| Photos (see all 57 | slideshow) | Videos (see all 7) |
| Tommy Lee Jones | ... | Samuel Jones / Chaa-duu-ba-its-iidan | |
| Cate Blanchett | ... | Magdalena Gilkeson | |
| Evan Rachel Wood | ... | Lilly Gilkeson | |
| Jenna Boyd | ... | Dot Gilkeson | |
| Aaron Eckhart | ... | Brake Baldwin | |
| Val Kilmer | ... | Lt. Jim Ducharme | |
| Sergio Calderón | ... | Emiliano | |
| Eric Schweig | ... | Pesh-Chidin / El Brujo | |
| Steve Reevis | ... | Two Stone | |
| Jay Tavare | ... | Kayitah | |
| Simon Baker | ... | Honesco, Kayitah's son | |
| Ray McKinnon | ... | Russell J. Wittick | |
| Max Perlich | ... | Isaac Edgerly | |
| Ramon Frank | ... | Grummond | |
| Deryle J. Lujan | ... | Naazhaao / 'Hunter' | |
| Matthew E. Montoya | ... | Tsi Beoyuao / 'Blowing Tree' (as Matthew Montoya) | |
| Joe Saenz | ... | Mba'tsu-Naabitin / 'Wolf Trail' | |
| Gandi Shaw | ... | Izhashe / 'Bird' | |
| Rod Rondeaux | ... | Hudlao / 'The One Who Laughs' | |
| Juddson Keith Linn | ... | Chauaiao / 'Evening Time' (as Juddson Linn) | |
| Alvin William 'Dutch' Lunak | ... | Aii Sionzilo / 'Wild Horse' (as Dutch Lunak) | |
| Elisabeth Moss | ... | Anne | |
| Josephine Schwan | ... | Sally | |
| Alexandra Elich | ... | Sally | |
| Yolanda Nez | ... | Lii Dahit'een - Dancing Horse | |
| Heather Gulas | ... | Captive Girl | |
| Scarlett McAlister | ... | Captive Girl | |
| Aura Jensen-Curtis | ... | Captive Girl | |
| Shelby Kocurek | ... | Captive Girl | |
| Molly McAlister | ... | Captive Girl | |
| Angelina Torres | ... | Esmerelda Nunez (as Angelina C. Torres) | |
| Deborah Martinez | ... | Maria Nunez | |
| Clint Howard | ... | Sheriff Purdy | |
| Rance Howard | ... | Telegraph Operator | |
| Arron Shiver | ... | Rancher | |
| David Midthunder | ... | Apache Scout | |
| Paul Scallan | ... | Stokley | |
| Jerry King | ... | Drunk Soldier | |
| James Tarwater | ... | Drunk Soldier (as Jim Tarwater) | |
| David Garver | ... | Barker | |
| Clemente Spottedhorse | ... | Captured Apache | |
| Brian Brown | ... | Mexican Slave Trader | |
| Toby Holguin | ... | Mexican Slave Trader | |
| Eddie J. Fernandez | ... | Mexican Slave Trader (as Eddie Fernandez) | |
| Jason Rodriguez | ... | Mexican Slave Trader | |
| rest of cast listed alphabetically: | |||
| Tom Berto | ... | Rangler Gang Boss | |
| Ace | ... | Bird (uncredited) | |
| Richard Barela | ... | Townsperson (uncredited) | |
| Lewis Culbreth | ... | Townsperson (uncredited) | |
| Cliff Russell | ... | Townsperson (uncredited) | |
| Chris Talley | ... | Townsperson (uncredited) | |
Directed by | |||
| Ron Howard | |||
Writing credits(WGA) | ||
| Thomas Eidson | (novel "The Last Ride") | |
| Ken Kaufman | (screenplay) | |
Produced by | |||
| Sue Berger | .... | co-producer (as Sue Berger Ramin) | |
| Steve Crystal | .... | executive producer | |
| Thomas Eidson | .... | co-producer | |
| Brian Grazer | .... | producer | |
| Todd Hallowell | .... | executive producer | |
| Ron Howard | .... | producer | |
| Kathleen McGill | .... | associate producer | |
| Daniel Ostroff | .... | producer | |
| Aldric La'Auli Porter | .... | associate producer | |
| Louisa Velis | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Salvatore Totino | (director of photography) | ||
Film Editing by | |||
| Daniel P. Hanley | (as Dan Hanley) | ||
| Mike Hill | |||
| Ron Vignone | (extended version) | ||
Casting by | |||
| Jo Edna Boldin | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Art Direction by | |||
| Guy Barnes | |||
Set Decoration by | |||
| Wendy Ozols-Barnes | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Ozzy Alvarez | .... | special makeup effects artist | |
| Jeri Baker | .... | hair stylist: Mr. Jones | |
| John Blake | .... | makeup artist: Mr. Jones | |
| John Blake | .... | makeup department head | |
| Leslie Devlin | .... | key makeup artist | |
| Jamie Kelman | .... | special makeup effects artist | |
| Miia Kovero | .... | key hair stylist | |
| Ryan McDowell | .... | prosthetic makeup technician | |
| Emanuel Millar | .... | hair stylist: Ms. Blanchett (as Emanuel Manny Millar) | |
| Matthew W. Mungle | .... | makeup designer and creator: Chidin | |
| Bill Myer | .... | makeup artist | |
| Elaine L. Offers | .... | makeup artist: Ms. Blanchett (as Elaine Offers) | |
| Gary J. Perticone | .... | key hair stylist | |
Production Management | |||
| Eva Burkley | .... | production supervisor: second unit | |
| Kathleen McGill | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William M. Connor | .... | first assistant director: second unit | |
| Todd Hallowell | .... | second unit director | |
| Jeani Harris | .... | additional second assistant director | |
| David Hyman | .... | second assistant director | |
| Chemen Ochoa | .... | second second assistant director | |
| Kristen Ploucha | .... | second assistant director: second unit | |
| Aldric La'Auli Porter | .... | first assistant director | |
Art Department | |||
| Bradley Barnes | .... | on-set dresser | |
| Maurice Burns | .... | assistant art director | |
| John C. Cameron | .... | props | |
| Jason Davis | .... | property master: second unit | |
| Ralph Diaz | .... | on-set greens | |
| Joel Goodell | .... | set dresser | |
| Caylen Johnson | .... | property maker | |
| Jonathan Lantry | .... | sculptor | |
| Sara M. Lewis | .... | art department assistant | |
| Johnny Long | .... | lead greens | |
| Ben Lowney | .... | assistant property master | |
| John Mann | .... | storyboard artist | |
| P. Allen McDougal III | .... | set dresser | |
| Amy Morrison | .... | buyer | |
| James F. Oberlander | .... | set designer | |
| Chris Painter | .... | props | |
| Gary Petersen | .... | propmaker | |
| Upton Shipley | .... | painter | |
| Peter Tosti Stephenson | .... | set dresser | |
| Alan Swain | .... | set dresser | |
| Stan Torres | .... | greensman | |
| Keith Walters | .... | property master | |
| Christopher Windisch | .... | construction coordinator | |
Special Effects by | |||
| Robert Clark | .... | key sculptor | |
| Ken Gorrell | .... | gang boss | |
| Scott Hastings | .... | special effects technician | |
| Joel Hobbie | .... | special effects technician | |
| Geoffrey C. Martin | .... | special effects technician | |
| James L. Roberts | .... | special effects supervisor | |
Visual Effects by | |||
| Victor Aguirre | .... | facilities production assistant: Digital Domain | |
| Bron Barry | .... | visual effects production assistant | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Alette Boyce | .... | digital compositor | |
| Steve Caldwell | .... | digital compositor | |
| Craig Cannon | .... | scanning and recording operator: Digital Domain | |
| Benjamin Cinelli | .... | senior character animator | |
| Dan Cobbett | .... | digital compositor | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Jason Doss | .... | 3D integration lead: Digital Domain | |
| Jamieson Fry | .... | digital artist: Digital Domain | |
| Chris Gelles | .... | visual effects producer: & Company | |
| David Geoghegan | .... | digital optical compositor | |
| R.J. Harbour | .... | digital compositor | |
| Brad Herman | .... | digital artist: Digital Domain | |
| Timothy Hoffman | .... | digital artist | |
| Shaina Holmes | .... | digital compositor | |
| Christopher Holsey | .... | scan record supervisor | |
| Joel Hynek | .... | visual effects supervisor | |
| Todd Isroelit | .... | visual effects producer: Digital Domain | |
| David Isyomin | .... | visual effects supervisor: & Company | |
| Brad Kalinoski | .... | digital compositor | |
| John Karner | .... | digital artist | |
| Patrick Keenan | .... | digital compositor: Pacific Title Digital | |
| Markus Kurtz | .... | CG supervisor: Digital Domain | |
| Julian Levi | .... | visual effects producer | |
| Lori C. Miller | .... | title design | |
| Heather J. Morrison | .... | visual effects editor: Digital Domain | |
| Colleen Murphy | .... | digital production coordinator | |
| Adam Osterfeld | .... | digital artist: & Company | |
| Patrick Perez | .... | digital artist | |
| Brian Peyatt | .... | digital production manager | |
| Darren Poe | .... | compositing supervisor | |
| Kelly Port | .... | plate supervisor | |
| Laurie Powers | .... | digital art director | |
| Chad Roen | .... | digital artist | |
| Todd Sarsfield | .... | digital color grader | |
| Tess Spaulding | .... | system administrator | |
| Bryan Taylor | .... | visual effects artist | |
| Scott Tessier | .... | digital artist: Digital Domain | |
| Shin-Yee Yau | .... | digital artist | |
| Todd Daugherty | .... | senior systems engineer (uncredited) | |
| Jason Hughes | .... | facilities production assistant: Digital Domain (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Brian Openshaw | .... | render coordinator (uncredited) | |
Stunts | |||
| Julie Adair | .... | stunt performer | |
| Rio Alexander | .... | stunt performer | |
| Tony Lee Boggs | .... | stunt performer (as Tony Boggs) | |
| Samantha Brainard | .... | stunt performer | |
| Mary Davenport | .... | stunt performer | |
| Robert Harman | .... | stunt performer | |
| Jason Rodriguez | .... | stunts | |
| Ann Scott | .... | stunt performer | |
| Walter Scott | .... | stunt coordinator | |
| Julie Adair | .... | stunt double: Jenna Boyd (uncredited) | |
| Brian Brown | .... | stunts (uncredited) | |
| Eddie J. Fernandez | .... | stunts (uncredited) | |
| Juddson Keith Linn | .... | stunts (uncredited) | |
| Deryle J. Lujan | .... | stunts (uncredited) | |
| Rod Rondeaux | .... | stunts (uncredited) | |
| Wesley Scott | .... | stunts (uncredited) | |
Casting Department | |||
| Michelle Lewitt | .... | casting associate | |
| Amaris Meyer | .... | casting assistant (uncredited) | |
| Jocelyn E. Thomas | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Aleah Ames | .... | costume assistant | |
| Marsha Barton | .... | head seamstress | |
| Laurie Hudson | .... | key set costumer | |
| Dan Moore | .... | costume supervisor | |
| Daniela Moore | .... | costumer: Ms. Blanchett | |
| Nina Risolio | .... | costumer: Mr. Jones (as Ninalou Risolio) | |
| Cathy Smith | .... | specialty costumes | |
Editorial Department | |||
| Glenn Allen | .... | assistant editor | |
| Guy Barresi | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Tom Elkins | .... | apprentice editor | |
| Nathan R. Fitzgerald | .... | digital intermediate editor | |
| Richard Friedlander | .... | first assistant editor | |
Music Department | |||
| Ramiro Belgardt | .... | music editor | |
| Bob Bornstein | .... | music preparation | |
| Stephen Coleman | .... | music librarian | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Michael Fisher | .... | musician: ethnic percussion | |
| Nancy Fogarty | .... | assistant music editor | |
| Jim Henrikson | .... | supervising music editor | |
| Randy Kerber | .... | orchestrator | |
| Brian Kilgore | .... | musician: ethnic percussion | |
| J.A.C. Redford | .... | orchestrator | |
| Justin Reeve | .... | music coordinator | |
| Simon Rhodes | .... | music scoring mixer | |
Transportation Department | |||
| William Ballard | .... | transportation captain | |
| Jason LaFontain | .... | driver | |
| James William Ray | .... | driver: honeywagon | |
| Patrick A. Reynolds Jr. | .... | driver | |
| Eric Rivera | .... | driver | |
| Gary Shephard | .... | transportation coordinator | |
| Larry Shephard | .... | transportation coordinator | |
| Kenny Youngblood | .... | driver captain | |
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| Custer's Last Stand | The Three Burials of Melquiades Estrada | Major Dundee | Giant | The Assassination of Jesse James by the Coward Robert Ford |
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This movie is about New Mexico, not Arizona, and therefore deals with some elements of Southwestern frontier life that either are left out of most "Westerns" or are portrayed in a completely different way.
The first element is "mixed blood" persons. Although it is never clear whether Tommie Lee Jones' character is a white man living as an Apache, or is a "mixed blood," of bi-racial parents, who tries to live as both white and Apache, it doesn't matter. What matters about is that we see that only the bad people, of both races, resent him. The good people of each race -- eventually -- accept him for who he is.
The second element is the general representation of English settlers. Whenever an English person is shown in a Western movie it is either as a silly dude or an arrogant gunslinger. But most English were, like Mr. John Tunstall the rancher, from Canada, and were accustomed to the roughness of frontier life. So, here, Cate Blanchett first appears on-screen in an outhouse holding a wad of catalog paper.
The third element is the matter of social hypocrisy. Oscar Wilde (who once visited the American West) said, "Hypocrisy is the tribute vice pays to virtue." Thus, Cate Blanchett insists her occasional bed-mate never sleep with her when visitors are present on the homestead. Rather, he should keep up appearances, and sleep in his usual bed, in the bunk house. In other frontier movies unmarried cohabitation is either flaunted or causes great anxiety and guilt for the participants. But here, the characters of Cate Blanchett and Aaron Eckhart realistically consider their behavior to be decent and civilized.
The fourth difference has to do with the U.S. Army of the day (the 1880s). Val Kilmer is perfect as a well-intentioned officer who is unable or unwillling to take charge of them. To him, the mission must be defined by headquarters, not by the obvious facts. Thus stripped of initiative, he becomes more of a hindrance to peace in New Mexico Territory than a help. Some viewers may find themselves wishing, "At least he could be evil!" but it is not to be. Kilmer's character embodies that great grayness of real life that Western movies try to clarify as black and white.
Five: Sexual slavery. Yup, folks, girls are being kidnapped and sold into slavery elsewhere, for sexual purposes. This was not unusual in New Mexico. This movie makes it horribly clear that for sexual purposes a stupid girl is as good as a smart one, an ugly one as good as a pretty one, an unpleasant one as good as a pleasant one. Nope, these girls are kidnapped for only one quality, which as girls they all have equally.
The sixth element which distinguishes this from other Westerns is the relationship of death and heroism. The heroism here is not the usual kind in Westerns because it requires the hero to die. Otherwise, even if he was successful in his mission, he would've been simply more powerful than the villain, or luckier, and neither of those are moral qualities. The only other stories where this is typical behavior is in Nordic stories -- the only Viking heroes are dead, and they are heroes because they willingly died in order to achieve their goals. The Norse heaven, Valhalla, is filled with men who died trying.
The last difference is the substance of the villain. The bad guy here is a "brujo," an Apache witch-man. But he is not the usual "renegade medicine man" or fiercely-proud-but-understandably-misguided warrior. Nope, he captains supernatural forces that most viewers normally associate with wolfmen, vampires and so on. He really is evil, and his skills are greater than Cate Blanchett's (she's a Christian healer). He is brilliantly portrayed by Eric Schweig, whom most viewers probably have seen only as the young Mohican in 1992's "The Last of the Mohicans." Schweig is one of those actors who are usually assigned Indian roles because of their faces -- and probably become dispirited after a few years, when they realize that no one can or will write a role for them that is anything more than the usual. There are only a handful of actors, of any race, who could've done justice to this this "brujo" role. Schweig is so good here that the movie would've been a "tour de force" for him had not Tommie Lee Jones' dramatic experience stood in his way. In real life, Schweig is a mixed-blood Canadian, and a maker of excellent masks. No one will ever let him play Hamlet, because of his race, but maybe now screenwriters will see that serious roles can actually be written for actors such as he.
In short, if you know New Mexico you'll deeply appreciate this movie, and tip your hat to director Ron Howard if you ever see him.