| Photos (see all 18 | slideshow) | Videos (see all 12 NEW) |
| Cécile De France | ... | Marie | |
| Maïwenn Le Besco | ... | Alexia (as Maïwenn) | |
| Philippe Nahon | ... | Le tueur | |
| Franck Khalfoun | ... | Jimmy | |
| Andrei Finti | ... | Alex's Father | |
| Oana Pellea | ... | Alex's Mother | |
| Marco Claudiu Pascu | ... | Tom | |
| Jean-Claude de Goros | ... | Police Captain | |
| Bogdan Uritescu | ... | Gendarme | |
| Gabriel Spahiu | ... | Homme voiture |
Directed by | |||
| Alexandre Aja | |||
Writing credits(in alphabetical order) | ||
| Alexandre Aja | writer | |
| Grégory Levasseur | writer | |
Produced by | |||
| Alexandre Arcady | .... | producer | |
| Robert Benmussa | .... | producer | |
| Andrei Boncea | .... | executive producer | |
| Inigo Lezzi | .... | line producer | |
| Mehdi Sayah | .... | assistant producer | |
| Luc Besson | .... | co-producer (uncredited) | |
Original Music by | |||
| François Eudes | |||
Cinematography by | |||
| Maxime Alexandre | |||
Film Editing by | |||
| Baxter | |||
| Al Rundle | |||
| Sophie Vermersch | |||
Casting by | |||
| Florin Kevorkian | (as Florin Chevorchian) | ||
Production Design by | |||
| Renald Cotte Verdy | |||
| Tony Egry | |||
Art Direction by | |||
| Grégory Levasseur | |||
Set Decoration by | |||
| Gabriel Nechita | |||
| Gabriela Nechita | |||
Makeup Department | |||
| Gabi Cretan | .... | makeup artist | |
| Giannetto De Rossi | .... | special makeup effects artist | |
Production Management | |||
| Andrei Boncea | .... | executive in charge of production | |
| Attila Egry | .... | unit manager | |
| Calin Furtunescu | .... | production manager | |
| Inigo Lezzi | .... | production supervisor | |
Art Department | |||
| Blehan Bogdan | .... | construction crew | |
| Adrian Cancer | .... | storyboard artist | |
| Agler Catalin | .... | construction crew | |
| Ann Chakraverty | .... | set dresser | |
| Paul Dobre | .... | construction crew | |
| Dorin Grigorescu | .... | construction crew | |
| Ionut Mandruta | .... | construction crew | |
| Gabriela Nechita | .... | construction crew (as Gabi Nechita) | |
| Gabriela Nechita | .... | storyboard artist | |
| Rusetelu Nicolae | .... | construction crew | |
| Calin Papura | .... | construction crew | |
| Tudor Polizu | .... | construction crew | |
| Serge Recorbet | .... | construction manager | |
| Elsa Richez | .... | key painter | |
| Camelia Sirbu | .... | construction crew | |
| Doru Stan | .... | construction crew | |
Special Effects by | |||
| Adrian Popescu | .... | special effects supervisor | |
Visual Effects by | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | visual effects | |
| Christophe Chanvin | .... | visual effects supervisor | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Matthias Weber | .... | visual effects producer | |
Stunts | |||
| Szabolcs Cseh | .... | stunts (as Szabo Cseh) | |
| Marius Florian | .... | stunt double: Marie | |
| Von Totojescu | .... | stunts | |
Casting Department | |||
| Domnica Circiumaru | .... | extras casting | |
Editorial Department | |||
| Serge Anthony | .... | color timer (as Serge Antony) | |
| Adam Fox Forrest | .... | dvd menu designer | |
| Magali Magnan | .... | assistant editor | |
Music Department | |||
| Matthew Bellamy | .... | composer: song "New Born" | |
| Jérôme Devoise | .... | score mixer | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Mehdi Sayah | .... | assistant music supervisor | |
Transportation Department | |||
| Adrian Nita | .... | transportation coordinator | |
Other crew | |||
| Andra Barbuica | .... | script supervisor | |
| Bob Buchholz | .... | english language director | |
| Razvan Caminschi | .... | production assistant | |
| Liliana Ciobanu | .... | production assistant | |
| Jean-Patrick Flande | .... | unit publicist | |
| Catherine Grandjean | .... | administrator | |
| Nicu Kasza | .... | production assistant | |
| Dorina Popa | .... | production assistant | |
| Dominique Segall | .... | press attache | |
| Karl Sigwald | .... | production assistant | |
| Luminita Costinela Stanciu | .... | production secretary | |
| Doru Stan | .... | production assistant | |
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| Friday the 13th | Hostel: Part II | The Hills Have Eyes | Batoru rowaiaru | I corpi presentano tracce di violenza carnale |
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| News articles | IMDb Crime section | IMDb France section |
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Oh my god. Without a doubt I have not been affected by a movie this much since watching the original Texas Chainsaw Massacre when I was well under age and the movie was certainly more than dodgy. I couldn't sleep after watching that and was very uneasy, multiplied a gazillion times by the imagination of a kid. This certainly had a similar affect on me, it scared me and horrified me, it even surprised me more than any other movie has of late.
If you have any preconception about foreign cinema being weaker to Hollywood then you have hardly spent enough time watching foreign cinema and too much time engrossed in poor romantic flicks with Clooney et al. You really need to get out and grab some of that Japanese, Spanish and French cinema action. It's easily had and there's a lot to it, far better movies...anyway, I find myself digressing again.
From the outset this movie pitches itself as a hard horror, it isn't going to pull any punches and it's going to show you like it is, harrowing and horrific. That said, the story then turns to a slower pace and you find that it's mixing the suspenseful thriller in with the moments of full on horror, and it's done so well. Too well in fact, and watching the psychotic at work is sometimes shocking.
It rides a fine line between schlock horror and suspense horror, it manages to combine the two without falling into a complete gore flick. It is gory mind you, very gory. I was eating a couple of biscuits during the movie and I stopped until it was finished, even then I wasn't sure.
That's where this movies strength lies, it really pushes the boundaries of between those two types of movies but keeps its feet firmly in the suspense, and tension area. The film is exceedingly tense, and it's raised slowly to begin with, but creeps up at every set piece, and it's not long before the shocking and surprising final set piece is upon you. That in itself is terrifying, and as it unfolded on me I was stunned.
Part of me thinks that this movie could have done much better without all the horror, but I'm not sure that the film would have carried on the tension and suspense alone, it's the very presence of the horror that adds to and heightens the pressure.
A very stylish, tense film, truly a suspense-thriller-horror to be proud of from the French. Please Hollywood, don't remake it.