya Laroix | |||
Casting by | |||
| Monya Galbi | |||
Production Design by | |||
| Michel Gionti | (as Michel-Ange Gionti) | ||
Costume Design by | |||
| Maria Beloso-Hall | |||
Production Management | |||
| Jacques-Emmanuel Astor | .... | unit manager (as Jacques Emmanuel Astor) | |
| Jean-François Gomis | .... | assistant unit manager | |
| Mireia Ibars | .... | post-production manager | |
| Emeric Le Jouan | .... | trainee unit manager | |
| Eric Nebot | .... | trainee unit manager | |
| Benoît Pilot | .... | production manager | |
| Kamel Saadi | .... | assistant unit manager | |
| Nasser Seddik | .... | assistant unit manager | |
| Benjamin Treussard | .... | supervising unit manager | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Sophie Bousquet-Foures | .... | sound editor (as Sophie Bousquet) | |
| Jérôme Chenevoy | .... | boom operator | |
| Emmanuel Croset | .... | sound mixer | |
| Jérôme Pierrot | .... | boom operator | |
| Nicolas Waschkowski | .... | sound | |
Camera and Electrical Department | |||
| Cecile Ancelin | .... | assistant camera | |
| Sofian El Fani | .... | camera operator (as Sofian Elfani) | |
| Loïc Malavard | .... | still photographer | |
| Frida Marzouk | .... | assistant camera | |
| Mathieu Normand | .... | assistant camera | |
Editorial Department | |||
| Antonella Bevenja | .... | negative cutter | |
| Christophe Bousquet | .... | color timer | |
| Violeta Fernandez | .... | assistant editor (as Violeta Fernàndez) | |
| Frida Marzouk | .... | assistant editor | |
Music Department | |||
| Antoine Banville | .... | music editor | |
| Raoul Cepelnik | .... | musician | |
| Hasni | .... | musician | |
| Dario Ivkovic | .... | musician | |
| Zahouania | .... | musician | |
| Branislav Zdravkovi | .... | musician | |
Other crew | |||
| Stephanie Altamirano | .... | production secretary (as Stéphanie Altamirano) | |
| Hadra Kemon | .... | administrator | |
| Ghalya Laroix | .... | script supervisor | |
Thanks | |||
| Yannick Bernard | .... | thanks | |
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| Le goût des autres | La journée de la jupe | Ma vraie vie à Rouen | La haine | L'amour fou |
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| News articles | IMDb Drama section | IMDb France section |
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I really did like this film! - those viewers, French or otherwise, who have seen, and been able to follow the sound track of La Haine, will be quite at home in this environment, will know what to expect, and will be sensitive to the message the film conveys. True, it may lack the sort of 'excitement'that some film-goers may seek, but one has to take it for what it is: a hard-hitting social document which will resonate with many who are familiar with the inner-city tensions found in many French towns in recent years. The gambit of choosing amateur actors worked very well,in my opinion, a point which other viewers seem to echo.