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Philip K. Dick (short story)
Dean Georgaris (screenplay)
25 December 2003 (USA) more
Remember the future. more
What seemed like a breezy idea for an engineer to net him millions of dollars, leaves him on the run for his life and piecing together why he's being chased. full summary | full synopsis
2 wins & 1 nomination more
Tom Cruise Not Attached to John Woo's 'Flying Tigers' ... Yet
(From Cinematical. 9 November 2009, 1:32 PM, PST)
Exclusive Clip From John Woo's 'Red Cliff'!
(From Cinematical. 22 October 2009, 11:32 AM, PDT)
Intriguing premise is made mildly enjoyable, but ultimately unsatisfying. more (310 total)
| Ben Affleck | ... | Jennings | |
| Aaron Eckhart | ... | Rethrick | |
| Uma Thurman | ... | Rachel | |
| Paul Giamatti | ... | Shorty | |
| Colm Feore | ... | Wolfe | |
| Joe Morton | ... | Agent Dodge | |
| Michael C. Hall | ... | Agent Klein | |
| Peter Friedman | ... | Attorney General Brown | |
| Kathryn Morris | ... | Rita Dunne | |
| Ivana Milicevic | ... | Maya-Rachel | |
| Christopher Kennedy | ... | Stevens | |
| Fulvio Cecere | ... | Agent Fuman | |
| John Cassini | ... | Agent Mitchell | |
| Callum Keith Rennie | ... | Jude - Guard | |
| Michelle Harrison | ... | Jane | |
| Claudette Mink | ... | Sara Rethrick | |
| Ryan Zwick | ... | Street Kid | |
| Dee Jay Jackson | ... | Guard (as Deejay Jackson) | |
| Serge Houde | ... | Dekker | |
| Calvin Finlayson | ... | Balloon Boy | |
| Kendall Cross | ... | Scientist | |
| Catherine Lough Haggquist | ... | Scientist | |
| Darryl Scheelar | ... | Plain Clothes Federal Agent | |
| Mark Brandon | ... | Lottery Host | |
| Roger Haskett | ... | Lottery Official | |
| Steve Wright | ... | Allcom Helicopter Pilot | |
| Craig Hosking | ... | FBI Helicopter Pilot | |
| Emily Holmes | ... | Betsy - Salesgirl | |
| Krista Allen | ... | Holographic Woman | |
| Barclay Hope | ... | Suit | |
| Peter Shinkoda | ... | Suit | |
| David Lewis | ... | Suit | |
| Robert Clark | ... | String Quartet | |
| Andrea Siradze | ... | String Quartet | |
| Isabelle Roland | ... | String Quartet | |
| Peter Caton | ... | String Quartet | |
| Ryan Robbins | ... | Husband | |
| Benita Ha | ... | Wife | |
| Chelah Horsdal | ... | Young Mother | |
| Craig March | ... | Janitor | |
| Jason Calder | ... | Wolfe Goon | |
| Mike Godenir | ... | Wolfe Goon | |
| Brad Kelly | ... | Wolfe Goon | |
| Brent Connolly | ... | Wolfe Goon | |
| Michelle Anderson | ... | Nursery Customer | |
| Lori Berlanga | ... | Nursery Customer | |
| rest of cast listed alphabetically: | |||
| Sean Akira | ... | Scientist (uncredited) | |
| Sandra-Jessica Couturier | ... | Extra (uncredited) | |
| Joe Coyle | ... | School Teacher (uncredited) | |
| Richard Cummins | ... | Plant Scientist (uncredited) | |
| Aaron Douglas | ... | Scientist #3 (uncredited) | |
| Peggy Flood | ... | Computer (voice) (uncredited) | |
| Levi Woods | ... | Train Station Patron (uncredited) | |
Directed by | |||
| John Woo | |||
Writing credits(WGA) | ||
| Philip K. Dick | (short story) | |
| Dean Georgaris | (screenplay) | |
Produced by | |||
| Arthur Anderson | .... | co-producer | |
| Terence Chang | .... | producer | |
| John Davis | .... | producer | |
| Michael Hackett | .... | producer | |
| Keiko Koyama | .... | co-producer | |
| Stratton Leopold | .... | executive producer | |
| Caroline Macaulay | .... | co-producer | |
| David Solomon | .... | executive producer | |
| David Solomon | .... | executive producer | |
| John Woo | .... | producer | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Jeffrey L. Kimball | (director of photography) | ||
Film Editing by | |||
| Christopher Rouse | |||
| Kevin Stitt | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| William Sandell | |||
Art Direction by | |||
| Sandy Cochrane | |||
Set Decoration by | |||
| Elizabeth Wilcox | |||
Costume Design by | |||
| Erica Edell Phillips | |||
Makeup Department | |||
| Cindy Barlow | .... | assistant makeup artist (as Cindy L. Barlow) | |
| Susan Boyd | .... | hair stylist: second unit | |
| Rita Ciccozzi | .... | assistant makeup artist | |
| Emanuela Daus | .... | makeup artist | |
| Ilona Herman | .... | hair designer: Ms. Thurman | |
| Ilona Herman | .... | makeup designer: Ms. Thurman | |
| Norma Hill-Patton | .... | makeup designer | |
| John E. Jackson | .... | makeup artist: Mr. Affleck (as John Jackson) | |
| Thom MacIntyre | .... | key hair stylist (as Thom McIntyre) | |
| Shauna Magrath | .... | assistant makeup artist | |
| M. Brando Pero | .... | assistant hair stylist | |
| Janine Rath | .... | hair stylist: Mr. Affleck (as Janine Rath-Thompson) | |
| Gina Sherritt | .... | assistant hair stylist | |
| Adina Shore | .... | assistant hair stylist | |
| Barbara J. Wozniak | .... | assistant hair stylist | |
Second Unit Director or Assistant Director | |||
| Arthur Anderson | .... | first assistant director | |
| Ashley Bell | .... | assistant director | |
| Michael Collins | .... | third assistant director: set | |
| Joan Cunningham | .... | first assistant director: second unit | |
| Adrian Diepold | .... | trainee assistant director | |
| Mathew Dunne | .... | first assistant director: reshoots | |
| Shelley Kreutz | .... | assistant director | |
| Ella Kutschera | .... | additional first assistant director: second unit | |
| Dan Mansfield | .... | third assistant director | |
| Jamie Marshall | .... | second assistant director | |
| Jeff Mosuk | .... | second assistant director: second unit | |
| Brian Smrz | .... | second unit director | |
| Berengaria Tomkies | .... | second assistant director | |
| Fiona Winning | .... | second assistant director: second unit | |
| Cameron Kuc | .... | additional third assistant director (uncredited) | |
Special Effects by | |||
| Craig Barnett | .... | special effects foreman | |
| Al Di Sarro | .... | special effects coordinator: US (as Albert Di Sarro) | |
| Ken Reynolds | .... | special effects technician | |
| Clancy Scheirer | .... | special effects crew | |
| Tim Walkey | .... | special effects foreman | |
Visual Effects by | |||
| Victor Abbene | .... | visual effects gaffer | |
| Chris Anderson | .... | roto/paint artist: CIS Hollywood | |
| Jared Barber | .... | animator | |
| Travis Baumann | .... | compositor: CIS Hollywood | |
| Lori Berlanga | .... | visual effects associate | |
| Melissa Best | .... | 2D lead: Frantic Films | |
| Chris Bond | .... | visual effects supervisor: Frantic Films | |
| Jason Booth | .... | digital compositor | |
| Jayni Borgaro | .... | roto/paint artist: CIS Hollywood | |
| Brent Breedveld | .... | visual effects animator | |
| Matt Broeska | .... | lead matchmove artist: Frantic Films | |
| David C. Bryant | .... | digital artist: effects animation | |
| Amanda Burton | .... | rotoscope artist (as Amanda N. Burton) | |
| Beau Cameron | .... | digital artist | |
| John Cassella | .... | CG artist: CIS Hollywood | |
| Ian Cope | .... | visual effects coordinator: Rising Sun Pictures | |
| Tim Crosbie | .... | visual effects supervisor: Rising Sun Pictures | |
| Shane Davidson | .... | digital compositor | |
| Andy Davis | .... | digital compositor: Creo | |
| Denise Davis | .... | visual effects producer | |
| Linda Drake | .... | visual effects editor | |
| Conrad Dueck | .... | 3D supervisor: Frantic Films | |
| Jeannine Dupuy | .... | visual effects set coordinator | |
| Janet L. Earl | .... | visual effects production supervisor | |
| Mark Felt | .... | compositor: CIS Hollywood | |
| Jesse Fernley | .... | compositor: CIS Hollywood | |
| Alex Fry | .... | digital compositor: Rising Sun Pictures | |
| William Gammon | .... | compositor: Rising Sun Pictures | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Julia Gaudette | .... | visual effects coordinator: CIS Hollywood | |
| Larry Gaynor | .... | senior paint/roto artist | |
| Kyle Goodsell | .... | digital compositor | |
| Ryan Grobins | .... | lighter | |
| Pam Hammond | .... | visual effects | |
| Bryan Hirota | .... | visual effects supervisor: CIS Hollywood | |
| Simon Holden | .... | Inferno artist: CIS Hollywood | |
| Simon Holden | .... | compositor: CIS Hollywood | |
| Chris Hopkins | .... | paint/wire removal | |
| Wensen Ho | .... | digital compositor: Creo Collective | |
| Rusty Ippolito | .... | CG supervisor | |
| Bryan Jones | .... | lead compositor: Rising Sun Pictures | |
| Brad Kalinoski | .... | digital compositor | |
| Patrick Kavanaugh | .... | digital effects supervisor: CIS Hollywood | |
| Patrick Keenan | .... | digital compositor: Pacific Title Digital | |
| Sean Konrad | .... | digital compositor | |
| Keiko Koyama | .... | digital effects co-producer: Pixel Playground | |
| Maryjane Layani | .... | production accountant: CIS Hollywood | |
| Derek Ledbetter | .... | visual effects | |
| Cory Lee | .... | production assistant: Pixel Playground | |
| Don Lee | .... | visual effects supervisor: Pixel Playground | |
| Kim Lee | .... | visual effects producer: Pixel Playground | |
| Bob Lyss | .... | compositor: CIS Hollywood | |
| Andrew MacDonald | .... | visual effects | |
| Heather MacPhee | .... | roto/paint artist | |
| Scott McLain | .... | digital compositor | |
| Gregory L. McMurry | .... | visual effects supervisor | |
| Rob Menapace | .... | motion control operator | |
| Chris Mizutani | .... | production assistant: Pixel Playground | |
| Alex Murtaza | .... | lighting artist: Frantic Films | |
| Robert Nall | .... | digital artist | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Glenn Neufeld | .... | visual effects | |
| Gregory Oehler | .... | senior compositor: CIS Hollywood | |
| Julie Orosz | .... | visual effects producer: CIS Hollywood | |
| Chris Pember | .... | lead lighting/rendering: Frantic Films | |
| Brad Pitre | .... | lead modeller | |
| Janet Quen | .... | digital effects compositor | |
| Natasha Rand | .... | conceptual designer | |
| Tony Rush | .... | video assist operator: pyrotechnic unit | |
| Chris Ryan | .... | CG artist: CIS Hollywood | |
| Steven Schmidt | .... | visual effects coordinator: Creo (as Steve Schmidt) | |
| Linda Schubell-Sundlin | .... | assistant effects editor | |
| Evan Shipard | .... | digital compositor: Rising Sun Pictures | |
| Vicki Silva | .... | digital compositor | |
| Brian Smallwood | .... | digital artist | |
| Cecile Tecson | .... | rotoscope artist | |
| Joel H. Thornton | .... | digital effects artist | |
| Allen Tracy | .... | visual effects production assistant | |
| Darren Wall | .... | previs | |
| James Whitlam | .... | visual effects producer: Rising Sun Pictures | |
| Johnny Wilson | .... | visual effects | |
| Garson Yu | .... | creative designer: opening sequence | |
| Ken Zorniak | .... | visual effects | |
| Grant Adam | .... | technical director (uncredited) | |
| Chris Allen | .... | research & development supervisor: CIS Hollywood (uncredited) | |
| Judith Bell | .... | digital artist (uncredited) | |
| Jeremy Burns | .... | digital compositor: CIS Hollywood (uncredited) | |
| Jason Cobill | .... | visual effects lead (uncredited) | |
| Feliciano di Giorgio | .... | digital compositor: Creo Collective (uncredited) | |
| Karin Eunson-Ross | .... | visual effect producer: Frantic Films (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Mark Halsall | .... | visual effects producer: Frantic Films (uncredited) | |
| Terence Krueger | .... | previs artist (uncredited) | |
| Danny Lee | .... | digital compositor (uncredited) | |
| Allan McKay | .... | visual effects animator (uncredited) | |
| Mark Nelson | .... | visual effects production assistant (uncredited) | |
| Mark Robben | .... | digital compositor: Pixel Playground (uncredited) | |
| László Sebõ | .... | technical director (uncredited) | |
| George Taylor | .... | compositor (uncredited) | |
| Blair Werschler | .... | animator: Frantic Films (uncredited) | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood (uncredited) | |
Animation Department | |||
| Tim Linklater | .... | animator | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| Andrea Brown | .... | extras casting | |
| Coreen Mayrs | .... | casting: Canada | |
| James Moore | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Isabel Bloor | .... | costume set supervisor: second unit | |
| Marco Daxton | .... | set costumer | |
| Sondra Durksen | .... | truck costumer | |
| Jenny Eagan | .... | costumer | |
| Terry Haws | .... | costumer | |
| Meg Matthews | .... | dresser: Mr. Affleck | |
Editorial Department | |||
| Carolle Alain | .... | first assistant editor | |
| Derek Brechin | .... | additional editor | |
| Tony Chiu | .... | apprentice editor | |
| Kris Cole | .... | assistant editor | |
| John Dietrick | .... | post-production assistant | |
| Mark Fitzgerald | .... | assistant editor | |
| Warren Hickman | .... | assistant editor | |
| Robert Malina | .... | assistant editor: avid | |
| Dennis McNeill | .... | color timer | |
| Peter McNulty | .... | first assistant editor | |
| Stephen M. Rickert Jr. | .... | assistant editor | |
| Kevin Willis | .... | assistant editor | |
Music Department | |||
| Sally Boldt | .... | music editor: temp score | |
| Bob Bornstein | .... | music preparation | |
| Thomas A. Carlson | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Bruce Fowler | .... | orchestrator | |
| T.J. Lindgren | .... | composer: additional music | |
| Tommy Lockett | .... | music editor: temp music | |
| Ladd McIntosh | .... | orchestrator | |
| James McKee Smith | .... | composer: additional music | |
| Yvonne S. Moriarty | .... | orchestrator | |
| Shawn Murphy | .... | scoring mixer | |
| Stephanie Murray | .... | score stage administrator | |
| John Ashton Thomas | .... | composer: additional music | |
| Paul Wertheimer | .... | score recordist | |
Transportation Department | |||
| Blue Angus | .... | transportation coordinator | |
| Tim Fortin | .... | transportation coordinator: second unit | |
| Ryan Moroz | .... | transportation co-captain | |
| Mike Sassen | .... | transportation captain | |
| Bruce Scott | .... | driver: crane opperator | |
| Larry Tardif | .... | transportation dispatcher | |
Other crew | |||
| Michael Alvarado | .... | production assistant | |
| Chera Bailey | .... | body double | |
| Jasmine Barry | .... | production coordinator | |
| Karen Bergen | .... | first assistant accountant | |
| Leon Thomas Braun | .... | key production assistant | |
| Simon Bright | .... | key production assistant | |
| Brooke Brooks | .... | assistant: Mr. Davis | |
| Bruce L. Brownstein | .... | location manager: Vancouver | |
| Carol Sue Byron | .... | production accountant | |
| Melanie Cadham | .... | assistant: Mr. Leopold | |
| Chay Carter | .... | assistant: Mr. Affleck | |
| Eunice Choi | .... | production assistant | |
| Suzanne Clements-Smith | .... | accounting clerk (as Suzanne Clements) | |
| Casey B. Collins | .... | assistant: Mr. Woo (as Casey Collins) | |
| Rick Davis | .... | assistant: Mr. Affleck | |
| Vincent Dela Luna | .... | production assistant | |
| Justin Elsworth | .... | production assistant | |
| Nicole Florian | .... | production coordinator: second unit | |
| Natalie Fokes | .... | construction accountant | |
| Robert 'Rock' Galotti | .... | weapons coordinator (as Robert 'Rock' Galotti) | |
| Jennifer Giannone | .... | accounting clerk | |
| Georgia Giannopoulos | .... | assistant: Mr. Eckhart | |
| Alexander Glua | .... | production assistant | |
| Rob Graham | .... | computer playback operator | |
| Ian Guns | .... | remote head technician | |
| Simon Hall | .... | computer playback operator | |
| Cate Hardman | .... | script supervisor | |
| Mark Hoeppner | .... | security officer | |
| Joseph Keideth | .... | security: Mr. Affleck (as Joe Keideth) | |
| Randy Kennedy | .... | production assistant | |
| Rick Kramer | .... | production assistant | |
| Patricia LaMagna | .... | assistant: Ms. Thurman | |
| Breanne Larrett | .... | second assistant production coordinator | |
| Flemming Lund | .... | assistant location manager | |
| Gwen MacQueen | .... | assistant accountant | |
| Sarah Mahoney | .... | production assistant | |
| Jess Malkin | .... | production assistant | |
| Marc Marcum | .... | story editor | |
| Tom Metz III | .... | assistant: Ms. Macaulay (as Tom W. Metz III) | |
| Liane Moore | .... | production team | |
| Daniel E. Parr | .... | first assistant auditor | |
| Brittany Philion | .... | assistant: Mr. Woo | |
| Bronwyn Preston | .... | publicist | |
| Elysia Bliss Pyne | .... | production assistant | |
| Ryan Robertson | .... | main title producer | |
| M. Ross-Michaels | .... | first assistant accountant | |
| Selena Scheirer | .... | office production assistant: second unit | |
| Paisley Shaw | .... | location coordinator | |
| Michele Lee Shellenberg | .... | payroll accountant | |
| Darius Siwek | .... | production assistant | |
| Josh Skye | .... | office production assistant | |
| Adrienne Sol | .... | first assistant production coordinator | |
| Kevin Stadnyk | .... | weapons coordinator | |
| Chris Thoma | .... | assistant location manager: second unit | |
| Stephen Tibbetts | .... | stand-in | |
| Christopher Tipton | .... | assistant: Mr. Davis (as Chris Tipton) | |
| Jack Veldhuis | .... | production assistant: second unit | |
| Todd Weinger | .... | assistant: Mr. Chang | |
| Terry Wong | .... | production assistant | |
| Angeles Woo | .... | assistant: Mr. Woo | |
| Steve Woodley | .... | head animal trainer | |
| Yukio Yamada | .... | production assistant: second unit | |
| Jason Ybarra | .... | key craft service: Los Angeles | |
| Jason Yee | .... | production assistant | |
| Cheri Yeung | .... | assistant: Mr. Chang | |
| Garson Yu | .... | title designer | |
| John Zubatiuk | .... | trainee assistant locations | |
| Terence Chase | .... | set security (uncredited) | |
| Dar Larizadeh | .... | balloon light technician (uncredited) | |
| David Milhous | .... | studio team (uncredited) | |
| Justin Parkinson | .... | production assistant (uncredited) | |
| Gordon Piper | .... | production assistant (uncredited) | |
La paye (Canada: French title)
more
Rated PG-13 for intense action violence and brief language.
119 min
2.35 : 1 more
Switzerland:14 (canton of Zurich) | Iceland:14 | Malaysia:18SG | South Korea:15 | Argentina:13 | Australia:M | Brazil:14 | Canada:14 (Nova Scotia) | Finland:K-15 | Germany:12 | Hong Kong:IIA | Ireland:15 | Netherlands:12 | Norway:15 | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:11 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of the Grisons) | UK:12A (original rating) | UK:12 (video rating) (2004) | USA:PG-13
Burrard SkyTrain Station, Vancouver, British Columbia, Canada more
Among one of the items in the envelope is Michael's ID card from Alcom Corporation. In an FBI office scene there is a close shot of the card with a UPC bar-code 071486036043. This code corresponds to Premiere Magazine published by Curtis Circulation Company. more
Continuity: Rachel's necklace while she is in the hotel room. more
[first lines]
Holographic Woman:
It's time to wake up... and get a life. We live in a 3-dimensional world. Until now, the world of computing has been a flat world, consisting of 2-dimensional imagery. Now, through the use of exclusive breakthrough technology, ARC has made it possible for you to get a life. A-Life, where we can work and play in a lifelike world of 3-dimensional reality. A-Life, the living monitor.
more
Referenced in The DiCaprio Code (2006) more
Happy Birthday to You more
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| News articles | IMDb Sci-Fi section | IMDb USA section |
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Rating: ** out of ****
I wonder what it says about the state of cinematic science fiction that most of author Philip K. Dick's adaptations generally mix high-octane action with its interesting sci-fi concepts. Paycheck is no exception, hardly a surprise when you note it's from once beloved Hong Kong filmmaker John Woo, who's quickly reaching Michael Bay/Roland Emmerich levels of notoriety in the U.S. with each regressive film.
To be fair, Paycheck isn't unenjoyable, and it even gets off to a pretty good start. Set sometime in the near future, there's not much of a noticeable difference with our present time except for a few elaborate-looking gadgets and computers. Ben Affleck stars as Michael Jennings, a reverse engineer who's hired by major corporations to build products superior to all rival companies. Afterwards, his memory is erased by a partner of his (Paul Giamatti) and he's given a large paycheck for his time and troubles (usually the whole process takes about three months).
His latest offer comes from an old friend of his (Aaron Eckhart), who promises an eight-figure deal at the end of the transaction. The catch is that the whole procedure will take three years. Despite some reluctance, he agrees to the deal and when the three years pass by, Jennings, thinking he's a rich man, is shocked to discover he gave up over ninety million dollars in favor of an envelope containing twenty everyday household items. Now he finds himself on the run from both the FBI and the company that hired him, and must set out to discover what he built during those three years he's missing.
Uma Thurman also stars in the movie as Jennings' girlfriend during that three-year span, but she factors so lazily into the picture, she's obviously only in the film so that a) Jennings can have a love interest and b) he can also have someone to talk to about every little discovery he makes. Then again, function "b" could have worked just as well with Giamatti, but everyone knows a "sexy" chick is a better sell (I have to put quote marks around sexy because Thurman looks positively haggard for almost every minute of screen time she's present; I can't help but feel the much hotter Kathryn Morris would have done better in the role).
There are two concepts in this movie that specifically intrigue me (some moderate spoilers here), the first one is choosing deliberately to erase your own memory, but the notion is forgotten after the first half-hour. I was quite curious to know exactly what the process is like to the subject. Take, for instance, the fact that he lost his memory over the three-year span. Does the last thing he remembers feel like a three-year old memory or an event that happened just a second ago? Instead, all we get is a half-hearted (actually, not even that much) attempt at a sorrowful romance because he can't remember his girlfriend and she's not very happy about that.
The other major sci-fi concept, the ability to see into the future, isn't explored with much more interest and it leads to a number of baffling questions. You see (quite a few spoilers here), it's revealed Jennings sent himself those twenty items because they can come in handy at a specific moment that'll help him survive or escape from a dangerous situation.
But the thing is, Jennings couldn't have known each item would come in handy unless he used the device he built at least twenty times, because there's no way he'd know a motorcycle would come in handy if he never had, say, the bus ticket to escape from the FBI, meaning he used the device to see what he needed to escape the FBI, but still foresaw that he'd be killed in even more future events. That would mean this guy was originally destined to die or get caught in well over ten different scenarios (i.e. he had the bus ticket to escape, but if he didn't have the motorbike keys, he wouldn't have gotten further, and so on and so forth), but this is never really addressed.
By John Woo standards, there's surprisingly only a modest amount of action in the film, but at least the material is competently handled, even if it's not entirely believable. What might work in movies that establish their characters as supercops with impeccable aims doesn't come off quite as well in action scenes that feature scientists beating up a large number of armed goons. But if you suspend disbelief, the action scenes are pretty fun (especially the motorcycle chase and the laboratory battle), and coupled with the relatively fast pace, keep the movie perfectly watchable despite the poor script and mediocre acting (I never got into specifics, but this is Ben Affleck and Uma Thurman we're talking about).
When all is said and done, Paycheck is a wasted opportunity and is never as memorable a mixture of science fiction, mystery, and action as Minority Report, but it's likely to do the trick for undemanding fans of any of these genres. If you expect more, well, you'd do best to remember this is John Woo we're talking about, not Steven Spielberg.