| Photos (see all 34 | slideshow) | Videos (see all 2) |
| Antonio Banderas | ... | Gregorio Cortez | |
| Carla Gugino | ... | Ingrid Cortez | |
| Alexa Vega | ... | Carmen Cortez | |
| Daryl Sabara | ... | Juni Cortez | |
| Ricardo Montalban | ... | Grandfather | |
| Holland Taylor | ... | Grandmother | |
| Sylvester Stallone | ... | Toymaker | |
| Mike Judge | ... | Donnagon Giggles | |
| Salma Hayek | ... | Cesca Giggles | |
| Matt O'Leary | ... | Gary Giggles | |
| Emily Osment | ... | Gerti Giggles | |
| Ryan Pinkston | ... | Arnold (as Ryan James Pinkston) | |
| Robert Vito | ... | Rez | |
| Bobby Edner | ... | Francis | |
| Courtney Jines | ... | Demetra | |
| Cheech Marin | ... | Felix Gumm | |
| Danny Trejo | ... | Machete | |
| Alan Cumming | ... | Fegan Floop | |
| Tony Shalhoub | ... | Alexander Minion | |
| Steve Buscemi | ... | Romero | |
| Bill Paxton | ... | Dinky Winks | |
| George Clooney | ... | Devlin | |
| Elijah Wood | ... | The Guy | |
| Selena Gomez | ... | Waterpark Girl | |
| Evan Sabara | ... | Creepy Kid | |
| Camille Chen | ... | Processor | |
| Steve Wertheimer | ... | Agent Hot Rod | |
| Alejandro Rose-Garcia | ... | Edog | |
| Lane Turney | ... | Logos | |
| Glen Powell Jr. | ... | Long-fingered Boy | |
| Bob Fonseca | ... | Agent Damage Report | |
| Peter Marquardt | ... | OSS Agent #2 | |
| James Paxton | ... | Dinky Winks Jr. |
Directed by | |||
| Robert Rodriguez | |||
Writing credits | ||
| Robert Rodriguez | (script) | |
Produced by | |||
| Elizabeth Avellan | .... | producer (as Elizabeth Avellán) | |
| Robert Rodriguez | .... | producer | |
| Bill Scott | .... | line producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Rebecca Rodriguez | |||
| Robert Rodriguez | (score by) | ||
Cinematography by | |||
| Robert Rodriguez | (director of photography) | ||
Film Editing by | |||
| Robert Rodriguez | |||
Casting by | |||
| Beth Sepko | |||
| Mary Vernieu | |||
Production Design by | |||
| Robert Rodriguez | |||
Art Direction by | |||
| Jeanette Scott | |||
Set Decoration by | |||
| David Hack | (as David S. Hack) | ||
| Jeanette Scott | |||
Costume Design by | |||
| Nina Proctor | |||
Makeup Department | |||
| Melissa Forney | .... | hair department head | |
| Ermahn Ospina | .... | makeup department head | |
| Scott Patton | .... | special makeup effects artist | |
| Joe Rivera | .... | assistant hair stylist | |
| Joe Rivera | .... | assistant makeup artist | |
| Stacy L. Hodgson | .... | makeup artist: Mr. Stallone (uncredited) | |
Production Management | |||
| Larry Birstock | .... | executive in charge of production | |
| Brian McNulty | .... | post-production supervisor | |
| Bill Scott | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian Bettwy | .... | first assistant director | |
| Vincent Palmo Jr. | .... | assistant director | |
| Romy Stevenson | .... | second second assistant director | |
Art Department | |||
| Marc Baird | .... | storyboard artist | |
| Dawn M. Baker | .... | scenic artist | |
| Ronn Basquette | .... | set designer | |
| Kevin Berve | .... | prop fabricator | |
| Brad Blei | .... | set dresser | |
| Kelly Bogdan | .... | property assistant | |
| Maria Bowen | .... | texture painter | |
| Virginia Capobianco | .... | assistant props (as Ginnie Capobianco) | |
| Debbie Cortez Haber | .... | art department coordinator (as Debbie C. Haber) | |
| Caylah Eddleblute | .... | assistant property master | |
| Troy Engel | .... | prop fabricator | |
| Steve Joyner | .... | property master | |
| Marcus LaPorte | .... | assistant props | |
| Joe D. Mack | .... | assistant props | |
| Joe McCusker | .... | construction coordinator | |
| Paul Mica | .... | texture painter | |
| Josef Alden Richardson | .... | sequence lead | |
| Steve Sawhill | .... | set dresser | |
| Christopher Stull | .... | leadman | |
| Christopher Telles | .... | art department assistant | |
| Mark Wallace | .... | on-set dresser | |
| Ellen Lampl | .... | graphic designer (uncredited) | |
Special Effects by | |||
| Everett Byrom III | .... | special effects technician | |
| Jason Gustafson | .... | special effects supervisor | |
| Mark W. Gustafson | .... | special effects technician | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| Anthony Ray Herrera | .... | special effects technician | |
| Grady Holder | .... | mold/technical department: K.N.B. EFX Group | |
| Carey Jones | .... | key technician | |
| Marcus LaPorte | .... | mold maker | |
| Preston Malott | .... | special effects technician | |
| Matt McDonnell | .... | special effects foreman | |
| Gregory Nicotero | .... | special effects makeup | |
| Corey Pritchett | .... | special effects coordinator | |
| Pierre Raymond | .... | visual effects executive producer | |
| Jeff Schwan | .... | special effects technician | |
| John L. Shank | .... | special effects technician | |
Visual Effects by | |||
| Danny Albano | .... | digital effects artist | |
| Toader Alex | .... | visual effects | |
| Jance Allen | .... | compositing supervisor | |
| Shadi Almassizadeh | .... | digital artist: The Orphanage | |
| Pastor Alvarado III | .... | visual effects assistant | |
| Jonathan Alvord | .... | compositor | |
| Velvy Appleton | .... | visual effects producer: The Orphanage | |
| Steve Arguello | .... | digital artist | |
| Kevin Baillie | .... | sequence supervisor: The Orphanage | |
| Jeff Barnes | .... | executive producer: Computercafe | |
| Romain Bayle | .... | digital artist | |
| Romain Bayle | .... | matte painter | |
| Martin Beaudoin | .... | 3D modeler: Hybride Technologies | |
| Michaël Bentitou | .... | digital artist | |
| Sébastien Bergeron | .... | visual effects production supervisor | |
| Benoit Blouin | .... | digital effects artist | |
| Keefe Boerner | .... | visual effects coordinator | |
| Mathieu Boucher | .... | digital artist | |
| Marc Bourbonnais | .... | 3D lead technical director: Hybride Technologies | |
| Xavier Bourque | .... | digital compositor: Hybride Technologies | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Mike Bozulich | .... | lead compositor: CafeFX | |
| Kirstin Bradfield | .... | rotoscope artist | |
| Danny Braet | .... | digital artist: ComputerCafe | |
| Wayne Brinton | .... | digital compositor | |
| Rodney Brunet | .... | digital effects artist | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Jeremy Cho | .... | render manager | |
| YouJin Choung | .... | visual effects | |
| Mark Christiansen | .... | digital compositor | |
| Katrina Conwright | .... | animator: Hybride Technologies | |
| Michael Cozens | .... | animator: Hybride | |
| Robert W. Crain | .... | digital artist: Hybride Technologies | |
| Jeffrey Dates | .... | senior animator | |
| Tom Daws | .... | Inferno artist: CIS Hollywood | |
| Thierry Delattre | .... | visual effects supervisor | |
| Anouk Deveault-Moreau | .... | visual effects coordinator: Hybride | |
| Domenic DiGiorgio | .... | character animator: ComputerCafe | |
| Tim Dobbert | .... | matchmove supervisor | |
| Mathieu Dupuis | .... | lead digital compositor: Hybride | |
| Chris Evans | .... | digital effects artist | |
| Mike Fischer | .... | digital artist | |
| John Ford Jr. | .... | digital artist | |
| Xavier Fourmond | .... | digital artist | |
| Alex Friderici | .... | visual effects | |
| Stephen Gaconnier | .... | animation executive producer | |
| Vicki Galloway-Weimer | .... | visual effects producer: Cafe FX | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Yanick Gaudreau | .... | digital artist | |
| Larry Gaynor | .... | digital paint supervisor: CIS Hollywood | |
| Nathalie Girard | .... | digital compositor | |
| Jeff Goldman | .... | compositing supervisor: CafeFX | |
| Victor Grant | .... | digital effects artist | |
| David 'Rudy' Grossman | .... | creature supervisor | |
| Manuel H. Guizar | .... | visual effects | |
| Asa Hammond | .... | sequence lead: The Orphanage | |
| John H. Han | .... | 3D technical director: The Orphanage | |
| Jonathan Harman | .... | digital artist: The Orphanage | |
| Nicholas Hasson | .... | visual effects editor | |
| Matthew Hendershot | .... | CG supervisor: The Orphanage | |
| Ki Jong Hong | .... | creature technical director | |
| Jean-Francois Houde | .... | post production assistant: Hybride | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood | |
| Grzegorz Jonkajtys | .... | digital effects artist | |
| Luc Julien | .... | digital compositor | |
| Joseph Kasparian | .... | lead digital textures | |
| Joseph Kasparian | .... | lighting artist | |
| Lyoung Hui Kim | .... | digital artist: The Orphanage | |
| Sungrae Kim | .... | model maker | |
| Yoon Bae Kim | .... | model maker | |
| SangHun Kwon | .... | technical director | |
| Franck Lambertz | .... | digital artist: Hybride | |
| Nicolas Langlois-Demers | .... | technical director: 3D character setup, Hybride | |
| Jean Lapointe | .... | digital compositor: Hybride | |
| Maryjane Layani | .... | production accountant: CIS Hollywood | |
| Daniel Leduc | .... | visual effects supervisor: Hybride | |
| Francois Leduc | .... | digital compositor: Hybride | |
| Woei Lee | .... | compositor | |
| May Leung | .... | assistant CG supervisor: Hybride | |
| Steven Lloyd | .... | digital artist | |
| Ethan Maniquis | .... | visual effects editor | |
| Stuart T. Maschwitz | .... | visual effects supervisor | |
| Ian McCamey | .... | post production supervisor: The Orphanage | |
| Barry McDougall | .... | 3D modeler: Hybride Technologies | |
| John W. McInnis | .... | animator | |
| John W. McInnis | .... | concept designer | |
| Leslie McMinn | .... | visual effects coordinator: Los Angeles | |
| Brian McNulty | .... | visual effects producer | |
| Yvette Memory | .... | visual effects associate producer: The Orphanage | |
| Diana Miao | .... | lead CG artist: CIS Hollywood | |
| Suzanne Mitus-Uribe | .... | Inferno artist: CIS Hollywood | |
| Robert Moodie | .... | technical director | |
| Christian Morin | .... | digital compositor | |
| Shelly Morrow | .... | digital compositor | |
| Phillip Moses | .... | visual effects coordinator: ComputerCafe | |
| C. Ryan Nash | .... | digital compositor | |
| Toby Newell | .... | compositor | |
| Luke O'Byrne | .... | visual effects executive producer: The Orphanage | |
| Gregory Oehler | .... | compositing supervisor: CIS Hollywood | |
| Chris Olivia | .... | main title design | |
| Chris Olivia | .... | previsualization supervisor | |
| Desi Ortiz | .... | visual effects senior editor: CafeFX | |
| Jonathan Paquin | .... | 3D animator: Hybride Technologies | |
| Christian Paradis | .... | lighting and texturing | |
| John F.K. Parenteau | .... | visual effects supervisor | |
| JaeWook Park | .... | lighting supervisor: The Orphanage | |
| Steve Pelchat | .... | digital artist: Hybride | |
| Martin Pelletier | .... | tracking lead | |
| Eric Pham | .... | 2D supervisor | |
| Alex Prichard | .... | digital artist: The Orphanage | |
| Ralph Procida | .... | digital artist: The Orphanage | |
| Youngil Pyo | .... | technical director | |
| Joe Raasch | .... | digital compositor | |
| Jabbar Raisani | .... | technical director | |
| Aaron Rhodes | .... | roto/paint supervisor: The Orphanage | |
| Robert Rodriguez | .... | visual effects supervisor | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage | |
| Eric Schaechter | .... | digital compositor | |
| Stan Seo | .... | technical director: The Orphanage | |
| Joel Skeete | .... | digital compositor | |
| Daniel L. Smith | .... | 3D stereoscopic supervisor: ComputerCafe | |
| Frederic St-Arnaud | .... | digital effects artist | |
| Sean Stranks | .... | digital compositor: Hybride | |
| Sean Stranks | .... | digital effects supervisor: Hybride | |
| Philippe Theroux | .... | CG supervisor | |
| Trevor Tuttle | .... | digital effects artist | |
| Rig Valentin | .... | visual effects assistant | |
| Jessy Veilleux | .... | matte painter | |
| Kurt Volk | .... | visual effects coordinator | |
| Christopher Walsh | .... | animation supervisor | |
| Sandra Warren | .... | visual effects | |
| Alex Whitney | .... | animator | |
| Yanick Wilisky | .... | computer graphics supervisor: Hybride | |
| Steve Wright | .... | digital compositor: Cinesite | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Andy Cockrum | .... | visual effects assistant (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Sean Hoessli | .... | visual effects production assistant: The Orphanage (uncredited) | |
| Luis Labrador | .... | 3D character scanning (uncredited) | |
| Mark Moore | .... | concept artist (uncredited) | |
| Natalie Nolan | .... | rotoscope artist (uncredited) | |
| Mike Terpstra | .... | technical director (uncredited) | |
| Matthew Thunell | .... | visual effects production assistant: The Orphanage (uncredited) | |
| Corey Turner | .... | digital compositor: Cinesite (uncredited) | |
| Kristi Valk | .... | digital artist: The Orphanage (uncredited) | |
Stunts | |||
| Tony Lee Boggs | .... | stunts (as Tony Boggs) | |
| Mark Brooks | .... | stunts | |
| Chad Dashnaw | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunt coordinator (as Jeff Dashnaw) | |
| Jeffrey J. Dashnaw | .... | stunts (as J.J. Dashnaw) | |
| Dino Dos Santos | .... | stunt double | |
| Josh Kemble | .... | stunts | |
| Shawn Robinson | .... | stunts | |
| Jeff Schwan | .... | stunts | |
Camera and Electrical Department | |||
| Richard Ball | .... | key grip (as Richard J. Ball Jr.) | |
| Buzzy Burwell | .... | company electrician | |
| Cynthia Bystrak | .... | company grip | |
| Scott Conn | .... | company electrician | |
| Matt Fliehler | .... | company electrician (as Matthew Fliehler) | |
| Chris Hamala | .... | company grip (as Christopher Hamala) | |
| Dale Hunter | .... | technician: high definition | |
| Robert Janecka | .... | company electrician (as Rob Janecka) | |
| Jimmy Lindsey | .... | camera operator | |
| Sean Maxwell | .... | crane grip | |
| Nate Nelson | .... | grip | |
| Vince Pace | .... | additional 3D photography | |
| Gabe Proctor | .... | high definition production assistant (as Gabriel Proctor) | |
| John 'Fest' Sandau | .... | chief lighting technician (as John Sandau) | |
| Mike Sheeren | .... | dolly grip | |
| Todd Smiley | .... | best boy electric (as Todd E. Smiley) | |
| Rico Torres | .... | still photographer | |
| Steve Urban | .... | company grip | |
| Joseph Vasquez | .... | second assistant camera (as Joseph A. Vasquez Jr.) | |
| Sebastian Vega | .... | first assistant camera | |
| Sean Wright | .... | best boy grip (as Sean R. Wright) | |
| Ruhi Zandra | .... | camera production assistant | |
Animation Department | |||
| Danny Laureys | .... | digital color assistant | |
| Andrew Ogawa | .... | animator | |
| Ken Steel | .... | lead animator | |
Casting Department | |||
| Shalimar Reodica | .... | casting associate | |
Costume and Wardrobe Department | |||
| Betty Chlystek | .... | stitcher | |
| Mitzie Corbin | .... | key set costumer | |
| Crystal Falkner-Paysse | .... | costume production assistant | |
| Natalie Flores | .... | costume shop supervisor (as Natalie C. Flores) | |
| Esther Marquis | .... | seamstress (as Esther Mary Marquis) | |
| Lucy Moncado | .... | seamstress | |
| Claire Nicholas | .... | set costumer (as Clare Nicholas) | |
| Vanessa Nirode | .... | set costumer (as Vanessa A. Nirode) | |
| Nina Proctor | .... | costume supervisor | |
| M. Caroline Pruet | .... | set costumer | |
| Erin Randall | .... | costume department intern | |
| Rebecca M. Skelton | .... | seamstress | |
| John H. Smith | .... | set costumer (as Johnny H. Smith) | |
Editorial Department | |||
| Linda A. Borgeson | .... | executive in charge of post-production | |
| Chris Jack | .... | editorial assistant | |
| Matthew W. Johnson | .... | on-line editor | |
| Jay Mahavier | .... | first assistant editor | |
| Jim Passon | .... | color timer | |
| John Persichetti | .... | digital color timer | |
| Hilda Saffari | .... | digital intermediate producer | |
Music Department | |||
| Carl Thiel | .... | composer: additional music | |
| Carl Thiel | .... | music mixer | |
| Carl Thiel | .... | music producer | |
| George Oldziey | .... | composer: additional music (uncredited) | |
Other crew | |||
| Allison Baker | .... | executive assistant to producers (as Allison Gay Baker) | |
| Anne Carr | .... | post script supervisor | |
| Anne Carr | .... | script revisor | |
| Diana Mia Cevallos | .... | liaison: Chapman | |
| Joshua D. Clark | .... | location assistant | |
| Andy Cockrum | .... | non linear digital assistant | |
| Bill Coffin | .... | digital titler | |
| Sandra Condito | .... | publicist | |
| Tiger Darrow | .... | lead stand-in | |
| Ryan Gaines | .... | business/legal affairs assistant | |
| Erick Garibay | .... | production assistant | |
| Ryan Gomez | .... | assistant: Ms. Avellan | |
| Jourdan Henderson | .... | production secretary | |
| George Huang | .... | creative consultant | |
| Kelly Kernan | .... | location manager | |
| Laura King | .... | set medic | |
| Dinah Lary | .... | assistant: Mr. Banderas | |
| Adria Later | .... | studio teacher | |
| Lauren Lindley | .... | production assistant | |
| Mike McCarty | .... | on-set technician | |
| Glen Moorman | .... | production assistant | |
| Edward A. Navarro | .... | craft service | |
| Lori Nobleza | .... | digital titler | |
| Walter H. Norris | .... | additional set production assistant | |
| Monika Petrillo | .... | script supervisor | |
| Dawn Robinette | .... | payroll accountant | |
| Michael Robins | .... | key craft service | |
| Brooke Satrazemis | .... | replacement script supervisor | |
| Merle Sharp | .... | technical director | |
| Nicole Sieber | .... | assistant: Mr. Rodriguez | |
| Mylan Stepanovich | .... | first assistant accountant | |
| Cynthia Streit | .... | production coordinator | |
| Joe Bob Struble | .... | key office production assistant | |
| Donna Waltemath | .... | manager of operations | |
| Cassandra Wiltshire | .... | digital mastering producer | |
| Travis Smith | .... | additional production assistant (uncredited) | |
Thanks | |||
| James Cameron | .... | special thanks | |
| George Huang | .... | special thanks | |
| Vanessa Thomas | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Special 3D dvd | snoogans_10015 |
| Digital 3-D?? | starman15317 |
I just came home from watching it, and everyone is running for the Advils, it seems that the 3-D gave us all headaches. Anyways, here is my review.
I have had a 3-D book since I was a kid, and it came with it's own pair of 3-D glasses. You know the old fasioned kind, the red and blue shaded glasses that gives everything the red & blue tint. It is a very cool book with the old kind of 3-D.
Now, I remember in the 80's, all the NEW 3-D movies had a whole new 3-D. No longer were 3-D movies limited to the red & blue tint that required the red & blue shaded glasses, the glasses that were needed were clear & POLORIZED....it kept the movie in FULL color and gave the 3-D film a cleaner and sharper image.
I heard that this movie was a whole new approach to 3 demention, so I was excited about seeing this. But imagine my surprise when I bought the tickets when they handed me red & blue shaded 3-D glasses.
The only new approach is the computer graphics used in creating 3-D images. Instead of throwing real items towards the camera to make you duck in your seat, now there are computer generated items floating around and flying towards you. The special effects were, as always, top quality...but honestly...there was nothing new or special about the special effects. In reality, you feel as though you've seen it all before.
As for the 3-D effects. I must say how disappointed I was. The color in the film during the 3-D scenes seemed dull and almost a sepia tone, except for the red & blue tint used to make the images in 3-D.
I REALLY expected at LEAST a POLORIZED image for a bolder color and clearer 3 demention. Instead, all I got was a trip down memory lane with the old fashioned 3-D.
Now, if you have never SEEN a 3-D movie, dont get me wrong, it STILL is a spactacular thing to see, and you SHOULD experience it. The kids will LOVE it.
As for the storyline in this film....well, forget it. This wasn't created to carry a plot, it was created to become a cash-cow in the Spy Kids series and used 3-D to draw you in. It worked, but this plot didn't.
And if THIS film doesn't KILL Sylvester Stallone's movie career, then it's ALREADY DEAD! I was never more embarressed for an actor before than I was for him in this one. This was almost like seeing him wave a white flag and admit to being an aging Hollywood cast-away who is grasping at ANYTHING to stay on screen. Think Bette Davis's charactor in "Whatever Happened to Baby Jane?"
Oh well. Your kids will love this 3-D mess, and if your easily amused, you might also.