| Photos (see all 17 | slideshow) | Videos (see all 4) |
| Diego Luna | ... | Lolo | |
| Lucas Crespi | ... | Nene | |
| Norman Sotolongo | ... | Svóboda | |
| Jesús Ochoa | ... | Tomson | |
| Martha Tenorio | ... | Eulogia (as Marta Tenorio) | |
| Rafael Inclán | ... | Goyo | |
| Rosa María Bianchi | ... | Carmen | |
| José María Yazpik | ... | Joaquín | |
| Marta Belaustegui | ... | Andrea (as Marta Beláustegui) | |
| Eugenio Montessoro | ... | Carlos | |
| Carmen Madrid | ... | Clara | |
| Daniel Giménez Cacho | ... | Beto | |
| Alexis Sánchez | ... | Andrei | |
| Jorge Zárate | ... | Sánchez | |
| Enoc Leaño | ... | Memo | |
| Andres Valdés | ... | Policía 1 | |
| Mariano Osorio | ... | Voz locutor radio (voice) | |
| Vicky Fox | ... | Voz Paquita (voice) | |
| Maclovia González | ... | Voz Claudia (voice) | |
| Danil Artamonov | ... | Entrenador de diálogos rusos (voice) |
Directed by | |||
| Hugo Rodríguez | |||
Writing credits(in alphabetical order) | ||
| Martín Salinas | writer | |
Produced by | |||
| Antonio Chavarrías | .... | co-producer | |
| Alejandro Clancy | .... | associate producer | |
| Federico González Compeán | .... | executive producer | |
| Laura Imperiale | .... | executive producer | |
| Laura Imperiale | .... | producer | |
| Monica Lozano Serrano | .... | executive producer (as Monica Lozano) | |
| Liliana Mazure | .... | co-producer | |
| Hugo Rodríguez | .... | associate producer | |
| Martín Salinas | .... | associate producer | |
| Martha Sosa Elizondo | .... | producer (as Martha Sosa) | |
| Eckehardt Von Damm | .... | executive producer | |
Original Music by | |||
| Fernando Corona | |||
Cinematography by | |||
| Marcelo Iaccarino | |||
Film Editing by | |||
| Alberto de Toro | |||
Casting by | |||
| Alejandro Caballero | |||
Art Direction by | |||
| Sandra Cabriada | |||
Set Decoration by | |||
| Darío Ramos | |||
Costume Design by | |||
| Alejandra Dorantes | |||
Makeup Department | |||
| Mario Zarazua | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Álvaro Curiel | .... | first assistant director | |
| Cecilia Ulrich | .... | second assistant director | |
Art Department | |||
| Ezra Buenrostro | .... | set designer | |
| Sofía Riggen | .... | art coordinator | |
| Tomas Rodriguez Tovar | .... | set designer | |
| Diego Suárez Groult | .... | swing | |
Sound Department | |||
| Nerio Barberis | .... | sound mixer | |
| Lena Esquenazi | .... | sound | |
| Eduardo Vaisman | .... | foley editor | |
Special Effects by | |||
| Alejandro Vázquez | .... | special effects | |
Visual Effects by | |||
| Chris Aronoff | .... | digital compositor | |
| Ignacio Gorfinkiel | .... | visual effects coordinator | |
| Matias Kaplún | .... | digital artist | |
| Rodrigo S. Tomasso | .... | digital compositor | |
| Eduardo Vaisman | .... | visual effects | |
| Michael Anthony Oakley Walls | .... | digital effects artist | |
Camera and Electrical Department | |||
| Carmen Cabana | .... | additional still photographer | |
| Fernando del Campo | .... | second assistant camera | |
| Lucas Guidalevich | .... | film recorder operator: Cineon | |
| Victor Vasini | .... | film recorder operator: Cineon | |
Editorial Department | |||
| Rodrigo S. Tomasso | .... | colorist: high definition | |
Music Department | |||
| Jaime Baksht | .... | score mixer | |
| Herminio Gutiérrez | .... | music supervisor | |
Other crew | |||
| Ignacio Borja | .... | title designer | |
| Bernando Terrones | .... | location manager | |
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| La hija del caníbal | Assassins | Awara Paagal Deewana | GoldenEye | The Air I Breathe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Mexico section |
| Add this title to MyMovies |
I saw a cut of this film back in February in order to cut a trailer for American audiences. I must say that I was not impressed after viewing it. The film started off interesting and silly, but as the plot unfolded it really had no where to go. Actor Diego Luna has done some fine work in his previous films, but he phoned this performance in.
Also, film makers felt that they should use a Guy Richie style of editing in order to spice the film up and give it some edge, but all that did was make the film look contrived.
Right now they are trying to market this film like it's Amores Perros, but this film is absolutely nothing like it, wait till video to see this film.