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Alan Mak (written by) &
Felix Chong (written by)
12 December 2002 (Hong Kong) more
Loyalty. Honor. Betrayal.
A story between a mole in the police department and an undercover cop. Their objectives are the same: to find out who is the mole, and who is the cop. full summary | full synopsis
23 wins & 19 nominations more
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more than just entertaining more (145 total)
| Andy Lau | ... | Inspector Lau Kin Ming | |
| Tony Leung Chiu Wai | ... | Chen Wing Yan (as Tony Leung) | |
| Anthony Wong Chau-Sang | ... | SP Wong Chi Shing (as Anthony Wong) | |
| Eric Tsang | ... | Hon Sam | |
| Kelly Chen | ... | Dr. Lee Sum Yee | |
| Sammi Cheng | ... | Mary | |
| Edison Chen | ... | Young Lau Kin Ming | |
| Shawn Yue | ... | Young Chan Wing Yan | |
| Elva Hsiao | ... | May | |
| Chapman To | ... | Tsui Wai-keung | |
| Ka Tung Lam | ... | Inspector B (as Lam Ka Tung) | |
| Ting Yip Ng | ... | Inspector Cheung (as Ng Ting Yip) | |
| Dion Lam | ... | Del Piero | |
| Chi Keung Wan | ... | Officer Leung (as Wan Chi Keung) | |
| Hui Kam Fung | ... | Cadet School Principal | |
| Tony Ho | ... | Suspect | |
| Courtney Wu | ... | Stereo Shop Owner | |
| Au Hin Wai | ... | Elephant | |
| Li Tin Cheung | ... | Double 8 | |
| Wong Yin Keung | ... | CIB Team | |
| Lam Po Loy | ... | CIB Team | |
| Cheng Wing Yee | ... | CIB Team | |
| Yiu Man Kee | ... | CIB Team | |
| Yuen Waj Ho | ... | CIB Team (as Yuen Wai Ho) | |
| Mak Wai Kwok | ... | CIB Team | |
| Kui Mei Yee | ... | CIB Team | |
| Wong Ch Wang | ... | CIB Team (as Wong Chi Wang) | |
| Lee Yip Kin | ... | Sam´s Follower | |
| Chung Wai Ho | ... | Sam's Follower (as Ho Chung Wai) | |
| Sai Tang Yu | ... | Sam's Follower (as Yu Sai Tang) | |
| Wong Kam Hung | ... | Sam´s Follower | |
| So Wai Nam | ... | Sam´s Follower | |
| Lai Chi Wai | ... | Sam´s Follower | |
| Leung Ho Kei | ... | Sam´s Follower | |
| Tze Ming Lee | ... | Sam´s Follower | |
| Hui On Tat | ... | Officer Chan | |
| Ho Wing Ling | ... | Superintendent | |
| Lee Wah Chu | ... | Chief Inspector | |
| Cheung Yuk Sun | ... | Cadet School Instructor | |
| Leung Chiu Yi | ... | May´s Daughter | |
| Chaucharew Wichai | ... | Sunny, Thai Drug Dealer |
Directed by | |||
| Wai-keung Lau | (as Andrew Lau) | ||
| Alan Mak | |||
Writing credits | ||
| Alan Mak | (written by) & | |
| Felix Chong | (written by) | |
Produced by | |||
| Ellen Chang | .... | line producer | |
| Elos Gallo | .... | consulting producer | |
| Lorraine Ho | .... | line producer | |
| Wai-keung Lau | .... | producer (as Andrew Lau) | |
Original Music by | |||
| Kwong Wing Chan | (as Chan Kwong Wing) | ||
Cinematography by | |||
| Yiu-Fai Lai | (director of photography) (as Lai Yiu Fai) | ||
| Wai-keung Lau | (director of photography) (as Andrew Lau) | ||
Film Editing by | |||
| Curran Pang | (as Pang Ching Hei) | ||
| Danny Pang | |||
Art Direction by | |||
| Wong Ching Ching | |||
| Sung Pong Choo | (as Choo Sung Pong) | ||
Costume Design by | |||
| Pik Kwan Lee | (as Lee Pik Kwan) | ||
Makeup Department | |||
| Yu Lai Cheng | .... | makeup artist (as Cheng Yu Lai) | |
| James Lau | .... | hair stylist | |
Production Management | |||
| Tang Wai But | .... | post-production supervisor (as Tang Wai But) | |
| Wendy Chan | .... | assistant production manager | |
| Lai Yin Chow | .... | unit manager (as Chow Lai Yin) | |
| Bonnie Shum | .... | assistant production manager | |
| Ronald Wong | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Wai Hung Chan | .... | first assistant director (as Chan Wai Hung) | |
| Dickson Leung | .... | second assistant director | |
Art Department | |||
| Hung Chin Lau | .... | assistant art director (as Lau Hung Chin) | |
| Wai Ming Wong | .... | property master (as Wong Wai Ming) | |
Sound Department | |||
| Wing Lai Chin | .... | sound mixer (as Chin Wing Lai) | |
| Wai Hung Kwong | .... | foley artist (as Kwong Wai Hung) | |
| Felix Chung Sze Ming | .... | sound effects editor | |
| Tin Sung Ng | .... | boom operator (as Ng Tin Sung) | |
| Burnard To | .... | foley recordist (as To Burnard) | |
| Kinson Tsang | .... | sound designer | |
| Kinson Tsang | .... | sound re-recording mixer | |
| Tse Kin Wong | .... | dialogue recordist (as Wong Tsz Kin) | |
| Chun Hin Yiu | .... | dialogue recordist (as Yiu Chun Hin) | |
| George Lee Yiu-Keung | .... | dialogue editor (as George Lee Yiu Keung) | |
| George Lee Yiu-Keung | .... | sound re-recording mixer (as George Lee Yiu Keung) | |
| Ting Yip Yuen | .... | dialogue recordist (as Yuen Tin Yip) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Mark Kenna | .... | consultant: dolby film sound (uncredited) | |
Special Effects by | |||
| Kam Tong Fok | .... | pyrotechnician (as Fok Kam Tong) | |
Visual Effects by | |||
| Chris Chan | .... | animator | |
| Eddie Cheng | .... | project supervisor | |
| Francis Fung | .... | visual effects editor | |
| Hin Pu Ho | .... | animator (as Ho Hin Pun) | |
| Jesse Ho | .... | animator | |
| Keith Leung | .... | digital compositor | |
| Cons Li | .... | visual effects coordinator | |
| Eddy Wong | .... | visual effects supervisor | |
| Peggy Wong | .... | visual effects coordinator | |
| Victor Wong | .... | visual effects supervisor | |
| Ray Wu | .... | visual effects editor | |
Stunts | |||
| Dion Lam | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Man Keung Cho | .... | focus puller (as Cho Man Keung) | |
| Kin Kwong Ho | .... | focus puller (as Ho Kin Kwong) | |
| Wing Cheung Kwan | .... | focus puller (as Kwan Wing Cheung) | |
| Raymond Lam | .... | Steadicam operator | |
| Tat-wah Tam | .... | still photographer (as Tam Tat Wah) | |
| Chi Ming Wong | .... | gaffer (as Wong Chi Ming) | |
| Hung Fei Wong | .... | still photographer (as Wong Hung Fei) | |
Costume and Wardrobe Department | |||
| Rosa Chow | .... | assistant costume designer | |
| Yun Mei Man | .... | wardrobe (as Man Yun Mei) | |
Editorial Department | |||
| Royce Smith | .... | film color timer (uncredited) | |
Music Department | |||
| Clement Fung | .... | orchestral arrangements | |
| Fiona Fung | .... | soloist | |
| Po Shek Tam | .... | musician: bamboo flageolet | |
Other crew | |||
| John Chong | .... | presenter | |
| Christopher Doyle | .... | visual consultant | |
| Dion Lam | .... | action choreographer | |
| Henry Lau | .... | continuity | |
| Calmen Lui | .... | laboratory consultant | |
| Sam Lung | .... | production assistant | |
| Nansun Shi | .... | presenter | |
| Leo Sze | .... | production accountant | |
| Yung Lin Yeung | .... | tea lady (as Yeung Yung Lin) | |
Infernal Affairs (International: English title) (UK) (USA)
Mou gaan dou (Hong Kong: Cantonese title) (alternative transliteration)
Non-Stop Way (Hong Kong: English title) (literal title)
Wu jian dao (Hong Kong: Mandarin title)
more
Rated R for violence.
101 min | Hong Kong:97 min (director's cut)
2.35 : 1 more
Taiwan:PG-12 | Iceland:16 | Malaysia:U | South Korea:12 | Brazil:18 | Australia:M | Canada:13+ (Quebec) | Canada:14A (Ontario) | Canada:PG (British Columbia) | Finland:K-15 | France:-12 | Germany:12 | Hong Kong:IIB | Ireland:15 | Japan:PG-12 | Netherlands:16 | Singapore:PG | Spain:13 | Sweden:15 | UK:15 | USA:R | Argentina:13
There is a scene in which Tony Leung Chiu Wai's superintendent gives him surveillance gear, followed by a watch, which he inspects believing it to be another piece of gear. The superintendent reminds him that it's his birthday, and the watch is a gift. A similar scene happens in Lat sau san taam (1992), with Leung in the same role, but the gift is a cigarette lighter. more
Continuity: The birth date for "Chan Wing Yan" in his electronic career file is 23 November 1970, but on his headstone it is 25 October 1966. more
Chan Wing Yan:
Should I salute you?
Lau Kin Ming:
No, don't. How long have you been an undercover?
Chan Wing Yan:
I've followed Sam for 3 years; I had several other bosses before. All together, it's been 10 years
Lau Kin Ming:
10 years? I should salute you, instead.
Chan Wing Yan:
I just want an identity. I want to be a normal man.
Lau Kin Ming:
Getting tired?
Chan Wing Yan:
You've never been a mole. You won't understand. Too bad I still can't find the stooge. I'll take him down if I've found him.
Lau Kin Ming:
Don't worry. Let me give you back your identity, I'll open your file, but I don't have the password.
[...]
more
References Men in Black II (2002) more
MOU GAAN DOU (Infernal Affairs) more
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| The Departed | Mou gaan dou II | The Corruptor | Ying hung boon sik II | Lat sau san taam |
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This movie is well-made, stylish and extremely entertaining. However, as stated by the review from a Hong Kong viewer, there is also depth and subtlety rarely found in action/thrillers. It is this depth that makes this movie brilliant. The depth of this movie is best served by the understated yet deeply moving performances of the main characters. Viewers are allowed into the inner changes of these characters and before long, the viewers begin to care about them, be it the "good guy" (Yan) or the "bad guy" (Ming). The rest of cast successfully relate the complicated and exciting plot to the viewers, and all the supporting performances are almost flawless, perhaps with the exception of the female psychologist who seems sadly one-dimensional. I grew up in Hong Kong but has since lived most of my life in Canada. With this duo-cultural background, I have mixed feelings about the Hollywood remaking of this movie. On the one hand, I am happy for the Hollywood recognition of this great movie by remaking it. On the other hand, I would hate to see how badly sabotaged the end result would be. Some things just do not translate. As a minimum, I hope the great director Scorcese will make good use of the major plot line and generate a haute thriller and with the excellent cast, develop some in-depth characterization. The Chinese philosophy and the spirit of the original film is better left undisturbed.