| Photos (see all 34 | slideshow) | Videos (see all 7) |
Directed by | |||
| Robert Rodriguez | |||
Writing credits | ||
| Robert Rodriguez | (script) | |
Produced by | |||
| Elizabeth Avellan | .... | producer (as Elizabeth Avellán) | |
| Robert Rodriguez | .... | producer | |
| Bill Scott | .... | line producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Rebecca Rodriguez | |||
| Robert Rodriguez | (score by) | ||
Cinematography by | |||
| Robert Rodriguez | |||
Film Editing by | |||
| Robert Rodriguez | |||
Casting by | |||
| Beth Sepko | |||
| Mary Vernieu | |||
Production Design by | |||
| Robert Rodriguez | |||
Art Direction by | |||
| Jeanette Scott | |||
Set Decoration by | |||
| David Hack | (as David S. Hack) | ||
| Jeanette Scott | |||
Costume Design by | |||
| Nina Proctor | |||
Makeup Department | |||
| Melissa Forney | .... | hair department head | |
| Ermahn Ospina | .... | makeup department head | |
| Scott Patton | .... | special makeup effects artist | |
| Joe Rivera | .... | assistant hair stylist | |
| Joe Rivera | .... | assistant makeup artist | |
| Stacy L. Hodgson | .... | makeup artist: Mr. Stallone (uncredited) | |
Production Management | |||
| Larry Birstock | .... | executive in charge of production | |
| Brian McNulty | .... | post-production supervisor | |
| Bill Scott | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian Bettwy | .... | first assistant director | |
| Vincent Palmo Jr. | .... | assistant director | |
| Romy Stevenson | .... | second second assistant director | |
Art Department | |||
| Marc Baird | .... | storyboard artist | |
| Dawn M. Baker | .... | scenic artist | |
| Ronn Basquette | .... | set designer | |
| Kevin Berve | .... | prop fabricator | |
| Brad Blei | .... | set dresser | |
| Kelly Bogdan | .... | property assistant | |
| Maria Bowen | .... | texture painter | |
| Virginia Capobianco | .... | assistant props (as Ginnie Capobianco) | |
| Debbie Cortez Haber | .... | art department coordinator (as Debbie C. Haber) | |
| Caylah Eddleblute | .... | assistant property master | |
| Troy Engel | .... | prop fabricator | |
| Steve Joyner | .... | property master | |
| Marcus LaPorte | .... | assistant props | |
| Joe D. Mack | .... | assistant props | |
| Joe McCusker | .... | construction coordinator | |
| Paul Mica | .... | texture painter | |
| Josef Alden Richardson | .... | sequence lead | |
| Steve Sawhill | .... | set dresser | |
| Christopher Stull | .... | leadman | |
| Christopher Telles | .... | art department assistant | |
| Mark Wallace | .... | on-set dresser | |
| Ellen Lampl | .... | graphic designer (uncredited) | |
Special Effects by | |||
| Everett Byrom III | .... | special effects technician | |
| Jason Gustafson | .... | special effects supervisor | |
| Mark W. Gustafson | .... | special effects technician | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| Anthony Ray Herrera | .... | special effects technician | |
| Grady Holder | .... | mold/technical department: K.N.B. EFX Group | |
| Carey Jones | .... | key technician | |
| Marcus LaPorte | .... | mold maker | |
| Preston Malott | .... | special effects technician | |
| Matt McDonnell | .... | special effects foreman | |
| Gregory Nicotero | .... | special effects makeup | |
| Corey Pritchett | .... | special effects coordinator | |
| Pierre Raymond | .... | visual effects executive producer | |
| Jeff Schwan | .... | special effects technician | |
| John L. Shank | .... | special effects technician | |
Visual Effects by | |||
| Danny Albano | .... | digital effects artist | |
| Toader Alex | .... | visual effects | |
| Jance Allen | .... | compositing supervisor | |
| Shadi Almassizadeh | .... | digital artist: The Orphanage | |
| Melissa Almeida | .... | render wrangler: Hybride | |
| Pastor Alvarado III | .... | visual effects assistant | |
| Jonathan Alvord | .... | compositor | |
| Velvy Appleton | .... | visual effects producer: The Orphanage | |
| Steve Arguello | .... | digital artist | |
| Jean-Yves Audouard | .... | lead animator: Hybride | |
| Kevin Baillie | .... | sequence supervisor: The Orphanage | |
| Jeff Barnes | .... | executive producer: Computercafe | |
| Patrice-Alain Barrette | .... | digital compositor: Hybride | |
| Michel Barrière | .... | lead digital compositor: Hybride | |
| Romain Bayle | .... | digital artist | |
| Romain Bayle | .... | matte painter | |
| Martin Beaudoin | .... | 3D modeler: Hybride Technologies | |
| Olivier Beaulieu | .... | production assistant: Hybride | |
| Caroline Bélisle | .... | administration: Hybride | |
| Michaël Bentitou | .... | digital artist | |
| Sébastien Bergeron | .... | visual effects production supervisor | |
| Louise Bertrand | .... | bidding producer: Hybride | |
| Benoit Blouin | .... | digital effects artist | |
| Keefe Boerner | .... | visual effects coordinator | |
| Cédric Bonnaffoux | .... | digital compositor: Hybride | |
| Mathieu Boucher | .... | digital artist | |
| Marc Bourbonnais | .... | 3D lead technical director: Hybride Technologies | |
| Xavier Bourque | .... | digital compositor: Hybride Technologies | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Mike Bozulich | .... | lead compositor: CafeFX | |
| Kirstin Bradfield | .... | rotoscope artist | |
| Danny Braet | .... | digital artist: ComputerCafe | |
| Caroline Brien | .... | production assistant: Hybride | |
| Wayne Brinton | .... | digital compositor | |
| Rodney Brunet | .... | digital effects artist | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Jeremy Cho | .... | render manager | |
| YouJin Choung | .... | visual effects | |
| Mark Christiansen | .... | digital compositor | |
| Katrina Conwright | .... | animator: Hybride Technologies | |
| Michael Cozens | .... | animator: Hybride | |
| Robert W. Crain | .... | digital artist: Hybride Technologies | |
| Sébastien Dalphond | .... | technical support: Hybride | |
| Jeffrey Dates | .... | senior animator | |
| Tom Daws | .... | Inferno artist: CIS Hollywood | |
| Thierry Delattre | .... | visual effects supervisor | |
| Luc Desmarais | .... | technical support: Hybride | |
| Mathieu Destrade | .... | digital compositor: Hybride | |
| Anouk Deveault-Moreau | .... | visual effects coordinator: Hybride | |
| Domenic DiGiorgio | .... | character animator: ComputerCafe | |
| Tim Dobbert | .... | matchmove supervisor | |
| Lafleche Dumais | .... | technical director: Hybride | |
| Mathieu Dupuis | .... | lead digital compositor: Hybride | |
| Chris Evans | .... | digital effects artist | |
| Mike Fischer | .... | digital artist | |
| John Ford Jr. | .... | digital artist | |
| Xavier Fourmond | .... | digital artist | |
| Alex Friderici | .... | visual effects | |
| Stephen Gaconnier | .... | animation executive producer | |
| Vicki Galloway-Weimer | .... | visual effects producer: Cafe FX | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Yanick Gaudreau | .... | digital artist | |
| Larry Gaynor | .... | digital paint supervisor: CIS Hollywood | |
| Francois Gendron | .... | animator: Hybride | |
| Stephan Gervais | .... | technical support: Hybride | |
| Nathalie Girard | .... | digital compositor | |
| Jeff Goldman | .... | compositing supervisor: CafeFX | |
| Victor Grant | .... | digital effects artist | |
| David 'Rudy' Grossman | .... | creature supervisor | |
| Jean-Sebastian Guay | .... | technical support: Hybride | |
| Myléne Guérin | .... | visual effects coordinator: Hybride | |
| Manuel H. Guizar | .... | visual effects | |
| Asa Hammond | .... | sequence lead: The Orphanage | |
| John H. Han | .... | 3D technical director: The Orphanage | |
| Jonathan Harman | .... | digital artist: The Orphanage | |
| Nicholas Hasson | .... | visual effects editor | |
| Matthew Hendershot | .... | CG supervisor: The Orphanage | |
| Pierre-Simon Henri | .... | render wrangler: Hybride | |
| Pete Herzog | .... | visual effects producer: Janimation | |
| Gael Hollard | .... | digital compositor | |
| Nadine Homier | .... | digital compositor: Hybride | |
| Ki Jong Hong | .... | creature technical director | |
| Jean-Francois Houde | .... | post production assistant: Hybride | |
| Kenneth Jones | .... | visual effects supervisor: CIS Hollywood | |
| Grzegorz Jonkajtys | .... | digital effects artist | |
| Luc Julien | .... | digital compositor | |
| Joseph Kasparian | .... | lead digital textures | |
| Joseph Kasparian | .... | lighting artist | |
| Lyoung Hui Kim | .... | digital artist: The Orphanage | |
| Sungrae Kim | .... | model maker | |
| Yoon Bae Kim | .... | model maker | |
| SangHun Kwon | .... | technical director | |
| Alain Lacroix | .... | technical director: Hybride | |
| Mathieu Lalonde | .... | modeler: Hybride | |
| Franck Lambertz | .... | digital artist: Hybride | |
| Nicolas Langlois-Demers | .... | technical director: 3D character setup, Hybride | |
| Jean Lapointe | .... | digital compositor: Hybride | |
| Maryjane Layani | .... | production accountant: CIS Hollywood | |
| Evelyne Leblond | .... | production assistant: Hybride | |
| Daniel Leduc | .... | visual effects supervisor: Hybride | |
| Francois Leduc | .... | digital compositor: Hybride | |
| Woei Lee | .... | compositor | |
| May Leung | .... | assistant CG supervisor: Hybride | |
| Ann-Sophie Linteau | .... | administration: Hybride | |
| Steven Lloyd | .... | digital artist | |
| Martine Losier | .... | visual effects coordinator: Hybride | |
| Ethan Maniquis | .... | visual effects editor | |
| Stuart T. Maschwitz | .... | visual effects supervisor | |
| Ian McCamey | .... | post production supervisor: The Orphanage | |
| Barry McDougall | .... | 3D modeler: Hybride Technologies | |
| John W. McInnis | .... | animator | |
| John W. McInnis | .... | concept designer | |
| Leslie McMinn | .... | visual effects coordinator: Los Angeles | |
| Brian McNulty | .... | visual effects producer | |
| Yvette Memory | .... | visual effects associate producer: The Orphanage | |
| Diana Miao | .... | lead CG artist: CIS Hollywood | |
| Suzanne Mitus-Uribe | .... | Inferno artist | |
| Suzanne Mitus-Uribe | .... | Inferno artist: CIS Hollywood | |
| Phillippe Montagny | .... | digital compositor: Hybride | |
| Robert Moodie | .... | technical director | |
| Stéphane Morali | .... | digital compositor: Hybride | |
| Christian Morin | .... | digital compositor | |
| Shelly Morrow | .... | digital compositor | |
| Phillip Moses | .... | visual effects coordinator: ComputerCafe | |
| Michel Murdock | .... | visual effects financial controller: Hybride | |
| C. Ryan Nash | .... | digital compositor | |
| Toby Newell | .... | compositor | |
| Luke O'Byrne | .... | visual effects executive producer: The Orphanage | |
| Gregory Oehler | .... | compositing supervisor: CIS Hollywood | |
| Andrew Ogawa | .... | animator: Hybride | |
| Chris Olivia | .... | main title design | |
| Chris Olivia | .... | previsualization supervisor | |
| Desi Ortiz | .... | visual effects senior editor: CafeFX | |
| Jonathan Paquin | .... | 3D animator: Hybride Technologies | |
| Christian Paradis | .... | lighting and texturing | |
| John F.K. Parenteau | .... | visual effects supervisor | |
| JaeWook Park | .... | lighting supervisor: The Orphanage | |
| Steve Pelchat | .... | digital artist: Hybride | |
| Martin Pelletier | .... | tracking lead | |
| Eric Pham | .... | 2D supervisor | |
| Patrick Piche | .... | technical director: Hybride | |
| Alex Prichard | .... | digital artist: The Orphanage | |
| Ralph Procida | .... | digital artist: The Orphanage | |
| Youngil Pyo | .... | technical director | |
| Joe Raasch | .... | digital compositor | |
| Jabbar Raisani | .... | technical director | |
| Pierre Raymond | .... | visual effects executive producer: Hybride | |
| Aaron Rhodes | .... | roto/paint supervisor: The Orphanage | |
| Robert Rodriguez | .... | visual effects supervisor | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage | |
| Donald P. Sattler | .... | digital compositor | |
| Marie-Chantale Savard-Côté | .... | visual effects coordinator: Hybride | |
| Eric Schaechter | .... | digital compositor | |
| Stan Seo | .... | technical director: The Orphanage | |
| Fred Sicotte | .... | technical support: Hybride | |
| Joel Skeete | .... | digital compositor | |
| Daniel L. Smith | .... | 3D stereoscopic supervisor: ComputerCafe | |
| Frederic St-Arnaud | .... | digital effects artist | |
| Guillaume St-Aubin-Seers | .... | digital compositor: Hybride | |
| Ken Steel | .... | animator: Hybride | |
| Sean Stranks | .... | digital compositor: Hybride | |
| Sean Stranks | .... | digital effects supervisor: Hybride | |
| Steve Switaj | .... | motion control operator | |
| Sylvie Talbot | .... | communications: Hybride | |
| Philippe Theroux | .... | CG supervisor | |
| Gaetan Thiffault | .... | animator: Hybride | |
| Vincent Toussaint | .... | technical support: Hybride | |
| Marco Tremblay | .... | lead animator: Hybride | |
| Trevor Tuttle | .... | digital effects artist | |
| Rig Valentin | .... | visual effects assistant | |
| Jean Frédéric Veilleux | .... | digital compositor: Hybride | |
| Jessy Veilleux | .... | matte painter | |
| Kurt Volk | .... | visual effects coordinator | |
| Christopher Walsh | .... | animation supervisor | |
| Sandra Warren | .... | visual effects | |
| Conal Wenn | .... | technical director: Hybride | |
| Alex Whitney | .... | animator | |
| Yanick Wilisky | .... | computer graphics supervisor: Hybride | |
| Steve Wright | .... | digital compositor: Cinesite | |
| Kyle Yamamoto | .... | R&D programmer: CIS Hollywood | |
| Andy Cockrum | .... | visual effects assistant (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Sean Hoessli | .... | visual effects production assistant: The Orphanage (uncredited) | |
| Luis Labrador | .... | 3D character scanning (uncredited) | |
| Mark Moore | .... | concept artist (uncredited) | |
| Natalie Nolan | .... | rotoscope artist (uncredited) | |
| Mike Terpstra | .... | technical director (uncredited) | |
| Matthew Thunell | .... | visual effects production assistant: The Orphanage (uncredited) | |
| Corey Turner | .... | digital compositor: Cinesite (uncredited) | |
| Kristi Valk | .... | digital artist: The Orphanage (uncredited) | |
Stunts | |||
| Tony Lee Boggs | .... | stunts (as Tony Boggs) | |
| Mark Brooks | .... | stunts | |
| Chad Dashnaw | .... | stunts | |
| Jeffrey J. Dashnaw | .... | stunt coordinator (as Jeff Dashnaw) | |
| J.J. Dashnaw | .... | stunts | |
| Dino Dos Santos | .... | stunt double | |
| Josh Kemble | .... | stunts | |
| Shawn Robinson | .... | stunts | |
| Jeff Schwan | .... | stunts | |
Camera and Electrical Department | |||
| Richard Ball | .... | key grip (as Richard J. Ball Jr.) | |
| Buzzy Burwell | .... | company electrician | |
| Cynthia Bystrak | .... | company grip | |
| Scott Conn | .... | company electrician | |
| Matt Fliehler | .... | company electrician (as Matthew Fliehler) | |
| Chris Hamala | .... | company grip (as Christopher Hamala) | |
| Robert Hicks | .... | grip | |
| Dale Hunter | .... | technician: high definition | |
| Robert Janecka | .... | company electrician (as Rob Janecka) | |
| Jimmy Lindsey | .... | camera operator | |
| Sean Maxwell | .... | crane grip | |
| Nate Nelson | .... | grip | |
| Vince Pace | .... | additional 3D photography | |
| Gabe Proctor | .... | high definition production assistant (as Gabriel Proctor) | |
| John 'Fest' Sandau | .... | chief lighting technician (as John Sandau) | |
| Mike Sheeren | .... | dolly grip | |
| Todd Smiley | .... | best boy electric (as Todd E. Smiley) | |
| Rico Torres | .... | still photographer | |
| Steve Urban | .... | company grip | |
| Joseph Vasquez | .... | second assistant camera (as Joseph A. Vasquez Jr.) | |
| Sebastian Vega | .... | first assistant camera | |
| Sean Wright | .... | best boy grip (as Sean R. Wright) | |
| Ruhi Zandra | .... | camera production assistant | |
Animation Department | |||
| Danny Laureys | .... | digital color assistant | |
| Andrew Ogawa | .... | animator | |
| Chris Olivia | .... | main titles animation and design | |
| Ken Steel | .... | lead animator | |
Casting Department | |||
| Shalimar Reodica | .... | casting associate | |
Costume and Wardrobe Department | |||
| Betty Chlystek | .... | stitcher | |
| Mitzie Corbin | .... | key set costumer | |
| Crystal Falkner-Paysse | .... | costume production assistant | |
| Natalie Flores | .... | costume shop supervisor (as Natalie C. Flores) | |
| Esther Marquis | .... | seamstress (as Esther Mary Marquis) | |
| Lucy Moncado | .... | seamstress | |
| Claire Nicholas | .... | set costumer (as Clare Nicholas) | |
| Vanessa Nirode | .... | set costumer (as Vanessa A. Nirode) | |
| Nina Proctor | .... | costume supervisor | |
| M. Caroline Pruet | .... | set costumer | |
| Erin Randall | .... | costume department intern | |
| Rebecca M. Skelton | .... | seamstress | |
| John H. Smith | .... | set costumer (as Johnny H. Smith) | |
Editorial Department | |||
| Linda A. Borgeson | .... | executive in charge of post-production | |
| Chris Jack | .... | editorial assistant | |
| Matthew W. Johnson | .... | on-line editor | |
| Jay Mahavier | .... | first assistant editor | |
| Jim Passon | .... | color timer | |
| John Persichetti | .... | digital color timer | |
| Hilda Saffari | .... | digital intermediate producer | |
Music Department | |||
| Carl Thiel | .... | composer: additional music | |
| Carl Thiel | .... | music mixer | |
| Carl Thiel | .... | music producer | |
| George Oldziey | .... | composer: additional music (uncredited) | |
Other crew | |||
| Allison Baker | .... | executive assistant to producers (as Allison Gay Baker) | |
| Brian Bruskrud | .... | production accountant | |
| Anne Carr | .... | post script supervisor | |
| Anne Carr | .... | script revisor | |
| Diana Mia Cevallos | .... | liaison: Chapman | |
| Joshua D. Clark | .... | location assistant | |
| Andy Cockrum | .... | non linear digital assistant | |
| Bill Coffin | .... | digital titler | |
| Sandra Condito | .... | publicist | |
| Tiger Darrow | .... | lead stand-in | |
| Ryan Gaines | .... | business/legal affairs assistant | |
| Erick Garibay | .... | production assistant | |
| Ryan Gomez | .... | assistant: Ms. Avellan | |
| Jourdan Henderson | .... | production secretary | |
| George Huang | .... | creative consultant | |
| Kelly Kernan | .... | location manager | |
| Laura King | .... | set medic | |
| Dinah Lary | .... | assistant: Mr. Banderas | |
| Adria Later | .... | studio teacher | |
| Lauren Lindley | .... | production assistant | |
| Mike McCarty | .... | on-set technician | |
| Glen Moorman | .... | production assistant | |
| Edward A. Navarro | .... | craft service | |
| Lori Nobleza | .... | digital titler | |
| Walter H. Norris | .... | additional set production assistant | |
| Monika Petrillo | .... | script supervisor | |
| Dawn Robinette | .... | payroll accountant | |
| Michael Robins | .... | key craft service | |
| Brooke Satrazemis | .... | replacement script supervisor | |
| Merle Sharp | .... | technical director | |
| Nicole Sieber | .... | assistant: Mr. Rodriguez | |
| Mylan Stepanovich | .... | first assistant accountant | |
| Cynthia Streit | .... | production coordinator | |
| Joe Bob Struble | .... | key office production assistant | |
| Donna Waltemath | .... | manager of operations | |
| Cassandra Wiltshire | .... | digital mastering producer | |
| Travis Smith | .... | additional production assistant (uncredited) | |
Thanks | |||
| James Cameron | .... | special thanks | |
| George Huang | .... | special thanks | |
| Vanessa Thomas | .... | special thanks | |
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| Spy Kids | Spy Kids 2: Island of Lost Dreams | The Incredibles | Moonraker | Transformers |
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Get your little ones ready for the game of their lives, cuz `Spy Kids 3-D: Game Over' will tickle their little bitty funny bones. This third installment of the popular `Spy Kids' series is like its predecessors in that it's high-tech, high-energy, high-fun, and high on the pro-family moral messages. What's more, it's in 3D, which requires disposable glasses, handed out at the theater. On the downside, the Spy Kids theme seems worn out, the actors have out-grown their roles, and the strong family-values messages are disingenuous and schmaltzy. In short, the cow's been milked for all its got.
But, anyway, back to the fun.
In this new adventure, Juni and Carmen Cortez find themselves on a mission to stop the release of a virtual-reality video game, aptly titled, `Game Over'. It is purported to be the best video game ever, and lines outside toy stores are growing around the country. But, the ISS has learned that the infamous `level five' captures the mind of the player, entrapping him eternally within the game. The threat, of course, is that `The Toymaker', played by Sylvester Stallone, is really out to control the minds of our youth, and thus, our future.
It turns out that The Toymaker himself is already entrapped in the game, so the only way to stop him is to actually play it. The movie begins when Juni, eager to be an `independent PI' at the age of 10, is called back to duty to the ISS to enter the game and find his sister Carmen, who had already tried to invade it, but was suspended in level 4. Juni catches up to her with the dubious help of a few experienced beta test players, who are determined to reach the 5th level on their own.
The true essence of the film is to simply show the video game, and with the 3D glasses, the 80% of the screen time that game consumes is definitely fun and worth the ride. The funny thing is, `Spy Kids 3D' makes no attempts to hide the fact that the only reason for the film is to show game. To wit, the plot points are meaningless, even to the point where the script itself acknowledges it: Juni asks why the Toymaker is caught in the game, and the answer is a humorous hand-wave, `Oh, it just happens.' The plot and characters are hurriedly scooted along to the start of the game, which then goes on and on and on, till the end, when scores of famous cameo appearances pepper the screen, all having fun and making statements about the importance of family, and yada yada yada.
Oh, it's not that there is anything wrong with such pro-family messages. But conspicuously downplayed are the genuine circumstances and feelings that were the impetus in the first, and best, of the Spy Kids trilogy.
The 3D aspect of the film involves wearing glasses that give depth to the objects on the screen. There are two ways to do this, and unfortunately, Spy Kids 3D uses the old-fashioned way, from the 1950s, where one lens is red and the other blue. The film is shot with the two colors shifted in opposite directions, and depth is perceived by the distance of the shift. Unfortunately, this mutes colors so much, that the beautiful and surreal colors expressed in the digital photography are lost. I can only assume that this was intentional, so as to give the video game its own sense of other-worldliness, which again, was nice.
With all its wild-riding and fun, Spy Kids 3D is just a movie for kids, unlike the first of the series, which was much smarter and hence, enjoyable by adults, too. So, best to drop off the little tykes at the theater with a baby sitter, and go shopping for a while. But, don't buy anything that's red and blue plaid, or your kids just may throw up on you.