| Photos (see all 17 | slideshow) | Videos (see all 2) |
| Kristen Stewart | ... | Maddy | |
| Corbin Bleu | ... | Austin | |
| Max Thieriot | ... | Gus | |
| Jennifer Beals | ... | Molly | |
| Sam Robards | ... | Tom | |
| John Carroll Lynch | ... | Mr. Hartmann | |
| James LeGros | ... | Ferrell (as James Le Gros) | |
| Michael Des Barres | ... | Brisbane | |
| Stark Sands | ... | Brad | |
| Lennie Loftin | ... | Flagler | |
| François Giroday | ... | Nuffaut | |
| Christine Estabrook | ... | Sharon | |
| Kevin Schmidt | ... | Skip (as Kevin G. Schmidt) | |
| Audrey Wasilewski | ... | Nurse | |
| Meagen Fay | ... | Doctor | |
| Lucy Butler | ... | Brisbane's Assistant | |
| Elizabeth Decker | ... | Brisbane's Secretary | |
| Grant Hayden Scott | ... | Max | |
| Shane Avery Scott | ... | Max | |
| Dawn Lewis | ... | Blonde (as Dawn A.F. Lewis) | |
| Marcus Hester | ... | Gate Guard | |
| Robert Harvey | ... | Detective | |
| Todd M. Hofacker | ... | Reporter One | |
| Claudia DiFolco | ... | Reporter Two | |
| Patrick Stinson | ... | Reporter Three | |
| Jerry Penacoli | ... | Reporter Four | |
| Maria Quiban | ... | Reporter Five (as Maria T. Quiban) | |
| Kane Ritchotte | ... | Kid Two | |
| Franklin Dennis Jones | ... | Enforcer | |
| Linus Merwin | ... | Kid #3 | |
| Kristen Kerr | ... | Mom | |
| Gianina Sbardellati | ... | Racer | |
| Chelsea Bond | ... | Mom #2 | |
| Daniel Dotterer | ... | Head Pit Crew Boy |
Directed by | |||
| Bart Freundlich | |||
Writing credits(WGA) | ||
| Nikolaj Arcel | (film Klatretøsen) and | |
| Hans Fabian Wullenweber | (film Klatretøsen) and | |
| Erlend Loe | (film Klatretøsen) | |
| Michael Brandt | (screenplay) & | |
| Derek Haas | (screenplay) | |
Produced by | |||
| Mikkel Bondesen | .... | executive producer | |
| James Dodson | .... | executive producer | |
| James Dodson | .... | line producer | |
| Jeffrey Graup | .... | co-producer | |
| Andrew Lazar | .... | producer | |
| Damien Saccani | .... | executive producer | |
| Uwe Schott | .... | producer | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Julio Macat | |||
Film Editing by | |||
| Stuart Levy | |||
Casting by | |||
| Douglas Aibel | |||
| Michael Hothorn | |||
| Donna Isaacson | |||
Production Design by | |||
| Tom Meyer | |||
Art Direction by | |||
| Denise Hudson | |||
Set Decoration by | |||
| Melissa M. Levander | |||
Costume Design by | |||
| Salvador Pérez Jr. | |||
Makeup Department | |||
| Camille Friend | .... | hair department head | |
| Lori McCoy-Bell | .... | hair department head | |
| Edna Sheen | .... | key makeup artist (as Edna M. Sheen) | |
| Laini Thompson | .... | makeup department head | |
| Melanie Verkins | .... | key hair stylist | |
Production Management | |||
| Michael Beugg | .... | unit production manager | |
| Patrick Esposito | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| James Dodson | .... | second unit director | |
| Gary Edwards | .... | additional second second assistant director | |
| Peter Merwin | .... | second assistant director | |
| Lincoln Myers | .... | second second assistant director | |
| Mic Rodgers | .... | second unit director | |
| Carrie Rudolf | .... | additional second second assistant director | |
| James Sbardellati | .... | first assistant director | |
| Roee Sharon | .... | first assistant director: second unit (as Roee Sharon Peleo) | |
| Daniel R. Suhart | .... | second second assistant director: second unit (as Dan Suhart) | |
| Greg Zekowski | .... | second assistant director: second unit | |
Art Department | |||
| Brian Barnhart | .... | construction foreman | |
| Jennifer R. Blair | .... | construction office coordinator | |
| Raymond Borton | .... | labor foreman | |
| Courtney Brandy | .... | art department assistant | |
| Melanie Burgess | .... | art department assistant | |
| Kevin Cleary | .... | stand-by painter | |
| Richard Clendenen | .... | labor foreman | |
| Donn Cross | .... | paint foreman | |
| Curtis Crowe | .... | construction coordinator | |
| Craig Davidson | .... | propmaker gang boss | |
| Guillaume DeLouche | .... | property master | |
| Daniel Frey | .... | propmaker gang boss (as Dan Frey) | |
| Chris Fuentes | .... | swing gang (as Christopher Fuentes) | |
| Neil Gahn | .... | propmaker gang boss | |
| Robert Grbavac | .... | painter | |
| Mary Gustafson | .... | lead painter | |
| Kim Hix | .... | assistant art director | |
| Ken Howard | .... | plasterer foreman | |
| Trey Howard | .... | first property assistant (as Trey Butts) | |
| Heather Hudson | .... | art department assistant | |
| Michael Klingerman | .... | lead man | |
| Thomas D. Krausz | .... | set dresser | |
| Jonah Markowitz | .... | assistant art director | |
| Paula Maslowski | .... | buyer | |
| John McElroy | .... | on-set dresser | |
| Gary McMahon | .... | paint gang boss | |
| James P. Meehan | .... | props | |
| Mark Meloccaro | .... | art department coordinator | |
| Marc Messenger | .... | storyboard artist | |
| Christopher Pappas | .... | swing gang (as Chris Pappas) | |
| Richard Rogers | .... | art department assistant | |
| Steve Roll | .... | propmaker | |
| Eric Steinway | .... | set dresser | |
| Rion Waller | .... | swing gang | |
| Thomas Woessner | .... | propmaker gang boss (as Tom Woessner) | |
| Rodney Wright | .... | propmaker gang boss | |
Special Effects by | |||
| Philip Bartko | .... | on-set key special effects | |
| Brent W. Bell | .... | special effects technician | |
| Sam Dean | .... | special effects technician | |
| John Elliot | .... | special effects foreman | |
| Dennis Petersen | .... | special effects director | |
| David Sandlin | .... | special effects technician | |
| George Vrattos | .... | special effects technician | |
Visual Effects by | |||
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Gilbert De La Garza | .... | film technician: Digital Filmworks | |
| Anthony Doublin | .... | digital effects artist | |
| Chris Hopkins | .... | 3D artist/matchmover | |
| Heather Ignarro | .... | visual effects production coordinator | |
| Patrick Keenan | .... | digital compositor: Pacific Title | |
| Robert Lukacs | .... | film technician: Digital Filmworks | |
| Ko Maruyama | .... | visual effects | |
| Leah Nall | .... | lead rotoscope artist | |
| Roger Nall | .... | digital effects artist: 11:11 MediaWorks | |
| Shannon Leigh Olds | .... | visual effects editor | |
| Marco S. Paolini | .... | digital compositor | |
| Edward Quirk | .... | senior 3D animator: Digital Filmworks | |
| Jeff M. Sharar | .... | roto artist | |
| Aanand Shrestha | .... | film technician: Digital Filmworks | |
| Sharon Stetzel | .... | visual effects production supervisor | |
| Tommy Tran | .... | compositing artist | |
| Jeff Varga | .... | digital effects artist | |
| Mike Walsh | .... | digital effects artist | |
Stunts | |||
| Kenny Alexander | .... | stunts (as Ken Alexander) | |
| Jane Austin | .... | utility stunts | |
| Dean Bailey | .... | stunts | |
| Jacob Chambers | .... | stunts | |
| Eliza Coleman | .... | stunts (as Lisa Coleman) | |
| Bret Davidson | .... | stunts | |
| Loren Dennis | .... | stunts | |
| Christopher Doyle | .... | stunts | |
| Roel Failma | .... | stunt driver | |
| Jeremy Fitzgerald | .... | stunts | |
| Shan Groff | .... | stunts | |
| Thomas Robinson Harper | .... | stunts | |
| Terry James | .... | stunts (as Terrance James) | |
| M. Evan Jensen | .... | stunts | |
| Paul Lane | .... | stunts | |
| Paul M. Lane | .... | utility stunts | |
| Shawn Lane | .... | utility stunts | |
| David Lea | .... | stunts (as Dave Lea) | |
| Kurt D. Lott | .... | stunt driver | |
| Kent W. Luttrell | .... | stunts | |
| Eddie Matthews | .... | stunts | |
| Gary Paul | .... | stunt coordinator | |
| Gregg Sargeant | .... | stunts | |
| John D. Sarviss | .... | stunts | |
| Paul E. Short | .... | stunts | |
| Gary J. Wayton | .... | stunt performer | |
| Lee Whittaker | .... | stunt double: Max Thieriot | |
| Lee Whittaker | .... | stunts | |
Casting Department | |||
| Chris Bustard | .... | casting associate | |
| Chris Deguzman | .... | casting assistant | |
| Kim Ju | .... | extras casting | |
| Matt Lyons | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Lee A. Miles | .... | extras casting | |
| Cindy Tolan | .... | casting associate: New York City | |
Costume and Wardrobe Department | |||
| Artemio Carpio | .... | costumer | |
| Sabine Huber | .... | costumer | |
| Jalene Murphy | .... | set costumer | |
| Devon Patterson | .... | costumer | |
| Larry Velasco | .... | costume supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Marisa Clayton | .... | post-production Coordinator: Modern VideoFilm | |
| Matvey Shatz | .... | color timer | |
| Jonny Winograd | .... | first assistant editor: avid | |
Music Department | |||
| George S. Clinton | .... | conductor: score | |
| Debbi Datz-Pyle | .... | scoring contractor (as Debbie Datz-Pyle) | |
| Julie Eidsvoog | .... | music preparation | |
| Mike Flicker | .... | supervising music editor | |
| Matt Friedman | .... | music editor | |
| Rick Giovinazzo | .... | orchestrator | |
| Suzie Katayama | .... | orchestrator: score | |
| Steve Kempster | .... | score engineer | |
| Tim Lauber | .... | assistant scoring mixer | |
| Bryon Rickerson | .... | assistant music editor | |
| John Rodd | .... | orchestral scoring recordist | |
| Diana Stata | .... | music supervisor (as Diane Stata) | |
| Tom Steel | .... | scoring stage crew | |
| Bill Talbott | .... | scoring technician | |
| Damon Tedesco | .... | scoring stage crew | |
| Joshua Winget | .... | music editor: temp music | |
Transportation Department | |||
| Bo Ehrig | .... | transportation coordinator | |
| Michael Helgesen | .... | transportation co-captain | |
| Steve Polon | .... | transportation captain | |
| Jenny Tallent | .... | transportation office coordinator | |
| Bob Wachs | .... | driver | |
| Michael Burnette | .... | driver (uncredited) | |
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| The Incredibles | Ladrón que roba a ladrón | Home Alone 3 | Transformers | Inspector Gadget |
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A U.S. remake of the Danish film Klatretosen (2002), Catch that Kid is a teen heist film, in a nutshell. When Maddy's (Kristen Stewart) dad needs an expensive operation, she plans a heist to get the money to pay for it, enlisting the help of her two equally inventive friends, Austin (Corbin Bleu) and Gus (Max Thieriot). Catch that Kid is a lot of fun, but viewers who are only looking for "realistic" fare may be disappointed. As a teen heist film, Catch that Kid is heavy on the fantasy aspects, which are frequently more cartoonish than realistic. Whether you'll like it will largely depend on whether you don't mind, or even prefer (as I do), fantasy instead of reality in films. And unlike traditional heist films, Catch that Kid has an overarching "warm and fuzzy" message, with a predictable climax and denouement. Even though it is heavy on fantasy elements, the three stars, Stewart, Bleu and Thieriot, are very believable, in context, in their roles. The film is interesting that in spite of being a heist film, it is also constructed like a more traditional fantasy/adventure story. In this interpretation, the bank is as a castle, presided over by an evil ruler. Our heroes must enter the castle stealthily, foiling the court jesters/castle guards, evading the magical beasts to scale the inner sanctum, retrieve the sacred token, escape on horseback and save the true King. That the plot can work in both the modern heist setting and the traditional fantasy/adventure setting gives in more depth and more unconscious resonance with audiences amenable to less realistic tales. Comparisons can easily be made to other recent films such as the Spy Kids series, the Cody Banks series, or even animated fare such as Kim Possible, but each has its particular niche, and Catch that Kid was just as entertaining to me (a middle-aged male) as any heist film for grown-ups. Finally, in a different tone, let me repeat the rant I gave in my review of The Grudge (2004): It is ridiculous that U.S. distributors and studios feel that we need remakes of foreign films to make them appropriate for consumption. The original versions of these films should just be playing in U.S. theaters in wide release. There is no need to present an almost identical film but just substituting white American actors for non-white or foreign actors. Yes, Catch that Kid is a fine film, but ultimately, I'd rather see something original using this talent, and be treated to the latest foreign films--not just European, but Asian, African, etc.--at my multiplex. In the hope that someone with some pull at the studios reads this, it is also more cost-effective to do this, as (1) you can completely avoid production costs, and simply make domestic distribution deals from which you receive profit, and (2) you can make money off of fans like myself who otherwise pick up the foreign film DVDs in foreign manufactured or even bootleg versions.